% Works cited by at least five NIME or off-NIME papers and held by neither archive.
% Generated by analysis/tools/crossref.py; entries without a DOI were not found in Crossref
% and carry only what was parsed from the reference strings. Not curated.

@misc{wright1997opensoundcon,
  author = {Wright},
  title = {Open Sound Control: A New Protocol for Communicating with Sound Synthesizers},
  year = {1997},
  note = {Cited by 87 archive papers}
}

@misc{jord2007thereactable,
  author = {Jordà},
  title = {The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces},
  year = {2007},
  note = {Cited by 66 archive papers}
}

@book{leman2007embodiedmusi,
  author = {Leman, Marc},
  title = {Embodied Music Cognition and Mediation Technology},
  year = {2007},
  publisher = {The MIT Press},
  doi = {10.7551/mitpress/7476.001.0001},
  note = {Cited by 51 archive papers}
}

@book{jensenius2017animereader,
  author = {Jensenius},
  title = {A NIME Reader},
  year = {2017},
  publisher = {Springer International Publishing},
  doi = {10.1007/978-3-319-47214-0},
  note = {Cited by 46 archive papers}
}

@article{mccartney2002rethinkingth,
  author = {McCartney, James},
  title = {Rethinking the Computer Music Language: SuperCollider},
  year = {2002},
  journal = {Computer Music Journal},
  volume = {26},
  number = {4},
  pages = {61--68},
  doi = {10.1162/014892602320991383},
  note = {Cited by 42 archive papers}
}

@article{braun2006usingthemati,
  author = {Braun, Virginia and Clarke, Victoria},
  title = {Using thematic analysis in psychology},
  year = {2006},
  journal = {Qualitative Research in Psychology},
  volume = {3},
  number = {2},
  pages = {77--101},
  doi = {10.1191/1478088706qp063oa},
  note = {Cited by 40 archive papers}
}

@misc{mcpherson2015anenvironmen,
  author = {Mcpherson},
  title = {An environment for submillisecond-latency audio and sensor processing on beaglebone black},
  year = {2015},
  note = {Cited by 40 archive papers}
}

@book{dourish2001wheretheacti,
  author = {Dourish, Paul},
  title = {Where the Action Is},
  year = {2001},
  publisher = {The MIT Press},
  doi = {10.7551/mitpress/7221.001.0001},
  note = {Cited by 38 archive papers}
}

@article{frid2019accessibledi,
  author = {Frid, Emma},
  title = {Accessible Digital Musical Instruments—A Review of Musical Interfaces in Inclusive Music Practice},
  year = {2019},
  journal = {Multimodal Technologies and Interaction},
  volume = {3},
  number = {3},
  pages = {57},
  doi = {10.3390/mti3030057},
  note = {Cited by 38 archive papers}
}

@article{barbosa2003displacedsou,
  author = {Barbosa, Álvaro},
  title = {Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation},
  year = {2003},
  journal = {Leonardo Music Journal},
  volume = {13},
  pages = {53--59},
  doi = {10.1162/096112104322750791},
  note = {Cited by 37 archive papers}
}

@misc{kapur2005ahistoryofro,
  author = {Kapur},
  title = {A history of robotic musical instruments},
  year = {2005},
  note = {Cited by 37 archive papers}
}

@misc{caillon2021raveavariati,
  author = {Caillon},
  title = {RAVE: A variational autoencoder for fast and high-quality neural audio synthesis},
  year = {2021},
  note = {Cited by 37 archive papers}
}

@article{wright2005opensoundcon,
  author = {WRIGHT, MATTHEW},
  title = {Open Sound Control: an enabling technology for musical networking},
  year = {2005},
  journal = {Organised Sound},
  volume = {10},
  number = {3},
  pages = {193--200},
  doi = {10.1017/s1355771805000932},
  note = {Cited by 37 archive papers}
}

@article{mcpherson2010themagneticr,
  author = {McPherson, Andrew},
  title = {The Magnetic Resonator Piano: Electronic Augmentation of an Acoustic Grand Piano},
  year = {2010},
  journal = {Journal of New Music Research},
  volume = {39},
  number = {3},
  pages = {189--202},
  doi = {10.1080/09298211003695587},
  note = {Cited by 35 archive papers}
}

@book{magnusson2019sonicwriting,
  author = {Magnusson, Thor},
  title = {Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions},
  year = {2019},
  publisher = {Bloomsbury Publishing Inc},
  doi = {10.5040/9781501313899},
  note = {Cited by 34 archive papers}
}

@article{lewis2000toomanynotes,
  author = {Lewis, George E.},
  title = {Too Many Notes: Computers, Complexity and Culture in
                    <i>Voyager</i>},
  year = {2000},
  journal = {Leonardo Music Journal},
  volume = {10},
  pages = {33--39},
  doi = {10.1162/096112100570585},
  note = {Cited by 33 archive papers}
}

@article{pachet2003thecontinuat,
  author = {Pachet, Fran�ois},
  title = {The Continuator: Musical Interaction With Style},
  year = {2003},
  journal = {Journal of New Music Research},
  volume = {32},
  number = {3},
  pages = {333--341},
  doi = {10.1076/jnmr.32.3.333.16861},
  note = {Cited by 32 archive papers}
}

@misc{jensenius2010musicalgestu,
  author = {Jensenius},
  title = {Musical gestures: concepts and methods in research},
  year = {2010},
  note = {Cited by 32 archive papers}
}

@misc{omodhrain2000playingbyfee,
  author = {O'Modhrain},
  title = {Playing by Feel: Incorporating Haptic Feedback into Computer-Based Musical Instruments},
  year = {2000},
  note = {Cited by 31 archive papers}
}

@misc{jord2005digitalluthe,
  author = {Jordà},
  title = {Digital Lutherie Crafting musical computers for new musics' performance and improvisation},
  year = {2005},
  note = {Cited by 31 archive papers}
}

@misc{small1998musickingthe,
  author = {Small},
  title = {Musicking: The Meanings of Performing and Listening},
  year = {1998},
  note = {Cited by 30 archive papers}
}

@misc{cook1999thesynthesis,
  author = {Cook},
  title = {The Synthesis ToolKit (STK)},
  year = {1999},
  note = {Cited by 29 archive papers}
}

@misc{collins2006handmadeelec,
  author = {Collins},
  title = {Handmade Electronic Music: The Art of Hardware Hacking},
  year = {2006},
  note = {Cited by 29 archive papers}
}

@article{collins2003livecodingin,
  author = {COLLINS, NICK and McLEAN, ALEX and ROHRHUBER, JULIAN and WARD, ADRIAN},
  title = {Live coding in laptop performance},
  year = {2003},
  journal = {Organised Sound},
  volume = {8},
  number = {3},
  pages = {321--330},
  doi = {10.1017/s135577180300030x},
  note = {Cited by 29 archive papers}
}

@book{norman2016thedesignofe,
  author = {Norman, Don},
  title = {The Design of Everyday Things},
  year = {2016},
  publisher = {Vahlen},
  doi = {10.15358/9783800648108},
  note = {Cited by 28 archive papers}
}

@misc{scipio2003soundisthein,
  author = {Scipio},
  title = {‘Sound is the interface’: from interactive to ecosystemic signal processing},
  year = {2003},
  note = {Cited by 28 archive papers}
}

@book{gody2010musicalgestu,
  author = {Godøy},
  title = {Musical Gestures},
  year = {2010},
  publisher = {Routledge},
  doi = {10.4324/9780203863411},
  note = {Cited by 28 archive papers}
}

@misc{ishii1997tangiblebits,
  author = {Ishii},
  title = {Tangible bits: towards seamless interfaces between people, bits and atoms},
  year = {1997},
  note = {Cited by 27 archive papers}
}

@misc{waters2007performancee,
  author = {Waters},
  title = {Performance Ecosystems: Ecological approaches to musical interaction},
  year = {2007},
  note = {Cited by 27 archive papers}
}

@misc{fiebrink2010thewekinator,
  author = {Fiebrink},
  title = {The Wekinator: a system for real-time, interactive machine learning in music},
  year = {2010},
  note = {Cited by 26 archive papers}
}

@misc{morreale2023nimeprincipl,
  author = {Morreale},
  title = {NIME Principles & Code of Practice on Ethical Research},
  year = {2023},
  note = {Cited by 26 archive papers}
}

@article{schloss2003usingcontemp,
  author = {Schloss, W. Andrew},
  title = {Using Contemporary Technology in Live Performance: The Dilemma of the Performer},
  year = {2003},
  journal = {Journal of New Music Research},
  volume = {32},
  number = {3},
  pages = {239--242},
  doi = {10.1076/jnmr.32.3.239.16866},
  note = {Cited by 25 archive papers}
}

@inproceedings{kaltenbrunner2006thereactable,
  author = {Kaltenbrunner, Martin and Jorda, Sergi and Geiger, Gunter and Alonso, Marcos},
  title = {The reacTable*: A Collaborative Musical Instrument},
  year = {2006},
  booktitle = {15th IEEE International Workshops on Enabling Technologies: Infrastructure for Collaborative Enterprises (WETICE'06)},
  pages = {406--411},
  doi = {10.1109/wetice.2006.68},
  note = {Cited by 25 archive papers}
}

@article{serafin2016virtualreali,
  author = {Serafin, Stefania and Erkut, Cumhur and Kojs, Juraj and Nilsson, Niels C. and Nordahl, Rolf},
  title = {Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions},
  year = {2016},
  journal = {Computer Music Journal},
  volume = {40},
  number = {3},
  pages = {22--40},
  doi = {10.1162/comj_a_00372},
  note = {Cited by 25 archive papers}
}

@book{holland2019newdirection,
  author = {Holland},
  title = {New Directions in Music and Human-Computer Interaction},
  year = {2019},
  publisher = {Springer International Publishing},
  doi = {10.1007/978-3-319-92069-6},
  note = {Cited by 25 archive papers}
}

@misc{wang2009stanfordlapt,
  author = {Wang},
  title = {Stanford laptop orchestra (slork)},
  year = {2009},
  note = {Cited by 24 archive papers}
}

@misc{puckette1998realtimeaudi,
  author = {Puckette},
  title = {Real-time audio analysis tools for Pd and MSP},
  year = {1998},
  note = {Cited by 23 archive papers}
}

@article{blaine2003collaborativ,
  author = {Blaine, Tina and Fels, Sidney},
  title = {Collaborative Musical Experiences for Novices},
  year = {2003},
  journal = {Journal of New Music Research},
  volume = {32},
  number = {4},
  pages = {411--428},
  doi = {10.1076/jnmr.32.4.411.18850},
  note = {Cited by 23 archive papers}
}

@misc{schwarz2006realtimecorp,
  author = {Schwarz},
  title = {Real-Time Corpus-Based Concatenative Synthesis with CataRT},
  year = {2006},
  note = {Cited by 23 archive papers}
}

@article{sanfilippo2013feedbacksyst,
  author = {Sanfilippo, Dario and Valle, Andrea},
  title = {Feedback Systems: An Analytical Framework},
  year = {2013},
  journal = {Computer Music Journal},
  volume = {37},
  number = {2},
  pages = {12--27},
  doi = {10.1162/comj_a_00176},
  note = {Cited by 23 archive papers}
}

@misc{moro2016makinghighpe,
  author = {Moro},
  title = {Making high-performance embedded instruments with bela and pure data},
  year = {2016},
  note = {Cited by 23 archive papers}
}

@misc{levin2000painterlyint,
  author = {Levin},
  title = {Painterly Interfaces for Audiovisual Performance},
  year = {2000},
  note = {Cited by 22 archive papers}
}

@article{fels1998glovetalkiia,
  author = {Fels, S.S. and Hinton, G.E.},
  title = {Glove-TalkII-a neural-network interface which maps gestures to parallel formant speech synthesizer controls},
  year = {1998},
  journal = {IEEE Transactions on Neural Networks},
  volume = {9},
  number = {1},
  pages = {205--212},
  doi = {10.1109/72.655042},
  note = {Cited by 21 archive papers}
}

@misc{wang2008domobilephon,
  author = {Wang},
  title = {Do mobile phones dream of electric orchestras?},
  year = {2008},
  note = {Cited by 21 archive papers}
}

@misc{fiebrink2011realtimehuma,
  author = {Fiebrink},
  title = {Real-time human interaction with supervised learning algorithms for music composition and performance},
  year = {2011},
  note = {Cited by 21 archive papers}
}

@article{medeiros2014acomprehensi,
  author = {Medeiros, Carolina and Wanderley, Marcelo},
  title = {A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression},
  year = {2014},
  journal = {Sensors},
  volume = {14},
  number = {8},
  pages = {13556--13591},
  doi = {10.3390/s140813556},
  note = {Cited by 21 archive papers}
}

@article{greshamlancaster1998theaesthetic,
  author = {Gresham-Lancaster, Scot},
  title = {The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music},
  year = {1998},
  journal = {Leonardo Music Journal},
  volume = {8},
  pages = {39},
  doi = {10.2307/1513398},
  note = {Cited by 20 archive papers}
}

@book{anon2004gesturebased,
  title = {Gesture-Based Communication in Human-Computer Interaction},
  year = {2004},
  publisher = {Springer Berlin Heidelberg},
  doi = {10.1007/b95740},
  note = {Cited by 20 archive papers}
}

@article{wang2015chuckastrong,
  author = {Wang, Ge and Cook, Perry R. and Salazar, Spencer},
  title = {ChucK: A Strongly Timed Computer Music Language},
  year = {2015},
  journal = {Computer Music Journal},
  volume = {39},
  number = {4},
  pages = {10--29},
  doi = {10.1162/comj_a_00324},
  note = {Cited by 20 archive papers}
}

@incollection{cook2017principl,
  author = {Cook, Perry},
  title = {2001: Principles for Designing Computer Music Controllers},
  year = {2017},
  booktitle = {Current Research in Systematic Musicology},
  publisher = {Springer International Publishing},
  pages = {1--13},
  doi = {10.1007/978-3-319-47214-0_1},
  note = {Cited by 20 archive papers}
}

@book{fletcher1998thephysicsof,
  author = {Fletcher, Neville H. and Rossing, Thomas D.},
  title = {The Physics of Musical Instruments},
  year = {1998},
  publisher = {Springer New York},
  doi = {10.1007/978-0-387-21603-4},
  note = {Cited by 20 archive papers}
}

@article{cascone2000theaesthetic,
  author = {Cascone, Kim},
  title = {The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music},
  year = {2000},
  journal = {Computer Music Journal},
  volume = {24},
  number = {4},
  pages = {12--18},
  doi = {10.1162/014892600559489},
  note = {Cited by 20 archive papers}
}

@article{trueman2007whyalaptopor,
  author = {Trueman, Dan},
  title = {Why a laptop orchestra?},
  year = {2007},
  journal = {Organised Sound},
  volume = {12},
  number = {2},
  pages = {171--179},
  doi = {10.1017/s135577180700180x},
  note = {Cited by 20 archive papers}
}

@misc{laban1966proceedingso,
  author = {Laban},
  title = {Proceedings of the 2008 Conference on New Interfaces for Musical Expression (NIME08)},
  year = {1966},
  note = {Cited by 20 archive papers}
}

@article{russell1980acircumplexm,
  author = {Russell, James A.},
  title = {A circumplex model of affect.},
  year = {1980},
  journal = {Journal of Personality and Social Psychology},
  volume = {39},
  number = {6},
  pages = {1161--1178},
  doi = {10.1037/h0077714},
  note = {Cited by 19 archive papers}
}

@misc{wanderley2001gesturalcont,
  author = {Wanderley},
  title = {Gestural control of music},
  year = {2001},
  note = {Cited by 19 archive papers}
}

@article{paine2009towardsunifi,
  author = {Paine, Garth},
  title = {Towards Unified Design Guidelines for New Interfaces for Musical Expression},
  year = {2009},
  journal = {Organised Sound},
  volume = {14},
  number = {2},
  pages = {142--155},
  doi = {10.1017/s1355771809000259},
  note = {Cited by 19 archive papers}
}

@incollection{bevilacqua2010continuousre,
  author = {Bevilacqua, Frédéric and Zamborlin, Bruno and Sypniewski, Anthony and Schnell, Norbert and Guédy, Fabrice and Rasamimanana, Nicolas},
  title = {Continuous Realtime Gesture Following and Recognition},
  year = {2010},
  booktitle = {Lecture Notes in Computer Science},
  publisher = {Springer Berlin Heidelberg},
  pages = {73--84},
  doi = {10.1007/978-3-642-12553-9_7},
  note = {Cited by 19 archive papers}
}

@misc{oh2011audiencepart,
  author = {Oh},
  title = {Audience-participation techniques based on social mobile computing},
  year = {2011},
  note = {Cited by 19 archive papers}
}

@article{frauenberger2020entanglement,
  author = {Frauenberger, Christopher},
  title = {Entanglement HCI The Next Wave?},
  year = {2020},
  journal = {ACM Transactions on Computer-Human Interaction},
  volume = {27},
  number = {1},
  pages = {1--27},
  doi = {10.1145/3364998},
  note = {Cited by 19 archive papers}
}

@book{barad2006meetingtheun,
  author = {Barad, Karen},
  title = {Meeting the Universe Halfway},
  year = {2006},
  publisher = {Duke University Press},
  doi = {10.1215/9780822388128},
  note = {Cited by 19 archive papers}
}

@article{puckette1991combiningeve,
  author = {Puckette, Miller},
  title = {Combining Event and Signal Processing in the MAX Graphical Programming Environment},
  year = {1991},
  journal = {Computer Music Journal},
  volume = {15},
  number = {3},
  pages = {68},
  doi = {10.2307/3680767},
  note = {Cited by 19 archive papers}
}

@misc{chowning1973thesynthesis,
  author = {Chowning},
  title = {The synthesis of complex audio spectra by means of frequency modulation},
  year = {1973},
  note = {Cited by 19 archive papers}
}

@misc{goudard2011proceedingso,
  author = {Goudard},
  title = {Proceedings of the International Conference on New Interfaces for Musical Expression},
  year = {2011},
  note = {Cited by 19 archive papers}
}

@article{stowell2009evaluationof,
  author = {Stowell, D. and Robertson, A. and Bryan-Kinns, N. and Plumbley, M.D.},
  title = {Evaluation of live human–computer music-making: Quantitative and qualitative approaches},
  year = {2009},
  journal = {International Journal of Human-Computer Studies},
  volume = {67},
  number = {11},
  pages = {960--975},
  doi = {10.1016/j.ijhcs.2009.05.007},
  note = {Cited by 18 archive papers}
}

@book{jensenius2022soundactions,
  author = {Jensenius, Alexander Refsum},
  title = {Sound Actions: Conceptualizing Musical Instruments},
  year = {2022},
  publisher = {The MIT Press},
  doi = {10.7551/mitpress/14220.001.0001},
  note = {Cited by 18 archive papers}
}

@book{varela1991theembodiedm,
  author = {Varela, Francisco J. and Rosch, Eleanor and Thompson, Evan},
  title = {The Embodied Mind},
  year = {1991},
  publisher = {The MIT Press},
  doi = {10.7551/mitpress/6730.001.0001},
  note = {Cited by 17 archive papers}
}

@misc{gibson1986theecologica,
  author = {Gibson},
  title = {The Ecological Approach to Visual Perception},
  year = {1986},
  note = {Cited by 17 archive papers}
}

@article{schwarz2007corpusbasedc,
  author = {Schwarz, D.},
  title = {Corpus-Based Concatenative Synthesis},
  year = {2007},
  journal = {IEEE Signal Processing Magazine},
  volume = {24},
  number = {2},
  pages = {92--104},
  doi = {10.1109/msp.2007.323274},
  note = {Cited by 17 archive papers}
}

@inproceedings{neustaedter2012autobiograph,
  author = {Neustaedter, Carman and Sengers, Phoebe},
  title = {Autobiographical design in HCI research},
  year = {2012},
  booktitle = {Proceedings of the Designing Interactive Systems Conference},
  pages = {514--523},
  doi = {10.1145/2317956.2318034},
  note = {Cited by 17 archive papers}
}

@article{cook1997physicallyin,
  author = {Cook, Perry R.},
  title = {Physically Informed Sonic Modeling (PhISM): Synthesis of Percussive Sounds},
  year = {1997},
  journal = {Computer Music Journal},
  volume = {21},
  number = {3},
  pages = {38},
  doi = {10.2307/3681012},
  note = {Cited by 16 archive papers}
}

@article{cadoz1993cordisanimaa,
  author = {Cadoz, Claude and Luciani, Annie and Florens, Jean Loup},
  title = {CORDIS-ANIMA: A Modeling and Simulation System for Sound and Image Synthesis: The General Formalism},
  year = {1993},
  journal = {Computer Music Journal},
  volume = {17},
  number = {1},
  pages = {19},
  doi = {10.2307/3680567},
  note = {Cited by 16 archive papers}
}

@article{fitts1954theinformati,
  author = {Fitts, Paul M.},
  title = {The information capacity of the human motor system in controlling the amplitude of movement.},
  year = {1954},
  journal = {Journal of Experimental Psychology},
  volume = {47},
  number = {6},
  pages = {381--391},
  doi = {10.1037/h0055392},
  note = {Cited by 16 archive papers}
}

@misc{pulkki1997virtualsound,
  author = {Pulkki},
  title = {Virtual sound source positioning using vector base amplitude panning},
  year = {1997},
  note = {Cited by 16 archive papers}
}

@misc{trueman2006plorktheprin,
  author = {Trueman},
  title = {PLOrk: The Princeton Laptop Orchestra, Year 1},
  year = {2006},
  note = {Cited by 16 archive papers}
}

@article{jord2004instrumentsa,
  author = {Jordà, Sergi},
  title = {Instruments and Players: Some Thoughts on Digital Lutherie},
  year = {2004},
  journal = {Journal of New Music Research},
  volume = {33},
  number = {3},
  pages = {321--341},
  doi = {10.1080/0929821042000317886},
  note = {Cited by 16 archive papers}
}

@misc{blackwell2005theprogrammi,
  author = {Blackwell},
  title = {The programming language as a musical instrument},
  year = {2005},
  note = {Cited by 16 archive papers}
}

@misc{xenakis1992formalizedmu,
  author = {Xenakis},
  title = {Formalized Music: Thought and Mathematics in Composition},
  year = {1992},
  note = {Cited by 16 archive papers}
}

@article{reynolds1987flocksherdsa,
  author = {Reynolds, Craig W.},
  title = {Flocks, herds and schools: A distributed behavioral model},
  year = {1987},
  journal = {ACM SIGGRAPH Computer Graphics},
  volume = {21},
  number = {4},
  pages = {25--34},
  doi = {10.1145/37402.37406},
  note = {Cited by 15 archive papers}
}

@misc{csikszentmihalyi1990flowthepsych,
  author = {Csikszentmihalyi},
  title = {Flow: The Psychology of Optimal Experience},
  year = {1990},
  note = {Cited by 15 archive papers}
}

@article{fels1993glovetalkane,
  author = {Fels, S.S. and Hinton, G.E.},
  title = {Glove-Talk: a neural network interface between a data-glove and a speech synthesizer},
  year = {1993},
  journal = {IEEE Transactions on Neural Networks},
  volume = {4},
  number = {1},
  pages = {2--8},
  doi = {10.1109/72.182690},
  note = {Cited by 15 archive papers}
}

@misc{meyer1956emotionandme,
  author = {Meyer},
  title = {Emotion and Meaning in Music},
  year = {1956},
  note = {Cited by 15 archive papers}
}

@misc{decheveign2002yinafundamen,
  author = {De Cheveigné},
  title = {Yin, a fundamental frequency estimator for speech and music},
  year = {2002},
  note = {Cited by 15 archive papers}
}

@article{essl2006anenactiveap,
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@misc{tanaka2019thebodyasmus,
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@article{hayes2020addressingni,
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@article{hinojosa2020electronickh,
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@misc{bryankinns2021exploringxai,
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@misc{peeters2004alargesetofa,
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@misc{lago2004thequestforl,
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@misc{tanaka2006consumingmus,
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@misc{renaud2007networkedmus,
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@misc{nash2011trackingvirt,
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@misc{hatten2004interpreting,
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@misc{xiao2011mirrorfuguec,
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@misc{verplank2009interactiond,
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@misc{gillian2012agesturallyc,
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@misc{malloch2008aconsortofge,
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@misc{hdl2013exploringthe,
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@article{lee2013realtimemusi,
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@misc{tahiroglu2015noisaanoveli,
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@article{weitzner2013massmobileto,
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  year = {2013},
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@book{wenger1998communitieso,
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@book{roads2015composingele,
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@article{wyse2013theviability,
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