reason	p_nime	closeness	contrast	cited_by	cites	year	title	doi
not about NIME topics by the title classifier	0.499	0.3127	-0.2065		27	2019	Mobile technologies for music interaction	10.11606/t.45.2019.tde-20122018-163009
not about NIME topics by the title classifier	0.456	0.2592	0.0153		27	2015	Direct and expressive interaction on the desktop : increasing granularity, extent, and dimensionality	10.70675/86d8ee8cz5435z457dz962cz6a0b77dfc86d
not about NIME topics by the title classifier	0.39	0.202	-0.1987		27	2019	Smart Musical Instruments: Vision, Design Principles, and Future Directions	10.1109/access.2018.2876891
not about NIME topics by the title classifier	0.454	0.2365	-0.0012		17	2019	Non-Rigid HCI: A Review of Deformable Interfaces and Input	10.1145/3322276.3322347
not about NIME topics by the title classifier	0.342	0.1622	-0.0898		16	2019	Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam	10.1162/comj_a_00536
not about NIME topics by the title classifier	0.439	0.1798	-0.0686		15	2021	Design and evaluation of a digitally active drum	10.1007/s00779-020-01391-6
not about NIME topics by the title classifier	0.414	0.1927	-0.0802		13	2016	Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens	10.1145/2858036.2858269
not about NIME topics by the title classifier	0.338	0.164	-0.1622		12	2017	Loudspeakers Optional: A history of non-loudspeaker-based electroacoustic music	10.1017/s1355771817000103
not about NIME topics by the title classifier	0.443	0.1668	-0.0372		11	2025	Exploring pose estimation in instrumental composition: the Body Fragmented project	10.3389/fcomp.2025.1570296
not about NIME topics by the title classifier	0.234	0.221	-0.2132		11	2018	Jamming with a Smart Mandolin and Freesound-based Accompaniment	10.23919/fruct.2018.8588110
not about NIME topics by the title classifier	0.354	0.1842	-0.1779		11	2023	Investigating performance ecologies using screen scores: a case study	10.1007/s00779-023-01719-y
not about NIME topics by the title classifier	0.49	0.1931	-0.2562		11	2023	The Stretchy Strap: supporting encumbered interaction with guitars	10.1080/09298215.2023.2274832
not about NIME topics by the title classifier	0.391	0.3192	-0.0138		11	2023	The Internet of Sounds: Convergent Trends, Insights, and Future Directions	10.1109/jiot.2023.3253602
not about NIME topics by the title classifier	0.165	0.1994	-0.0882		10	2019	Applying Game Mechanics to Networked Music HCI Systems	10.1007/978-3-319-92069-6_14
not about NIME topics by the title classifier	0.042	0.1904	-0.2454		10	2014	User Behavior	10.1007/978-1-4614-6170-8_100971
cites 5–9 archive entries	0.339	0.2067	-0.2554		9	2010	A View on Improvisation from the Kitchen Sink	10.1162/lmj_a_00020
cites 5–9 archive entries	0.816	0.225	-0.0903		9	2015	Computer Music Languages and Systems: The Synergy Between Technology and Creativity	10.1007/978-981-4560-52-8_19-1
cites 5–9 archive entries	0.863	0.2998	-0.1061		9	2008	Preservation of interactive multimedia performances	10.1504/ijmso.2008.023567
cites 5–9 archive entries	0.593	0.1706	-0.2017		9	2024	Musical Drawing in 2D and 3D: Dimensions and Perspectives	10.1145/3678299.3678317
cites 5–9 archive entries	0.9	0.1962	0.0165		9	2023	Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people	10.3389/fcomp.2023.1158476
cites 5–9 archive entries	0.285	0.2744	-0.0867		9	2018	Emotion in Video Game Soundtracking	10.1007/978-3-319-72272-6
cites 5–9 archive entries	0.629	0.2797	-0.1017		9	2020	Advances in Computer Graphics: 37th Computer Graphics International Conference, CGI 2020, Geneva, Switzerland, October 20–23, 2020, Proceedings	10.1007/978-3-030-61864-3
cites 5–9 archive entries	0.893	0.3112	0.0183		9	2019	A Case Study in Collaborative Learning via Participatory Music Interactive Systems: Interactive Tango Milonga	10.1007/978-3-319-92069-6_18
cites 5–9 archive entries	0.862	0.2408	-0.107		9	2023	Composing Interface Connections for a Networked Touchscreen Ensemble	10.1109/ieeeconf59510.2023.10335226
cites 5–9 archive entries	0.296	0.2413	-0.2046		9	2016	Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers	10.1007/978-3-319-46282-0
cites 5–9 archive entries	0.315	0.2243	-0.075		9	2016	BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras	10.1007/978-3-319-46282-0_10
cites 5–9 archive entries	0.96	0.3219	0.0105		9	2014	Mapping and interaction strategies for performing environmental sound	10.1109/sive.2014.7006286
cites 5–9 archive entries	0.732	0.269	-0.1125		9	2018	User-independent Accelerometer Gesture Recognition for Participatory Mobile Music	10.17743/jaes.2018.0026
cites 5–9 archive entries	0.845	0.2505	-0.1545		9	2011	Digital Music Performance for Mobile Devices Based on Magnetic Interaction	10.1109/tim.2011.2164283
cites 5–9 archive entries	0.99	0.3275	-0.0291		9	2014	Playing vibrotactile music: A comparison between the Vibrochord and a piano keyboard	10.1016/j.ijhcs.2014.01.003
cites 5–9 archive entries	0.82	0.2141	-0.0847		9	2019	Liveness and Interactivity in Popular Music	10.4324/9781351016711-8
cites 5–9 archive entries	0.87	0.3427	-0.0689		9	2019	DrWebusic : Real-time Interactive Audio System on the Web	10.9728/dcs.2019.20.9.1755
cites 5–9 archive entries	0.845	0.2505	-0.1545		9	2010	Towards digital music performance for mobile devices based on magnetic interaction	10.1109/have.2010.5623990
cites 5–9 archive entries	0.894	0.2121	-0.0854		9	2019	Mobile Music Development Tools for Creative Coders	10.31390/gradschool_dissertations.4935
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cites 5–9 archive entries	0.882	0.2473	-0.1133		9	2017	The Role of Live Visuals in Audience Understanding of Electronic Music Performances	10.1145/3123514.3123555
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cites 5–9 archive entries	0.924	0.1678	-0.0839		9	2023	Suspended Circles: Soma Designing a Musical Instrument	10.1145/3544548.3581488
cites 5–9 archive entries	0.991	0.4398	0.0883		9	2018	Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp	10.1145/3212721.3212814
cites 5–9 archive entries	0.752	0.3206	-0.1904		9	2019	Bewegungssonifikation: Psychologische Grundlagen und Auswirkungen der Verklanglichung menschlicher Handlungen in der Rehabilitation, im Sport und bei Musikaufführungen	10.5964/jbdgm.2018v28.36
cites 5–9 archive entries	0.868	0.1928	0.0192		9	2021	TumTá and Pisada: Digital Dance and Music Instruments Inspired by Popular Brazilian Traditions	10.35699/2317-6377.2020.26151
cites 5–9 archive entries	0.862	0.1385	-0.1207		9	2021	Co-Sounding: Fostering intersubjectivity in electronic music improvisation	10.1017/s1355771821000017
cites 5–9 archive entries	0.105	0.2146	-0.1215		9	2020	Transparent Communication Within Multiplicities	10.23919/fruct49677.2020.9210989
cites 5–9 archive entries	0.764	0.2382	-0.3419		9	2012	The Augmented String Quartet: Experiments and Gesture Following	10.1080/09298215.2011.647823
cites 5–9 archive entries	0.859	0.3816	-0.041		9	2019	Encumbered Interaction: a Study of Musicians Preparing to Perform	10.1145/3290605.3300706
cites 5–9 archive entries	0.821	0.1564	-0.0585		9	2019	Noted: Musical affordances for collective exploratory music-making	10.31274/cc-20240624-1067
cites 5–9 archive entries	0.982	0.1433	-0.1278		9	2022	The Perfect Musical Instrument Does Not Exist: Experience Reports for the Development of Accessible NIMEs	10.1145/3529190.3534741
cites 5–9 archive entries	0.858	0.2016	-0.1273		9	2025	A Sensor is not a Sensor: Diffracting the Preservation of Sonic Microinteraction with the SiFiBand	10.1145/3771594.3771626
cites 5–9 archive entries	0.989	0.1372	-0.0294		9	2016	Expressivity in Open-ended Constructive Play: Building and Playing Musical Lego Instruments	10.1145/2930674.2930683
cites 5–9 archive entries	0.658	0.1971	-0.0079		8	2006	Fetish: Bent Leather's palpable, visceral instruments and Grainger	10.1080/07494460600647519
cites 5–9 archive entries	0.581	0.3033	-0.1353		8	1999	Exploration of Timbre by Analysis and Synthesis	10.1016/b978-012213564-4/50006-8
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cites 5–9 archive entries	0.879	0.1658	-0.1723		8	2011	Balance Ball Interface for Performing Arts	10.1007/978-3-642-21669-5_52
cites 5–9 archive entries	0.916	0.0	0.0		8	2010	TOUCHtr4ck: democratic collaborative music	10.1145/1935701.1935773
cites 5–9 archive entries	0.953	0.2091	-0.0294		8	2025	Augmenting IoMusT Devices with Haptic Feedback: Design Tools and Strategies from Expert T-Stick Performers	10.1109/is264627.2025.11284670
cites 5–9 archive entries	0.668	0.2274	-0.32		8	2017	Integrating Gesture Data in Computer-aided Composition: A Framework for Representation, Processing and Mapping	10.1080/09298215.2016.1254662
cites 5–9 archive entries	0.983	0.361	0.0516		8	2010	Construction, manipulation et visualisation de processus sonores dans des environnements virtuels immersifs pour la performance musicale	10.70675/ac9d5250zb14cz4f39z8182z74aa81ef169d
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cites 5–9 archive entries	0.945	0.2735	-0.0874		8	2018	Motion Controllers, Sound, and Music in Video Games: State of the Art and Research Perspectives	10.1007/978-3-319-72272-6_8
cites 5–9 archive entries	0.568	0.1453	-0.0851		8	2023	A web-based distributed system for integrating mobile music in choral performance	10.1007/s00779-023-01709-0
cites 5–9 archive entries	0.473	0.1377	-0.1264		8	2012	Internet2 and Global Electroacoustic Music: Navigating a decision space of production, relationships and languages	10.1017/s135577181100046x
cites 5–9 archive entries	0.996	0.2855	0.0011		8	2025	Expanding Creative Interaction: Toward a Modular Toolkit for Audio-Visual Composition and Augmented Performance	10.1145/3765766.3765845
cites 5–9 archive entries	0.729	0.0	0.0		8	2017	Handwaving: Gesture Recognition for Participatory Mobile Music	10.1145/3123514.3123538
cites 5–9 archive entries	0.949	0.2148	-0.022		8	2025	The TMAP Framework: Describing the Design Space of Technology-Mediated Audience Participation in Live Music	10.1109/access.2025.3543064
cites 5–9 archive entries	0.96	0.2392	0.0144		8	2015	Tech report: Orchestrating your cloud orchestra: Model driven development of cloud deployment and orchestration for distributed computer music instruments	10.7287/peerj.preprints.991v1
cites 5–9 archive entries	0.956	0.2217	0.1761		8	2018	Musical Haptics	10.1007/978-3-319-58316-7
cites 5–9 archive entries	0.698	0.3227	0.1063		8	2014	Advancements in violin-related human-computer interaction	10.1504/ijart.2014.060941
cites 5–9 archive entries	0.138	0.1916	-0.1041		8	2020	Understanding Human–Technology Relations Within Technologization and Appification of Musicality	10.3389/fpsyg.2020.00416
cites 5–9 archive entries	0.668	0.2192	-0.0251		8	2013	Chasing a Feeling: Experience in Computer Supported Jamming	10.1007/978-1-4471-2990-5_5
cites 5–9 archive entries	0.841	0.1455	-0.0367		8	2026	Entangled musicianship: rethinking music education and digital musical interactions through posthumanist theory	10.1017/s0265051726100801
cites 5–9 archive entries	0.916	0.1445	-0.0262		8	2026	MNT2: A Longitudinal Evaluation of an Open-Source Mapping Software	10.5216/mh.v26.85231
cites 5–9 archive entries	0.76	0.1871	-0.1777		8	2023	Chaos Bells: Instrument Size and Entangled Music Performance	10.1080/07494467.2023.2277556
cites 5–9 archive entries	0.985	0.188	-0.083		8	2017	Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments	10.1007/978-981-10-2951-6_23
cites 5–9 archive entries	0.088	0.1851	-0.1638		8	2015	Social retrieval of music content in multi-user performance	10.4108/ct.2.3.e1
cites 5–9 archive entries	0.721	0.1398	-0.11		8	2021	Flows of Inhomogeneous Matter: Improvising an augmented violin	10.1017/s1355771821000066
cites 5–9 archive entries	0.996	0.277	-0.047		8	2008	Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance	10.1007/978-3-540-85035-9_17
cites 5–9 archive entries	0.805	0.196	-0.0451		8	2021	Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review	10.3390/mti5040019
cites 5–9 archive entries	0.132	0.2025	-0.0708		8	2025	Accessibility and Social Inclusivity: A Literature Review of Music Technology for Blind and Low Vision People	10.1145/3663547.3746466
cites 5–9 archive entries	0.445	0.2494	-0.1711		8	2020	Out of Touch? Challenges in Reconnecting Bodies with Instruments ‘of the Future’	10.1080/07494467.2020.1806629
cites 5–9 archive entries	0.48	0.2309	-0.2988		8	2019	Harp and Electronics: Composition, Design, and Performance	10.1080/07494467.2019.1706349
cites 5–9 archive entries	0.999	0.2271	0.0687		8	2019	Ha Dou Ken Music: Mapping a joysticks as a musical controller	10.5753/sbcm.2019.10425
cites 5–9 archive entries	0.808	0.1528	-0.0907		8	2019	Rapid Composition for Networked Devices: HappyBrackets	10.1162/comj_a_00520
cites 5–9 archive entries	0.273	0.1909	-0.1151		8	2022	Examining Embodied Sensation and Perception in Singing	10.1145/3490149.3503581
cites 5–9 archive entries	0.588	0.0	0.0		8	2017	Hear-Here: a choreographed peer-to-peer network for live participation on the radio	10.1145/3123514.3123552
cites 5–9 archive entries	0.888	0.2595	0.0023		8	2022	Sound -&gt; Object -&gt; Gesture: Physical Affordances of Virtual Materials	10.1145/3561212.3561230
cites 5–9 archive entries	0.976	0.2395	-0.0428		8	2022	Designing Gestures for Digital Musical Instruments: Gesture Elicitation Study with Deaf and Hard of Hearing People	10.1145/3517428.3544828
cites 5–9 archive entries	0.808	0.1662	-0.1024		8	2024	Jess+: AI and robotics with inclusive music-making	10.1145/3613904.3642548
cites 5–9 archive entries	0.472	0.1534	-0.0219		8	2020	A Survey on Visualizations for Musical Data	10.1111/cgf.13905
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not about NIME topics by the title classifier	0.392	0.2825	-0.1271		8	2019	Six types of audio that DEFY reality!: A taxonomy of audio augmented reality with examples	10.1145/3356590.3356615
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cites 5–9 archive entries	0.928	0.0	0.0		5	2017	Zound: An interactive live electronics	10.1145/3123514.3123566
cites 5–9 archive entries	0.598	0.2702	-0.035		5	2018	Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques	10.17743/jaes.2018.0035
cites 5–9 archive entries	0.95	0.5444	-0.4556		5	2016	Barehanded music: real-time hand interaction for virtual piano	10.1145/2856400.2856411
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cites 5–9 archive entries	0.761	0.1848	-0.1269		5	2014	Emerging Technologies for Real-Time Diffusion Performance	10.1162/lmj_a_00188
cites 5–9 archive entries	0.064	0.1683	-0.105		5	2021	Investigating Page Turning Methods for Sheet Music during Piano Play	10.1145/3447527.3474863
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