cites_archive_entries	year	title	authors	venue	types	doi	s2_id
76	2026	A Design Space for Live Music Agents	Yewon Kim; Stephen Brade; Alexander Wang; David Zhou; Haven Kim; Bill Wang	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3772318.3791291	90a056322f2b6bc180c7425b5d571a11cf1e77ac
59	2019	New Directions in Music and Human-Computer Interaction	S. Holland; Tom Mudd; Katie Wilkie-McKenna; Andrew Mcpherson; M. Wanderley	Springer Series on Cultural Computing		10.1007/978-3-319-92069-6	bde78130a32bcc1350319393846012d70c981789
58	2016	Body as instrument : an exploration of gestural interface design	Mary Mainsbridge				e54331733ae723defdb9fcc6d342f9610b6151d9
57	2012	Interactive music: Balancing creative freedom with musical development.	Tim Murray-Browne				33d20d54d473c0677dfbf398e66088d585e9ddc7
53	2015	Computed fingertip touch for the instrumental control of musical sound with an excursion on the computed retinal afterimage	Staas de Jong	arXiv.org	JournalArticle	10.48550/arXiv.2502.08471	32890febedac673648a2dbd6da34ebfc9c5d922f
48	2019	Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches	Andrew Mcpherson; Fabio Morreale; Jacob Harrison	New Directions in Music and Human-Computer Interaction		10.1007/978-3-319-92069-6_12	4424416128739175f2a7b8c4a106d9f0d5197dd0
46	2017	Mobile Devices as Musical Instruments - State of the Art and Future Prospects	Georg Essl; Sang Won Lee	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-030-01692-0_35	3176d3f5925004ccd8d87ab72682e81a30b12017
46		A Scale-Based Ontology of Digital Musical Instrument Design	Jack Armitage; T. Magnusson; Andrew McPherson		Review		270e8f51499d2c88e28ec35376182c7080e1079a
45	2016	Creativity, exploration and control in musical parameter spaces	Robert Tubb				c50fe9f5be7d99d3785d5a27d809336d0b3b7075
42	2013	Methods and Technologies for Analysing Links Between Musical Sound and Body Motion	Kristian Nymoen				e651ae570efcb85b5f7c30734bedf88c7b4792af
40	2011	Advances in new interfaces for musical expression	Michael J. Lyons; S. Fels	International Conference on Computer Graphics and Interactive Techniques	JournalArticle,Book,Review	10.1145/2077434.2077436	7d74ccbbec6be6f225f5a84eeaf9c441f8e39415
40	2009	Creating new interfaces for musical expression: introduction to NIME	S. Fels; Michael J. Lyons	SIGGRAPH Courses	Book,JournalArticle	10.1145/1667239.1667250	0777bc1e65fc17aad5c6042b59f2515206877cf9
39	2015	How to design and build new musical interfaces	Michael J. Lyons; S. Fels	IFIP TC13 International Conference on Human-Computer Interaction	Book,JournalArticle,Conference	10.1145/2776880.2792703	2dd112cd91b049255d378a4087a7a285363d211e
39	2014	How to design and build musical interfaces	Michael J. Lyons	SIGGRAPH ASIA Courses	JournalArticle,Book	10.1145/2659467.2659470	453931b2e408d2a5268c15ef2d7b63284a37fbf4
39	2013	Creating new interfaces for musical expression	Michael J. Lyons; S. Fels	SIGGRAPH ASIA Courses	Book,JournalArticle,Review	10.1145/2542266.2542283	0b1f926a0126fccd24dc676822f3b4e3b26ff868
38	2017	Modeling, recognition of finger gestures and upper-body movements for musical interaction design	E. Hemery			10.70675/2fbd30c3z7714z4bd0za3e2z2eff99e4eb9b	a024d67e41ded7e4bee30814cd6af7ae6d1dc039
38	2019	Designing Digital Musical Instruments Using Probatio	Filipe Calegario	Computational Synthesis and Creative Systems		10.1007/978-3-030-02892-3	891a77a7c4ccaf0dc12b57423a58099e02187e93
38	2017	Score instruments : a new paradigm of musical instruments to guide musical wonderers	Akito Oshiro Van Troyer				f27779bb81b93f251c0221939804353df085dff8
37	2005	Digital lutherie - crafting musical computers for new musics' performance and improvisation	S. Puig				88d5231de524fb1f9aa427f9c16f190043436d55
36	2016	Apps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical Instruments	Charles P. Martin			10.25911/5d78d600cc591	e5b76f40fdf06e47c17d65c2ed7733039cedc313
35	2017	How to design, build, and perform with new musical interfaces	Michael J. Lyons; S. Fels	ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia	Book,JournalArticle	10.1145/3134472.3134473	1b03005c74793e3721e05e81cfc2cab94813f39c
33	2016	Hacking the Body 2.0: Flutter/Stutter	Camille C. Baker; K. Sicchio; T. Mooney; R. Stewart				231300e6fee23ed648360aa4cebda1b63b817dc6
33	2013	Computers in Support of Musical Expression	N. Bryan-Kinns		Review		b50774f469717ea0cb4ca0f3c52449c73c5854f1
32	2011	An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers	Cornelius Pöpel				bc1bea00f10835dbb05bbe8b9a6fdc28cbffdc92
32	2019	Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments	E. Sheffield			10.31390/gradschool_dissertations.4918	94fe7be091a219f9562504e23a68d31fcb071463
31	2018	The AirSticks: a new instrument for live electronic percussion within an ensemble	Alon Ilsar				459bbde54d1aebd5f9fbc2da8fb0510d0eee78b2
30	2012	Multimedia and live performance	Ian Willcock				6bcd4e6902209ef2edf1e8e9c706d4878347ef16
30	2013	The design of a new musical glove: a live performance approach	Giuseppe Torre				d30e77b0e75251bc246678b4eeaec1935ff34a57
29	2004	Instruments and Players: Some Thoughts on Digital Lutherie	Sergi Jordà		Review	10.1080/0929821042000317886	420d2d2714ef66dcc8f393aeb3904af42f87505d
29	2014	A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression	Carolina Brum Medeiros; M. Wanderley	Italian National Conference on Sensors	Review,JournalArticle	10.3390/s140813556	0219072737f97f90d11ad4f87ab2e0479f7d65ed
29	2008	Geste instrumental du violoniste en situation de jeu : analyse et modélisation	Nicolas H. Rasamimanana				2c6c0a76ce7bea7967d3daa25b72980d29104309
29	2012	Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio	Bruno Angeles		Review		a78607da409cde8c162a129fd241b0c9fb82d591
28	2013	MOBILE PHONES, GROUP IMPROVISATION, AND MUSIC: TRENDS IN DIGITAL SOCIALIZED MUSIC-MAKING	Nathan Bowen				65c83eada38b098524b5d99b6b5de414a3d7e134
28	2024	User experience with digital musical instruments: a transferable method for longitudinal evaluation	P. J. Charles Reimer; Atishi Gupta; C. Guastavino; Marcelo M. Wanderley	Journal of New Music Research	JournalArticle	10.1080/09298215.2025.2540433	036a5f3584d55b09fcdf6bef218347ea38f3e0aa
27	2012	Advances in new interfaces for musical expression	Michael J. Lyons; S. Fels	International Conference on Societal Automation	JournalArticle,Review	10.1145/2407783.2407784	aa051771cc92202610912d602af2935c02abe586
27	2017	Mobile technologies for music interaction	A. D. de Carvalho			10.11606/T.45.2019.TDE-20122018-163009	343bc56c397fc1376a22e079378a8b73f3f92771
27	2015	Direct and expressive interaction on the desktop: increasing granularity, extent, and dimensionality. (Interaction directe et expressive sur le bureau: améliorer la granularité, l'étendue et la dimensionnalité des actions de l'utilisateur)	Jonathan Aceituno			10.70675/86d8ee8cz5435z457dz962cz6a0b77dfc86d	461de0e40f9948cab44bdf9a2213db7993fe9491
27	2019	Smart Musical Instruments: Vision, Design Principles, and Future Directions	Luca Turchet	IEEE Access	JournalArticle	10.1109/ACCESS.2018.2876891	91963e22bc97cea87c8ba4a29ed6702d8ec8c300
26	2018	Challenges in Designing DMIs	Filipe Calegario	Designing Digital Musical Instruments Using Probatio		10.1007/978-3-030-02892-3_2	2921cc7ed0ae0382e2ef4820fc173eb81ede2dd9
26	2017	Methods and technologies for the analysis and interactive use of body movements in instrumental music performance	F. Visi				84fdbbcdec2834db60eb9fb54acae0d760ef127c
25	2015	Tabletop tangible interfaces for music performance : design and evaluation	Anna Xambó				494e946e9eb9c640a75f36fa731cb1c6bc505c5b
24	2012	Open instruments : framework para desenvolvimento e performance de instrumentos musicais digitais em MaxMSP	Tiago Angelo				7719b5d82c9406a504337369037cfc71dfa77fee
23	2013	A Manual Actions Expressive System (MAES)	R. Fischman	Organised Sound		10.1017/S1355771813000307	dc72f36c75fe0587d5006b2deab148f8b145bfd6
23	2018	Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning	Stefano Fasciani; L. Wyse	Computer Music Journal	JournalArticle	10.1162/comj_a_00450	91f9e4dc2cc8fe6e1aaf49e60a58e6ec9c59e1ce
23	2012	Multiparametric interfaces for fine-grained control of digital music	C. Kiefer				1bcfbb32c1f0879eb6c3f337b4bc528a6c893fb0
23	2019	Diverse Sounds: Enabling Inclusive Sonic Interaction	Emma Frid				e9e00dc12af78bdbf018aa1f7519083cc34c75c6
23	2025	Neural audio instruments: epistemological and phenomenological perspectives on musical embodiment of deep learning	Victor Zappi; Kıvanç Tatar	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2025.1575168	5b8618074826e1f2c676fe5116baa8044e7e0159
23	2008	Digitizing North Indian music: preservation and extension using multimodal sensor systems, machine learning and robotics	Ajay Kapur				d138d318cabebd537252d648bc8cdd5723b1482e
23	2020	Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives	Nicola Davanzo; F. Avanzini	IEEE Access	JournalArticle,Review	10.1109/ACCESS.2020.3019978	8b5ab8adddff87f094cb600827bb4f8d1993c6c8
23	2011	Real-time human interaction with supervised learning algorithms for music composition and performance	Perry R. Cook; R. Fiebrink				89a0884dc1e456afda244357e45c0ea812869d4d
23	2018	Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians	Dom Brown; Chris Nash; Tom Mitchell	Digital Creativity	JournalArticle	10.1080/14626268.2018.1510841	2d8f5415003ef64318a19a1421b9ba1f375d5a90
23	2015	Interaction musicale mumérique. Recréer les signaux du contrôle	Florent Berthaut; M. Desainte-Catherine	Traitement du signal	JournalArticle	10.3166/ts.32.345-363	3d58be3697e72cccd0ab05225e2cd130a2c700de
23	2014	Musical Virtual Instruments and Auditory Perception: Some Issues”	R. P. Jorge; I. Pires				41735b638db978e260f9dad47e87c8889bf77299
22	2013	Haptics in the Air - Exploring Vibrotactile Feedback for Digital Musical Instruments with Open Air Controllers	H. Knutzen				9ea34125494d63a84e472bb9fdb7ef6e48b7006f
22	2015	Studies on customisation-driven digital music instruments	Bruno Zamborlin			10.25602/GOLD.00012312	8aa2a18ebdc765a7efe6c52e2b79ace217fff71c
22	2018	Some reflections on the relation between augmented and smart musical instruments	L. Turchet	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3243274.3243281	762b8f2142620890ec7d5972f419e4d9d58f720e
22	2015	Continuous auditory feedback for sensorimotor learning	Eric O. Boyer			10.70675/a712575az3e0cz48cdza3bdzabc76ae19b25	356c830e4cd38439ef8ecc3e312918cdae732d0e
22	2022	From the Lab to the Stage: Practical Considerations on Designing Performances with Immersive Virtual Musical Instruments	Victor Zappi; D. Mazzanti; Florent Berthaut				4708a0ff1fdef9686ebea8b41773b421c23788df
21	2026	Design Explorations of Instruments and Interactions with Bidirectional Haptic Couplings	Matthew Davison; Andrew P. McPherson	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3772318.3791190	1d18228d0ac814687dd8216dee01ca5b465e4a96
21	2017	Traveling wave control of stringed musical instruments	Liam Donovan; Andrew Mcpherson			10.1121/1.4987763	242828bba9c7a075c50bfd38e5177d596502b022
21	2015	Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments	Andrew Mcpherson	Computer Music Journal	JournalArticle,Review	10.1162/COMJ_a_00297	bc1ba3cc71c55eeb32cc02c190ab49931438d1b7
21	2018	Design of a mapping strategy for computer sound synthesis in multi-touch surfaces based on expressive analysis of gestures	González Inostroza; M. Carmen; autor.				9ea7f575c5ab4b631fb5b62e7e06a948d4b42270
21	2017	Nonlinear Dynamics In Musical Interactions	Tom Mudd				2150d66dde2a8edf24d3b94c7216b36928376f46
21	2016	Experiencing mappings on a music controller: case Ableton Push	Ilkka Kuivanen				cd0499ca515aed38d053a50c8fdb6cc08272e899
21	2018	Deep Predictive Models in Interactive Music	C. P. Martin; K. Ellefsen; Jim Tørresen	arXiv.org	JournalArticle		5d131528dfc8f7b85eaaff44dbb23c59cc3b087e
21	2009	Quarterly Progress Scientific Report	B. Macq				c6d3a6185fa077f099aae3a38efda889be1c146e
20	2009	Interfaces for musical expression based on simulated physical models	Andrew Johnston				d3088f991f327ca31c7cb871d50bcbab17170de4
20	2008	SINGING-DRIVEN INTERFACES FOR SOUND SYNTHESIZERS	Pompeu Fabra				f2c0114359331ae84e99d54d82ba763c092ce692
20	2009	Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis	Alexandre Bouënard				5821e3ec6e9f89c02e67698f292c2693008f18c7
20	2024	On mapping as a technoscientific practice in digital musical instruments	Andrew P. McPherson; Landon Morrison; Matthew Davison; Marcelo M. Wanderley	Journal of New Music Research	JournalArticle	10.1080/09298215.2024.2442356	a8e30e188a541f16e25e017491a9b58a73b2275e
20	2019	Musicking with an interactive musical system: The effects of task motivation and user interface mode on non-musicians' creative engagement	Yong-Meng Wu; N. Bryan-Kinns	Int. J. Hum. Comput. Stud.	JournalArticle	10.1016/J.IJHCS.2018.07.009	c34ac11a42f05619ea1ec33969434277d13f5bed
20	2017	Musiques pour éponge : la composition pour un nouvel instrument de musique numérique	Martin Marier				a7ba5f51252243038bc35ca619da5e55b5520e96
20	2022	Studying How Digital Luthiers Choose Their Tools	Nathan Renney; Benedict R. Gaster; Tom Mitchell; Harri Renney	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3491102.3517656	4c81b847b867ff14b268b581bb3809c3358d346b
20	2016	The Development and Use of Scaffolded Design Tools for Interactive Music	Harriman; Jeffrey Wood				f3511eb7b4fe9eaeadc62cf124cf25c49e6212d6
20	2014	Expressive Musical Robots: Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments	Jim W. Murphy			10.26686/wgtn.20387730	2f1cc0a1df8acc037644418985a33ef7246212ca
20		Musical Robots: Overview and Methods for Evaluation	Emma Frid		Review		12afcb750150a9f85f5f4f252ee97d8e1ca736bb
19	2014	Music Technology's Influence on Flute Pedagogy: A Survey of Their Intersection	Diana Siwiak; Ajay Kapur; D. Carnegie	International Conference on Mathematics and Computing	JournalArticle,Review		357166742e8f8852cde64426001c041ad60680f5
19	2024	Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions	Landon Morrison; Andrew P. McPherson	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/3613904.3642171	3b6a89e4ea321ec3f936a1d8c2305f20e241f169
19	2013	Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer	Owen Vallis			10.26686/wgtn.17004979	beadb3294e08ca1874107bcc98350e6b1709fe48
19	2025	Wireless Inertial Measurement Units in Performing Arts	Emmanuel Fléty; Frédéric Bevilacqua	Italian National Conference on Sensors	Review,JournalArticle	10.3390/s25196188	2533f787f8a899944c373c7249cb3dce1a96d0d0
19	2012	Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation.	Sebastian Lexer				54fc5000560a05d2b04a0b7ff72a6550d2b054f2
19	2015	Proceedings of the 21st International Conference on Auditory Display, ICAD 2015, Graz, Austria, July 8-10, 2015	Katharina Vogt; Areti Andreopoulou; Visda Goudarzi; Katharina Vogt; F. Zotter; Derek Brock	International Conference on Auditory Display			5133fd8177d32595b819e706f2c6fe2b39df1f18
19	2014	Real-Time 3 D Audio Spatialization Tools for Interactive Performance	A. Pérez-López				a44504d85ed1eb8e7ff6a27303da2b881d1b9600
19	2009	Epistemic tools : the phenomenology of digital musical instruments	T. Magnusson		Review		f9f24a33bc959c36c2e961ef527b64ce071de041
18	2018	MetaFlute: Developing Tools to Observe Micro-Timing and Physical Movements in Flute Playing	Diana Siwiak			10.26686/wgtn.20388237	1eea1a29165c1a76512ed75a835f03e42a6ab890
18		IST-2001-33059 ALgorithms for the Modelling of Acoustic interactions Deliverable D 13 . 2 Human model interaction : adopted specifications ( updated )					ea8dfd8b56637233a91be4e745a0f14c6b3c07fd
18	2011	The electronic sensor bow: a new gestural control interface	Benedict Murphy				c2296d44e5862ad7370d1b016a5cfc8f037c8763
18	2014	The Seaboard:discreteness and continuity inmusical interface design	Roland Lamb				09ff333a2d47a3c261b8decb86da0646d28129d4
18	2010	The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments	Sean Ferguson; M. Wanderley				09175f49ba2520895ff8b33b26271b9512af8a78
18	2015	Let's walk up and play!: design and evaluation of collaborative interactive musical experiences for public settings	Benedikt Bengeler				377d21cf2dbd389255444926e114b47345170f73
18	2012	Audience participation using mobile phones as musical instruments	Sang Won Lee				21bfdd821e0f487ea7f8c488f698f9cd192a82ba
18	2012	Designing expressive interaction techniques for novices inspired by expert activities : the case of musical practice. (La conception de techniques d'interaction expressives adaptées aux novices et inspirées par des activités expertes : le cas de la pratique musicale)	Emilien Ghomi			10.70675/1d241588z7141z4264z8808za7f5d1d0a049	15a0747a9eaabf897d8f0b8614b92a4437e3aeb1
18	2014	Sensori-motor Learning in Movement-Sound Interactive Systems: a Review	Eric O. Boyer; Baptiste Caramiaux; S. Hanneton; A. Roby-Brami; Olivier Houix; P. Susini		Review		443e9f43851b020a2ecff3effc2fb0ed71facd50
18	2020	Was that me?: exploring the effects of error in gestural digital musical instruments	Dom Brown; Chris Nash; Thomas J. Mitchell	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3411109.3411137	29d85d5715e05c3fad845961a8b9dc2d349ac80d
18	2022	From Fiction to Function: Imagining New Instruments through Design Workshops	John Sullivan; M. Wanderley; C. Guastavino	Computer Music Journal	JournalArticle	10.1162/comj_a_00644	a94d44503a47f4ce455d0fc48a546e9c1222f7aa
18	2015	Designing mobile multi-touch drum sequencing applications	Mohato Karabo Lekena				04d242dcb8559f6ee21be5a7a53ad0701bb74a78
18	2021	Music in Extended Realities	L. Turchet; R. Hamilton; Anil Çamci	IEEE Access	JournalArticle,Review	10.1109/ACCESS.2021.3052931	7dcef2ddeb6df5476265bd4381f584dae2ce06e3
18	2021	PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract	G. Presti; D. Adriano; F. Avanzini; A. Baratè; L. A. Ludovico	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3478384.3478413	f6b1a9c94ee5cbd2710abb3461697d5c1239bc6d
18	2024	Sustainable Internet of Musical Things: Strategies to Account for Environmental and Social Sustainability in Network-Based Interactive Music Systems	Raul Masu; Nicolò Merendino; Antonio Rodà; Luca Turchet	IEEE Access	JournalArticle	10.1109/ACCESS.2024.3393468	f8121ed024ff703a78022e487263ab19c04cfe6d
17	2007	Action-sound : developing methods and tools to study music-related body movement	Alexander Refsum Jensenius				7e9d4ba0f21b721e5907dcfb59150f000701ec35
17	2019	Accessible Digital Musical Instruments - A Review of Musical Interfaces in Inclusive Music Practice	Emma Frid	Multimodal Technologies and Interaction	JournalArticle,Review	10.3390/MTI3030057	f8212225074f0c45d84a8d6ad0dc275279d80113
17	2015	Not All Gestures Are Created Equal: Gesture and Visual Feedback in Interaction Spaces	Qi Yang				ee9ec9e1162aba8a99b0b689e82511763463a54b
17	2010	The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments	Sean Ferguson; Marcelo M. Wanderley				1f09ef9082752da03cff6b9181d6cd9f95de0ef5
17	2019	Non-Rigid HCI: A Review of Deformable Interfaces and Input	Alberto Boem; G. Troiano	Conference on Designing Interactive Systems	Book,JournalArticle,Conference,Review	10.1145/3322276.3322347	aecb7f35da3cf6cd3ef91219fb0854ef2110e34d
17	2017	Supporting Non-Musicians? Creative Engagement with Musical Interfaces	Yong-Meng Wu; N. Bryan-Kinns	Creativity & Cognition	Book,JournalArticle	10.1145/3059454.3059457	8eb364b94e5384822fe55e500b5b6476e5a62073
17	2018	Improving User Involvement Through Live Collaborative Creation	Sang Won Lee				1c34f43798af1235d7def54a7024b039db5fd5d6
17	2017	Towards an embodied musical mind: Generative algorithms for robotic musicians	M. Bretan				ff4386b886cd3067acc333b22ec05c67e045a766
17	2021	Allocentric and Egocentric Controllers: Similarities and Differences	Lilac Atassi	Leonardo: Journal of the International Society for the Arts, Sciences and Technology		10.1162/leon_a_02065	aa2b080d5e6ca1a0ea65eea29ed53b190a68306f
17	2017	Mobile Music, Sensors, Physical Modeling, and Digital Fabrication: Articulating the Augmented Mobile Instrument	Romain Michon; J. Smith; M. Wright; Chris Chafe; J. Granzow; Wang Ge			10.3390/APP7121311	b8a5588d0add171cf204454569266e14c0f7a616
17	2021	Towards a Latin American NIME Research Community	Juan Pablo Martinez Avila; João Tragtenberg; Filipe Calegario; J. Ramos; Martin Matus Lerner; Isabela Corintha	Anais do XVIII Simpósio Brasileiro de Computação Musical (SBCM 2021)		10.5753/sbcm.2021.19468	9bac15354426ae6d299c44f159159765e1ebc3db
16	2013	Systems for Interactive Control of Computer Generated Music Performance	Marco Fabiani; A. Friberg; R. Bresin	Guide to Computing for Expressive Music Performance	Review	10.1007/978-1-4471-4123-5_2	46cc635c8b9ca852cd3fdae6e1d2ea3b9764e8b0
16	2001	Gestural Control of Music	M. Wanderley; Ircam-Centre Pompidou; Place Igor Stravinsky		Review		bd668861150b02db87b708fc977159bb109b53b0
16	2012	An empirical study of embodied music listening, and its applications in mediation technology	Pieter-Jan Maes				60f830625f4a0b169b2be82f149cfde5e35298ff
16	2016	Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions	S. Serafin; Cumhur Erkut; Juraj Kojs; N. C. Nilsson; Rolf Nordahl	Computer Music Journal	JournalArticle,Review	10.1162/COMJ_a_00372	5089472f0613277eedefa3d2d9d9b66254a3185d
16	2016	A Framework for Computer-Aided Composition of Space, Gesture, and Sound. Conception, Design, and Applications. (Un système informatique de composition de l'espace, du geste, et du son. Conception, design, et applications. )	M. Schumacher				56e3eb7753d3649fc3f24168eb70098081fce830
16	2012	Adapting General Purpose Interfaces to synthesis Engines using Unsupervised Dimensionality Reduction Techniques and inverse Mapping from Features to parameters	Stefano Fasciani; L. Wyse	International Conference on Mathematics and Computing	JournalArticle		2e26235d0ea1dd03d77a0c8dd0677c23811fe748
16	2010	Mt-Djing: Multitouch DJing Table	Pedro Lopes; José Manuel Nunes; S. Tribolet; Manuel Robalo Correia				934ab146880a1e8d0ead5d7f6686a8cdcd2d5331
16	2016	Enjoy Playing! : Introducing a new technology-based together playing approach to complement traditional teaching in music schools : A study of an audio supported practice aid for first and second grade string instrument students	P. Juntunen				a122a5f61f24f7ec11fa3c02896f23096c418008
16	2022	Allocentric and Egocentric Controllers: Similarities and Differences	Lilac Atasi				a1980d2d2e856648f77831d7af672014b02e46ed
16	2016	Designing for Exploratory Play with a Hackable Digital Musical Instrument	Andrew Mcpherson; A. Chamberlain; Adrian Hazzard; S. McGrath; S. Benford	Conference on Designing Interactive Systems	Book,JournalArticle,Conference	10.1145/2901790.2901831	2db0db078c200920906d6e08441311261d62f632
16	2019	Data-Driven Analysis of Tiny Touchscreen Performance with MicroJam	C. P. Martin; Jim Tørresen	Computer Music Journal	JournalArticle	10.1162/comj_a_00536	ca131ec8add12ffc9b3dc2c549b612dd81437599
15	2007	On the Choice of Gestural Controllers for Musical Applications: An Evaluation of the Lightning II and the Radio Baton	Carmine Casciato				dd65d181755f6f926564b92a8c6e7c7770ae3d81
15	2022	Material Matters: Exploring Materiality in Digital Musical Instruments Design	Jianing Zheng; N. Bryan-Kinns; Andrew Mcpherson	Conference on Designing Interactive Systems	Book,JournalArticle,Conference	10.1145/3532106.3533523	0d9c2d12925f22100c387eeab97e66b04868f52f
15	2022	Capture and express, question and understand: Gloves in gestural electronic music performance	Jan C. Schacher	Wearable Technologies	JournalArticle	10.1017/wtc.2022.3	aac3a19d5e9e5a2d6e76b4f4c7f9c30c91215a46
15	2016	A portfolio of original compositions and an investigation into the use of gestures and controllers in computer-based electroacoustic music /Law Vanissa Wing Lun.	Vanissa Law				6f54d0e15f0d8050d1765bc08e420fa6123cb7c7
15	2023	Rethinking Instrumental Interface Design: The MetaBow	Roberto Alonso Trillo; Peter A. C. Nelson; Tychonas Michailidis	Computer Music Journal	JournalArticle	10.1162/comj_a_00683	11b02c1486fe0b7a2ebcf7f9df7f09c6c577cc8a
15	2019	Music Technology and Alternate Controllers for Clients with Complex Needs	Asha Ward; Tom Davis; Ann L Bevan	Music Therapy Perspectives	Review	10.1093/MTP/MIZ006	7c3bcb0fa62e84e0cd392c2a677fa8cae0f9fb03
15	2020	Design and evaluation of a digitally active drum	Peter G. Williams; Dan Overholt	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-020-01391-6	7464307f891e8d0bc1ee03bc00fb659dc1af9d92
15	2020	3D interaction techniques for musical expression	Florent Berthaut	Journal of New Music Research	Review	10.1080/09298215.2019.1706584	6fdcae180b60c912b1295ab6b31e28a5e09be9ce
15	2013	Music and Human-Computer Interaction	S. Holland; Katie Wilkie; P. Mulholland; A. Seago	Springer Series on Cultural Computing		10.1007/978-1-4471-2990-5	e9b5f431a5233267da685e0c8968af137bdd454a
15	2008	AConsortofGesturalMusicalControllers: Design,Construction,andPerformance	Joseph W. Malloch				1e6d87436eb7e8521792d26c099daccf64b2b135
15	2018	Internet of Musical Things: Vision and Challenges	Luca Turchet; C. Fischione; Georg Essl; Damián Keller; M. Barthet	IEEE Access	JournalArticle	10.1109/ACCESS.2018.2872625	c1ee2d0e195896e80db7fe48dded189d1c37e601
15	2026	Notes aren’t real: An anti-framework for entangled instrument design	Andrew P. McPherson	Organised Sound	JournalArticle	10.1017/s1355771826101320	8ab32892626ad6e9d22c82242a17eb363a05e0b6
15	2022	Inclusive Improvisation: Exploring the Line between Listening and Playing Music	Alon Ilsar; G. Kenning; Sam Trolland; Ciaran Frame	ACM Transactions on Accessible Computing	JournalArticle	10.1145/3506856	b74cc263c2ccc95df889acc90bbe279e7d21f66b
15	2017	(2016) Designing for exploratory play with a hackable digital musical instrument. In: ACM Conference on Designing Interactive Systems (DIS 2016), 4-8 June	Andrew Mcpherson; A. Chamberlain; Adrian Hazzard				3a066007e5fa34029bd2856e68c60e990770d5f5
15	2017	Gesture-sound causality from the audience’s perspective: : investigating the aesthetic experience of performances with digital musical instruments.	G. Emerson; Hauke Egermann		Review	10.1037/ACA0000114	347ca75ef3ab7d1c93e78a09fe7c06c0c73a07bb
15	2022	A Survey of Augmented Piano Prototypes: Has Augmentation Improved Learning Experiences?	Jordan Aiko Deja; Sven Mayer; Klen Čopič Pucihar; Matjaž Kljun	Proc. ACM Hum. Comput. Interact.	JournalArticle,Review	10.1145/3567719	753d531b8c59b0664f3c44c5ca45b4444fc23ff7
15	2017	The cyber-guitar system: a study in technologically enabled performance practice	J. Crossley				a81ed2564934e14ce39a10bd81b86330a99b3c82
15	2025	The Conduction Series: Live Collaborative Transmission Art across Borders	August Black; B. Biggs; Anna Friz; Maximilian Goldfarb; Peter Courtemanche; Florencia Curci	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3771594.3771612	a1c3addcf5aca53d989d8bd8d8e774774a40828f
15	2020	Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface	Laddy Patricia Cadavid Hinojosa	Computer Music Journal	JournalArticle	10.1162/comj_a_00561	0db9c34d791540c193adb94efbaf25fb141bb7b6
14	2012	Self-organised Sound with Autonomous Instruments: Aesthetics and experiments	Risto Holopainen				b404eeac01d46c32be5ee77766fd7edf46cc41d6
14	2023	Challenges and Opportunities of Force Feedback in Music	Christian Frisson; M. Wanderley	Arts	JournalArticle,Review	10.3390/arts12040147	8fa3868c4eb31cc3a9ff6e87b1199852d9c19bc1
14	2005	Electronic Controllers for Musical Performance and Interaction	J. Paradiso				f22c2e5681899bd457e0f393017b6db4ace9e237
14	2007	Force-Feedback Hand Controllers for Musical Interaction	S. Sinclair		Review		9c8c52a2b0b2cdddd48e06227e202e3592971df7
14	2021	Embrace the Weirdness: Negotiating Values Inscribed into Music Technology	G. Lepri; Andrew Mcpherson	Computer Music Journal	JournalArticle	10.1162/comj_a_00610	7401b2e4d0bf5ff9dc8753b8e1676df1e0f07dbf
14	2020	Interactive Machine Learning of Musical Gesture	F. Visi; Atau Tanaka	Handbook of Artificial Intelligence for Music	JournalArticle,Review	10.1007/978-3-030-72116-9_27	0e858af4bc826b0950cecde1380ebaab92442e14
14	2004	Aisb 2004 Convention: Proceedings of the Aisb 2004 Cost287-congas Symposium on Gesture Interfaces for Multimedia Systems	P. Pr				45ebef2e1a67b9353b9bd57eb864acb56d6d041e
14	2006	An enactive approach to the design of new tangible musical instruments	Georg Essl; Sile O'Modhrain	Organised Sound		10.1017/S135577180600152X	d820f360494c4f6bed9501b51dde4e0488332ffe
14	2003	Collaborative Musical Experiences for Novices	Tina Blaine; S. Fels			10.1076/jnmr.32.4.411.18850	e834fb96689934e92d40c643533ea0360db265ad
14	2016	User-Driven Techniques for the Design and Evaluation of New Musical Interfaces	Dalia El-Shimy; J. Cooperstock	Computer Music Journal	JournalArticle,Review	10.1162/COMJ_a_00357	096a71ba0b2fdc0ec21c6fb74a6cb7f40a5695cb
14	2004	A Net-based Interactive Sound Art System	Niklas Werner				0e31d899272e2baa253eb463a9027a07ea06943e
14	2019	Smart instruments : Towards an ecosystem of interoperable devices connecting performers and audiences	Luca Tuchet; Andrew Mcpherson; C. Fischione				7659661540cc4a14c019b9d8b46b3893e762404a
14	2021	Locating Creativity in Differing Approaches to Musical Robotics	S. Kemper	Frontiers in Robotics and AI	JournalArticle	10.3389/frobt.2021.647028	491ef2321e6b4d9ef196a024cd720e0f9c852f79
14	2012	Longitudinal Evaluation of the Integration of Digital Musical Instruments into Existing Compositional Work Processes	Steven Gelineck; Stefania Serafin			10.1080/09298215.2012.697174	246446921aff84432242e4d52b8d6051102b6dc2
14	2017	Toward Augmented Familiarity of the Audience with Digital Musical Instruments	Olivier Capra; Florent Berthaut; L. Grisoni	Computer Music Modeling and Retrieval	JournalArticle,Review	10.1007/978-3-030-01692-0_37	5983aa5349bd6b572cd3ab802625b1665a1701bb
14	2025	Seeing the Sound: Supporting Musical Collaboration with Augmented Reality	Yi-Chen Wang; Mingze Xi; Matt Adcock; Charles Patrick Martin	Creativity & Cognition	Book,JournalArticle	10.1145/3698061.3726905	f2b875b9d56ee9a39558819f307bdc432098c960
14	2024	From Prototype to Performance Practice: Reflections on Iterative Instrument Design	E. Néill; Miguel Ortiz	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3678299.3678360	6c0dc3c1822b91d986cc4c044b56aded2af27c78
13	2016	Intelligent Agents and Networked Buttons Improve Free-Improvised Ensemble Music-Making on Touch-Screens	Charles P. Martin; H. Gardner; Ben Swift; Michael A. Martin	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference,Review	10.1145/2858036.2858269	6fbc2ce201bcb1219800a9f6c0062950ebc87cf8
13	2020	Exploring relationships between effort, motion, and sound in new musical instruments	Çağrı Erdem; Qichao Lan; Alexander Refsum Jensenius			10.17011/HT/URN.202011256767	569a2ca50b4d0c18de1dff85d5cfddacf1b173a6
13	2008	The Co-Evolution of Humans and Machines: A Paradox of Interactivity	U. Seifert; Jin Hyun Kim; Anthony Moore	Paradoxes of Interactivity		10.14361/9783839408421-001	b34dbee04dc70291353f1ea23928eab789bd0749
13	2015	A Low-Cost Real-Time Tracking System for Violin	Laurel Pardue; C. Harte; Andrew Mcpherson			10.1080/09298215.2015.1087575	2bc337f06e13b1f70b41192265c58ccc8534bc98
13	2016	AEMI: The Actuated Embedded Musical Instrument	Nick Hwang			10.31390/gradschool_dissertations.4407	509e2affc0c81868c688ee32b2ff741a79914d4d
13	2006	Digital Musical Instruments: A Design Approach Based on Moving Mechanical Systems	Elliot Sinyor				78e6d921c997ccfed77a76fb2053d2fa44ffcc63
13	2012	Approaches to Collaboration in a Digital Music Ensemble	Ian Hattwick; Kojiro Umezaki				2ec0df9412554fc9c2b7d321a7faace2ce673d49
13	2023	A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors	Marie González-Inostroza; R. Cádiz	Computer Music Journal	JournalArticle	10.1162/comj_a_00673	af48a2db45db1a89a92489f1dcc9f188a8e25d53
13	2012	Design strategies for whole body interactive performance systems	Evangelos Lympouridis		Review		145991731d8bc0705f7470f4a129452cbfed673c
13	2020	Interactive sonification strategies for the motion and emotion of dance performances	S. Landry; M. Jeon	Journal on Multimodal User Interfaces	JournalArticle,Review	10.1007/s12193-020-00321-3	8bcd5e00c2cffb4d8509afdd60880ee764a67ec8
13	2015	Designing New Experiences of Music Making	Fabio Morreale				007c2d813d86f39bd42c8cd73152091bbf8b5cd2
13	2005	Open Sound Control: an enabling technology for musical networking	M. Wright	Organised Sound		10.1017/S1355771805000932	609f428546a04955a20d06c00be2b340aa990385
13	2018	Extended Playing Techniques on an Augmented Virtual Percussion Instrument	Victor Zappi; Andrew Allen; S. Fels	Computer Music Journal	JournalArticle	10.1162/comj_a_00457	0cefbff98069bcb77e893eb18ea05fe7f174092f
13	2023	The development of a Modular Accessible Musical Instrument Technology Toolkit using action research	Asha Ward	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2023.1113078	5e6e20ba82f1ab675c2d91ab8748a6d5eea34c94
13	2020	Have a SEAT on Stage: Restoring Trust with Spectator Experience Augmentation Techniques	Olivier Capra; Florent Berthaut; L. Grisoni	Conference on Designing Interactive Systems	JournalArticle,Book,Conference	10.1145/3357236.3395492	bf4eba2463a9f340a0b59ba0a5c31249ab171ce2
13	2014	Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives	Doug Van Nort; M. Wanderley; P. Depalle	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00253	e83639447215761b3e77a9f61ef1afc48a73c3ce
13	2011	Soma : live performance where congruent musical, visual, and proprioceptive stimuli fuse to form a combined aesthetic narrative	Ilias Bergström				69b7175816374a1c3fd93e38f948ec109a3187b9
13	2016	Collaboration and embodiment in networked music interfaces for live performance	Chad McKinney				91c3aaa0c948a9e25107af119c8c19fbde7b5f25
13		Musical Interfaces to Musical	Frédéric Bevilacqua; Norbert Schnell		Review		36f6887da9349ec1c4a51d37ebe722eae1f7d96d
13	2020	Construction and Performance Applications of an Augmented Violin: TRAVIS II	Chantelle Ko; L. Oehlberg	Computer Music Journal	JournalArticle	10.1162/comj_a_00563	1264da361cdd1ae17ba28145e9dee7040dca4529
13	2025	Towards accessible Digital Interfaces for music creativity	Rocco Zaccagnino; G. Costagliola; Roberto De Prisco; M. De Rosa; V. Fuccella; Delfina Malandrino	ACM SIGCHI Italian Chapter International Conference on Computer-Human Interaction	JournalArticle,Book	10.1145/3750069.3750438	22ee902bef9207912ba45fad3d89704b90f139a9
13	2013	Investigation of the use of Multi-Touch Gestures in Music Interaction	Nicholas Arner				0d09ebf7ff4228ec5e747d64fec16915a37618df
13	2015	World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music	Wang Ge; Spencer Salazar; Jieun Oh; R. Hamilton			10.1080/09298215.2014.991739	9e0ca51df63b43ec904b1391d341941ddff1825b
13	2025	Exploring gestural affordances in audio latent space navigation	S. Zheng; Anna Xambó Sedó; Nick Bryan-Kinns	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2025.1575202	419bdb13d8134f3323c82fa3ddb337f3882aa8f1
13	2021	Technology-Mediated Musical Connections: The Ecology of a Screen-Score Performance	Raul Masu; Nuno N. Correia; T. Romão	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3478384.3478395	0c09e4e00b8925e51547bd2580f7189fed3653f8
13	2022	Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments	Isabela Corintha; Giordano Cabral				8ad8ecdc5003376a1f17c6de7952dd211681d49b
13	2017	In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance	S. M. Astrid Bin; Fabio Morreale; N. Bryan-Kinns; Andrew Mcpherson	IFIP TC13 International Conference on Human-Computer Interaction	JournalArticle,Conference,Review	10.1007/978-3-319-67744-6_18	605b5da672aef316e0f026631292e79aef91b992
13	2009	HANDSKETCH: BI-MANUAL CONTROL OF VOICE QUALITY DIMENSIONS AND LONG TERM PRACTICE ISSUES	T. Dutoit				f274a87472966c2b0e265dc648d0b9893559b5e0
13	2024	Human–machine agencies in live coding for music performance	Anna Xambó; Gerard Roma	Journal of New Music Research	JournalArticle,Review	10.1080/09298215.2024.2442355	ab580da4419c78979055fb56874403b79be1c0c2
13	2023	Rhythmic Accuracy of 3D Spatial Interaction for Digital Music	Timothy Arterbury; G. Poor; Ana Paula Arguelles Terron	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3616195.3616216	69ed0fe77448ffcabb7747dc94cd53eb7780a75d
13		Playing Rough: Malleable Instruments for Participatory Performance	T. Pattenden; Queensland Conservatorium		Review		8986a61d483968686fdfa55b1e8e4c96c80c5c54
12	2023	An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound	Atau Tanaka; Federico Visi; Balandino Di Donato; Martin Klang; Michael Zbyszyński	Computer Music Journal	JournalArticle	10.1162/comj_a_00672	7fea0a0a49afb9246ec503975540e4af9b6da3d5
12	2020	Multisensory instrumental dynamics as an emergent paradigm for digital musical creation	James Leonard; Jérôme Villeneuve; Alexandros Kontogeorgakopoulos	Journal on Multimodal User Interfaces	JournalArticle	10.1007/s12193-020-00334-y	1f7160c45da40032070debe4dc857deed8bcbb4c
12	2023	HandMonizer: a case study for personalized digital musical instrument design	Davide Lionetti; Antonios Pappas; Luca Comanducci; A. Bernardini; M. Zanoni; A. Sarti	2023 4th International Symposium on the Internet of Sounds	JournalArticle	10.1109/IEEECONF59510.2023.10335445	2619cf80ee83a8ce9c25c0ecab226f9f05884dce
12	2008	On stage: the reactable and other musical tangibles go real	Sergi Jordà	Int. J. Arts Technol.	JournalArticle	10.1504/IJART.2008.022363	8e99912befb2c66664bd7881eaf3ba2cc23b54db
12	2017	Loudspeakers Optional: A history of non-loudspeaker-based electroacoustic music	Jason Long; Jim W. Murphy; D. Carnegie; Ajay Kapur	Organised Sound		10.1017/S1355771817000103	860f53da8a9f28a34723bfa7ab692ca9a26874e5
12	2014	The body parametric : abstraction of vocal and physical expression in performance	Elena Jessop Nattinger				e9b67c107262206ddf4f4736a0376cddddd935b2
12	2006	Sensemble : a wireless inertial sensor system for the interactive dance and collective motion analysis	R. Aylward				81defc348e863219c571124a592299ab970447f2
12	2019	Augmenting Guitars for Performance Preparation	Juan Pablo Martinez Avila; Adrian Hazzard; C. Greenhalgh; S. Benford	Audio Mostly Conference	Book,JournalArticle,Conference,Review	10.1145/3356590.3356602	19ba9799395566143cc92ee7176d799e02e57a0f
12	2017	Gestural Agency in Human–Machine Musical Interaction	Juan Ignacio Mendoza Garay; Marc R. Thompson			10.4324/9781315621364.CH44	3a2e29cb568dac0805613cc53bcffc6e129803c1
12	2016	Being sound : FLOSS, flow and event in the composition and ensemble performance of free open computer music	Julian Brooks				d537435576c57dba723aa0d6d535ee59e2aca559
12	2011	An accelerometer based gestural capture system for performer based music composition	J. Cobb				a8b14af685476305b907b5bc2932ea0617847efb
12	2011	Caractérisation acoustique et perceptive du mouvement évoqué par les sons pour le contrôle de la synthèse	Adrien Merer			10.70675/7acbb4c1z2dafz4204z94d0z0a694bd34aee	86071e962c53de0548331bf8a3208e17b5aae1a1
12	2015	MUSIC OF 18 PERFORMANCES: EVALUATING APPS AND AGENTS WITH FREE IMPROVISATION	Charles P. Martin; H. Gardner; Ben Swift; Michael A. Martin		Review		c4732dda458cbb7869db2ca17f4e5ef90ef3abd0
12	2017	Instrumentality. On the Construction of Instrumental Identity	Sarah-Indriyati Hardjowirogo			10.1007/978-981-10-2951-6_2	b430dad979f062df9cca78ec733133afd3b9a836
12		Towards Playing in the ‘Air’: Modeling Motion–Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks	Çağrı Erdem				ad410c7ed37523f1c2de7ee4f8ba699f01ffce9e
12	2020	Inclusive improvisation through sound and movement mapping: from DMI to ADMI	Alon Ilsar; G. Kenning	International ACM SIGACCESS Conference on Computers and Accessibility	JournalArticle,Book,Conference	10.1145/3373625.3416988	33c09b4e7ee6f39042b2ea13606266698c908064
12	2020	Idiomatic Patterns and Aesthetic Influence in Computer Music Languages	Andrew Mcpherson; Koray Tahiroglu	Organised Sound	Review	10.1017/S1355771819000463	614e97b4310bc2c789dff5d3e745bf1b20aa11f6
12	2016	Requirements on Kinaesthetic Interfaces for Spatially Interactive Sonic Art	Dominik Schlienger	Audio Mostly Conference	Book,JournalArticle,Conference,Review	10.1145/2986416.2986441	936f4a91bd96bfecc768efdcaf3f9ac0d31c0605
12	2014	Contemporary Practices of Extending Traditional Asian Instruments Using Technology	Jingyin He; Ajay Kapur; D. Carnegie	Organised Sound	Review	10.1017/S1355771814000077	fc8bfd341a6cf79b140798f3769d456c51a12391
12	2009	The Extended Flautist: Techniques, Technologies and Performer Perceptions in Music for Flute and Electronics	Marga Penny				d8fcbbffd40fc6f8119de73e9923165d4a44bc80
12	2017	SPECIAL ISSUE ON CREATIVITY-CENTERED DESIGN AND THE DIGITAL ARTS GUEST EDITORIAL PREFACE	Damián Keller; J. Timoney				9eda6fcd45b809e876e32bf4825b2779bec6a8b0
12	2023	SoundTraveller: Exploring Abstraction and Entanglement in Timbre Creation Interfaces for Synthesizers	Zefan Sramek; Arissa J. Sato; Zhongyi Zhou; S. Hosio; K. Yatani	Conference on Designing Interactive Systems	Book,JournalArticle,Conference	10.1145/3563657.3596089	8b4f6e4129ad29a1a8c73f257af73572027f91ec
12	2023	Designing accessible musical instruments by addressing musician-instrument relationships	Andrew McMillan; Fabio Morreale	Frontiers of Computer Science	JournalArticle	10.3389/fcomp.2023.1153232	ab8a8f1c2a5a94b5cb7847ef49fa4087603ad382
12	2023	Visual Representations to Stimulate New Musicking Strategies in Live Coding	Raul Masu; Francesco Ardan Dal Rí	Organised Sound	JournalArticle	10.1017/S1355771823000389	b4f95d9f565afdfc44b7272ee2a313d289a89005
12	2014	Caractérisation des spécificités motrices d'utilisateurs en situation de handicap : Application à la conception de systèmes personnalisables pour la pratique musicale. (Characterization of physical specificities of users with motor impairment)	Julien Veytizou			10.70675/df0a1c4cz63a8z460cz9f86zb24fb56f2eae	7db34b0428dbd5d143ec57f49f9e69cb8744f0c7
12	2022	light.void~: An Autographic Case Study on Approaches, Constraints, and Affordances with a Light-dependent Musical Interface.	Felipe Tovar Henao	Ricercare		10.17230/ricercare.2022.15.5	8be326b49eee004f69c071db501c00c7eb8be643
12	2023	When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction	Jianing Zheng; Andrew Mcpherson; N. Bryan-Kinns	Conference on Designing Interactive Systems	JournalArticle,Book,Conference	10.1145/3563657.3596010	0368d0ef4d03bda6f4db1000c6c4e64915d3ee44
12	2020	Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies	Lauren Hayes; Adnan Marquez-Borbon	Computer Music Journal	JournalArticle	10.1162/comj_a_00562	e647932b0110db72bed84e43cfa8d72ab9ab4aa2
11	2012	Haptic-rendered practice carillon clavier	Mark Havryliv				72a613291bd5f50fd32ac0126d9774c1681b6c58
11	2017	Instruments for Spatial Sound Control in Real Time Music Performances. A Review	Andreas Pysiewicz; S. Weinzierl		Review	10.1007/978-981-10-2951-6_18	8260131e83c0eee8b4f16e24029fb6438907dd1e
11	2017	2005: Towards a Dimension Space for Musical Devices	D. Birnbaum; R. Fiebrink; Joseph W. Malloch; M. Wanderley			10.1007/978-3-319-47214-0_14	9b371f9f47b6b1f22ffd3b22c4255fcfd788c01e
11	2016	SOUND FOREST/LJUDSKOGEN: A LARGE-SCALE STRING-BASED INTERACTIVE MUSICAL INSTRUMENT	R. Bresin; Ludvig Elblaus; Emma Frid; F. Favero; Lars Annersten; David W. Berner				d71d51a447f88d02b4ddf8c0abe280a5868fae44
11	2014	Evaluating Gesture-Augmented Keyboard Performance	Qi Yang; Georg Essl	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00277	a21158485f28f2b061ae9f2a82ea9755e6594d6e
11	2018	Sound, Ecological Affordances and Embodied Mappings in Auditory Display	Stephen Roddy; B. Bridges	New Directions in Third Wave Human-Computer Interaction		10.1007/978-3-319-73374-6_12	729c4ecb9792994cf3e7d7c7a0ae01a75e36837b
11	2021	Continuous Parameter Control Using an On/Off Sensor in the Augmented Handheld Triangle	M. Ferreira; T. Tavares	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-031-35382-6_8	61a8a4e75c341286d00f8da1329f3ef772c69c6a
11	2024	Heart and Soul: The Ethics of Biometric Capture in Immersive Artistic Performance	Lucy A. Sparrow; Caiti Galwey; Ben Loveridge; S. Glasser; Margaret S. Osborne; Ryan M. Kelly	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference,Review	10.1145/3613904.3642309	df81ddcc31794836d46a706d34ea58d5479c7eb1
11	2014	Aesthetically driven design of network based multi-user instruments	Curtis McKinney				ab5b3c9c9441a3bd5f25c4d30785d84c5d86565d
11	2005	The use of principles and techniques derived from meditation for the design and creation of co-participatory musical systems	H. Clemen				72733b54bbf0c0c1ef1b40151a86a48b74221c82
11	2011	Input Devices and Music Interaction	Joseph W. Malloch; S. Sinclair; Avrum Hollinger; M. Wanderley			10.1007/978-3-642-22291-7_5	0fa16d1ccda927d301f39a2968e96150152aa1e1
11	2025	Exploring pose estimation in instrumental composition: the Body Fragmented project	Jenn Kirby	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2025.1570296	5825f5b50af9974c26ca159563ed7a8b4bb074bb
11	2019	A Design Workbench for Interactive Music Systems	Joseph W. Malloch; Jérémie Garcia; M. Wanderley; W. Mackay; M. Beaudouin-Lafon; Stéphane Huot	New Directions in Music and Human-Computer Interaction		10.1007/978-3-319-92069-6_2	99e8cc24d509a321864e806f981a77315a0541ec
11	2013	Music Interaction: Understanding Music and Human-Computer Interaction	S. Holland; Katie Wilkie; P. Mulholland; A. Seago	Music and Human-Computer Interaction	Review	10.1007/978-1-4471-2990-5_1	462be80a49ec50df21f358431dce351f1a9f138e
11	2019	Towards a High-Performance Platform for Sonic Interaction Interfaces	Stefano Fasciani; Manohar Vohra			10.5281/ZENODO.3249278	b7268af1395c08aef1e443f9d904fd382ffe3a8c
11	2016	Doctoral colloquium: The application of established gestural languages in the control mappings of free-hand gestural musical instruments	Dom Brown				00bcf0c1d3740653026634736525bc6e3b10570d
11	2016	GestureChords: Transparency in gesturally controlled digital musical instruments through iconicity and conceptual metaphor	Dom Brown; Chris Nash; Tom Mitchell				592595ddc805b2e414a29ef3ee85103e52d0b141
11	2012	The Investment of Play: expression and affordances in Digital Musical Instrument Design	J. Cannon; S. Favilla	International Conference on Mathematics and Computing	JournalArticle		c039b87b19ebc2720ad824b59dd74e40e3a56593
11	2002	NIME Workshop Report-- abstract appears on pages 13-14 Topics	M. Gurevich				156f65f98842ef7ff7c81778ce8bcf93f5cedae8
11	2012	Hyperaudience : designing performance systems for audience inclusion	Akito Oshiro Van Troyer				47bd1a020cd40a4d4a5771299e698e1a31d984b0
11	2018	Jamming with a Smart Mandolin and Freesound-based Accompaniment	Luca Turchet; M. Barthet	Conference of the Open Innovations Association	JournalArticle,Conference	10.23919/FRUCT.2018.8588110	9b8006f9ea0469a6326e072b932c98602e77a50d
11	2017	Sound and Interaction Design of an Augmented Drum System	Jeff Gregorio; P. English; Youngmoo E. Kim	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3123514.3123521	a14d1d1a34913d6abb8183f5d2fc83c4cc49d6ba
11	2016	On the hunt for feedback: Vibrotactile feedback in interactive electronic music performances	Tychonas Michailidis				8dc70b61d8fc092d2c523de6f3eb46dc92f30302
11	2019	Survey of Hardware and Software Design Approaches for Mechatronic Chordophones	Juan Pablo Yepez Placencia; Jim W. Murphy; D. Carnegie	Computer Music Journal	JournalArticle,Review	10.1162/comj_a_00499	841763040eb133f111d321dea65d59027cca5ad2
11	2022	Accessible Digital Musical Instruments in Special Educational Needs Schools – Design Considerations Based on 16 Qualitative Interviews with Music Teachers	A. Förster	International journal of human computer interactions	JournalArticle,Review	10.1080/10447318.2022.2049141	2793ea785d5e4767739aedbbe131738b846d6625
11	2020	From the Body with the Body: Performing with a Genome-Based Musical Instrument	Francesco Ardan Dal Rí; Raul Masu; Mauro Graziani; M. Roncador	EAI Endorsed Transactions on Creative Technologies	JournalArticle	10.4108/eai.13-7-2018.163993	6d246bb8655d1eaf7e0a7fc3ac6265b4c9aff7e2
11	2019	AS LIÇÕES APRENDIDAS COM A ORCHIDEA	F. Schiavoni; João Teixeira Araújo; Igino Silva; Isabella de Melo Freitas				4cad59f35d471b0f38cff6f8fa4d2442fdb89b3e
11	2018	Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design	John Sullivan; M. Wanderley		Review		236ef5b5e435494c2d522521d082275de2338b03
11	2016	THE HYPER-ZAMPOGNA	L. Turchet				d44f18a8e3f93d9df0184852345162bac291951d
11	2024	Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus	Courtney N. Reed; Adán L. Benito; Franco Caspe; Andrew P. McPherson	ACM Trans. Comput. Hum. Interact.	JournalArticle	10.1145/3689043	069ec2beff485fa3165c0d3142175a0378095524
11	2018	Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction	Victor Zappi; Andrew Mcpherson	Frontiers in ICT	JournalArticle	10.3389/fict.2018.00026	2eb0180afbfdb799734951aecceeb7b22d7d7541
11	2017	Percussionist-Centred Design for Touchscreen Digital Musical Instruments	Charles Patrick Martin			10.1080/07494467.2017.1370794	86dd249a0fa8369b4712f91bec486a38f2970942
11	2020	Towards a Universal Dimension Space for DMIs: Quantitative Analysis of Trends	R. Jeffrey; Ben Swift				e54d571042e5f5b04197fceeed84b76a6dad9489
11	2020	Towards a Practitioner Model of Mobile Music	Steve Jones				9a37ec91f7df521100f4bf2d777bdb5e47baa0d1
11	2013	User serviceable parts: Practice, technology, sociality and method in live electronic musicking	Owen Green				034d3cac4332b57b98421c57bf449c9293d3dd0c
11	2011	Community-Based Design: The Democratization of Musical Interface Construction	Owen Vallis; Ajay Kapur	Leonardo Music Journal		10.1162/LMJ_a_00058	160eb405fe60b198880cfa9fcdcb97950d7b02a4
11	2022	The 4E`s Model of Enactivism through Improvisation within DMIs	Isabela Corintha; Giordano Cabral				c7c283716d34eb16f1a0d007e63a18a2abf64a97
11	2006	Mapping strategies for gestural and adaptive control of digital audio effects	V. Verfaille; M. Wanderley; P. Depalle			10.1080/09298210600696881	822a5357af3d3f1108c804bfaac5242ccaebd506
11	2024	Ways of knowing, ways of writing: technical practice research in new musical instrument design	Teresa Pelinski; Andrew McPherson; Rebecca Fiebrink	Journal of New Music Research	JournalArticle	10.1080/09298215.2024.2442348	827d3dd4877d22ea46aecc557556b821719806e4
11	2023	Investigating performance ecologies using screen scores: a case study	Raul Masu; Mela Bettega; Nuno N. Correia; T. Romão	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-023-01719-y	8f65849e5ce1212742ffb1dd1e8efaca8fa1ce38
11	2023	The Stretchy Strap: supporting encumbered interaction with guitars	J. P. Martinez Avila; Adrian Hazzard; Chris Greenhalgh; Steve Benford; Andrew McPherson	Journal of New Music Research	JournalArticle	10.1080/09298215.2023.2274832	d3e4c03793fee49d5c9efbdb81ce49890a83c7ee
11	2002	Input technologies and techniques	K. Hinckley; Daniel J. Wigdor		Review	10.1201/B11963-CH-6	89aeec94c4b41cdf40e1295d0d4f960198364750
11	2006	Haptic carillon: sensing and control in musical instruments	Mark Havryliv; G. Schiemer; F. Naghdy		Review		f510aaaa834d57a31da05ca73bd93fb77eb103bc
11	2011	Extending the control of a musical tangible tabletop with mobile phones	Al. Katsaprakakis				50fc3a7f5cefd255c60b619415e5815fbcaebe6f
11		D ESIGN AND E VALUATION OF A CCESSIBLE D IGITAL M USICAL I NSTRUMENTS FOR P UPILS WITH N EURODEVELOPMENTAL D ISORDERS	Matteo O Livo; C. Lyon				bc016892277b920e358564ffe722746448dd2750
11	2012	The Body in Electronic Music Performance	Jan C. Schacher		Review		79467cc6206d0c3550f24ef743cd0c94c75bfbb9
11	2014	Mediated Interactions and Musical Expression - A Survey	Dennis Reidsma; M. Radha; A. Nijholt	Digital Da Vinci	Review	10.1007/978-1-4939-0536-2_4	a971536ad06454352e141eba23a7442852bd3c8d
11	2014	3 Interaction Modes for Musical Expression : The Instrument as Tool	Dennis Reidsma; M. Radha; A. Nijholt		Review		f65e25755572959e8175e2bbb937ca0dd12061d6
11	2021	Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System	Dominik Schlienger; V. Khashchanskiy	Computer Music Journal	JournalArticle	10.1162/comj_a_00605	7309fc0050a55b5a6a8d5436831aca7c14308b10
11	2022	Instruments that are more than instruments (and other stories)	Marinos Koutsomichalis	Ricercare		10.17230/ricercare.2022.15.4	31192c4682c19d5c5125ca6e611675f8ccd8bf8d
11	2023	The Internet of Sounds: Convergent Trends, Insights, and Future Directions	Luca Turchet; Mathieu Lagrange; C. Rottondi; G. Fazekas; Nils Peters; J. Østergaard	IEEE Internet of Things Journal	JournalArticle,Review	10.1109/JIOT.2023.3253602	e4bae6b0ae0bdb348ca0588a786e4c43b3a95125
11	2025	ImproVisAR: designing augmented reality piano roll for teaching improvisation	Jordan Aiko Deja; Sandi Stor; Ilonka Pucihar; M. Weerasinghe; Rafael Marco Balbin; Klen Čopič Pucihar	Virtual Reality	JournalArticle	10.1007/s10055-025-01215-z	ddcf0a1251579646fdf3e375cd8a50bfab5ac68c
10	2012	Music expression with a robot manipulator used as a bidirectional tangible interface	Victor Zappi; Antonio Pistillo; S. Calinon; A. Brogni; D. Caldwell	EURASIP Journal on Audio, Speech, and Music Processing	JournalArticle	10.1186/1687-4722-2012-2	4aa68c980286712d06f7ddb2c49f7e855a1759dc
10	2013	The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians	E. Berdahl; Alexandros Kontogeorgakopoulos	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00166	8bd6fdd3bb70c6e6de73d85f461312c742c4b5d7
10	2018	Force-Feedback Instruments for the Laptop Orchestra of Louisiana	E. Berdahl; Andrew Pfalz; Michael Blandino; S. D. Beck			10.1007/978-3-319-58316-7_9	906a7c0520ffb4e7011a333ace75b83c9c432981
10	2018	Tensions and Techniques in Live Coding Performance	Charles Roberts; Graham Wakefield	The Oxford Handbook of Algorithmic Music		10.1093/OXFORDHB/9780190226992.013.20	11a53c1678dd374ce545be39483c69e3ce339d4b
10	2015	Using massMobile, a flexible, scalable, rapid prototyping audience participation framework, in large-scale live musical performances	Jason Freeman; Shaoduo Xie; Takahiko Tsuchiya; Weibin Shen; Yan-Ling Chen; Nathan Weitzner	Digital Creativity	JournalArticle	10.1080/14626268.2015.1057345	052853ef22501ab8af27d5713de34d824156790a
10	2016	ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART	Visda Goudarzi; A. Gioti				010c9793d8d954951af5b543662db374f206365c
10	2004	Digital Instruments and Players: Part II-Diversity, Freedom and Control	Sergi Jordà	International Conference on Mathematics and Computing	JournalArticle		e6cf5f661b3ce6e6fd900f5b96fd8a9c1036cf19
10	2010	Design Principles for Electronic Musical Instruments	Danny L. Thompson		Review		56021608695c8f79c09226ce4767b12549503115
10	2019	Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements	Álvaro Sarasúa; Julián Urbano; E. Gómez	Frontiers in Digital Humanities	JournalArticle	10.3389/fdigh.2019.00003	a7f749890c3b5ec70c8c9ca43122911f080475ef
10	2013	Vibrotactile Feedback for an Open Air Music Controller	H. Knutzen; Tellef Kvifte; M. Wanderley	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-12976-1_3	f0d95066d1c078acd4c0b0a197726003ca1c09e8
10	2020	Performer Experience on a Continuous Keyboard Instrument	G. Moro; Andrew Mcpherson	Computer Music Journal	JournalArticle	10.1162/comj_a_00565	1f529bfefe4942e5f87877646dfdb3d64dde4f4b
10	2008	Intimate control for physical modeling synthesis.	Randall E. Jones				9f50a64975db3e9418705559bcd9f79c3b309dbb
10	2016	Almost Human: The Study of Physical Processes and the Performance of a Prosthetic Digital Spine	Seth Woods				3c8e1d1a0ee2c6640eec60f529cfb77f61ed2eff
10	2012	Free-space gesture mappings for music and sound	G. Odowichuk				089df14082b5638b1825fb8ef4a93fd1b0c9bb5d
10	2007	Flexible physical interfaces	N. Villar				98cf10c00f5bcaac68d046e8d09f4c6ff0e37f50
10	2012	Towards a Conceptual Framework for Exploring and Modelling Expressive Musical Gestures	Nicolas H. Rasamimanana		Review	10.1080/09298215.2011.642391	7241762a4a388ce1539148bcb86d52e8513d5ae9
10	2020	Turn-taking and Online Chatting in Co-located and Remote Collaborative Music Live Coding	Anna Xambó; Gerhard Roma; Pratik Shah; Takahiko Tsuchiya; Jason Freeman; Brian S. Magerko		Review		977cd6a6c44cdac706080ef81ed268708de1d86e
10	2018	Improving the Instrumental Learning Experience through Complexity Management	Laurel Pardue				59d1c2092034d8b105817ab92361572d361a568b
10	2006	EXPLORING THE EFFECT OF MAPPING TRAJECTORIES ON MUSICAL PERFORMANCE	Doug Van Nort; M. Wanderley				0db8455a91a660ac0ab71faa3c598192cf579d02
10	2024	Designing a distributed musical instrument for collective improvised interaction	Aliénor Golvet; Benjamin Matuszewski; Frédéric Bevilacqua	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3678299.3678341	ce351c6c2c47bcdf1f42b5e3245a61dd5922202c
10	2019	Applying Game Mechanics to Networked Music HCI Systems	Anil Çamci; Cem Çakmak; A. Forbes	New Directions in Music and Human-Computer Interaction	Review	10.1007/978-3-319-92069-6_14	da0918d8fc1b5544b7fbfecf56a34416e898f02f
10	2014	Models and Opportunities for Networked Live Coding	Sang Won Lee		Review		935f94ee4d9e363f639b45ac5125225f4ba97475
10	2012	Audiovisual particles : parameter mapping as a framework for audiovisual composition	Stephen Callear				2326e75c14b48472483fe8e37f3145e687d11da5
10	2017	Interactive art, immersive technology and live performance	Andrew Bluff				af90a64a2da795477209e8323b6de3cb1c4d2288
10	2011	Gesture Analysis and Control of Audio Processing	Frédéric Bevilacqua; Norbert Schnell; Nicolas H. Rasamimanana; Bruno Zamborlin; Fabrice Guédy				ae163e4e605cff201466a30d8dbf15e5ca3a6e5b
10	2011	Online Gesture Analysis and Control of Audio Processing	Frédéric Bevilacqua; Norbert Schnell; Nicolas H. Rasamimanana; Bruno Zamborlin; Fabrice Guédy			10.1007/978-3-642-22291-7_8	03ec36a95c01c33320d214d0a4e5902a7c15a17c
10	2012	Implementation of a haptic musical instrument using multi-signal fusion for force sensing without additional force sensors	Mark Havryliv; F. Naghdy; G. Schiemer	2012 IEEE/RSJ International Conference on Intelligent Robots and Systems	JournalArticle,Conference	10.1109/IROS.2012.6386148	e5a311324be1b07605b055bb06c62c759df59ee3
10	2014	Challenges in Designing New Interfaces for Musical Expression	Rodrigo Pessoa Medeiros; Filipe Calegario; Giordano Cabral; Geber Ramalho	Interacción	JournalArticle	10.1007/978-3-319-07668-3_62	c15defcb183e430fa14f58d742f78fd45913aa49
10	2016	Chapter 1 Methods for studying music-related body motion	A. Refsum		Review		c0b5e56676ae9cabe8b34364466b2aa93c66562e
10	2011	Violin-Related HCI: A Taxonomy Elicited by the Musical Interface Technology Design Space	Dan Overholt	Arts and Technology	JournalArticle	10.1007/978-3-642-33329-3_10	b91f7c51a822539b997a1dc8f81ccb83118ed09d
10	2010	The acoustics and performance of DJ scratching, Analysis and modelling	K. Hansen				ebd8328a67ebbece3235ea93c5caa7361cc5f9c2
10	2016	The Machine Learning Algorithm as Creative Musical Tool	R. Fiebrink; Baptiste Caramiaux	arXiv.org	JournalArticle	10.1093/OXFORDHB/9780190226992.013.23	15d24d32bafe9edfc453108601a3fee41ab2a31c
10	2024	Maplet: Integrating Distributed Data Signal Mappings for Performative Interactions Within the Eurorack Modular Synthesizer Ecosystem	Matt Peachey; Joseph W. Malloch	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3678299.3678333	f55963069aba2d060be7b981d9560e6fdb9f538a
10	2019	Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice	G. Lepri; Andrew Mcpherson	Conference on Designing Interactive Systems	Book,JournalArticle,Conference	10.1145/3322276.3322353	410b41147b046583298199231ad170f97d284b2c
10	2013	Interactive sonification of a physics engine	Rhys Perkins				a6d9e45e3aef422ca5d31ea5b62360c5f4d705f6
10	2016	Hand Gestures in Music Production	Axel Berndt; Simon Waloschek; Aristotelis Hadjakos	International Conference on Mathematics and Computing	JournalArticle,Review		f4ef677645015955d04dd0368aacbb2ee6b4fb2a
10	2014	Input/Output Devices and Interaction Techniques	K. Hinckley; R. Jacob; C. Ware; J. Wobbrock; Daniel J. Wigdor	Computing Handbook, 3rd ed.		10.1201/B16812-25	6b1845fbcb352ec62d794399cb7f24749e323081
10		20 Input/Output Devices and Interaction Techniques	Ken Hinckley; Robert J. K. Jacob; Colin Ware				ea3cba9bc056434cc938830693477f8dc30ee9a5
10	2025	Examining the Design Process for 3D Interactions in Performing Arts: A Spatial Augmented Reality Cyber-Opera Case Study	Cagan Arslan; Florent Berthaut	IEEE Transactions on Visualization and Computer Graphics	JournalArticle	10.1109/TVCG.2025.3549194	1f409182d565def0f1995b2f0ce42eadbb9b489e
10	2008	Creativity with Learning:Approaches for Improvisational Musical Expression Supports	Tomoko Hashida; T. Naemura; Takao Sato			10.3756/ARTSCI.7.75	88c4c83b3e285060d81316cc0bacd4bb23d8849e
10	2016	Development of a model for classifying software based musical instruments using the instrument Seq1 as a testbed	Jussi Väisänen				81f33ca1b3e77e07fa361e83eb76ceda0a5507a1
10	2018	Methods for Studying Music-Related Body Motion	Alexander Refsum Jensenius		Review	10.1007/978-3-662-55004-5_38	e114ac77831e85b906686491d80d8a209c5d92de
10	2015	Scanning Spaces: Paradigms for Spatial Sonification and Synthesis	Ryan McGee				51c436db50305db9267912f5991b5b5d4ef9ffe5
10	2014	User Behavior	Alina Hang; Fabian Hennecke; Sebastian Löhmann; Max-Emanuel Maurer; H. Palleis; Sonja Rümelin	Encyclopedia of Social Network Analysis and Mining	Review	10.1007/978-1-4614-6170-8_100971	9c2ec6cd187c66dbc7a54d8d558e4ce47a7e5b94
10	2022	Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances	Courtney N. Reed; Sophie Skach; Paul Strohmeier; Andrew Mcpherson	NASA/ESA Conference on Adaptive Hardware and Systems	Book,JournalArticle	10.1145/3519391.3519412	6cea589036f89d738a8bb18ddba46f45487b1c4e
10	2022	Designing felt experiences with movement-based, wearable musical instruments: From inclusive practices toward participatory design	D. Cavdir; Ge Wang	Wearable Technologies	JournalArticle	10.1017/wtc.2022.15	98c0740f8b656f24832e594a28a35bf3a5495c69
10	2025	Nudging the Somas: Exploring How Live-Configurable Mixed Reality Objects Shape Open-Ended Intercorporeal Movements	B. Hu; Y. Tao; Rem Rungu Lin; Mingze Chai; Yuemin Huang; Rakesh Patibanda	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3772318.3790651	2056649982395b90813a9503aaf329cc20f01f14
10	2021	Data Mining / Live Scoring – A Live Acoustic Algorithmic Composition Based on Twitter	Alexandros Drymonitis; Nicoleta Chatzopoulou	Proceedings of the 26th International Conference on Auditory Display (ICAD 2021)	Conference	10.21785/icad2021.034	e25e1dc44be04a8b65e3dc856d09b2c541de6558
10	2019	DIGITAL MANUFACTURING FOR MUSICAL APPLICATIONS: A SURVEY OF CURRENT STATUS AND FUTURE OUTLOOK	D. Cavdir		Review		1dbb99dfa935c4f9c313c3ab2d73bc32461b52e4
10		The Internet of Sounds Convergent Trends, Insights and Future Directions	Luca Turchet; MathieuLagrange; C. Rottondi; Nils Peters; J. Østergaard; Tom Bäckström		Review		002ad54027ca80df6016c6fce4ff82204073f9ef
10	2019	A technical approach of the audience participation in the performance 'O Chaos das 5'	J. Araújo; Avner Maximiliano de Paulo; Igino Silva; F. Schiavoni; Mauro César Fachina Canito; Rômulo Augusto Vieira Costa	Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019)		10.5753/sbcm.2019.10419	1526cb1b63d9d25734e2d757215a227b5e6f1bcf
10	2025	Sonic Agency: A Group Autoethnography of Technology-mediated Performance Practice by Deaf and Hard of Hearing Musicians	D. Cavdir; Dillion Simone; Myles de Bastion; Shawn Trail; Nate Hergert	International ACM SIGACCESS Conference on Computers and Accessibility	JournalArticle,Book,Conference	10.1145/3663547.3746396	808e59d6cc38f3c1a2417c658e2b852fdda17bf0
9	2015	Algorithmic compositional methods and their role in genesis : a multi-functional real-time computer music system	Julian William Lywood-Mulcock				977802de76967f1cf4d9710bdae3256f60f7981b
9	2014	A digital musical instrument using three-dimensional gesture recognition	Fabian Seipel				8a127ac91b6688bbad8d4028045258b4df7eefad
9	2010	A View on Improvisation from the Kitchen Sink	J. Cannon; S. Favilla	Leonardo Music Journal		10.1162/LMJ_a_00020	0b50cee2dfcc06d9be49492979c33191b6457e03
9	2004	An Inertial, Pliable Interface	Mark Zadel; P. Kosek; M. Wanderley				f0b59af18f25858bf2272911d5590df17b79a6d6
9	2012	The FireFader Design: Simple, Open-Source, and Reconﬁgurable Haptics for Musicians	E. Berdahl; Alexandros Kontogeorgakopoulos				532961742ca044a8ea07c798f2ea9fe42f362e44
9	2007	Perception-based design, including haptic feedback in expressive music interfaces	Ricardo Pedrosa			10.14288/1.0052072	9aa912dbdca4dbf6b2b52d174cfb9e1009f8e50e
9	2004	FlexiGesture : a sensor-rich real-time adaptive gesture and affordance learning platform for electronic music control	David J. Merrill				f5a5a3cbb17c162b659d4b6af2d4e2b39ab70eb5
9	2014	Distributed tools for interactive design of heterogeneous signal networks	Joseph W. Malloch; S. Sinclair; M. Wanderley	Multimedia tools and applications	JournalArticle	10.1007/s11042-014-1878-5	fd67e2031b333e892244f67bc1559bf15789c7c9
9	2015	Computer Music Languages and Systems: The Synergy Between Technology and Creativity	H. Nishino; R. Nakatsu			10.1007/978-981-4560-52-8_19-1	adf607ef1840fd115fbcadcb55fe5493865f75f8
9	2010	A gestural media framework : tools for expressive gesture recognition and mapping in rehearsal and performance	E. Jessop				f9883b33802baef8dcd45d6304224c16567a5cf2
9	2017	Hands where we can see them! Investigating the impact of gesture size on audience perception	S. Bin; N. Bryan-Kinns; Andrew Mcpherson	International Conference on Mathematics and Computing	JournalArticle		c625b9e15776b552b6a714808f74ba77aade2e70
9	2008	Preservation of interactive multimedia performances	K. Ng; Pham Vu Tran; Bee Ong; A. Mikroyannidis; D. Giaretta	Int. J. Metadata Semant. Ontologies	JournalArticle	10.1504/IJMSO.2008.023567	22d918c466eebd656ad292fcc0d6e5da6cd767c9
9		ALgorithms for the Modelling of Acoustic interactions Deliverable D 15 Human Model Interaction : Report on Final Implementation and Results					330f371190a8a505034f3ff3334e9d775338c07d
9	2024	Musical Drawing in 2D and 3D: Dimensions and Perspectives	Esther Gruy; Florent Berthaut	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3678299.3678317	2209d4599d541df3d29a6bcffdffeff7be6a64de
9	2023	Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people	Erivan Gonçalves Duarte; I. Cossette; Marcelo M. Wanderley	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2023.1158476	49d6c5e815d16d7f7cda552f19bc010b890eca43
9	2018	Understanding User-Defined Mapping Design in Mid-Air Musical Performance	Dom Brown; Chris Nash; Tom Mitchell	MOCO	Book,JournalArticle,Review	10.1145/3212721.3212810	df4ad34952184b4f7dadc52251d4351b1de1d622
9	2018	Emotion in Video Game Soundtracking	D. Williams; L. Newton	International Series on Computer Entertainment and Media Technology	Review	10.1007/978-3-319-72272-6	4c2dc7023c5097ee66bf13eab6c40f57b40a6047
9	2016	A Virtual Musical Instrument for 3D Performance with Short Gestures: Exploring Mapping Strategies with Virtual Reality	A. Rodrigues; M. Zuffo; Olavo Belloc; Regis Faria	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-67738-5_18	862148298d2e6e2b5b048f27620b000d34da2c49
9	2015	Gestural control in electronic music performance: sound design based on the `striking' and `bowing' movement metaphors	F. Robinson; C. Spindler; Volker Böhm; Erik Oña	Audio Mostly Conference	JournalArticle	10.1145/2814895.2814901	3df645ba240d692bb24b1a48f92404b287f1c687
9	2020	Advances in Computer Graphics: 37th Computer Graphics International Conference, CGI 2020, Geneva, Switzerland, October 20–23, 2020, Proceedings	C. Stephanidis; E. Wu; D. Thalmann; B. Sheng; Jinman Kim; G. Papagiannakis	Computer Graphics International Conference	Book	10.1007/978-3-030-61864-3	b1810ed8cd63a1f3c68423791aa795891c088ddd
9	2019	HCI.Tools Strategies and Best Practices for Designing, Evaluating and Sharing Technical HCI Toolkits CHI 2017 Workshop	Steven Houben; Karsten Nebe				0a14fcaf937fd6e9f5f654ce39c4404bab3e75c0
9	2017	Technology and Community in Toolkits for Musical Interface Design	Andrew Mcpherson				624c66d001cc4e70e1c85cfcc20bfd683fd4ab72
9	2014	Methods and Technologies for Using Body Motion for Real-Time Musical Interaction	S. Skogstad		Review		1ec15b8ef84a5d8d48f93b1680fee23e9c6e77af
9	2019	A Case Study in Collaborative Learning via Participatory Music Interactive Systems: Interactive Tango Milonga	Courtney Brown; G. Paine	New Directions in Music and Human-Computer Interaction		10.1007/978-3-319-92069-6_18	e3e5698d17a18578cadfaf552dad62370b87c7ac
9	2023	Composing Interface Connections for a Networked Touchscreen Ensemble	C. Martin; Alexander Hunter; Brent Schuetze; Yi-Chen Wang	2023 4th International Symposium on the Internet of Sounds	JournalArticle	10.1109/IEEECONF59510.2023.10335226	a2cba08d79a5cf9b714ce04db3fdb89541756206
9	2016	Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers	R. Kronland-Martinet; M. Aramaki; S. Ystad	Computer Music Modeling and Retrieval	Book	10.1007/978-3-319-46282-0	27a3eef58d943359a3cb039428422e0f62079b3d
9	2015	BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras	Florent Berthaut; Luke Dahl	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-46282-0_10	8a6efda72179517ba5991c6f8e6283786c1a9d1a
9	2011	Audience-Participation Techniques Based on Social Mobile Computing	Jieun Oh; Ge Wang	International Conference on Mathematics and Computing	JournalArticle		4e1cc4bee434874ab8148aa4d2f510a7e134a11e
9	2008	An approach to machine development of musical ontogeny	Marcelo Gimenes		Review		6fe3848c60c504e0ef4ae717274de6625aeebbda
9	2007	A Semantic Time Framework for Interactive Media Systems	Eric Lee				f92447a034e539870d304815cce249bb8a70c453
9	2014	Mapping and interaction strategies for performing environmental sound	Christian Heinrichs; Andrew Mcpherson	2014 IEEE VR Workshop: Sonic Interaction in Virtual Environments (SIVE)	JournalArticle	10.1109/SIVE.2014.7006286	3bc1137a88e259e7b26e360b70da803bb4b933a6
9	2016	A survey of robotic musicianship	M. Bretan; Gil Weinberg	Communications of the ACM	JournalArticle,Review	10.1145/2818994	ad44a3a005c8321bea8c49037587cdca2b92cf13
9	2014	Little Drummer Bot: Building, Testing, and InterfacingWith a New Expressive Mechatronic Drum System	Jim W. Murphy; D. Carnegie; Ajay Kapur	International Conference on Mathematics and Computing	JournalArticle,Review		da9c72ec0b1286ce2735fcb41209f80e7e441a40
9	2018	User-independent Accelerometer Gesture Recognition for Participatory Mobile Music	Gerard Roma; Anna Xambó; Jason Freeman	Journal of The Audio Engineering Society		10.17743/JAES.2018.0026	4bc34089eb6adc8487ee27a793fb1abe733af700
9	2011	Digital Music Performance for Mobile Devices Based on Magnetic Interaction	Hamed Ketabdar; Amin Haji-Abolhassani; K. Yüksel; Ihsan Kehribar; A. Erçil	IEEE Transactions on Instrumentation and Measurement	JournalArticle	10.1109/TIM.2011.2164283	4a2192926f60ec9f5084125d96121c3be15a0be0
9	2016	An Overview on Networked Music Performance Technologies	C. Rottondi; Chris Chafe; C. Allocchio; A. Sarti	IEEE Access	JournalArticle,Review	10.1109/ACCESS.2016.2628440	e18d86c09df7e9062f7b829cb42a1365262470b2
9	2014	What Music Composition Interfaces Require Master Seminar Paper	Sebastian Fichtner		Review		99951b13dc06576966923952e5f6a1a59f102b65
9	2013	Composing Social Interactions for an Interactive-Spatial Performance System	A. Parkinson; Koray Tahiroglu				dc093a058d979d0a7f2160efa60e6336f52d02ac
9	2018	Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Music Systems	Adnan Marquez-Borbon				099837eeeeb4cdd24b35264cec508dacd0dfeeb7
9	2017	Rich gesture, reduced control: the influence of constrained mappings on performance technique	Robert H. Jack; T. Stockman; Andrew Mcpherson	MOCO	Book,JournalArticle	10.1145/3077981.3078039	3157fcd9b4438fe4fc9a6ea42942d1e3978cec86
9	2017	Perceptual Learning and the Emergence of Performer-Instrument Interactions with Digital Systems	Adnan Marquez-Borbon				2323f2d4d294063526d38d10b250d339feccfbc2
9	2015	3Dj: a SuperCollider Framework for Real-Time Sound Spatialization	A. Pérez-López	International Conference on Auditory Display	JournalArticle,Review		f43c3ef2b4ea38866dfe91ecd17776f2846f4a55
9	2014	Playing vibrotactile music: A comparison between the Vibrochord and a piano keyboard	Carmen Branje; D. Fels	Int. J. Hum. Comput. Stud.	JournalArticle	10.1016/j.ijhcs.2014.01.003	53bf7a4a6d3bd8ea3e3d8b8be2802f40daacdd7a
9	2021	A F AUST -B UILT M OBILE V OCODER I NSTRUMENT	R. R. Usso				51d716ca7b90648ffb55be563b5efebb468914ba
9	2013	The AirSticks: a new interface for electronic percussion	Alon Ilsar; Mark Havryliv; Andrew Johnston				f171867bd996a67428d16a7e802953be91ee98d6
9	2019	Liveness and Interactivity in Popular Music	Wai-Te Si	Innovation in Music		10.4324/9781351016711-8	832ed0ffc7610ea9000a57f34fb5bc6adba57618
9	2017	Machine Learning as Meta-Instrument: Human-Machine Partnerships Shaping Expressive Instrumental Creation	R. Fiebrink			10.1007/978-981-10-2951-6_10	376258ec3acff1e5a2b5ba68cfdf6cc7176b4f36
9	2010	Toward Understanding Human-Computer Interaction In Composing The Instrument	R. Fiebrink; Dan Trueman; N. C. Britt; M. Nagai; Konrad Kaczmarek; Michael Early	International Conference on Mathematics and Computing	JournalArticle		10e1d862e2bffe3095a2fa1d6847833acd8dd683
9	2019	DrWebusic : Real-time Interactive Audio System on the Web	Euyshick Hong	Journal of Digital Contents Society		10.9728/dcs.2019.20.9.1755	261d533582afd3000802f3ca3470d386ff673c20
9	2010	Towards digital music performance for mobile devices based on magnetic interaction	K. Yüksel; Hamed Ketabdar; Mehran Roshandel			10.1109/HAVE.2010.5623990	203fba5ae4e2b211ebfa23dd003476015e8d5358
9	2019	Mobile Music Development Tools for Creative Coders	Daniel Holmes			10.31390/gradschool_dissertations.4935	014c610b5fc0ef4df6c1ca131f4f533cd8b558cc
9	2014	Mobile Phones as Ubiquitous Instruments: Towards Standardizing Performance Data on the Network	Nathan Bowen; David Reeder	International Conference on Mathematics and Computing	JournalArticle		9ceb848c65657cb28dccab58398740f629b8c6d7
9	2020	Levels of Detail in Visual Augmentation for Novice and Expert Audiences	Olivier Capra; Florent Berthaut; L. Grisoni	Computer Music Journal	JournalArticle	10.1162/comj_a_00568	0749be8a3b6c6811000f1c7c12e4ae172269fe08
9	2017	The Role of Live Visuals in Audience Understanding of Electronic Music Performances	Nuno N. Correia; Deborah Castro; Atau Tanaka	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3123514.3123555	060a4e96563a6e29ad424999a6653d4c8b0acec6
9	2021	Levels of Detail in Visual Augmentations for the Novice and Expert Audiences	Olivier Capra; Florent Berthaut; L. Grisoni				69671ec806d2f881688a1aba766c4aa7d70b8a48
9	2019	The Influence of Coauthorship in the Interpretation of Multimodal Interfaces	Fabio Morreale; Raul Masu; A. De Angeli	Wireless Communications and Mobile Computing	JournalArticle	10.1155/2019/9234812	538a23ab6043b18216444fffe53662ae2afd04e5
9	2014	Sonia: interfaz para la producción musical en tiempo real integrando dispositivos de entrada	Julián Valencia; Santiago Eduardo Mendoza Lareo				9c4e8d4f975f0bcc4136eb5dbfc0bac5014c1d0b
9	2023	Suspended Circles: Soma Designing a Musical Instrument	T. Bang; Sarah Fdili Alaoui	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3544548.3581488	7f826822fd836f0edcf142fd42d1fd54d3427e1c
9		Embedding Electronics in Additive Manufacturing for Digital Musical Instrument Design	D. Cavdir				c5c7e541c4db7512fdadb5eeaff45493815953bc
9	2018	Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp	John Sullivan; Alexandra Tibbitts; Brice Gatinet; M. Wanderley	MOCO	Book,JournalArticle	10.1145/3212721.3212814	01ee02e443204dfe28cd8147c804fd6c8c4f559d
9	2019	Bewegungssonifikation: Psychologische Grundlagen und Auswirkungen der Verklanglichung menschlicher Handlungen in der Rehabilitation, im Sport und bei Musikaufführungen	Jesper Hohagen; C. Wöllner	Jahrbuch Musikpsychologie		10.5964/JBDGM.2018V28.36	de61a1e8f5e3291ed6a96af70fdfebcb77aa0d28
9	2021	TumTá and Pisada	João Tragtenberg; Filipe Calegario; Giordano Cabral; Geber Ramalho	Per Musi		10.35699/2317-6377.2020.26151	fd6e39db14ec3734193cedde356443946952d930
9	2021	Co-Sounding: Fostering intersubjectivity in electronic music improvisation	Otso Lähdeoja; Alejandro Montes de Oca	Organised Sound		10.1017/S1355771821000017	043001066ff5296b30331acc2fc2ccd483dda6da
9	2020	Transparent Communication Within Multiplicities	Angelo Fraietta; O. Bown; Sam Ferguson	Conference of the Open Innovations Association	JournalArticle,Conference	10.23919/fruct49677.2020.9210989	9ef8c64abd5cc05dec3fbc7b7e42721ec57327f7
9	2012	Mediated interactions in musical expression	M. Radha		Review		030694210ddc2ae217e50c9a027f5f8054a52b3c
9	2012	The Augmented String Quartet: Experiments and Gesture Following	Frédéric Bevilacqua; Florence Baschet; Serge Lemouton			10.1080/09298215.2011.647823	b66f858561719e04070f93d5aa57df2d2b60d2ed
9	2007	Ghi Project : New Approach for Musical Instruments	Y. Nagashima	International Conference on Mathematics and Computing	JournalArticle		d6cbad194f9792ec9b6b9a15bb46c290fb484055
9	2014	BRAID : A Web Audio Instrument Builder with Embedded Code Blocks	Ben Taylor; Jesse T. Allison		Review		d92e9fe43966b903c514613feaf281d2a40a6cc0
9	2013	x-OSC: A versatile wireless I/O device for creative/music applications	Sebastian O. H. Madgwick; Tom Mitchell				a6e59af4a23a00fac875fdb8f84cb7dbb6b4b366
9		generative open					047a08f958d5feb5bf70b37752b24e7ef21a8bb3
9	2019	Encumbered Interaction: a Study of Musicians Preparing to Perform	Juan Pablo Martinez Avila; C. Greenhalgh; Adrian Hazzard; S. Benford; A. Chamberlain	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/3290605.3300706	804e261a3935febb2595d29c6e18a089e49469a8
9	2019	Noted: Musical affordances for collective exploratory music-making	J. Osorio		CaseReport	10.31274/cc-20240624-1067	a4d8ad841685ebbe501b6d27c384d16402a40a75
9	2022	The Perfect Musical Instrument Does Not Exist: Experience Reports for the Development of Accessible NIMEs	Christine Steinmeier; Dominic Becking; Malte Kanders	Petra	JournalArticle,Book,Review	10.1145/3529190.3534741	0eb2117dbe322a92f4e262b56b586a42106b099b
9	2025	A Sensor is not a Sensor: Diffracting the Preservation of Sonic Microinteraction with the SiFiBand	H. A. von Arnim; Çağrı Erdem; U. Côté-Allard; Alexander Refsum Jensenius	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3771594.3771626	cedb395c5a2bfa83efb69568b8e43d225f62ef50
9	2016	Expressivity in Open-ended Constructive Play: Building and Playing Musical Lego Instruments	K. B. Jakobsen; Jeppe Stougaard; M. G. Petersen; Jakob Winge; Jens Emil Sloth Grønbæk; M. K. Rasmussen	International Conference on Interaction Design and Children	Book,JournalArticle	10.1145/2930674.2930683	c154c68f15f3572be9677ff90b7987aaf7fbd33f
9	2023	Exploring XAI for the Arts: Explaining Latent Space in Generative Music	N. Bryan-Kinns; Berker Banar; Corey Ford; Courtney N. Reed; Yixiao Zhang; S. Colton	arXiv.org	JournalArticle	10.48550/arXiv.2308.05496	6745d29ef12475dd91054c190110c9cef00aef7c
8	2016	A Review of Interactive Conducting Systems: 1970-2015	Kyungho Lee; Michael J. Junokas; Guy E. Garnett	International Conference on Mathematics and Computing	JournalArticle,Review		7bb1123a818f01fa1441c119302f85de01db253f
8	2013	A Virtual Reality Platform for Musical Creation: GENESIS-RT	James Leonard; C. Cadoz; N. Castagné; Jean-Loup Florens; A. Luciani	Computer Music Modeling and Retrieval	JournalArticle,Review	10.1007/978-3-319-12976-1_22	abe3e06a77c3d56a4d763264c9b0fcb60292dc79
8	2017	MetaFlute: A Wearable Interface for Gesture Detection	Diana Siwiak; D. Carnegie; Jim W. Murphy; Ajay Kapur	International Conference on Mathematics and Computing	JournalArticle		4ae65af26038dce73e2cb2f62cf686b9d8b74725
8	2016	A multidimensional sketching interface for visual interaction with corpus-based concatenative sound synthesis	A. Tsiros				accc2c863ef95d77fc6dceabb635898ebc40b0dd
8	2006	Fetish: Bent Leather's palpable, visceral instruments and Grainger	S. Favilla; J. Cannon			10.1080/07494460600647519	08b429fe64a101cfd2746d65c23b14b4ce4bf0f3
8	2014	A History of Emerging Paradigms in EEG for Music	Kameron R. Christopher; Ajay Kapur; D. Carnegie; G. Grimshaw	International Conference on Mathematics and Computing	JournalArticle		108f643b41280ed6ed036c98214a695103f23700
8	1999	New Electronic Performance Instruments For Electroacoustic Music	D. Menzies				d35463cc88cd9ca6bf8a4e0b4d51755e857e627e
8	1999	Exploration of timbre by analysis and synthesis	J. Risset; David Wessel			10.1016/B978-012213564-4/50006-8	2a53e24b920aeca83b2803d2b6b2ee6b0677ca18
8	2011	Designing a hyperinstrument with gesture interface for musical performance	Mario Cronje				06fd398a3e5e86e0c3b0453b41cfd7370fa4ee94
8	2024	Collaboration Between Robots, Interfaces and Humans: Practice-Based and Audience Perspectives	A. Savery; Richard J. Savery	arXiv.org	JournalArticle,Review	10.48550/arXiv.2407.16966	aa9a0bf5aa254f6d6e7335693b82bb40d3cdd820
8	2007	A methodology for investigation of bowed string performance through measurement of violin bowing technique	D. Young				1780f4018c950a4f0462fb143315af72aa04e19d
8	2003	Interconnected musical networks: bringing expression and thoughtfulness to collaborative group playing	Gil Weinberg; Tod Machover		Review		cd9c972d258f2d41071e256879eab52560208ba5
8	2002	∞ PhD Thesis: "Interconnected Musical Networks - Bringing Expression and Thoughtfulness to Collaborative Music Making."	Gil Weinberg				52a3490b728eaebf9880ab68dceb6ebfdd168f9f
8	2024	The Perceptron: A Multi-player Entangled Instrument based on Interpretive Mapping and Intra-action.	Steve Symons	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3678299.3678338	16c9afc6f11c3dfb6a26ead62080d4d95639dab5
8	2010	The body as a spatial sound generating instrument: defining the three dimensional data interpreting methodology (3DIM)	Hortense Wijnans		Review		f6ad169097e024b736f19b8eaa67bf60a225e687
8	2020	Somatic Sonification in Dance Performances. From the Artistic to the Perceptual and Back	A. Giomi	MOCO	Book,JournalArticle	10.1145/3401956.3404226	1e08e57b17043dac4d671c60af973ef66ef6ae8a
8	2011	Balance Ball Interface for Performing Arts	Tomoyuki Yamaguchi; Tsukasa Kobayashi; S. Hashimoto	Interacción	JournalArticle	10.1007/978-3-642-21669-5_52	79dc772455a4711b2b2d5734c45832bf4fd76e81
8	2019	Challenges for a Second Decade of Ubimus Research: Metaphors for Creative Action (part 1)	Damián Keller				0dd1d8cc74a723e493caf86efaa8595deaf2dce8
8	2012	Identifying mutual engagement	N. Bryan-Kinns; F. Hamilton	Behavior and Information Technology	JournalArticle	10.1080/01449290903377103	dc8f26df03351ca87af8dba3368197d0f43af7b0
8	2010	TOUCHtr4ck: democratic collaborative music	Anna Xambó; Robin C. Laney; C. Dobbyn	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/1935701.1935773	5f91c6281561fb5e977169206611bbf1a9c362c6
8	2018	TOUCHtr 4 ck : democratic collaborative music Conference or Workshop Item	Anna Xambó; Robin C. Laney				dd4767902667ad5e4a81a84d3092c75934d91c12
8	2016	Online The Open University ’ s repository of research publications and other research outputs TOUCHtr 4 ck : democratic collaborative music Conference Item	Anna Xambó				6f05e09e5e572ac999342a7de3fe18fd7a44ce58
8	2014	SCULPTON: A Malleable Tangible Interface for Sound Sculpting	Alberto Boem	International Conference on Mathematics and Computing	JournalArticle		406ece6e6c52691b3f31d61d82bc8745c444ff56
8		IST-2001-33059 ALgorithms for the Modelling of Acoustic interactions Deliverable D 14 Human model interaction : first implementation and results					57fd20414b009a4026162ca8c3eddaa0a7d57998
8	2025	Augmenting IoMusT Devices with Haptic Feedback: Design Tools and Strategies from Expert T-Stick Performers	Oren Ronen; Marcelo M. Wanderley	2025 IEEE 6th International Symposium on the Internet of Sounds (IS2)	JournalArticle	10.1109/IS264627.2025.11284670	a191bbab2096f45415fa125c9c1fb7e3f4e7a44f
8	2025	From Installation to Instrument: A Qualitative Inquiry into Gesture, Expression, and Composition with Soundscape	T. Hunter; Eve Klein; Stephen Viller	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3771594.3771627	e983c66f92c77390a38fde1338a15c326b8bf915
8	2017	Turn-Taking and Chatting in Collaborative Music Live Coding	Anna Xambó; Pratik Shah; Gerard Roma; Jason Freeman; B. Magerko	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3123514.3123519	2c45f4cadac944872537d612d695862dba835706
8	2017	Integrating Gesture Data in Computer-aided Composition: A Framework for Representation, Processing and Mapping	M. Schumacher; M. Wanderley		Review	10.1080/09298215.2016.1254662	58324c30d999c121bfb8c22f49958f1fa94cc5a0
8	2016	Crowd in C[loud] : Audience Participation Music with Online Dating Metaphor using Cloud Service	Sang Won Lee; Antonio Deusany de Carvalho; Georg Essl				5b831e022e2362aea93446e0f7e973ed3ddb6dd6
8	2010	Construction, manipulation et visualisation de processus sonores dans des environnements virtuels immersifs pour la performance musicale	Florent Berthaut			10.70675/ac9d5250zb14cz4f39z8182z74aa81ef169d	c9d94da088584b73849d4ef83e28f3f6da7e0c70
8	2004	Designing for intimacy: creating new interfaces for musical expression	S. Fels	Proceedings of the IEEE	JournalArticle	10.1109/JPROC.2004.825887	cb5294635c6183d5290bb8841d8ea95afe557ca1
8	2021	Mixed Writing with Karlax and Acoustic Instruments: Interaction Strategies from Computer Music	Benjamin Lavastre; M. Wanderley				7ed669c849b3ebffa06d187050ff14d6c06be4bf
8	2021	Experiencing Embodied Sonic Meditation Through Body, Voice, and Multimedia Arts	J. Wu			10.1007/978-3-030-72507-5_8	552fa5d98447555ab09e854d6a9000463322e200
8	2018	Motion Controllers, Sound, and Music in Video Games: State of the Art and Research Perspectives	F. Visi; Frithjof Faasch		Review	10.1007/978-3-319-72272-6_8	415730d191b8227a445dc6f1183f3f1c2d29fc03
8	2016	Development of a Digital Musical Instrument with Embedded Sound Synthesis ( Exposé )	Pascal Staudt				4ddd8b2f6de9bb14efc3ffb9eb98f4a8e798d97b
8	2014	Lose control, gain influence - Concepts for Metacontrol	A. D. Campo	International Conference on Mathematics and Computing	JournalArticle		a52e677145bf9f814a180a26698909e869f8f7b0
8	2009	Rhythmically-Controlled Automata Applied to Musical Improvisation	S. Krakowski; C. Rêgo				0c4b52c678d33bc8bddf1642b1a46787e92b357d
8	2007	Composing Instruments: Inventing and Performing with Generative Computer-based Instruments by	A. Momeni; B. A. Swarthmore; Cindy Cox; David Wessel				167aea077e752b5142d74ce44711e884e026598e
8	2007	Supporting modular performance technique	H. Steiner				6cd87dbfb1cd4b0979d4789184d65800c395de5f
8	2007	An Accelerometer and Gyroscope Based Sensor System for Dance Performance	Giuseppe Torre; M. Fernstrom; Margaret Cahill				df19a1c79cf0051fb52952074a2c9d5d8c4e453a
8	2014	Exploring the Digital Music Instrument Trombosonic with Extreme Users and at a Participatory Performance	Oliver Hödl; Geraldine Fitzpatrick; S. Holland				9e44ccf45bc4d7ef239bfcf33e864c11110b9250
8		Open Research	Oliver H. ̈odl; Geraldine Fitzpatrick; S. Holland				8b15d45875e55b049e19b48fca57e1a647b5efa7
8	2015	Developing methods for predicting affect in algorithmic composition	D. Pitman			10.4225/55/583791BF6A600	8a4ecb695ebb3dd4b1ef58826664f6457fdee076
8	2023	A web-based distributed system for integrating mobile music in choral performance	Luca Turchet; Martina De Cet	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-023-01709-0	c3802a680619d070b03082637745b80c374f2da3
8	2014	Interactive Sound Synthesis Mediated Through Computer Networks	Jingyin He; Kameron R. Christopher; Ajay Kapur; D. Carnegie				6e8d081d4f7bac533be15986b992e5677110b251
8	2012	Internet2 and Global Electroacoustic Music: Navigating a decision space of production, relationships and languages	Ian Whalley	Organised Sound		10.1017/S135577181100046X	2932dbfb2f204f6cd778a5df883bac858b04ad3a
8	2017	Towards the Internet of Musical Things	Luca Turchet; C. Fischione; M. Barthet				41eccf5056404fdcd5c876f7f96ba8b00406506b
8	2013	Time Giver : An Installation of Collective Expression using Mobile PPG and EEG in the AlloSphere	Yuan-Yi Fan; F. Sciotto				8799dbbf23e8160d6bcaa7458e0efc87b2fae051
8	2017	Water and dreams: exploring Bachelard's concepts through new audiovisual works for the oboe	Linda Walsh				556b8fd41e166ac283da374cd71d3242f14c28b0
8	2025	Expanding Creative Interaction: Toward a Modular Toolkit for Audio-Visual Composition and Augmented Performance	A. Savery; Sam Ferguson; Andrew Johnston	International Conference on Human-Agent Interaction	Book,JournalArticle	10.1145/3765766.3765845	27663755ec048d27586e567bd2663387868f28d1
8	2007	Progress report on the Mapping Library for Pd	H. Steiner; Cyrille Henry				61fda42565b59915ef10670033ec57cbb92a797a
8	2015	Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones	Jim W. Murphy; J. McVay; Paul Mathews; D. Carnegie; Ajay Kapur	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00285	b56edd557f006b77cfea0f763332625d3760acf7
8	2012	Virtual Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises					1f02da187a7ae674f11f0dd14cba860433818878
8	2011	Virtual Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises	Alexandre Bouënard; M. Wanderley; Sylvie Gibet; F. Marandola				eb7a5314e591d426d420dcd79622fa34303c399f
8	2017	Handwaving: Gesture Recognition for Participatory Mobile Music	Gerard Roma; Anna Xambó; Jason Freeman	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3123514.3123538	bdc8eb46fa5c6b03e7cf137a1a9412a04987d8b2
8	2025	The TMAP Framework: Describing the Design Space of Technology-Mediated Audience Participation in Live Music	Oliver Hödl; Luca Turchet	IEEE Access	JournalArticle,Review	10.1109/ACCESS.2025.3543064	f920a71a85a8a984278df5d145c66327866a0ddc
8	2015	Tech report: Orchestrating your cloud orchestra: Model driven development of cloud deployment and orchestration for distributed computer music instruments	Abram Hindle	PeerJ Preprints	JournalArticle	10.7287/peerj.preprints.991v1	3dbf8bd92f84e20bad5de30061b2cd2c6f5b1506
8	2014	Ocarina: Designing the iPhone's Magic Flute	Wang Ge	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00236	4ff509f95fb5218a5a1c7588ac89dfb1034b3c8e
8	2009	Do Mobile phones Dream of Electric Orchestras?	Wang Ge; Georg Essl; H. Penttinen	International Conference on Mathematics and Computing	JournalArticle		7e5dd565f1938d01c8ab9823c16d5c682d996564
8	2018	Musical Haptics	M. Ferre; O. Marc	Springer Series on Touch and Haptic Systems		10.1007/978-3-319-58316-7	45cfdd2872a9836c97c8b68f3cde3e996506f026
8	2015	! AudioSignal Server : Metatone Classifier Touch Data Identified Gesture “ New Idea ”	Charles P. Martin				5f92580c9bd2229c0c620b0748991138d89b66e3
8	2014	Advancements in violin-related human-computer interaction	Dan Overholt	Int. J. Arts Technol.	JournalArticle	10.1504/IJART.2014.060941	839e5c6f7b9441a2320e7668255d4ad33cd0d021
8	2018	The design of audio mixing software displays to support critical listening	Josh Mycroft				ed71326660333827759209d1e1c9cf10275d32cc
8	2020	Understanding Human–Technology Relations Within Technologization and Appification of Musicality	Kai Tuuri; Oskari Koskela	Frontiers in Psychology	JournalArticle	10.3389/fpsyg.2020.00416	05422978df1757b124023fd8f2b0c5c5830d14ec
8	2013	Chasing a Feeling: Experience in Computer Supported Jamming	Ben Swift	Music and Human-Computer Interaction		10.1007/978-1-4471-2990-5_5	84da17b80c8668c63c1ea57b809e21728841161c
8	2017	A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes	Filipe Calegario; M. Wanderley; Stéphane Huot; Giordano Cabral; Geber Ramalho	IEEE Multimedia	JournalArticle	10.1109/MMUL.2017.18	abf884e7a1a8c1e6a795eaf64e8832e76a7d5cfb
8	2016	An evaluation of digital interfaces for music composition and improvisation	K. Vasilakos		Review		614e89ff36e5ea5853b2b8b8e9a79235c066b407
8		Sirenology: Towards a Methodology to Reveal the Knowledge in Musical Instruments	Helena Linder Miñambres; Helena Linder Miñambres				dea4bfe69022bd95e8214d47b471173147de28fb
8	2026	Entangled musicianship: rethinking music education and digital musical interactions through posthumanist theory	V. Kinsella; Andrew P. McPherson	British Journal of Music Education	JournalArticle	10.1017/S0265051726100801	22e015ce0ef01a4118328e4ea3ee6f0367c484b9
8	2025	MNT2: A Longitudinal Evaluation of an Open-Source Mapping Software	Fabián Sguiglia	Revista Música Hodie	JournalArticle,Review	10.5216/mh.v26.85231	9285c7ec875f4b4912f3ccc1b6b54946aae2944d
8	2023	Chaos Bells: Instrument Size and Entangled Music Performance	Lia Mice; Andrew P. McPherson	Contemporary Music Review	JournalArticle	10.1080/07494467.2023.2277556	cae766be395e8669b4ff1ffa3075fb8d4c0f1f85
8	2017	NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie	Andrew Mcpherson; J. Armitage; S. Bin; Fabio Morreale; Robert H. Jack	Queen Mary Research Online (Queen Mary University of London)	JournalArticle		7b73c62a3f387f9004957951eefb857d947efd3f
8	2017	Mapping, Causality and the Perception of Instrumentality: Theoretical and Empirical Approaches to the Audience’s Experience of Digital Musical Instruments	G. Emerson; Hauke Egermann		Review	10.1007/978-981-10-2951-6_23	1c47a5cc4e26cd66bb48084e01edcbf11f9d297a
8	2012	A qualitative evaluation of augmented human-human interaction in mobile group improvisation	Roberto Pugliese; Koray Tahiroglu; C. Goddard; James Nesfield				f9da79f45edc8f036af2a45eba7bbfd6d6ae8115
8	2017	Building a Maker Community Around an Open Hardware Platform	Fabio Morreale; G. Moro; A. Chamberlain; S. Benford; Andrew Mcpherson	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3025453.3026056	08aaa05f36a6cf1a82191d25c4e7faaba8461951
8	2021	Designing Group Music Improvisation Systems: A Decade of Design Research in Education	B. Hengeveld; M. Funk				d24a65488058013b214e9f92d04d3d1dce90a385
8	2021	Designing Group Music Improvisation Systems	B. Hengeveld; M. Funk				537bde2051ff7cfe1ae0dd4fec51d14edb3abbd8
8	2015	Social retrieval of music content in multi-user performance	M. Mancini; G. Volpe; Giovanna Varni; A. Camurri	EAI Endorsed Transactions on Creative Technologies	JournalArticle	10.4108/ct.2.3.e1	275d21bbd41fe1b885a325857aa4652d96c8ddf0
8	2021	Flows of Inhomogeneous Matter: Improvising an augmented violin	S. Thorn	Organised Sound		10.1017/S1355771821000066	8bedefa4dfde240bd199363e4f100adb31034941
8	2008	Between Mapping, Sonification and Composition: Responsive audio Environments in Live Performance	Chris Salter; M. Baalman; Daniel Moody-Grigsby	International Conference on Mathematics and Computing	JournalArticle	10.1007/978-3-540-85035-9_17	e3ea063b5c8175de85298c5bab1e411308f85569
8	2010	Making music through real-time voice timbre analysis: machine learning and timbral control	D. Stowell				7c32ac3bb2fe511e12ea9e0bb9d6ce5fe919dcc2
8	2021	Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review	Valérian Fraisse; M. Wanderley; C. Guastavino	Multimodal Technologies and Interaction	JournalArticle,Review	10.3390/MTI5040019	83bc5065c12acb1317dd35a4585a675abba73456
8	2025	Accessibility and Social Inclusivity: A Literature Review of Music Technology for Blind and Low Vision People	Shumeng Zhang; Raul Masu; Mela Bettega; Ming-Ming Fan	International ACM SIGACCESS Conference on Computers and Accessibility	JournalArticle,Book,Conference,Review	10.1145/3663547.3746466	4ae4251e04ad4abd03d9eb1be6d38dacd27b0406
8	2020	Out of Touch? Challenges in Reconnecting Bodies with Instruments ‘of the Future’	A. Harper			10.1080/07494467.2020.1806629	1b96886e4aaeb43c2bd1fb601422b108046bb6fa
8	2014	Actuated Acoustic Instruments: Relationships and Mind-sets with "Fill Up Jar" and "Ctenophora" (original music compositions)	N. C. Britt				b1de638f986ec11a2433a0899a7714fc112a5bae
8	2017	States and Sound: Modelling User Interactions with Musical Interfaces	J. V. Larsen; Hendrik Knoche				e7f55d11b15d00bdb2e4c46b930412964be60788
8	2010	Individualized Intuitive Control of Spectral Model Synthesis	P. Popp				59467a1d3d7a2f6af7d25232a8b87c697cb611af
8	2019	Harp and Electronics: Composition, Design, and Performance	Ú. Monaghan	Contemporary Music Review		10.1080/07494467.2019.1706349	42b580d025fcbbf07fbb95922036c6541be44cdc
8	2019	Ha Dou Ken Music: Mapping a joysticks as a musical controller	G. L. Rocha; J. Araújo; F. Schiavoni	Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019)		10.5753/sbcm.2019.10425	b87f3091b8d51ae26b9811a7c28cb23d7337dda4
8	2009	Multimodal Guitar : Performance Toolbox and Study Workbench	Christian Frisson; L. Reboursière; Wen-Yang Chu; Otso Lähdeoja; M. J. Anderson; Cécile Picard-Limpens				f67aa3face691eda7db73c824695575ad3c9dc26
8	2019	Rapid Composition for Networked Devices: HappyBrackets	Angelo Fraietta; O. Bown; Sam Ferguson; Sam Gillespie; Liam Bray	Computer Music Journal	JournalArticle	10.1162/comj_a_00520	f21d19f68c3f9ed48759359a7f9ae03c4ba0d522
8	2012	Investigation of gesture control for articulatory speech synthesis with a bio-mechanical mapping layer	Yizhong Wang			10.14288/1.0073129	e1112734b4d5a53da97450a333e28f02377ab2f2
8	2004	The (hid) Toolkit for Pd	H. Steiner				2e2c460656b1ad09f0f18bd2247abbd8125d32b0
8	2022	Examining Embodied Sensation and Perception in Singing	Courtney N. Reed	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/3490149.3503581	ea113c9254a53b5b729abe658afe01e79af7e24a
8	2013	A HISTORY OF SEQUENCERS: INTERFACES FOR ORGANIZING PATTERN-BASED MUSIC	Raphael Arar; Ajay Kapur				b47b6f8c525b97e9af1d0da73df141738f59c549
8	2017	Hear-Here: a choreographed peer-to-peer network for live participation on the radio	August Black	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3123514.3123552	e03a4536da7e018b326e59b900fc5f7b76384532
8	2022	Sound -> Object -> Gesture: Physical Affordances of Virtual Materials	Jon Pigrem; Andrew Mcpherson; N. Bryan-Kinns; Robert H. Jack	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3561212.3561230	4909782abdf763a30ba666b04175f5732e92baa2
8	2015	Gesture Capture, Processing, and Asynchronous Playback within Web Audio Instruments	Benjamin Taylor; Jesse T. Allison	International Conference on Mathematics and Computing	JournalArticle		9d328a07593e6f742bbac36b8dd99ef37eaaad72
8	2022	Designing Gestures for Digital Musical Instruments: Gesture Elicitation Study with Deaf and Hard of Hearing People	Ryo Iijima; Akihisa Shitara; Y. Ochiai	International ACM SIGACCESS Conference on Computers and Accessibility	JournalArticle,Book,Conference	10.1145/3517428.3544828	c3e0abf371e66b04d87c282d2ce4618c12380863
8	2024	Jess+: AI and robotics with inclusive music-making	Craig Vear; Adrian Hazzard; Solomiya Moroz; Johann Benerradi	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3613904.3642548	de6fe0b9dd78ba59b41c8e9a86364fad88bc2335
8	2009	BODILY BENCHMARK: GESTURAL/PHYSIOLOGICAL ANALYSIS BY REMOTE/WEARABLE SENSING	Christian Frisson; L. Reboursière; Todor Todoroff; J. Filatriau				149ef06f5526eaf85c13556dd97d9710a186fa06
8	2020	A Survey on Visualizations for Musical Data	R. Khulusi; Jakob Kusnick; C. Meinecke; Christina Gillmann; Josef Focht; S. Jänicke	Computer graphics forum (Print)	JournalArticle,Review	10.1111/cgf.13905	8bff1ef74fc33eab71b8335268fe2665c7e29322
8	2021	Prototyping Machine Learning Through Diffractive Art Practice	Hugo Scurto; Baptiste Caramiaux; Frédéric Bevilacqua	Conference on Designing Interactive Systems	JournalArticle,Book,Conference,Review	10.1145/3461778.3462163	643d5c89ed1b92bf3a2e638b90320f730a8171e7
8	2015	Cooperative musical creation using Kinect, WiiMote, Epoc and microphones: a case study with MinDSounDS	T. Tavares; Gabriel Rimoldi; Vânia Eger Pontes; J. Manzolli				30f27b990a5732a168c7aa05e6c464465d31ada8
8	2023	Musical Metaverse: vision, opportunities, and challenges	Luca Turchet	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-023-01708-1	d5541e502b0687d9db5b18f9e489cb11c61c9678
8	2022	Customizing and Evaluating Accessible Multisensory Music Experiences with Pre-Verbal Children - A Case Study on the Perception of Musical Haptics Using Participatory Design with Proxies	Emma Frid; C. Panariello; Claudia Núñez-Pacheco	Multimodal Technologies and Interaction	JournalArticle	10.3390/mti6070055	d4b3bbc781567baada86b06c60966e306d847787
8	2011	Sensor-based feedback for piano pedagogy	Aristotelis Hadjakos				53169e75c829e62136768b30df0d44293648a5a6
8	2013	Primate Drum Kit: A System for Studying Acoustic Pattern Production by Non-Human Primates Using Acceleration and Strain Sensors	A. Ravignani; Vicente Matellán Olivera; B. Gingras; Riccardo Hofer; C. R. Hernández; Ruth-Sophie Sonnweber	Italian National Conference on Sensors	JournalArticle	10.3390/s130809790	9e40ea1a17bf8dc915de1fdc814f46d372f031bb
8	2016	Interaction with a large sized augmented string instrument intended for a public setting	Jimmie Paloranta; A. Lundström; Ludvig Elblaus; R. Bresin; Emma Frid				aafe063f3b9cb2eb27030b76432f0d51601c06b3
8	2019	Six types of audio that DEFY reality!: A taxonomy of audio augmented reality with examples	M. Krzyżaniak; D. Frohlich; P. Jackson	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3356590.3356615	10c2f62143fcf46ff1401149582350938d748000
8	2024	Locality and Digital Musical Instruments Design: A User Study	I. Kuzmin; Zhengyang Ma; Raul Masu	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3678299.3678347	7df0ddf978c82bc7c754ac65beefa342403c7f9d
8		Sustained Interests: Active Collocated String Control with Lorentz Time Division Multiplexing	Adam Schmidt; Andrew Mcpherson				1ecd7e1dea27ef2698f4fa7b563ea62eb22a7ac6
8	2017	Keyboard Interface with Shape-Distortion Expression for Interactive Performance	Masa Ogata; Masataka Goto	International Conference on Mathematics and Computing	JournalArticle		a8f945e374a26d3ec49bc0dacac0b598dbd1e676
8	2022	Share Your Values! Community-Driven Embedding of Ethics in Research	N. Gold; Raul Masu; Cécile Chevalier; Fabio Morreale	CHI Extended Abstracts	Book,JournalArticle	10.1145/3491101.3516389	01c74bb87c1e1a000ac1517c8021ca2855271a7c
7	2019	Historical Analysis CONTEMPORARY MUSIC REVIEW			Review		afad9156336abd196e8db7e50819e36f731ce9f9
7	2003	Designing Musical Interfaces with Composition in Mind	Pascal Gobin; R. Kronland-Martinet; Guy-Andrá Lagesse; Thierry Voinier; S. Ystad	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-540-39900-1_20	1cf1f68c68cd0d4cdde6fd5c5846b7a6bec99c22
7	2006	Loudness and timbre issues in plucked stringed instruments - analysis, synthesis, and design	H. Penttinen				b34504ea52003d2969edc7f860af73547d7f1144
7	2019	Sonifyd: A Graphical Approach for Sound Synthesis and Synesthetic Visual Expression	Woohun Joo	Proceedings of the 25th International Conference on Auditory Display (ICAD 2019)	Conference	10.21785/ICAD2019.045	588ae69f9f522069b7830d9d5199783c0bb0b663
7	2020	Musical Brush: Exploring Creativity Through an AR-Based Tool for Sketching Music and Drawings	Rafael Valer; Rodrigo Schramm; L. Nedel	Computer Graphics International Conference	JournalArticle	10.1007/978-3-030-61864-3_11	2c2e30bc7ed09953830ce8f95b43221679ab7c1b
7	2020	Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning	Charles Patrick Martin; Kyrre Glette; T. Nygaard; Jim Tørresen	Frontiers in Artificial Intelligence	JournalArticle	10.3389/frai.2020.00006	05b789029db13b07bbc57c51e893a39988bd9820
7	2017	Extending the Instrumental sound world using electronics	Monty Adkins			10.1017/9781316459874.016	6bd33680aad4d3d59b0e4d2c40e51d7a4acf33d4
7	2017	DIY and Maker Communities in Electronic Music	John Richards			10.1017/9781316459874.015	8dc4289cfe286da3266f06bcedc39ea1e82bdef6
7	2017	The Analysis of Electronic Music	Mary Simoni			10.1017/9781316459874.017	f41232a2586b98ec1adc54255a0e63a2939ea56f
7	2017	Electronic Sound Art and Aesthetic Experience	Adinda van 't Klooster			10.1017/9781316459874.014	0eeed3886341f0e66d0b7c20f6020fa5d744ec75
7	2013	The space between the notes: adding expressive pitch control to the piano keyboard	Andrew Mcpherson; Adrian Gierakowski; Adam M. Stark	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/2470654.2481302	6ba50832c755597037e6990207796c5395cfdd0e
7	2007	Electronic music and the moving image	J. D'Escrivàn	The Cambridge Companion to Electronic Music		10.1017/ccol9780521868617.011	111649ca551f41d359f73415139252d9bce3448b
7	2007	The origins of electronic music	A. Hugill	The Cambridge Companion to Electronic Music		10.1017/CCOL9780521868617.003	bab2d3fc13d23d1bbc558026e98d07e23bba6fc8
7	2007	Live electronic music	Nicolas Collins	The Cambridge Companion to Electronic Music		10.1017/CCOL9780521868617.005	e6e428815e4e7fe137152f8ff3be4602176acd41
7	2007	The Cambridge Companion to Electronic Music	N. Collins; J. D'Escrivàn		Review	10.1017/CCOL9780521868617	fd30ec7d636b7ddde7c8149004eefe9a9e2b2573
7	2012	A history of programming and music	Wang-Ning Ge	The Cambridge Companion to Electronic Music		10.1017/9781316459874.006	82e97e6f2fba40376d723e89650f0b98811d367d
7	2012	Trends in electroacoustic music	N. Barrett	The Cambridge Companion to Electronic Music		10.1017/ccol9780521868617.015	1e7d3b5bea9530d4457bc34d6608d319417cb55c
7	2012	Electronic music and the studio	M. Schedel	The Cambridge Companion to Electronic Music		10.1017/ccol9780521868617.004	8af81bfd7a23ce9ba7bd5056ec4ab51800497246
7	2012	Computer generation and manipulation of sounds	Stefania Serafin	The Cambridge Companion to Electronic Music		10.1017/ccol9780521868617.013	f25679398d12884f22af873114e1bc61a421c389
7	2012	Interactivity and live computer music	Sergi Jordà	The Cambridge Companion to Electronic Music		10.1017/ccol9780521868617.007	e467ce54321ca47f5581af9a5e33f53fefefe2c4
7	2014	P RINCIPLES , CHALLENGES AND FUTURE DIRECTIONS OF PHYSIOLOGICAL COMPUTING FOR THE PHYSICAL PERFORMANCE OF DIGITAL MUSICAL INSTRUMENTS	Marco Donnarumma; Atau Tanaka				0206c71e9ed90bf589ba1d76c26a626b7d0cadd4
7	2018	Musical Haptics: Introduction	S. Papetti; C. Saitis			10.1007/978-3-319-58316-7_1	fcac905eb43c9c73f36d9401473bd20666b0b070
7	2012	A hybrid keyboard-guitar interface using capacitive touch sensing and physical modeling	Christian Heinrichs; Andrew Mcpherson; Th Sound				6bf7fcb13b0a323a012bcc223e6b246a4ba73e38
7	2011	DESIGN AND APPLICATIONS OF A MULTI-TOUCH MUSICAL KEYBOARD	Andrew Mcpherson				2a6105fd9835fcf4a3fdc7dff21cde311cb5d436
7	2018	A Comparison of Gestural and Touch-Based Interface for Designing a Virtual Percussion Instrument	Hoo Yong Leng; N. Norowi; A. H. Jantan			10.1007/978-981-13-1628-9_24	3c85113808c1ac15ea7a5a340bae48f632e7b447
7	2015	The Shake Stick	Alex Wilson; Abram Hindle	PeerJ Preprints	JournalArticle	10.7287/peerj.preprints.995v1	4fa9edb573f4d5a9d527279534410113a491939f
7	2008	The Beatbug – evolution of a musical controller	Gil Weinberg	Digital Creativity	JournalArticle	10.1080/14626260701847373	da97ea4f19c0ed46642bc0ba861a5f5f515897a3
7	2003	Electromagnetic Tagging for Electronic Music Interfaces	J. Paradiso; Laurel Pardue; Kai-yuh Hsiao; Ari Y. Benbasat			10.1076/jnmr.32.4.395.18858	26f29d476bcccab54b5adc91b79176994d10f9d9
7	2010	ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING	E. Guaus; J. Arcos				c731a3fb1a0ab52f69629dfa143aab35135d4e11
7	2001	Perceptual Synthesis Engine: An Audio-Driven Timbre Generator	T. Jehan				f9e0942ca73a185f2d5570d264bad21c2043b7d9
7		Interactive Musical Performance Using the Multimodal Music Stand	B. Bell; Jim Kleban; J. Kuchera-Morin; Dan Overholt; Lance Putnam; Bob L. Sturm				7f42798485324c1be5b510f9b2bf62f769e7aaf5
7	2020	New Interfaces and Approaches to Machine Learning When Classifying Gestures within Music	Chris Rhodes; R. Allmendinger; R. Climent	Entropy	JournalArticle	10.3390/e22121384	12a1e4dd6b02600ca3efccb4cf53d294c78cbd12
7	2017	Embodied Music Interaction: Creative Design Synergies Between Music Performance and HCI	Anna Xambó			10.1057/978-1-349-95241-0_14	16b586bde78b89c1b5310919403f3a8f70b782bd
7	2019	ISOCHRONOUS CONTROL + AUDIO STREAMS FOR ACOUSTIC INTERFACES	Max Neupert				2d3bb2b704fdbd076818aa61c73b3e07e9ccfd3d
7	2022	Tapis Magique: Machine-knitted Electronic Textile Carpet for Interactive Choreomusical Performance and Immersive Environments	Irmandy Wicaksono; D. D. Haddad; J. Paradiso	Creativity & Cognition	Book,JournalArticle	10.1145/3527927.3531451	e8acd1dd3b1e5a883c7c44fa447bab868c97fb9c
7	2022	CO/DA: Live-Coding Movement-Sound Interactions for Dance Improvisation	Jules Françoise; Sarah Fdili Alaoui; Yves Candau	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3491102.3501916	60f5746f737a9f02944d000e73e07c51156f5788
7	2016	ZatLab Gesture Recognition Framework: Machine Learning Results	André Baltazar	Int. J. Creative Interfaces Comput. Graph.	JournalArticle,Review	10.4018/IJCICG.2016070102	15e7265fd2e8ba71b0bec8fa6b2aacc2c83e64a9
7	2017	Interactive Tango Milonga An Interactive Dance System for Argentine Tango Social Dance	Courtney Brown				e9be258e480b7dd1204f784e1a22e4e5d0eaf1cb
7	2016	The composer as technologist : an investigation into compositional process	Miles. Warrington		Review		b805ec32319d521c3604857a31f7e44b30de38b8
7	2015	ZatLab: Programming a Framework for Gesture Recognition and Performance Interaction	André Baltazar; L. Martins		Review	10.4018/978-1-4666-7304-5.CH011	6ff6570cdf831c4adf82035428e2851e339489a2
7	2016	Dynamic Mapping Strategies Using Content-Based Classification: A Proposed Method for an Augmented Instrument	Gabriel Rimoldi; J. Manzolli	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-67738-5_21	490e02d04461e197b0a37a87a9ca712fc4228325
7	2022	Tool or Actor? Expert Improvisers' Evaluation of a Musical AI “Toddler”	Çağrı Erdem; Benedikte Wallace; Kyrre Glette; Alexander Refsum Jensenius	Computer Music Journal	JournalArticle	10.1162/comj_a_00657	19e676045c7eff0fe779f1eb43a05bec5575a81c
7	2006	The reacTable: a tangible tabletop musical instrument and collaborative workbench	Sergi Jordà; Martin Kaltenbrunner; G. Geiger; Marcos Alonso	International Conference on Computer Graphics and Interactive Techniques	JournalArticle	10.1145/1179849.1179963	e1c53cb96b26d2b31af8d7bb32256f8d791c6769
7	2004	Object Design Considerations for Tangible Musical Interfaces	Martin Kaltenbrunner; Sile O'Modhrain; Enrico Costanza				a4bbf214a25bf7505b4237f9414c56f50ed39610
7	2021	Elk Audio OS	Luca Turchet; C. Fischione	ACM Trans. Internet Things	JournalArticle,Review	10.1145/3446393	31fd02368e3b5181a980b18d3fad3eceb87d55b2
7	2020	From Physical to Spiritual: Defining the practice of embodied sonic meditation	J. Wu	Organised Sound		10.1017/S1355771820000266	7e7547036450ed840869f094f576db61ca07832c
7	2020	Human Interface and the Management of Information. Interacting with Information: Thematic Area, HIMI 2020, Held as Part of the 22nd International Conference, HCII 2020, Copenhagen, Denmark, July 19–24, 2020, Proceedings, Part II	R. Saremi; Mostaan Lotfalian Saremi; Prasad Desai; Robert Anzalone	Interacción	Book	10.1007/978-3-030-50017-7	cb4a1988ce8bff80e3333bc5a2905087ece7614e
7	2019	The Effect of Social Interaction on Facilitating Audience Participation in a Live Music Performance	Sang Won Lee; Aaron Willette; Danai Koutra; Walter S. Lasecki	Creativity & Cognition	Book,JournalArticle	10.1145/3325480.3325509	87fa0a19d30a6fe7ab8ef102be447c7caa235a88
7	2017	Sonic Microinteraction in “the Air”	Alexander Refsum Jensenius			10.4324/9781315621364.CH46	a80cb290fe444e46e6ac750fbd6e318670ede54f
7	2016	Turning movement into music: Issues and applications of the MotionComposer, a therapeutic device for persons with different abilities	Andreas Bergsland; R. Wechsler			10.7146/SE.V6I1.24911	256c6ddf6b6e63b71f7d108356fcadb103805458
7	2016	A tabletop instrument for manipulation of sound morphologies with hands, fingertips and upper-body	E. Hemery; S. Manitsaris; F. Moutarde	MOCO	Book,JournalArticle	10.1145/2948910.2948946	186bbef5875f8fdf3d35fdfbe9894b89be90a222
7	2015	Beyond "pushing play": The implications of technology on music composition and performance	Ryan Mackey				ec8e40ed4d85c65cf0fb278bc45597a2da5c95af
7	2011	Elective music students experiences with Jam2Jam	Andrew Johnston; James Henry Byrne Humberstone				603fb56c925c77daeba0fb77a4d6f509499dc4bd
7	2010	Improvisation, Computers, and Interaction: Rethinking Human-Computer Interaction Through Music	H. Frisk				cead8cfeab6d86f106bad540a8d9a23bf513f886
7	2017	Enfrentando la interfaz, nuevas perspectivas en las artes vivas	Esteban Betancur Gutiérrez				99138db1f6d6db16883e99644d8e1955a41f2c74
7	2013	Reconﬁgurable Autonomous Novel Guitar Effects (RANGE)	Duncan MacConnell; Shawn Trail; G. Tzanetakis; Peter F. Driessen; W. Page				f3d5c7b559c0db6cfecb81a5323c4ceb5917cdd6
7	2006	From Sense to Sound Mapping High-Level Sonic Percepts to Sound Generation	S. Groux		Review		ef635853d1107e140576a4521c1ca2bf11bf4ca9
7	2004	A Playful Musical Controller With Built-In Feedback	R. Fiebrink				c082b6d914c48cb43e72ab7dde695e4b2db9fe31
7	2003	INTERACTIVE MUSIC SYSTEMS FOR EVERYONE: EXPLORING VISUAL FEEDBACK AS A WAY FOR CREATING MORE INTUITIVE, EFFICIENT AND LEARNABLE INSTRUMENTS	Sergi Jordà				1f2919083adec45fb93a7610fa84df67cde6dab8
7	2019	Preparing the Digital Piano: Introducing bitKlavier	D. Trueman; Michael Mulshine	Computer Music Journal	JournalArticle	10.1162/comj_a_00518	01a6265c91f933fd9d23de649b7522682be0b29d
7	2011	The electroacoustic and its double : duality and dramaturgy in live performance	G. Harries				ebb82d500c7dbe7b8aa2744cfb74dc2e11b89813
7	2022	Fostering Social Interaction Through Sound Feedback: Sentire	Marta Rizzonelli; Jin Hyun Kim; Pascal Staudt; Marcello Lussana	Organised Sound		10.1017/S1355771822000024	c4ec761950881ef5f5ca6110a6c45f7701af6d01
7	2014	Trombosonic: Designing and Exploring a New Interface for Musical Expression in Music and Non-Music Domains	Oliver Hödl; Geraldine Fitzpatrick	International Conference on Advances in Computer-Human Interaction			7b55983fe06b9e4ba640a623067a132ce830f284
7	2012	Designing Interactive Audience Participation using Smart phones in a Musical Performance	Oliver Hödl; Fares Kayali; Geraldine Fitzpatrick	International Conference on Mathematics and Computing	JournalArticle		e485b2243d01962e695313083617920fb5afbb1f
7	2020	Modular reality: Analogues of patching in immersive space	Michael Palumbo; Alexander Zonta; Graham Wakefield	Journal of New Music Research		10.1080/09298215.2019.1706583	8016483ce82c8bb7b67a9449f9b38905052e23b3
7	2018	Music Information Retrieval in Live Coding: A Theoretical Framework	Anna Xambó; Alexander Lerch; Jason Freeman	Computer Music Journal	JournalArticle,Review	10.1162/comj_a_00484	108e30f8af5f706f52e78e344cb3b8e22ffba46d
7	2015	Simple Synchronisation for Open Sound Control	Sebastian O. H. Madgwick; Thomas J. Mitchell; Carlos Barreto; Adrian Freed	International Conference on Mathematics and Computing	JournalArticle		fa139d63858ed49698153486191a29f181ce2e43
7	2015	Digital Signal Processing and Embedded Systems for Wireless Networked Music Performance	L. Gabrielli				58a24e05051c8d8e8e5904daaa28585dbf5567f8
7	2013	Let's jam the reactable	Anna Xambó; Eva Hornecker; Paul Marshall; Sergi Jordà; C. Dobbyn; Robin C. Laney	ACM Trans. Comput. Hum. Interact.	JournalArticle	10.1145/2530541	acfc9dca8344fde13944081adc9f38d98cd6facc
7	2012	Building on the Foundations of Network Music: Exploring interaction contexts and shared robotic instruments*	Owen Vallis; Dimitri Diakopoulos; J. Hochenbaum; Ajay Kapur	Organised Sound		10.1017/S1355771811000525	a0ce9fc64a424b47605c185265a52b13673101e3
7	2021	VIRTUAL ROBOTIC MUSICIANSHIP: CHALLENGES and OPPORTUNITIES	T. R. P. Pessanha; H. Camporez; J. Manzolli; B. Masiero; L. Costalonga; T. F. Tavares				e6956296747d1b17f7a0a765fadf765b878dc2c1
7	2014	Mapping Through Listening	Baptiste Caramiaux; Jules Françoise; Norbert Schnell; Frédéric Bevilacqua	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00255	d0f43c3bf3bbf8688fc864d3bd7331e3a228c71d
7	2011	Interacting: Art, research and the Creative Practitioner	E. Edmonds; L. Candy				3f5faebe44184361777bea72abe4e1823ad3a57e
7	2023	Music Mode: Transforming Robot Movement into Music Increases Likability and Perceived Intelligence	Catie Cuan; Emre Fisher; A. Okamura; Tom Engbersen	ACM Trans. Hum. Robot Interact.	JournalArticle	10.1145/3686811	4fbc8864772c88e1ce4d87152c3d8978d2bde1d5
7	2012	Musical Robotics in a Loudspeaker World: Developments in Alternative Approaches to Localization and Spatialization	Jim W. Murphy; Ajay Kapur; D. Carnegie	Leonardo Music Journal		10.1162/LMJ_a_00090	e4d0802af25ee6c538ceab88e74ef831e0c19454
7	2016	Channelisation of Noise through a Rhythmic Grid: Brutalist Mechatronic Sound-sculpture	Mohammad Zareei			10.26686/wgtn.17014760	ffb18b430c039bea2ce1434d1bc58b8a5bba43e1
7	2020	The impact of scaling the production of a new interface for musical expression on its design: a story of L2Orkmotes	Kyriakos D. Tsoukalas; J. Kubalak; I. Bukvic	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3411109.3411110	92352f0ac6fcf8bf3c2bb510c14607a43779ce1a
7	2020	18th Linux Audio Conference Proceedings	A. Jonathan; Tonnätt Nils; Chafer Chris; Carôt Alexander; Rizzuti Fabrizio				8f0b8bf7beaacc80d43ec47569d56da4dbe9385a
7		Manifesto for a Musebot Ensemble : A platform for live interactive performance between multiple autonomous musical agents	O. Bown; Benjamin Carey; Arne Eigenfeldt				e023bbb9c7c490398e8dfeb8e72aef94ef86aec4
7	2023	Digital Musical Instruments in Special Educational Needs Schools: Requirements from the Music Teachers’ Perspective and the Status Quo in Germany	A. Förster; Steffen Lepa	ACM Transactions on Accessible Computing	JournalArticle,Review	10.1145/3616015	c281d33c2c768b948c2bb4493cfdcef9d4cbd23f
7	2014	MoveOSC - Smart Watches in Mobile Music Performance	Alex Migicovsky; Jonah Scheinerman; Georg Essl	International Conference on Mathematics and Computing	JournalArticle		e88a47ad12752e0bc9e2028f43e2492ce0f97c93
7	2022	Democratizing access to collaborative music making over the network using air instruments	Davide Cocchiara; Luca Turchet	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3561212.3561227	3b0218de5549b9e5e7b006fd6a280c2f8956de9e
7	2016	Natural interaction with audio playback: tapping physical skills	Florian Heller				6d73eab071ef28100554605077a16627a88191d5
7	2024	Using Tangible Interaction to Design Musicking Artifacts for Non-musicians	L. Montesinos; Halfdan Hauch Jensen; A. Løvlie	arXiv.org	JournalArticle	10.48550/arXiv.2404.09597	467f504eb3b1bb3890db9f15c4f17b98d2571be1
7	2018	Network music and the algorithmic ensemble	David Ogborn	The Oxford Handbook of Algorithmic Music		10.1093/OXFORDHB/9780190226992.013.7	aa35972ec680548b897d8569677b6bc390776de7
7	2014	A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves	Robert Tubb; S. Dixon	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00254	832e6f9c3de53d935ec6b4b3a4764be334384a3c
7	2014	Towards Touch Screen Live Instruments with Less Risk: A Gestural Approach	E. Lee; Woon Seung Yeo	International Conference on Mathematics and Computing	JournalArticle		5fb739fc0aa0d1f681e28fbfbaae8284a42332c8
7	2021	Musical Control Gestures in Mobile Handheld Devices: Design Guidelines Informed by Daily User Experience	Alexandre Clément; Luciano Moreira; Miriam Rosa; Gilberto Bernardes	Multimodal Technologies and Interaction	JournalArticle	10.3390/mti5070032	745b150f856fc3e192f97068e849873be84e2a47
7	2024	Entangled Internet of Musical Things and People: A More-Than-Human Design Framework for Networked Musical Ecosystems	Luca Turchet	IEEE Transactions on Technology and Society	JournalArticle	10.1109/TTS.2024.3443540	44e20e183b88e0731f0a4f28e844ae3a79e5d3dd
7	2019	Sound Forest: Evaluation of an Accessible Multisensory Music Installation	Emma Frid; Hans Lindetorp; K. Hansen; Ludvig Elblaus; R. Bresin	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/3290605.3300907	ccfff519f018c32dfa329cfcfa4819731291f188
7	2018	Smart Mandolin: autobiographical design, implementation, use cases, and lessons learned	L. Turchet	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3243274.3243280	45974a3418cc573d4bd684da41d0560fce3ec48d
7	2018	Evaluating the Usability of Software Synthesizers: An Analysis and First Approach	C. Rasmussen		Review		e2bc29648bccbaf4d0d5438acbecc10564cc24ba
7	2015	Aalborg Universitet Stage-vs . Channel-strip Metaphor	Gelineck; Dannie Michael				c21ba555a4740cba7108f064447d6b68b630c30f
7	2016	_derivations and the performer-developer : co-evolving digital artefacts and human-machine performance practices	Benjamin Carey				4dbe784f3384739738b29191e0159e6fe98e6b0b
7	2019	A Multi-Channel Embedded DSP Closed-Loop Control System for Musical Robots	Jason Long; Jim W. Murphy; D. Carnegie; Ajay Kapur	IEEE/RJS International Conference on Intelligent RObots and Systems	JournalArticle,Conference	10.1109/IROS40897.2019.8967687	8af4cd57c957a9c048fc9ee2f3e1c4349c00ffb6
7	2019	Surveying Digital Musical Instrument Use Across Diverse Communities of Practice	John Sullivan; M. Wanderley		Review		3e5297b3f500068be1b773dac70f708c63b22902
7	2021	Surveying digital musical instrument use in active practice	John Sullivan; C. Guastavino; M. Wanderley	Journal of New Music Research	Review	10.1080/09298215.2022.2029912	b160a2e18e1397b510a9b7e005dc9a677c1284fb
7	2014	Generative Music for Live Performance: Experiences with real-time notation	Arne Eigenfeldt	Organised Sound		10.1017/S1355771814000260	1d7e8f4c4715fa7e54f977d996d824a10f44d1e2
7	2010	Performance Practice of Interactive Music for Clarinet and Computer with an Examination of Five Works by American Composers	Rachel M. Yoder		Review	10.12794/metadc33219	8aab7af5de21d0079bbcf17da04e1e1313e0bd90
7	2019	ARCAA: a Framework to Analyse the Artefact Ecology in Computer Music Performance	Raul Masu; Mela Bettega; Nuno N. Correia; T. Romão; Fabio Morreale	ARTECH	JournalArticle,Book	10.1145/3359852.3359870	ea14faf803fc2d4bdd3b5d4091345b64f1cc47c2
7	2014	Interfaces avanzados aplicados a la interacción musical	Alejandro Rosa Pujazón		Review		a4a59124a5fafd15d443097c183e8d32d76a28d6
7	2012	Comparing Motion Data from an iPod Touch to an Optical Infrared Marker-Based Motion Capture System	Kristian Nymoen; Arve Voldsund; S. Skogstad; Alexander Refsum Jensenius; Jim Tørresen				db973f95ad728260e195ac0b64ffe0ad46298786
7	2011	WORLD STAGE : A CROWDSOURCING PARADIGM FOR SOCIAL / MOBILE MUSIC	Wang Ge; Jieun Oh; Spencer Salazar; Robert Hamilton				256930f80f3c2e88cdf87ea70938c365f85e5a9a
7	2014	Scenography of immersive virtual musical instruments	Florent Berthaut; Victor Zappi; D. Mazzanti	2014 IEEE VR Workshop: Sonic Interaction in Virtual Environments (SIVE)	JournalArticle	10.1109/SIVE.2014.7006285	acf250a7e8269ea680aa08608479e1ba36befcb4
7	2018	ICLI PORTO 2018 Actuated Musical Instruments A State of the Art Tiago Ângelo	Rui Penha; J. Gomes; P. Rebelo		Review		48b0a9d9b7a49c7bd34f895a0b4599e0db43bc6d
7	2012	Electronic Pipe Organ using Audio Feedback	Seunghun Kim; Woon Seung Yeo				76296c4f958e47dee7e8f22a4da0a8ce2b4efb9e
7	2012	A Hierarchical Approach for the Design of Gesture-to-Sound Mappings	Jules Françoise; Baptiste Caramiaux; F. Bevilacqua				00f36ebf5e8ba52bda47111adce622b2a24d9673
7	2008	Haptic Interaction Design for Everyday Interfaces	Karon E. Maclean			10.1518/155723408X342826	61e59c1cd567e3fd94276d5a514a4726dc2926d7
7	2016	Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback	Robert H. Jack; T. Stockman; Andrew Mcpherson	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/2839462.2839503	5178af5c3bd6f6f1e9aefea9ebb8a6c96a5e1f2c
7	2003	HCI Models, Theories, and Frameworks: Toward a Multidisciplinary Science	John Millar Carroll		Review		13127a8b24c328f986598d5e06d1a477b34cf895
7	2004	Contribution à l'étude des interfaces haptiques : le DigiHaptic : un périphérique haptique de bureau à degrés de liberté séparés	Géry Casiez				b546f0b5c03b51977b55397da3db7677f0fb2150
7	2023	Keyboard-type optical fiber musical interface	Yu-Tzu Wu; Eric Fujiwara	Optical Engineering: The Journal of SPIE	JournalArticle	10.1117/1.OE.63.1.016101	56e949c3325ea98cbba1eb60f88a26a1278be96e
7	2024	Selection as Tapping: An evaluation of 3D input techniques for timing tasks in musical Virtual Reality	Alberto Boem; Luca Turchet	Int. J. Hum. Comput. Stud.	JournalArticle	10.1016/j.ijhcs.2024.103231	fbe5bdc657570ad047f36aa074259cfe107e89e6
7	2018	Design of Vibrotactile Feedback and Stimulation for Music Performance	Marcello Giordano; John Sullivan; M. Wanderley		Review	10.1007/978-3-319-58316-7_10	21a7652137dd1205f8f859bd622b7894cb859593
7	2014	Towards a real-time mapping of Finger Gesture to Sound	V. Matsoukas; S. Manitsaris; A. Manitsaris				0ec65f7fd902fcd35ba65da390636bea4ee46805
7	2017	Telesaxophone: Hybrid saxophone Interface	Euyshick Hong; Jun Kim	International Conference on Advancements in Computational Sciences	Book,JournalArticle	10.1145/3127942.3127955	fbaf0a84a879c5b06c7170d9e4f18b3a4c3d9bfc
7	2018	Digital Sensing of Musical Instruments	P. Driessen; G. Tzanetakis			10.1007/978-3-662-55004-5_46	4479d428ba863762c465033dfe98561fda5f853b
7	2015	Project # 03 Multimodal Guitar : Performance Toolbox and Study Workbench	Christian Frisson; L. Reboursière; Wen-Yang Chu; Otso Lähdeoja; J. A. Mills; Cécile Picard				0b5a6a6c7a74f62a0b27ed64067abccf80868533
7	2009	Designing Smule’s iPhone Ocarina	Wang Ge; A. Clarke				a5107c391cff27b1ff2cafbeb2927b622571281d
7	2004	Digitizing North Indian Performance	Ajay Kapur; Philip Davidson; Perry R. Cook; P. Driessen; W. A. Schloss	International Conference on Mathematics and Computing	JournalArticle		77a32142bfed5426bd8889018bd2367c0077f55d
7	2011	Multimodal Techniques for Human/Robot Interaction	Ajay Kapur			10.1007/978-3-642-22291-7_13	8b328108410aa738e39dbaf99fe89f5b973f4f62
7	2017	Musical Instruments, Body Movement, Space, and Motion Data: Music as an Emergent Multimodal Choreography	F. Visi; Esther Coorevits; Rodrigo Schramm; E. Miranda			10.17011/HT/URN.201705272518	e77bccf49fbcff0b1c43d0be4e92ea0ecfb14816
7		MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MUSICAL INSTRUMENTS, BODY MOVEMENT, SPACE, AND MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL MOTION DATA: MUSIC AS AN EMERGENT MULTIMODAL CHOREOGRAPHY CHOREOGRAPHY	F. Visi; Esther Coorevits; Rodrigo Schramm; Eduardo Reck; E. Miranda				78e2f954469e5c7b98a37562d31183038a78e6ef
7		Projects Audiocycle: Browsing Musical Loops Libraries	S. Dupont; N. D. Alessandro; Thomas Dubuisson; Christian Frisson; R. Sebbe; J. Urbain				205dd56f52a92304a24c7c95a695d968d1182553
7	2006	The KiOm: A Paradigm for Collaborative Controller Design	Ajay Kapur; Adam R. Tindale; Manjinder Singh Benning; P. Driessen	International Conference on Mathematics and Computing	JournalArticle		2a559380b5c8381127c0a2dc55561d1f3a1645f7
7	2005	Building your own instrument with Pd	H. Steiner		Review		338365c9261b57387e12163462f16b7f5f118f2b
7	2013	Video Analysis for Evaluating Music Interaction: Musical Tabletops	Anna Xambó; Robin C. Laney; C. Dobbyn; Sergi Jordà	Music and Human-Computer Interaction	Review	10.1007/978-1-4471-2990-5_14	a26044d4bf775fc9a04de8dc5653b89423c17bfb
7	2013	A Preliminary Evaluation of the Leap Motion Sensor as Controller of New Digital Musical Instruments	E. S. Silva; J. A. D. de Abreu; J. H. P. de Almeida; V. Teichrieb; Geber Ramalho				e0ec447d7b97f80cd17f947eeea2c5094d698121
7		THE MAGNETIC SCORE: SOMATOSENSORY INSCRIPTIONS AND RELATIONAL DESIGN IN THE INSTRUMENT-SCORE	Nicola Privato; T. Magnusson; E. Einarsson				35302696ffcefb102b0f3304536140709afdafdf
7	2013	Diffusion Evolved: New Musical Interfaces Applied to Diffusion Performance	B. Johnson		Review		5b610bb2d8ab84c86fe6fdea71e6d93113e34362
7	2021	Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists	Courtney N. Reed; Andrew Mcpherson	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/3430524.3440641	cc7fbaabccbf758b7f431d023c72fc6a83df9640
7	2019	EAVI EMG board	Balandino Di Donato; Atau Tanaka; Michael Zbyszyński; Martin Klang				11fe0cfa6f5ea5763664d137ea97f9e185d3199b
7	2020	The Design of Tangible Digital Musical Instruments	Gareth W. Young; Katie Crowley	arXiv.org	JournalArticle		01d02dec86b6c9fc51752cc147a9bcc3aaa2b957
7	2023	Augmenting musical instruments with digital identities	Steve Benford; Glenn McGarry; Adrian Hazzard; Alan Chamberlain; R. Gibson; J. P. Martinez Avila	Journal of New Music Research	JournalArticle,Review	10.1080/09298215.2024.2423613	9ae8a03c904b3c200741cdb675027316c789229f
7	2008	Developments and Challenges turning Mobile Phones into Generic Music Performance Platforms	Georg Essl; Wang Ge; Michael Rohs				d3576ba7e971f1c999648b96f3072a2b50a16cc9
7	2018	Investigation of Pleasantness in the Manipulation of Deformable Interfaces for Musical Expression	Yuichiro Kinoshita; Masato Nishio; Shota Shiraga; K. Go				f8597cbe3b401d335e1c47a2b0cfdb9ededfe4a1
7	2025	A Networking Framework and Mobile Node Controller for Sound Diffusion with Audience Participation	Nick Hwang; Anthony T. Marasco	Computer Music Journal	JournalArticle	10.1162/comj_a_00712	9675203a618ece045cfad3fb024e322ce3bf535a
7	2011	Social Composition: Musical Data Systems for Expressive Mobile Music	R. Hamilton; Jeff Smith; Wang Ge	Leonardo Music Journal		10.1162/LMJ_a_00062	e8e59bfaac3a9c7495145ac3fdf3fdc1bf7df602
7	2016	NUANCE : ADDING MULTI-TOUCH FORCE DETECTION TO THE IPAD	Romain Michon; J. Smith; Chris Chafe; M. Wright; Wang Ge				94f6168e17d7b1db8f35d1b8dee1103ab8cc38d3
7	2014	Making People Move: Dynamic musical notations	Richard Hoadley	International Conference on Mathematics and Computing	JournalArticle	10.13140/2.1.3686.5603	abede7cb61a7a12836ac4a2bae31760d8a221273
7	2015	Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications	A. D. de Carvalho; M. Queiroz; Georg Essl	International Conference on Mathematics and Computing	JournalArticle		5a62a5aa264dd9c831868b630873bd9c8b10a4a7
7	2021	The development of a dance-musification model with the use of machine learning techniques under COVID-19 restrictions	Konstantinos Bakogiannis; Areti Andreopoulou; A. Georgaki	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3478384.3478407	49f80fcf8f67003b646cd7866f262d3fffd4d9a5
7	2013	Hand gesture recognition in mobile devices: Enhancing the musical experience	Oriol Nieto; D. Shasha				007b1a0cdde20d0da55f112ef22fe69af9c125c1
7	2025	Sprayable Sound: Exploring the Experiential and Design Potential of Physically Spraying Sound Interaction	Jongik Jeon; Chang Hee Lee	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3706598.3713786	01da14aa6254dc0101a62ae0e3a9e7d010be66a0
7	2019	Body as controller	Lilac Atassi	arXiv.org	JournalArticle		eefdc45f24cb427abfa29755c17b456e870b9b5f
7	2022	Identifying Engagement in Children’s Interaction whilst Composing Digital Music at Home	Corey Ford; N. Bryan-Kinns	Creativity & Cognition	Book,JournalArticle	10.1145/3527927.3532794	9ef5a0a2d194087d26705c100cd4c72c46096a11
7	2019	Cords and Chords: Exploring the Role of E-Textiles in Computational Audio	R. Stewart	Frontiers in ICT	JournalArticle	10.3389/fict.2019.00002	77e06a5cf2d737fd2d6a2b9ae94f43f0b5c0f843
7	2024	Prototyping a Sustainable GUI for an IoMusT Project: A Reflection on Adopting Sustainable Practices *	Elisa Silene Panozzo; Mela Bettega; Antonio Rodà; Nicolò Merendino	2024 IEEE 5th International Symposium on the Internet of Sounds (IS2)	JournalArticle	10.1109/IS262782.2024.10704195	bcc5d087a3c9c794b8a4d0a8f9f774dc3c9dd8ee
7	2026	ReTouche: Embodied Representations for Self-Guided Piano Learning	Paul-Peter Arslan; Hayoun Noh; M. Tamashiro; Louis Badr; Brianna Lebrun; P. Lindberg	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference,Review	10.1145/3772318.3791044	dfb8683c9d46c098244e8d284ff9766fac08c6ce
7	2016	3 Live Coding Something Else : e Audience Participation	Sang Won Lee				cc584b03f454687e10f76fa325d427c23e224ba8
7	2024	An Electronic Engineering Approach for Turning a Lego Brick Piano into a Musical Instrument	Oliver Hödl	IEEE Access	JournalArticle	10.1109/ACCESS.2024.3386361	f920e0af9582e28a3380183a9981f6602e23b49c
7	2024	Feminist HCI and narratives of design semantics in DIY music hardware	Karolina Jawad; Anna Xambó Sedó	Frontiers in Communication	JournalArticle	10.3389/fcomm.2023.1345124	d4aa1d74e2d7152c71ccbb2e98042a3a91fd4a1b
7	2023	An FCNN-Based Super-Resolution Mmwave Radar Framework for Contactless Musical Instrument Interface	Josiah W. Smith; O. Furxhi; M. Torlak	IEEE transactions on multimedia	JournalArticle	10.1109/TMM.2021.3079695	d26cc316b21233b00abba4dcd975046928de6830
7	2023	The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback	Courtney N. Reed; Andrew Mcpherson	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/3569009.3572738	376fb6d72c114009ff570e87bc2d5418f157e9b3
7	2026	To Perform/ To Live: Decolonizing of Digital Music Instruments and Feminism with Human-AI Co-Created Embodied Experience of Daily Objects	Shumeng Zhang; Shiqi Lin; Tiancheng Liu; Mingming Fan; Raul Masu	Proceedings of the ACM on Computer Graphics and Interactive Techniques	JournalArticle	10.1145/3816078	5d367c41df593001d5753b16f0713c2372930308
7	2021	Visualization for Human-AI Collaborative Music Composition	Simeon Rau				74ebc031f94339654532d2099b3389e4234bae8c
6	2007	The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces	Sergi Jordà; G. Geiger; Marcos Alonso; Martin Kaltenbrunner	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle	10.1145/1226969.1226998	d9a7c2841bcb516547a8f65622b864b0b168ed05
6	2007	The reactable : Tabletop Tangible Interfaces for Multithreaded Musical Performance	Sergi Jordà				8cfe51f2ca0d99592f63933f08e8d5c57a3f4086
6	2019	Mechanical Entanglement: A Collaborative Haptic-Music Performance	Alexandros Kontogeorgakopoulos; George Siorros; Odysseas Klissouras				dec068478b78c55dcc6a4b0a6f51dd89f66866fb
6	2019	KAiKU Music Glove transforms music education : exploring new and novel music technologies in the music classroom	A. Danso				030f93ef67e91eaddf0ff71a20d9c5b3a882dc63
6	2005	Discrete-time modelling of musical instruments	V. Välimäki; J. Pakarinen; Cumhur Erkut; M. Karjalainen			10.1088/0034-4885/69/1/R01	2a65a1fd08424d2a0038743c5bddb9a0c0c18e63
6	2020	Exploring a Taxonomy of Interaction in Interactive Sonification Systems	Visda Goudarzi	International Conference on Human Interaction and Emerging Technologies	JournalArticle	10.1007/978-3-030-55307-4_22	b565b88dff5d7278a531e75fcab657ca84dd1b35
6	2009	Developing an Ontology of New Interfaces for Realtime Electronic Music Performance	G. Paine; Drummond		Review		8dff2955272e4349182803eb5ef8a738a2bc2a67
6	2005	The Bent Leather Band Ensemble: Children of Grainger	S. Favilla; J. Cannon; Garry Greenwood				ab386d7da10dc5c3108178253cf00af2b479f0f5
6	2019	Detecting and Adapting to Users' Cognitive and Affective State to Develop Intelligent Musical Interfaces	B. Yuksel; Kurt B. Oleson; R. Chang; R. Jacob	New Directions in Music and Human-Computer Interaction		10.1007/978-3-319-92069-6_11	d415732c8e9094ef456d61ed58ae7a1f478a075a
6	2017	On Biophysical Music	Marco Donnarumma	Guide to Unconventional Computing for Music		10.1007/978-3-319-49881-2_3	ef0c4372421efb23c0eec7f6e7c2118be0d2c774
6	2015	Implicit Brain-Computer Interaction Applied to a Novel Adaptive Musical Interface	B. Yuksel; Daniel Afergan; Evan M. Peck; Garth Griffin; Lane Harrison; N. B. Chen				2950b311ea28f1a3512675000fe40a2e05c4bbc3
6		Projects Audio Skimming	L. Couvreur; F. Bettens; Thomas Drugman; Christian Frisson; M. Jottrand; M. Mancas				33b2be7cab173c9d5f72ea2885799e1f88d10437
6	2013	Music and spatial verisimilitude	Etienne Deleflie				20ed8b4b8def7f652a748e88db37e27c7d3be07f
6	2024	Laban Effort in Empty-Handed Interactions of Hindustani Dhrupad Vocal Improvisation	Stella Paschalidou	Arts	JournalArticle	10.3390/arts13060177	db139f8cf2b22b63a9f5cf930a6f880fbfa37908
6	2022	Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design	Lia Mice; Andrew Mcpherson	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3491102.3517626	a2c4de487a5cda69191a2b4ed87db0d4c91fd3c6
6	2021	Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance	P. Stapleton; Tom Davis	Organised Sound		10.1017/S1355771821000054	17500ea2fa2251949cd6660f288e2cb90621f29b
6	2016	Prynth: A Framework for Self-contained Digital Music Instruments	Ivan Franco; M. Wanderley	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-67738-5_22	22cc3e42632913348447c8b2e93e61f0ec6ac74c
6	2015	Extending Opera - Artist-led Explorations in Operatic Practice through Interactivity and Electronics	Carl Unander-Scharin				16abb4c2a63b9b2c2a3aeb37da7f4415b41f7a1f
6	2017	Portfolio of original compositions with written commentary	Joanne L. Armitage				991b520eab324f72620962b31453e9ce9cfe4189
6	2014	Evolving the drum-kit : frameworks and methods for diachronic live electronic performance practice and bespoke instrument design	Christos Michalakos				927b2ba7dd88d0e3f872e55e7cd40d604738b2e5
6	2018	Implementation and Characterization of Vibrotactile Interfaces	S. Papetti; Martin Fröhlich; F. Fontana; S. Schiesser; F. Avanzini			10.1007/978-3-319-58316-7_13	12115dd1ea1c5b39702d46253b55f46e0796b885
6	2019	Design and Application of the BiVib Audio-Tactile Piano Sample Library	S. Papetti; F. Avanzini; F. Fontana	Applied Sciences		10.3390/APP9050914	20849e4737bf9ff3ed0d2d87a249be3941bbe1e5
6	2008	Sound to Sense - Sense to Sound: A state of the art in Sound and Music Computing	P. Polotti; D. Rocchesso				9b6730ca2978b194a4fca108972f4d31978ed908
6	2025	Approaches to notation for embodied engagement with a novel neural network-based musical instrument	B. Bacon; Leonardo Auri; H. McKee	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2025.1597806	781358b0d4648ca6dc080741acac3f56d1d626b9
6	2011	Interactive sonification of synchronisation of motoric behaviour in social active listening to music with mobile devices	Giovanna Varni; Gaël Dubus; Sami Oksanen; G. Volpe; Marco Fabiani; R. Bresin	Journal on Multimodal User Interfaces	JournalArticle	10.1007/s12193-011-0079-z	12541fc3cb81d23b06405f884a289f1ca142fa9c
6	2025	Musical Applications of Electromagnetic Field Sensing	E. Oreggia	Computer Music Journal	JournalArticle,Review	10.1162/comj.a.15	4b0ec7bab3c6dd6a6ab7e862667361cc18afcc36
6	2011	Musical Robots and Interactive Multimodal Systems	J. Solis; K. Ng			10.1007/978-3-642-22291-7	2533bc78684a666e71b422f966f14f4fb31fc4bb
6	2005	Gesture Analysis of Violin Bow Strokes	Nicolas H. Rasamimanana; Emmanuel Fléty; Frédéric Bevilacqua	Gesture Workshop	JournalArticle	10.1007/11678816_17	fc31884a68cd8fa77e3c5b99935ad18dcd879689
6	2012	A microphone array Interface for Real-Time Interactive Music Performance	D. Salvati; S. Canazza; G. Foresti	International Conference on Mathematics and Computing	JournalArticle		406f4beecb608665b49d81abb69e74c7645f2119
6	2009	Modeling instrumental gestures: an analysis/synthesis framework for violin bowing	T. Doctoral; Xavier Casals				eacd87e92dff966a79e24123825a41938496b933
6	2008	Formalized and Non-formalized Expression in Musical Interfaces	Cornelius Poepel			10.1007/978-3-540-79486-8_29	e83e715c6d45fce24bd56e19700686170287764d
6	2017	Issues and Strategies of Rhythmicality for MotionComposer	Andreas Bergsland; R. Wechsler	MOCO	Book,JournalArticle	10.1145/3077981.3078038	05a3a8e6bfbf429f1324b2ec80ca96c3e9118485
6	2021	Identifying modes of interaction in dance-music collaborations	Manoli Moriaty Liverpool				e1e4d57f37d5493f675e9ed68638e7545396ac80
6	2018	Bridging Abstract Sound and Dance Ideas with Technology: Interactive Dance Composition as Practice-Based Research	Jung-In Jung	Discovery Research Portal (University of Dundee)	JournalArticle,Review		cc45b11718f02f7769fa99846b4e144ab830da6e
6	2011	Interconnecting forms of expressivity as a compositional process: the evolution of an interactive practice with specific reference to the Bodycoder System.Mark A	Mark A. Bokowiec				c3bb4e84030eb10c3d84dee4d2e2afb169cd62e8
6	2024	Embodied exploration of deep latent spaces in interactive dance-music performance	Sarah Nabi; Philippe Esling; Geoffroy Peeters; Frédéric Bevilacqua	MOCO	JournalArticle,Book	10.1145/3658852.3659072	ef1ba2e293075baa2ae0e61fe082038f865713d9
6	2004	Methodologies for Expressiveness Modelling of and for Music Performance	Giovanni De Poli		Review	10.1080/0929821042000317796	7d0f19a7c705e7d178c03335f6d89f9a1ec1eeaf
6	2014	Sound Gesture and Rhetoric. Hyper-cello as an Algorithmic Composer	N. Baroni; C. Benzi				16d4ed83e9f20fd0002bd492fb5cf454728a6bcb
6	2010	Real-time Implementation of the Virtual Air Slide Guitar	Tapio Puputti				cfbfeab28c25d5c6115311e1915100944012a369
6	2009	Hands on stage : a performance media space	Chi-Hsia Lai		Review	10.25911/5D51423F88554	648ceeb9dbbe15260db0e045d8939c39f3198def
6	2010	Nuevas relaciones gestuales del intérprete	Alicia Peñalba				bf88065622ce859152f48ec98bc34b511ed2caa8
6	2015	An interactive audio-visual installation using ubiquitous hardware and web-based software deployment	T. Tavares	PeerJ Computer Science	JournalArticle	10.7717/PEERJ-CS.5	79a3567c674ca2431134ad58e599f8ce4cc1c6ad
6	2020	Interactive sound art and animated notation as an ensemble performance platform in primary level music education	Anders Lind			10.24834/EDUCARE.2020.1.4	d5d38524d0eee5d4ec8d3d0f31b8a533c37d48dc
6	2013	Designing collaborative musical experiences for broad audiences	Ben Bengler; N. Bryan-Kinns	Creativity & Cognition	JournalArticle,Book	10.1145/2466627.2466633	df2968872f45bf9e06b10d65cb9b87d1923ce166
6	2006	Computer vision methods for guitarist left-hand fingering recognition	A. Burns				81d4751d6cd96941482bf7fffefac50c54f31609
6	2026	AUGI: Multimodal Gestural and Tactile Control for Acoustic Wind and Brass Instruments	Susan E. Green-Mateu; Jackson Tallamy; Kyle Hutchins	Proceedings of the 28th International Conference On Multimodal Interaction	Book,Conference	10.1145/3776574.3832534	e3973b2153899b94e062c03a470ae8268f69b7b0
6	2025	It Sounds Squishy: Understanding Cross-Modal Correspondences of Deformable Shapes and Sounds	Maisie Palmer; Thomas J. Mitchell; Jason Alexander; Cameron Steer	Conference on Designing Interactive Systems	Book,JournalArticle,Conference	10.1145/3715336.3735797	487d7c9bf443fcf199c795042c2c6c5552b5aae8
6	2024	How Do Aesthetics Get into Muscles and Muscles into Aesthetics? Insights from Musical Interactions in an Experimental Context	M. Rodger; O. B. Smith; P. Stapleton	Ecological psychology	JournalArticle	10.1080/10407413.2024.2355881	c8478d6dc1ed46e1657279dfb8f41cdc75bc1b5b
6	2023	Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar	Andrea Martelloni; Andrew Mcpherson; M. Barthet	International Society for Music Information Retrieval Conference	JournalArticle	10.48550/arXiv.2307.07426	407cb1bbe7b64d75dc232bb7c86d823ea85f9a86
6	2023	Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments	Max Graf; M. Barthet	arXiv.org	JournalArticle	10.48550/arXiv.2307.10203	8bac6f5ee332b12094c68e19667167c1fd114948
6	2022	Exploring visual stimuli as a support for novices’ creative engagement with digital musical interfaces	Yong-Meng Wu; N. Bryan-Kinns; Jin-Yi Zhi	Journal on Multimodal User Interfaces	JournalArticle	10.1007/s12193-022-00393-3	bd0a442f5b48878ca35c5d7f3cafab8235be5ae2
6	2020	On making physical the control of audio plugins: the case of the retrologue hardware synthesizer	Luca Turchet; S. Willis; Gustav Andersson; Alberto Gianelli; Michele Benincaso	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3411109.3411114	d39a6328fbcceaae6e7b41cf2d3eb2a9286f5b6e
6	2020	Musical agency and an ecological perspective of DMIs: collective embodiment in third wave HCI	Peter Worthy; T. Hunter; Ben Matthews; S. Viller	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-020-01429-9	93a0c82331e814abedf95db2b22231f3bb572b53
6	2020	Useless, not Worthless: Absurd Making as Critical Practice	G. Lepri; Andrew Mcpherson; J. Bowers	Conference on Designing Interactive Systems	JournalArticle,Book,Conference	10.1145/3357236.3395547	f432bb4438ad3ee5852104200fe4670abb0ed667
6	2019	An ubiquitous smart guitar system for collaborative musical practice	Luca Turchet; M. Barthet	Journal of New Music Research	Review	10.1080/09298215.2019.1637439	89da7b887cec3253373f508f7d6d3dfb0f0402fd
6	2018	Action-sound Latency and the Perceived Quality of Digital Musical Instruments	Robert H. Jack; Adib Mehrabi; T. Stockman; Andrew Mcpherson	Music Perception		10.1525/MP.2018.36.1.109	c7524eab5ece5942f0ce80827468d01b7fb0b59c
6	2017	Adapting the Bass Guitar for One-Handed Playing	Jacob Harrison; Andrew Mcpherson		Review	10.1080/09298215.2017.1340485	a8980924d03decc9c67abec5027e8ba033cbe3fe
6	2017	Real-Time Timbre Classification for Tabletop Hand Drumming	Kunal Jathal	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00419	c4cac43abf22674ddcd3be26be5a91de1e89c008
6	2013	Electro/Acoustic Improvisation and Deeply Listening Machines	Doug Van Nort; Pauline Oliveros; J. Braasch			10.1080/09298215.2013.860465	2e4e9e5e72eaecff00d4f0e5e250a577a12ae23f
6	2019	Excited Sounds Augmented by Gestural Control	Clemens Wegener; Max Neupert				b47ae0402b65324f8be491b3d759283e9f972bfd
6	2019	OSC-XR: A Toolkit for Extended Reality Immersive Music Interfaces	David Johnson; Daniela Damian; G. Tzanetakis				16f05a8f953cedbb549e029c2996accad5e097be
6	2017	Adapting the Bass Guitar for One-Handed Playing	Uk		Review		3b71f996ff38a47a97f4fa909efc8ec590b59c1b
6	2015	Noisebox: Design and Prototype of a New Digital Musical Instrument	John Sullivan	International Conference on Mathematics and Computing	JournalArticle		d9d812c28c71bc4a2f34404e46f448007cd84276
6	2014	Notational Approaches for Composing and Directing a Non-Homogeneous Laptop Orchestra	S. Hewitt; Alexandre Pierre; Michel Tremblay; Clarke; Julian Brooks; S. Birkhead				fca23cdcd661e994baf12814522b44f38b76d6a6
6	2010	PHOXES - Modular Electronic Music Instruments based on Physical Modeling Sound Synthesis	Steven Gelineck; Stefania Serafin			10.5281/ZENODO.849812	47806060004a956b01cde17e259a8d35a9a8a72c
6	2010	Tailoring tabletop interfaces for musical control	Liam O'Sullivan; F. Boland	International Conference on Intelligent Tutoring Systems		10.1145/1936652.1936751	ced3956fe5ee8013f3d79fea36271d1573ab1bf5
6	2004	The sound of friction: Real-time models, playability and musical applications	Stefania Serafin				9352f8f156bbebb60730e8a7a07e19c52b90682a
6		Speculating on Reflection and People’s Music Co-Creation with AI	Corey Ford		Review		1d500eb644bdce6a2ad0cc88635f739040ef96a3
6	2014	Rethinking the musical ensemble: a model for collaborative learning in higher education music technology	Oded Ben-Tal; Diana Salazar		Review	10.1386/jmte.7.3.279_1	e83a266ac8964c4cb334c5a53fcd875b24327678
6	2009	Dynamic Social Interaction in a Collective Mobile Music Performance	Koray Tahiroglu	2009 International Conference on Computational Science and Engineering	JournalArticle,Conference	10.1109/CSE.2009.116	76d7b22c51c8aac9011843847a359457c88255e5
6	2007	The interactive robotic percussionist - new developments in form, mechanics, perception and interaction design	Gil Weinberg; S. Driscoll	IEEE/ACM International Conference on Human-Robot Interaction	JournalArticle,Book,Conference,Review	10.1145/1228716.1228730	40084de14b26cedf6f3676682eb061e1793dbf15
6	2006	TablaNet : A Real-Time Online Musical Collaboration System for Indian Percussion by Mihir	Mihir Sarkar; Thesis Advisor; Barry L. Vercoe; Thesis Reader; Tod Machover				67d3ff596fc19c491b169cb120c0bf3fe0905ea2
6		Collaborative Design Methods towards the Evaluation of a Tangible Interface	Visda Goudarzi; Enrique Tomás; A. Gioti				7079c377447809875c778740d9ca85abb85ff987
6		Proceedings of the CHIME Music and HCI Workshop 2023	Samuel Aaron; Corey Ford; Sara Cardinale; Nick Bryan-Kinns; Geraint A. Wiggins; A. London				be6a94f9634ab4c1a5e5ac54c2af1b59c123bb5d
6	2017	Water, image, gesture and sound: composing and performing an interactive audiovisual work	Linda Walsh; Andrew Bluff; Andrew Johnston	Digital Creativity	JournalArticle	10.1080/14626268.2017.1353524	bb39923018decfe38cf49022f7576b78df063eec
6	2014	Methods and Prospects for Human–Computer Performance of Popular Music	R. Dannenberg; N. Gold; Dawen Liang; Guangyu Xia	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00238	0915f020a874f9f4cbb49181d618cb3f85a28a6f
6	2018	Motion-Sound Mapping through Interaction	Jules Françoise; Frédéric Bevilacqua	ACM Trans. Interact. Intell. Syst.	JournalArticle	10.1145/3211826	989806a2ed27540aa14f631c2b5dca0ff67cf2c0
6	2018	A perceptually motivated approach to timbre representation and visualisation.	Sean Soraghan				13893e037a1001426aacab3afa35d12ca82f8a21
6	2015	An Incremental Learning System for Interactive Gestural Control of Sound Synthesis	Shu-Yuan Hsueh				99e84c1fd6b268bf2c2456a7c93bf6a4dcdd98dd
6	2024	Improvising with Machines: A taxonomy of musical interactions	A. Parkinson; G. Dunning	Organised Sound	JournalArticle	10.1017/S1355771824000268	eca1858bd67401723b9b6d92f2f7b8ebe062f6a2
6	2017	The Machine Lab: A Modern Classroom to Teach Mechatronic Music	Nathan Villicaña-Shaw; Spencer Salazar; Ajay Kapur	International Conference on Mathematics and Computing	JournalArticle		a8c78379f541fc6d01e7293530c05c3fa57c3d16
6	2016	Using Expressive Musical Robots : Working with an Ensemble of New Mechatronic Instruments	Jim W. Murphy; D. Carnegie; Ajay Kapur				6f8ead2a52aa7f5657979aa778e0610cd3922e0f
6	2011	Interactive Musical System for Multimodal Musician-Humanoid Interaction	J. Solis; Klaus Petersen; A. Takanishi			10.1007/978-3-642-22291-7_15	4e416afb43e392a31776e6ee5fd801cf2c6d175d
6	2013	massMobile: towards a flexible framework for large-scale participatory collaborations in live performances	Nathan Weitzner; Jason Freeman; Yan-Ling Chen; Stephen Garrett	Organised Sound		10.1017/S1355771812000222	6506332e8ef0c0e2d4ce7fc53bd4bfd531ced12d
6	2014	Principles of Visual Design for Computer Music	Ge Wang	International Conference on Mathematics and Computing	JournalArticle		9f4f00c6ab3356de862dbd42573e0fe265f92d71
6	2020	Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures	Sérgio Freire; Geise Santos; Augusto Armondes; Eduardo A. L. Meneses; M. Wanderley	Italian National Conference on Sensors	JournalArticle	10.3390/s20195722	bcd9ddfd65dc613798af4ab5fde559fc26bcb05c
6	2019	Elektronisesti laajennetut soittimet	Otso Lähdeoja				81b6cef6594d4fa5239d5685ae4e61b4130ef864
6	2016	Composing Music for Acoustic Instruments and Electronics Mediated Through the Application of Microsound	Marc Estibeiro				021941ab17e56df66cdfe603377c517747c08d35
6	2014	My physical approach to 'musique concrète' composition : portfolio of studio works	Dominic Thibault		Review		7c58096cf2d191b7d49b5f73a57a32795622ec80
6	2007	CaMus2: collaborative music performance with mobile camera phones	Michael Rohs; Georg Essl	IFAC Symposium on Advances in Control Education	JournalArticle	10.1145/1255047.1255086	7f5c7ec99c64815b40ed119000599df11b458c89
6	2018	Gestural systems for the voice: performance approaches and repertoire	Mary Mainsbridge	Digital Creativity	JournalArticle	10.1080/14626268.2018.1541181	fd6ade2b5e8b25911f35e595b0975d9f3ea16ab3
6	2011	Multi-modal instrument: towards a platform for comparative controller evaluation	R. Polfreman	International Conference on Mathematics and Computing	JournalArticle		08c19721c0a6e8ac77bbf3014341c5283863ecab
6	2017	"Knowing is Seeing:" The Digital Audio Workstation and the Visualization of Sound					1f238d5085e87d54ba169ab53ab6c006c4c57ccf
6	2026	Embodied Musical Interaction through Everyday Objects	Ayaz Ismail	Creativity & Cognition	Book,JournalArticle	10.1145/3803784.3816825	031b46644d97288bb5466be2bf59c8a990f7dfa7
6	2015	A journey towards the development of a sound-led interdisciplinary performance: Agorá	Giuseppe Torre			10.1080/14794713.2014.992220	d481188aac6081e9c63e49f0e99a4626d7904f51
6	2015	Haptic and Visual feedback in 3D Audio Mixing Interfaces	Steven Gelineck; Dan Overholt	Audio Mostly Conference	JournalArticle	10.1145/2814895.2814918	60e7cdb6911c62c28db3ec8d61699f67fcaaa8db
6	2024	Designing accessible digital musical instruments for special educational needs schools - A social-ecological design framework	A. Förster; Norbert Schnell	Int. J. Child Comput. Interact.	JournalArticle	10.1016/j.ijcci.2024.100666	c3fc5cbabf10855749806f673d2b3417fafbb4de
6	2016	Digital musical instruments for people with physical disabilities	Zacharias Vamvakousis				79daee7d38c5ef1c9c8fccbc3b183c1c79e32c2b
6	2014	Evaluating computer-based musical instruments from the perspective of listening	Cornelius Pöpel	Audio Mostly Conference	JournalArticle,Conference	10.1145/2636879.2636900	74e2e21b38a66e0c41a820528f9d4c1e5eb98f93
6	2021	Netychords: An Accessible Digital Musical Instrument for Playing Chords using Gaze and Head Movements	Nicola Davanzo; Matteo De Filippis; F. Avanzini	International Conference on Computer-Human Interaction Research and Applications	JournalArticle	10.5220/0010689200003060	815f65f9e7566bfed056cfcce0e166bbc19c910b
6	2017	2004: The Electronic Sitar Controller	Ajay Kapur; Ari J. Lazier; Philip Davidson; R. S. Wilson; Perry R. Cook			10.1007/978-3-319-47214-0_10	aec2e06551026fdfac82a3ed0f9f476332b9922d
6	2020	Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments	Filipe Calegario; João Tragtenberg; Johnty Wang; Ivan Franco; Eduardo A. L. Meneses; M. Wanderley	Interacción	JournalArticle	10.1007/978-3-030-60114-0_5	e767461108c0ad322a2bc4faa5c9a26f32a5a8fc
6	2013	Crowdfunding Digital Musical Instruments: A Case Study	Andrew Mcpherson				d265a0f8dd5105a21886e9471582c848b2b4be02
6	2013	Nonlinear Abstract Sound Synthesis Algorithms	J. Kleimola				aa66c3957c1e44f80a9530b52101702018d3c901
6	2015	Lutherie virtuelle et interaction instrumentale. Une approche physique de l'instrument de musique numérique	J. Leonard; C. Cadoz; N. Castagné; A. Luciani	Traitement du signal	JournalArticle	10.3166/ts.32.391-416	fdf1fb7002f6b8ad083dafef4672e7764566b79c
6	2019	An Investigation into Crossmodal and Multimodal Human Computer Interaction: Handwriting, Music Generation and Body Gesture	WA Tangwai				3dfe7f4d747b0025f37fb3cfe0dfa6bcaf545ea1
6	2015	Un langage de programmation pour composer l'interaction musicale : la gestion du temps et des événements dans Antescofo	José Echeveste			10.70675/5359b263zd034z46e9zb90az608bce3dcda3	7b1538b3e0a84f18211570b32cb2cbe3d7c4c0fa
6	2014	Perceptual Characterization of a Tactile Display for Live Electronic Music Performance Designing	R. Bresin; S. Ternström				a67f90cf9fab7a87749ac1b9c1a2e97a9ad8dbb6
6	2019	Real-Time Composition: Its Applications and Educational Potential	Carlos Guedes				f350f252b6e85c468e4752d28b70746333c28b56
6	2017	Composing and Improvising. In Real Time	Carlos Guedes	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-030-01692-0_29	99ea30b77016dbc8f6e59fc6ea281f94c3e9249c
6	2015	Drumkit simulator from everyday desktop objects	Giacomo Herrero; I. Barbancho; L. Tardón; Alejandro Rosa-Pujazón; A. M. Barbancho	Multimedia tools and applications	JournalArticle	10.1007/s11042-014-2159-z	7736d8a9df1050e965958c3db05148c04a100502
6	2019	A framework for the development and evaluation of graphical interpolation for synthesizer parameter mappings	Darrell Gibson; R. Polfreman				ba199279fc44e53476657e02a174f3650ba88136
6	2017	The Sonic Affordances of a System for Multitouch Manipulation of Stereophonic Noise Spectra	Axel Berndt; Nadia Al-Kassab; Raimund Dachselt	Computer Music Journal	JournalArticle,Review	10.1162/comj_a_00438	66dfa8419ebe9080784d40b6714735e7b94567a7
6	2019	The Study of Mapping Strategies Between the Excitators of the Single-Reed Woodwind and the Bowed String	Song Wang; M. Wanderley; G. Scavone			10.1007/978-981-15-2756-2_9	ffc8c5adf302e15d3ec074f9a03aad00eed9d273
6	2017	The Sound of TouchNoise	Axel Berndt; Dr. Al-Kassab; Raimund Dachselt		Review		a6f18f63fd35a7938f2f36a0da55ba5013f15d74
6	2006	The LoM Mapping Toolbox for Max/MSP/Jitter	Doug Van Nort; M. Wanderley	International Conference on Mathematics and Computing	JournalArticle		e464e5312a91b34449f10c00024dcf6aa6cbd60f
6	2013	Situating the Performer and the Instrument in a Rich Social Context with PESI Extended System	C. Goddard; Koray Tahiroglu		Review		40b187f8821c385273a680e31887195de8923935
6	2023	Feel the Music!—Audience Experiences of Audio–Tactile Feedback in a Novel Virtual Reality Volumetric Music Video	Gareth W. Young; Néill C. O'Dwyer; Mauricio Flores Vargas; Rachel Mc Donnell; A. Smolic	Arts	JournalArticle	10.3390/arts12040156	de76bfd6f0eefbb895bb134c452521e493d9eced
6	2021	Designing Digital Musical Instruments: Adopting an ecological lens to identify design considerations	Trevor Glyn Hunter	onference on Designing Interactive Systems	Book,JournalArticle,Review	10.1145/3468002.3468238	b246ef7a9cf441aae5f3de2f3167471bd7109da9
6	2014	L’ordinateur portable comme instrument de musique	Jonathan Aceituno; L. Potier				067320487d6eadfa871a09dc9f68fec28f62821d
6	2024	Extending Networked Mapping Research Middleware into the Browser Sandbox	Matt Peachey; Kyle Smith; Joseph W. Malloch	2024 IEEE 5th International Symposium on the Internet of Sounds (IS2)	JournalArticle	10.1109/IS262782.2024.10704162	0d679eddc354388451617620ba7c1489fb536b6e
6	2023	FAUSTMapper: Facilitating Complex Mappings for Smart Musical Instruments.	Matt Peachey; Joseph W. Malloch	2023 4th International Symposium on the Internet of Sounds	JournalArticle	10.1109/IEEECONF59510.2023.10335404	dc070a8529b2e0a22d29818345ee5b815f4552eb
6	2015	An Evaluation of Multidimensional Controllers for Sound Design Tasks	Robert Tubb; S. Dixon	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/2702123.2702499	93cfb8033c1b55132bf4f5c79e4e959fa234c25c
6	2014	SonicExplorer: fluid exploration of audio parameters	A. Adams; Berto Gonzalez; Celine E. Latulipe	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/2556288.2557206	77a0ad87b2a7d04cd7f5b587418f240801c40c1d
6	2020	Federico Visi and	F. Visi; Atau Tanaka; F. Visi				b44f5aeb76dc570dbaafcd31b9556486ae194fa0
6	2020	Towards Assisted Interactive Machine Learning: Exploring Gesture-Sound Mappings Using Reinforcement Learning	F. Visi; Atau Tanaka				31ef0c2c62c25132e3ec82deb41ee9e1df791e15
6	2018	Deep Reinforcement Learning for the Design of Musical Interaction					aea6e0d7f5baa18887fff60c5ff375a8654a4646
6	2007	Development of a Graphical Sound Synthesis Controller Exploring Cross-Modal Perceptual Analogies	Liam O'Sullivan				682fb925aa9da5c9c507a4c2c11958b67e2e2291
6	2012	mConduct: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture	Joanne L. Armitage; Phoebe Bakanas; Joel Balmer; P. Halpin; Kyle Hudspeth; K. Ng	Electronic Visualisation in Arts and Culture	JournalArticle	10.1007/978-1-4471-5406-8_11	5a4c00aea7a19e8a4bf095928baef84539c487d5
6	2013	Embodied listening, affordances and Performing with Computers	A. Parkinson	International Conference on Mathematics and Computing	JournalArticle		8c95960a056a88fc0adbb1046dd18a639073eb30
6		NOTATING (cid:1) EXPERIENCES: (cid:1) A (cid:1) NEW (cid:1) SYSTEM (cid:1) FOR (cid:1) VISUAL DOCUMENTATION (cid:1) IN (cid:1) INSTRUMENT (cid:1) DESIGN	Ciaran Frame				c71b35d7ef4768dd3826842d8ac1349fde601c7a
6	2017	2005: The Overtone Violin	Dan Overholt			10.1007/978-3-319-47214-0_15	02f7ef1be3a1cafde970de2638fe16ab467ec681
6	2021	The Jam Station: Gamifying Collaborative Musical Experiences Through Algorithmic Assessment	Torin Hopkins; Peter Pascente; Wayne Seltzer; Kellie Masterson; E. Do	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/3430524.3442466	7d4a5b7a5f1addcfa69ef4bc1db69bc46b9316a0
6	2009	Current Trends : The Expanding Reach of Computation	Karon E. Maclean		Review		58e59fb0bf6ff2b459120298f5d0f36f21767212
6	2015	Resistive fl ex sensors : a survey	G. Saggio; F. Riillo; Laura Sbernini; L. R. Quitadamo		Review		0b209ec25ad2cff545130660b53b183923418343
6	2015	Resistive flex sensors: a survey	G. Saggio; F. Riillo; Laura Sbernini; L. R. Quitadamo		Review	10.1088/0964-1726/25/1/013001	814214b60af2c83e14acab11176937c02b9d90db
6	2011	A language of tactile motion instructions for physical activities	Daniel Spelmezan				1160b36232f9c772899ec598c71e921aa54570e2
6	2010	Pen pressure, tilt, and azimuth in pen-based interfaces : human capability and utilization	Yizhong Xin				adc05d32a92b9fe48fb4331afaf418a494c653fa
6	2004	Bimanual computer input and forearm support implemented and evaluated in an integrated system	D. Odell; P. Wright				b633871ddbca122667e23ffea0926a1e01192b1b
6	2009	What You See Is What You Feel: On the simulation of touch in graphical user interfaces	V. Mensvoort				687ae9814cc464923f7866639c95b3c8bc709861
6	2012	Dynamic Tactile Feedback in Human Computer Interaction	T. Ahmaniemi				9c756768c15e9994b79637b18a49cdcfdce5d486
6	2012	Dynamic tactile feedback in human computer interaction ; Dynaaminen tuntopalaute ihmisen ja koneen välisessä vuorovaikutuksessa	T. Ahmaniemi				f9b2e051a1922b5f9440bb2efca1cfe3a8710cd0
6	2009	Softly Elastic 6 DOF Input	Martin Sundin; M. Fjeld	International journal of human computer interactions	JournalArticle	10.1080/10447310902964124	e2056bb1bcf701c424ee95d48f0605c58b6197cf
6	2007	Principles and Applications of Multi-touch Interaction	John F. S. Hughes; Tomer Moscovich				b25b3e564bd363284f5bffaa951ccfa3149a8bbe
6	2001	Issues in bimanual interaction for computer graphics	Ravin Balakrishnan				ebf02618add8b85549f667baae285d084cff76d6
6	2003	CHAPTER 3 – Motor Behavior Models for Human-Computer Interaction	I. S. MacKenzie			10.1016/B978-155860808-5/50003-4	a0508943d8a2dfe4e21674aec0d30a0b0e60fd40
6	2002	Motor Behaviour Models for Human-Computer Interaction	I. S. MacKenzie				8a20b050cae91219ad0fceeb105c47f8e7d7268e
6	2006	A Symmetric Interaction Model for Bimanual Input	Celine E. Latulipe				904c8eea0185c63a5944a2f86837b3a8622d381d
6	2015	Making tabletops useful with applications, frameworks and multi-tasking	C. F. Julià		Review		2fa0df872638d93c261e3b8426f06db98202ee35
6	2017	Who Controls Who? Embodied Control Within Human-Technology Choreographies†	Kai Tuuri; Jaana Parviainen; Antti Pirhonen	Interacting with computers	JournalArticle	10.1093/IWC/IWW040	f4d5b6f1f8d22f708f7c8673ec8b6a3aaf51e455
6	2019	EMBODIED CONTROL WITHIN HUMAN–TECHNOLOGY CHOREOGRAPHIES	Ai; Uuri; Aana; Arviainen; Ntti; Irhonen				15d48ea2467fd01ac54c2a52f5f42cb936a74980
6	2006	Localization on the pushpin computing sensor network using spectral graph drawing and mesh relaxation	M. Broxton; J. Lifton; J. Paradiso	MOCO	JournalArticle	10.1145/1119759.1119760	e1eb3895b640f083045261851c14aab2c75a7669
6	2021	Borrowed Gestures: The Body as an Extension of the Musical Instrument	D. Cavdir; Wang Ge	Computer Music Journal	JournalArticle	10.1162/comj_a_00617	f92785775f867aaec653d1e7ab55d243eaff949d
6	2009	Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis	Alexandre Bouënard; M. Wanderley; Sylvie Gibet	International Conference on Mathematics and Computing	JournalArticle		aabd6e14c38606f7834ec5032e4354a7ac2ce4f4
6	2012	A gesturally controlled improvisation system for piano	S. Nicolls; N. Gillian				28ba4ce675963304187c1b7c8adadf5b841cc3b5
6	2016	Dr. Saxophone: Hybrid saxophone interface	Euyshick Hong; Baron Kim; Kiyeor Han	International Conference on Systems and Informatics	JournalArticle,Conference	10.1109/ICSAI.2016.7811124	69d45b3a5051e2a8a55afc3aa28d326bfb8207e9
6	2010	Leveraging behavioral models of sounding objects forgesture-controlled sound design	Kristian Gohlke; David Black; J. Loviscach	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/1935701.1935750	0ac750b08d8ea9b20fe806dd6012351be0eda1e0
6	2024	Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations	Courtney N. Reed; Landon Morrison; Andrew P. McPherson; David Fierro; Atau Tanaka	Conference on Designing Interactive Systems	JournalArticle,Book,Conference	10.1145/3643834.3661572	9e71c2bc2121a2bad3ecc8739920782d2ebcb17a
6	2019	Gesture-Timbre Space: Multidimensional Feature Mapping Using Machine Learning and Concatenative Synthesis	Michael Zbyszyński; Balandino Di Donato; Atau Tanaka				b980c1eef18b319738a45213d09b99b8c509f845
6	2005	Preservation and extension of traditional techniques:Digitizing North Indian performance	Ajay Kapur; Philip Davidson; Perry R. Cook; W. Andrew Schloss; Peter F. Driessen			10.1080/09298210500280554	aad1e6408b495cc99b86a4af33141fc77b444696
6	2021	F ROM F OLEY PROFESSIONAL PRACTICE TO S ONIC I NTERACTION D ESIGN : INITIAL RESEARCH CONDUCTED WITHIN THE R ADIO S OUND S TUDIO P ROJECT	Sandra P Auletto				f0a766214a73d28604b240e1fc68061fb1b5ee35
6	2011	A Virtual Reality Dance Training System Using Motion Capture Technology	Jacky C. P. Chan; Howard Leung; Jeff K. T. Tang; T. Komura	IEEE Transactions on Learning Technologies	JournalArticle	10.1109/TLT.2010.27	d9da134fbee692701c14655548bf01301eeff426
6	2013	Trumpet Augmentation and Technological Symbiosis	Joseph Thibodeau; M. Wanderley	Computer Music Journal	JournalArticle,Review	10.1162/COMJ_a_00185	d009a862532496b73a2513d296d39c79bfdb99ec
6	2018	The BodyHarp: Designing the Intersection Between the Instrument and the Body	D. Cavdir; Romain Michon; Wang Ge				1aebb9f0e2363122229630113c63502195a16992
6	2004	FROM MATHEMATICAL CONCEPTS TO HANDS-ON INTERACTION: PHYSICAL MODELING AND INTERACTION PARADIGMS OF TABLAS AND SINGING BOWLS	Georg Essl				b9a273bb03c078f602b68f80cd74bc30e0388683
6	2007	Ergonomic Music: Where Does it Fit In?	D. V. Van Gerven; J. Young			10.11575/PRISM/31308	fe2fe85463ef8cffc6b229ca40f3db3787175f39
6	2012	SYNTHESIS ON A MULTI-TOUCH INTERFACE	Robert Tubb; Anssi Klapuri; S. Dixon				a147d72fb4da3fd0b4116825cc1603476c4a185d
6	2024	“It Takes Two” - Shared and Collaborative Virtual Musical Instruments in the Musical Metaverse	Alberto Boem; Damian Dziwis; Matteo Tomasetti; Sascha Etezazi; Luca Turchet	2024 IEEE 5th International Symposium on the Internet of Sounds (IS2)	JournalArticle	10.1109/IS262782.2024.10704079	d978a5c881daa4d68d2db33a48370588dbd93a76
6	2013	Computer Musicking: HCI, CSCW and Collaborative Digital Musical Interaction	Robin Fencott; N. Bryan-Kinns	Music and Human-Computer Interaction		10.1007/978-1-4471-2990-5_11	4d356cdf17776a9ba977eb8db3b4ff98703a0ae6
6		Playing with resistance	Robert Ek				bdc6e25e8fa13f5a1e199ee22486da34a597c379
6	2015	Contrôle gestuel de la synthèse vocale. Les instruments Cantor Digitalis et Digitartic	Lionel Feugère; Christophe d'Alessandro	Traitement du signal	JournalArticle	10.3166/ts.32.417-442	7e5da2f4ad76973a8e403be8140614b7f3e71464
6	2011	ToCoPlay: Graphical Multi-touch Interaction for Composing and Playing Music	Sean Lynch; Miguel A. Nacenta; M. T. Carpendale	IFIP TC13 International Conference on Human-Computer Interaction	JournalArticle,Conference	10.1007/978-3-642-23765-2_22	db1c2abdba4ebc524d3a9fff6968306139a3dd82
6	2017	MyoSpat: A hand-gesture controlled system for sound and light projections manipulation	Balandino Di Donato; J. Dooley; Jason Hockman; J. Bullock; Simon Hall	International Conference on Mathematics and Computing	JournalArticle		f73f1f2ffcf244fcad2a8e6fe4ef8a9e4c6b8f8d
6	2010	3D User Interfaces, from Mobile Devices to Immersive Virtual Environments. (Interfaces utilisateur 3D , des appareils mobiles pour les environnements virtuels immersifs)	M. Hachet				1606b240b2318bfc683c36deab48557b3351a4eb
6	2004	Gesture Analysis of Bow Strokes Using an Augmented Violin	Nicolas H. Rasamimanana				5b53c2457a1fb9a59886af98fe6a71bd6f99ed1a
6	2024	Dance Movement and Sound Cross-Correlation; Synthesis Parameters on the Micro and Meso Musical Time Scales	Aleksandar Koruga; Koray Tahiroglu	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3678299.3678361	620e455688415620b679427c43fa93180be00804
6	2017	Exploring Social Mobile Music with Tiny Touch-Screen Performances	Charles Patrick Martin; Jim Tørresen				fbb3130db53f5ad30146b55272d6468a7d7ee4f0
6	2013	AUDIO-TACTILE GLOVE TEMPLATES FOR DAFX-08, FINLAND, FRANCE	Gareth W. Young; David Murphy; Jeffrey Weeter				7560f74a95acfbf96da9b6d8fe6aaea9226000c3
6	2022	Web Semantics: Science, Services and Agents on the World Wide Web	Luca Turchet; Francesco Antoniazzi				3f6a21c01ac7c279b8010c5996555d69d72b79e2
6	2018	Adapting the SoundThimble Movement Sonification System for Young Motion-impaired Users	Grigore Burloiu	International Conference on Computational Photography	JournalArticle,Conference	10.1109/ICCP.2018.8516435	3be11c8782e8d2fbf3167c2dd575c64162c71b62
6	2014	In-House Development of Paper Force Sensors for Musical Applications	Rodolphe Koehly; M. Wanderley; T. V. D. van de Ven; D. Curtil	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00237	83aa3cf860c9b7db406c872e745bd237ef08b419
6	2013	Even More Tactile Feedback for Mobile Devices	T. Park; L. Crawford; Oriol Nieto				ba55d7aad53c0269392a7d345d5e6a9e41fc16cb
6	2013	Conducting a virtual ensemble with a kinect device	Alejandro Rosa-Pujazón; I. Barbancho-Perez; L. Tardón; Ana Maria Barbancho-Perez				e24f2af709171b96f658d22a26fdd9148b6717d9
6	2013	Virtual Conductor for String Quartet Practice	Raquel Baez; Ana Maria Barbancho-Perez; Alejandro Rosa-Pujazón; I. Barbancho-Perez; L. Tardón				52b72184bc36c3d9c3d6303e0a5ecd8890a83779
6		Pop Music					ee0fe053e7ab77e3a361d30b4b85d88651f07950
6	2017	Use the Force: Incorporating Touch Force Sensors into Mobile Music Interaction	E. Lee; Sangeon Yong; Soonbeom Choi; Li-Wei Chan; R. Peiris; Juhan Nam	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-030-01692-0_38	9619029da71a38424e719430173d92a1841c455c
6	2021	The entanglements which make instruments musical: Rediscovering sociality	S. Waters	Journal of New Music Research		10.1080/09298215.2021.1899247	701a40206306a2fd05ea24aded8009fec881f313
6	2019	An Intuitive Interface for Digital Synthesizer by Pseudo-intention Learning	Keisuke Shiro; Ryotaro Miura; Changyo Han; J. Rekimoto	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3356590.3356598	6234d478b18fa325c2f05702c87f2427caf33332
6	2014	Automatic transcription of bass guitar tracks applied for music genre classification and sound synthesis	J. Abeßer				0c55f5230f570b106b5712c6bece3ca123196c7f
6	2013	Exploring the Design Space of hand-Controlled Guitar effects for Live Music	Oliver Hödl; Geraldine Fitzpatrick	International Conference on Mathematics and Computing	JournalArticle		d32e960f2d628040a00767342f210213e84f774f
6	2016	Wireless Communication Standards for Multimedia Applications	L. Gabrielli; Stefano Squartini			10.1007/978-981-10-0335-6_4	877f7be0a12e9ea4366bc5c3e25f5400ae7c7afe
6	2014	EmbodiComp: Embodied Interaction for Mixing and Composition	Dalia El-Shimy; Steve Cowan; J. Cooperstock	International Conference on Mathematics and Computing	JournalArticle		f06f0df12a462077b12830c0ec144df305bc8f81
6	2017	Facilitating the Musician's Engagement with New Musical Interfaces: Counteractions in Music Performance	Koray Tahiroglu; J. Vasquez; Johan Kildal	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00413	8ff665516343538edb493243aa8f67764d4c4a49
6	2021	Body Data for Music Information Retrieval Tasks	T. Kelkar			10.1007/978-3-030-66450-3_10	ea40a75b87a9f8f6efa4d4d86535fecf62d0ebd6
6	2019	Computational Analysis of Melodic Contour and Body Movement	T. Kelkar				e27306bc30499392c83d9b0fa0e3fbaff7c795bd
6	2017	PLXTRM: Prediction-Led eXtended-guitar Tool for Real-time Music applications and live performance	T. Vets; Jonas Degrave; L. Nijs; F. Bressan; M. Leman			10.1080/09298215.2017.1288747	5de55ad8b63c9d8ab8b4f3750312bdd7bcb41b13
6	2014	Development of a Gesture Learning Environment for Novices' Erhu Bow Strokes	Fumitaka Kikukawa; M. Soga; H. Taki	International Conference on Knowledge-Based Intelligent Information & Engineering Systems	JournalArticle,Review	10.1016/j.procs.2014.08.171	03ae7a55457ad607eab3253a4f180d259b3eac96
6	2013	A review of real-time EEG sonification research	A. Väljamäe; T. Steffert; S. Holland; X. Marimon; Raul Benitez; S. Mealla	International Conference on Auditory Display	Review		bd53bd4fb3dbca4bd21f0e4e74115e4f4f8161cc
6	2019	Über Erfahrungen in der Anwendung computerbasierter Streichinstrumente: das Duo Expanded Strings	Cornelius Pöpel; G. Marx	Message Understanding Conference	JournalArticle	10.18420/muc2019-ws-574	6dde4ee1e73230064c50acdd097a73ce423a7f85
6	2015	An Environment for Submillisecond-Latency Audio and Sensor Processing on BeagleBone Black	Andrew Mcpherson; Victor Zappi				3050c75fb75680e3d7f731a263b37be8ac0890a6
6	2017	Joe Munday Master's Thesis	J. Munday				ce225ff7582757593aef73c02ec99ae730fbc729
6	2023	PressurePick: Muscle Tension Estimation for Guitar Players Using Unobtrusive Pressure Sensing	A. Fender; Derek Alexander Witzig; M. Möbus; Christian Holz	ACM Symposium on User Interface Software and Technology	Book,JournalArticle,Conference	10.1145/3586183.3606742	54d0e19ed67c27847e6de846245eee629105f51d
6	2013	Researching Bodily Performance in Electronic Music – An Exercise in Freedom	Jan C. Schacher				f1cc94ad021e26eb010b2b0c7482060a30afefb6
6	2015	Using affective and behavioural sensors to explore aspects of collaborative music making	Evan Morgan; H. Gunes; N. Bryan-Kinns	Int. J. Hum. Comput. Stud.	JournalArticle	10.1016/j.ijhcs.2015.05.002	2085ccfdbed38fb110d64b2012892b014341138f
6	2021	StringTouch - From String Instruments towards new Interface Morphologies	Beat Rossmy; Sonja Rümelin; Alexander Wiethoff	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/3430524.3440628	5dff286719f75a225ee9d1ac1756728cca04dabe
6	2013	The Wiikembe — performer designed lamellophone hyperinstrument for idiomatic musical-DSP interaction	Shawn Trail; G. Tzanetakis	Pacific Rim Conference on Communications, Computers and Signal Processing	Conference	10.1109/PACRIM.2013.6625512	227998be711acb5c79f5ec47cffb4f53fc3da900
6	2025	Developing a 3D interface for sound corpus manipulation in virtual environments	Matias A. Vilaplana Stark	2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW)	JournalArticle,Conference	10.1109/VRW66409.2025.00133	26abae2a3b5a5ad3f390e4ee44ffeee63c64eb40
6	2018	LINEAR (LIVE-GENERATED INTERFACE AND NOTATION ENVIRONMENT IN AUGMENTED REALITY)	G. Santini				5bc56925d83d31e0eea0fa1c0aee5ffa0c40a7d4
6	2026	Picnic: Playful Music-Making with Everyday Objects and Machine Learning	Lucía Montesinos; A. Løvlie	DIS Companion	Book,JournalArticle	10.1145/3802974.3808034	68903133acb2dfd88876ce82f1161cb8442d6114
6	2017	Biosignal Augmented Embodied Performance	Rikard Lindell; Tomas Kumlin	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3123514.3123547	edc607b16aaff54b4d71ad70e23dba0901c6ca96
6	2024	Resonance: Collaborative Musicking Through Tactile Ecologies	Katherine M. Cheng; Jesse Allison	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/3623509.3634898	acdb21131f37e5db6e29c7dada2cad5c4c5d7924
6	2021	Hardware Design and Development of Contactless Sensor System for Piano Playing	Choo Chee Wee; M. Mariappan	Studies in Systems, Decision and Control		10.1007/978-3-030-74540-0_8	ebe61564a0e81d14959f2c29d0a39a97d451588c
6	2017	Open band: Audience Creative Participation Using Web Audio Synthesis	Ariane S. Stolfi; M. Barthet; Fábio Goródscy; Antonio Deusany; Fernando Iazzetta				3484634a6c1c210fab4aa43e9cc7909a4ba7ac66
6	2026	SlimeUI: Exploring Non-Newtonian Fluid as a Deformable Interface for Digital Musical Expression	Yuan-Shao Wu; Ya-Ping Chang; Chun-Cheng Hsu	DIS Companion	Book,JournalArticle	10.1145/3802974.3808030	dc6f9707239f3921effabb7a926aa1d41000be2e
6	2020	Retaining pianistic virtuosity in #MIs	Niccolò Granieri; J. Dooley; Tychonas Michailidis	Innovation in Music		10.4324/9780429345388-11	31baf91e17bb9585b7b5e699cb3b725be4e8ec64
6	2024	Musicking with dynamical systems: introducing a digitally-controlled analog no-input mixer	G. Elia; Dan Overholt	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3678299.3678302	5b7cf0880ccbf4d853912eedf4a0f40c7fe34e19
6		The Period Instrument	Yann Seznec; Nadia Campo Woytuk				8d3398c60a57d4c4874e4967ff4d637a3e92b752
6	2015	Designing Musical Instruments for the Browser	Charles Roberts; Graham Wakefield; M. Wright; J. Kuchera-Morin	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00283	32e30c03efc8de6da4c7e9d7bc4f54c31d4511be
6	2015	Learning Visual Programming by Creating a Walkable Interactive Installation	Aristotelis Hadjakos; H. Schulze; A. Düchting; C. Metzger; Marc Ottensmann; Friederike Riechmann	Audio Mostly Conference	JournalArticle	10.1145/2814895.2814914	4a6e61445f86b07a85463d8480bcdc1086a7ed2c
6	2019	TumTá and Pisada: Two Foot-controlled Digital Dance and Music Instruments Inspired by Popular Brazillian Traditions	João Tragtenberg; Filipe Calegario; Giordano Cabral; Geber Ramalho	Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019)		10.5753/sbcm.2019.10426	a69ecbb37e9f3e1d545839c63a34445bde612162
6	2024	Tacit engagement and digital musical instruments: longitudinal work with the Resonant Object Interface, the Floors, and the Table Floors	Sasha Leitman; Iran Sanadzadeh	Ai & Society	JournalArticle	10.1007/s00146-024-02148-y	9794b6ee5cdc0b01f9bc729afafc47b2da964229
6	2025	Zombitron: towards a toolbox for repurposing obsolete smartphones into new interactive systems	Clara Rigaud	arXiv.org	JournalArticle	10.48550/arXiv.2508.06354	f04bca544ccd7af9cce7028c2ba88ac8f2257979
6	2025	An Interactive Self-Assembly Swarm Music System in Extended Reality	P. Lucas; S. Fasciani; Alex Szorkovszky; Kyrre Glette	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3771594.3771620	ef9c74a15fb8a696c83db409a2f46948bfc46cca
5	2013	Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner	Nicolas E. Gold; Oe Sandu; Pn Palliyaguru; R. Dannenberg; Zeyu Jin; A. Robertson		Review		ad8af30e99807422aea57afce47144a01f6f7f90
5	2007	Lessons from Experienced Gestural Controller Users	Carmine Casciato; M. Wanderley				d9344b3e12fef153de1acebcacb3ce1fa9ed7b24
5	2020	Haptic and audio interaction design	Thomas Pietrzak; M. Wanderley	Journal on Multimodal User Interfaces	JournalArticle	10.1007/s12193-020-00344-w	3d7550e72951481a3361011caf8aeb6cf05df9f3
5	2017	Creature:Interactions: A Social Mixed-Reality Playspace	Andrew Bluff; Andrew Johnston	Leonardo: Journal of the International Society for the Arts, Sciences and Technology	JournalArticle,Book	10.1145/3072940.3072965	a9175e0eb6b9114b082511a083fa11b5a0375db3
5	2014	Creative Control of Granular Synthesis Using Fluid Simulation & Motion Tracking	Andrew Bluff; Andrew Johnston	MOCO	JournalArticle,Book	10.1145/2617995.2618022	e9701a6cc1d09a4a35cee717eb1cc830a0cb3993
5	2017	Physical Intentions: Exploring Michel Waisvisz’s The Hands (Movement 1)	Jon Bellona	Organised Sound		10.1017/S1355771817000450	f9be9ab1b94315422a28c198715d9868b2abe75b
5	2016	Agent-based graphic sound synthesis and acousmatic composition	Stephen A. Pearse		Review		78c8acfbb5c1f0567744a5579a9bec43c9e1bbeb
5	2015	TRANSCODING : TOWARDS A PLATFORM FOR NOTATIONAL PRAXIS AND ELECTRONIC PERFORMANCE	Rama Gottfried				cc380bbcd3a88517d0ad17a735036fa17ca8928b
5	2018	The Anthropomorphic Analogy: Humanising musical machines in the early modern and contemporary eras	Rebecca Cypess; S. Kemper	Organised Sound		10.1017/S1355771818000043	b09010d0dc16ad1c8e6476021f016edd82bbf450
5	2013	New Musical Instrument Design Considerations	G. Paine	IEEE Multimedia	JournalArticle	10.1109/MMUL.2013.60	9da1beba821eb0fbc8e82139a4826a54d0b99d76
5	1996	Electronic musical re-performance and editing system	Tom G. Zimmerman; Samuel Wantman			10.1121/1.415967	cb17fd8c2d5fd61a61e684b3b5b79e2047a0fa65
5	2019	Multi-sensory transformation of biological signals	Sabina Hyoju Ahn				76aaf2b6a66f62465942a0cfae82b581bc6db56c
5	2023	A Phenomenological Approach to Wearable Technologies and Viscerality: From embodied interaction to biophysical music performance	Andrea Giomi	Organised Sound	JournalArticle	10.1017/S1355771823000286	cc924a3a47e9c49efa9311cd2ef449fc47460784
5	2018	BCI for Music Making	Duncan A. H. Williams; E. Miranda		Review	10.1201/9781351231954-10	e825ece7d787ade69fefcb240c2818c8d0298a49
5	2007	Electronic Musical Instruments: Experiences of a New Luthier	B. Bongers	Leonardo Music Journal		10.1162/lmj.2007.17.9	a1e2b46ddf050df1b9ca56e51014d4e23ab6b660
5	2014	On Mapping EEG Information into Music	J. Eaton; E. Miranda			10.1007/978-1-4471-6584-2_10	9c54d6d1618c2f14fb3e7936bd2dd3d3f37f2ec8
5		On Mapping EEG Information into Music On Mapping EEG Information into Music	J. Eaton; E. Miranda				afdd1220759c1b522134702da9265ba176e59e7d
5	2018	Development and Evaluation of a Hybrid Wind Instrument	K. Buys				b186570eb6972439fb9149fc95f51a6ee2aa8aa0
5	2014	Gestural Data for Expressive Control: A Study in Repetition and Recognition	M. Waisvisz; M. Sadakata				c62c2a5a0ea94e76fc22936962e3a789d3dce0d0
5	2002	Interactivating Spaces sub prt	B. Bongers				f819fce274e354d637ccc2a915b9d6b5c501d247
5	2012	Imposing a Networked Vibrotactile Communication System for Improvisational Suggestion	Lauren Hayes; Christos Michalakos	Organised Sound		10.1017/S1355771811000495	531180a065cd9cd1fc70b1020631e7e83a8a4db5
5	2018	Chapter 1 Musical Haptics : Introduction	S. Papetti; C. Saitis				2dac13f1f56e97b5e628bcac3d4f1e8ff0213a8e
5	2015	Haptic Control of Multistate Generative Music Systems	B. Battey; Marinos Giannoukakis; L. Picinali	International Conference on Mathematics and Computing	JournalArticle		6389c570284ff086d0a327448547380c58b55a16
5	2011	Multidimensional gesture sensing at the piano keyboard	Andrew Mcpherson; Youngmoo E. Kim	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/1978942.1979355	e865349ade25011227a2210666305c8fc6ab0450
5	2017	Finding Common Ground: A Survey of Capacitive Sensing in Human-Computer Interaction	T. Große-Puppendahl; Christian Holz; Gabe Cohn; Raphael Wimmer; Oskar Bechtold; Steve Hodges	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference,Review	10.1145/3025453.3025808	787cfaef5cfa73aa5e7d0007708333075b8c6878
5	2012	Pianist Motion Capture with the Kinect Depth Camera	Aristotelis Hadjakos				f9c9dcfaadb0f5503ff42df5c9fd062b0c6233d1
5	2008	Sensor Architectures for Interactive Environments	J. Paradiso		Review	10.1007/978-0-387-46264-6_16	bdb62e2d559acc6d2786fc5a8a2e653350d477a5
5	2006	Synesthetic music experience communicator	L. Hill			10.31274/RTD-180813-4872	4ff7cc097ad0fcef1816d319c8899ab072a4f962
5	2019	New Interfaces for Classifying Performance Gestures in Music	Chris Rhodes; R. Allmendinger; R. Climent	Ideal	JournalArticle	10.1007/978-3-030-33617-2_4	48dae5f7b2b2cefa8b90c2c3b7a6e27e8b57d2f5
5	2015	Using Strange Attractors to Control Sound Processing in Live Electroacoustic Composition	Miroslav Spasov	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00313	f0cbbe30231088c991ed27de7c1663c5ee71e543
5	2005	Local Performance Networks: musical interdependency through gestures and controllers	Gil Weinberg	Organised Sound		10.1017/S1355771805000993	017c543ac81ee83a4915acb8800ddacc2b059d79
5	2024	Beginnings and endings—dance phrase edges in an interactive dance study	Andreas Bergsland	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-024-01817-5	144a688a63c6fb406a34d02135972623cee55482
5	2015	Music means movement: musings on methods for movement analysis in music	Jan C. Schacher	MOCO	JournalArticle,Book	10.1145/2790994.2791001	cc50c26c8d7ca3dc6da39cd40db592201c27fd4b
5	2014	Camera-Based Motion Tracking and Performing Arts for Persons with Motor Disabilities and Autism	Alexandros Kontogeorgakopoulos; R. Wechsler; W. Keay-Bright		Review	10.4018/978-1-4666-4442-7.CH009	a230958b847c130d836fffd397ae35561850beaa
5	2007	A wireless sensor-based mobile music environment complied from a graphical language	Robert Jacobs				1641e36946c38ee5f96ad1e9ccefa2913ac20165
5	2019	Prototyping Web instruments with Mosaicode	A. Gomes; Frederico Resende; L. Goncalves; F. Schiavoni	Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019)		10.5753/sbcm.2019.10431	6fa1e32cae5fc75a2533b6c0d9c69a280579b5c1
5	2007	Alternating from 1 to x and vice versa	A. Valle; V. Lombardo; H. Vogel	ACM Multimedia	Book,JournalArticle	10.1145/1291233.1291439	3f914e8a10f2dd7913bdb678a95031f7ddf47515
5	2005	The MEGA Project: Analysis and Synthesis of Multisensory Expressive Gesture in Performing Art Applications	A. Camurri; Giovanni De Poli; A. Friberg; M. Leman; G. Volpe		Review	10.1080/09298210500123895	35cdbfa55f17c9a642155a44cfdfb0262d5bdabb
5	2003	About the Role of Mapping in Gesture-Controlled Live Computer Music	L. Tarabella; G. Bertini	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-540-39900-1_19	c43ad9e10cec1a72b84ad36ac3b9a205a86e55db
5	2005	Communicating expressiveness and affect in multimodal interactive systems	A. Camurri; G. Volpe; Giovanni De Poli; M. Leman	IEEE Multimedia	JournalArticle	10.1109/MMUL.2005.2	7e00ceecad8dfa40e56373e1c4191276c93b00d1
5	2005	Design and semantics of form and movement	Lmg Loe Feijs; S. Kyffin; B. Young				c243dfcb0ec992eb8846290c57574700c2f5e0b0
5	2007	COMPONENTS OF INTERACTIVE MULTIMEDIA PERFORMANCE AND PRESERVATIONS	K. Ng; Pham Vu Tran; Bee Ong; D. Giaretta				8716af1ab275e3e8714875b9881439cd2202b16c
5	2007	Digital Preservation of Interactive Multimedia Performances	K. Ng; Pham Vu Tran; Bee Ong; J. Barthélemy; A. Bonardi; David L. Giaretta	ERCIM News	JournalArticle		529ee9708de323699ddd9a54da6ac05bb4de44dd
5	2024	Co-designing the Collaborative Digital Musical Instruments for Group Music Therapy	Yuan-Ling Feng; Zhao-Guo Wang; Yuan Yao; Hanxuan Li; Yuting Diao; Yu Peng	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3613904.3642649	e8be21e30f2e5250541e1baf9e87d59027468fe8
5	2016	Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface	Andrea Franceschini				b638ff39d3eb42b262814b86f95620e268b6ce73
5	2009	Pendaphonics: a tangible pendulum-based sonic interaction experience	A. Hansen; Dan Overholt; W. Burleson; Camilla Nørgaard Jensen	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle	10.1145/1517664.1517701	5337dc548b70fa74023beb5b892acad5a8cba8f5
5	2012	Music Impro App - challenges in developing a musical network of mobile terminals	Kjartan Vestvik				1a5d4c44c9695a6890d6ff9743224d0f7cb94adb
5	2009	DEMONSTRATION : A Tangible Pendulum-based Sonic Interaction Experience	A. Hansen; Dan Overholt; W. Burleson; Camilla Nørgaard Jensen				6df862b01e07410b6495410bff07c984b249851c
5	2007	Prolegomena to sonic toys	Stefania Serafin; A. De Goetzen				a4d64bd1c0c6dda9bb10fbec713b7df01aaec941
5	2021	Real-Time Symbolic Transcription and Interactive Transformation Using a Hexaphonic Nylon-String Guitar	Sérgio Freire; Augusto Armondes; Rubens Silva	Computer Music Journal	JournalArticle	10.1162/comj_a_00625	c814afa26cdec3bb34118c7c9b8b5b9989e90bd6
5	2009	BIOMECHANICAL MODELLING OF MUSICAL PERFORMANCE: A CASE STUDY OF THE GUITAR	L. Costalonga				c7a957e769744e99e761796f463bd34ad7cea39f
5	2013	Designing gestural Interfaces for Live sound diffusion	B. Johnson; Jim W. Murphy; Ajay Kapur	International Conference on Mathematics and Computing	JournalArticle		b0d837679fa1c07971f919ea740b21b8f84114db
5	2011	Sweet [re]production: developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception	Nils Peters		Review		dc5570e07460695bbd0d58b3bb12c054dc8b7b7d
5	2026	A Review of String Instrument Synthesis Methods for Use in Interactive Systems	Yao-Zhong Zhang; S. von Mammen; Christof Weiß	Transactions of the International Society for Music Information Retrieval	JournalArticle,Review	10.5334/tismir.267	72206ed718889c5323ab1dc99af022245a4d611a
5	2026	Inverse and indirect mappings in embodied AI systems in everyday environments	Maham Riaz; Çağrı Erdem; Alexander Refsum Jensenius	Frontiers Comput. Sci.	JournalArticle	10.3389/fcomp.2025.1603769	2a3a3d44aa7514eb03a51b62468ad2bc6e1c34a3
5	2023	Banging Interaction: A Ubimus-Design Strategy for the Musical Internet	Damián Keller; Azeema Yaseen; J. Timoney; Sutirtha Chakraborty; Victor Lazzarini	Future Internet	JournalArticle	10.3390/fi15040125	1c35ead030c9a925aa125c61a2ff59986c4b56b5
5	2021	Ubiquitous Music-Making Systems: A Critical Overview of Current Practices	Wei Zhao	Audio Mostly Conference	JournalArticle,Book,Conference,Review	10.1145/3478384.3478391	7a2ce2ec25d4c224180791f1b057f53380faf91c
5	2019	The Role of Nonlinear Dynamics in Musicians' Interactions with Digital and Acoustic Musical Instruments	Tom Mudd; S. Holland; P. Mulholland	Computer Music Journal	JournalArticle	10.1162/comj_a_00535	922fdab66eefaf1fdecbebe665c42a1dbd3795a4
5	2019	Fun with interfaces (SVG interfaces for musical expression)	Benedict R. Gaster; Nathan Renney; C. Parraman	FARM@ICFP	JournalArticle,Book	10.1145/3331543.3342579	66fb739be534a0b84d483bbfbc127bc98142f788
5	2014	Patterns of Musical Interaction with Computing Devices	L. V. Flores; M. Pimenta; Damián Keller				fb279546b4b2134caa04ba211e8b144464f4cdc6
5	2011	Convergent Trends Toward Ubiquitous Music	Damián Keller; L. V. Flores; M. Pimenta; A. Capasso; Patricia Tinajero			10.1080/09298215.2011.594514	88f11ca964291094d35209efda430be57f847ead
5	2010	Patterns for the design of musical interaction with everyday mobile devices	L. V. Flores; M. Pimenta; E. Miranda; Eduardo A. A. Radanovitsck; Damián Keller	Simpósio Brasileiro de Fatores Humanos em Sistemas Computacionais	JournalArticle	10.5555/1999593.1999607	c320bd8cc7222a2bee237db3911de719a69edaf5
5	2006	Performance Evaluation of Vision-Based High DOF Human Movement Tracking: A Survey And Human Computer Interaction Perspective	D. Heckenberg	2006 Conference on Computer Vision and Pattern Recognition Workshop (CVPRW'06)	JournalArticle,Conference,Review	10.1109/CVPRW.2006.157	4db0e879626e359c68ec7b15df80500b93aa621b
5	2003	On gender in new music interface technology	Georg Essl	Organised Sound		10.1017/S1355771803001031	f12ad4fbf2f94a81a538a0e1ba8fefa721254b10
5	2020	The role of nonlinear dynamics in interactions with digital and acoustic musical instruments	Tom Mudd; Reid				b35dafa3b2dc928d3060abbf9181b7a7cbfba3c0
5	2019	The role of nonlinear dynamics in musicians’ interactions with digital and acoustic musical instruments	Tom Mudd; Reid				dd5120f11ac895449ad27b3b1b48d76c3befd2ef
5	2017	The Sound Motion Controller : A Distributed System for Interactive Music Performance	Enrico Cupellini; J. Cooperstock; M. O. Belardinelli				c33835a6326f7b84df958db3ffb8638a7730a63b
5	2013	A Quantitative Review of Mappings in Musical iOS Applications	Thor Kell; Marcelo M. Wanderley		Review		e09e841d20f14c505fc2b7cc505ae0e0f8bcd94b
5	2011	The HarmonyGrid : music, space and performance in grid music systems	Roland Adeney		Review		ebe446e5b8d2c29b1bc3989cb4d7c268a3284483
5	2009	A Cultural Approach toward the Notion of the Instrument	C. Brunner	International Conference on Mathematics and Computing	JournalArticle		111693120394ed3c3b5ff6f5902a21cf84b07621
5	2009	Extending Physical Computing On The Reactable	Mathieu Bosi				bac8bb6ded082040308700468e09276b34c297a0
5		A guitar-inspired touchpad controller	S. Sinclair				28808dba5901e8a7ee671ffdbec0c1d0a12471e8
5	2013	Making Acoustic Computer Music: The Rumentarium project	A. Valle	Organised Sound		10.1017/S1355771813000216	09507685c71467f321109d5ca2e5b18b8b24f41a
5		Making Acoustic Computer Music: The Rumentarium project					90fd594b25bd156aec7871c348f4430192c48c9f
5	2011	Interactive Music 3.0: Empowering People to Participate Musically Inside Nightclubs	Yago de Quay	CMMR/FRSM	JournalArticle	10.1007/978-3-642-31980-8_8	2be94dfc6a0acf5c5c8f3a0e3e7a17114da151b6
5	2015	Towards an interactive environment for the performance of Dubstep music	J. Herrington				b712f466ad391a6487a0eebeba0426f82c8cf7d9
5	2010	Dance Pattern Recognition using Dynamic Time Warping	Henning Pohl; Aristotelis Hadjakos				ee0983d83c96b370ac9adec39d8b8fd1b54d63c0
5	2024	Immersive Io3MT Environments: Design Guidelines, Use Cases and Future Directions	R. Vieira; Wei Shu; Thomas Röggla; D. Muchaluat-Saade; Pablo César	2024 IEEE 5th International Symposium on the Internet of Sounds (IS2)	JournalArticle,Review	10.1109/IS262782.2024.10704141	4efd546c4ef2a79810f2ab0b3167d3b9fb4fe0b2
5	2023	Intelligent Music Performance Systems: Towards a Design Framework	M. Jung	Studia Musicologica Norvegica	JournalArticle	10.18261/smn.49.1.3	7eee6bbb6fb0d03bf77defc70f96b48e83d2e1b5
5	2017	bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras	Luke Dahl; Florent Berthaut; A. Nau; P. Plénacoste	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-030-01692-0_30	95ae36463065e529766a7a5f63c87638fd446b21
5	2012	Audio delivery and territoriality in collaborative digital musical interaction	Robin Fencott; N. Bryan-Kinns	British Computer Society Conference on Human-Computer Interaction	JournalArticle	10.14236/EWIC/HCI2012.12	516a2bb3527795e6bbe52a2d05cb6816b0f1600a
5	2007	The Design of a Perceptual and Improvisational Robotic Marimba Player	Gil Weinberg; S. Driscoll	IEEE International Symposium on Robot and Human Interactive Communication	JournalArticle	10.1109/ROMAN.2007.4415189	e19f78a9aab1db63670283cef42ef87bc1a5357c
5	2014	Organic Oscillator: Experiments using Natural Oscillation Sources from Audiences	Yuan-Yi Fan	International Conference on Mathematics and Computing	JournalArticle		aee67ce942da3b1091520f98f6a45324177e59a1
5	2014	Scaling Up Live Internet Performance with The Global Net Orchestra	R. Dannenberg; Thomas P. Neuendorffer	International Conference on Mathematics and Computing	JournalArticle		7c228a44533cc1b3bc932c8ab049112f5dfb4a74
5	2011	Sonic Gestures and Rhythmic Interaction between the Human and the Computer	Antti Jylhä				c9563e77f4219c25c9465f04f11efe73355fa0cf
5	2008	Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance	Jason Freeman	Computer Music Journal	JournalArticle	10.1162/comj.2008.32.3.25	1c74b6d0f16564ee84967b96ac059ccbff1be840
5	2019	Following Orchestra Conductors: the IDEA Open Movement Dataset	Serge Lemouton; Riccardo Borghesi; Sampo Haapamäki; Frédéric Bevilacqua; Emmanuel Fléty	MOCO	JournalArticle,Book	10.1145/3347122.3359599	dc76ee8882d7f2f24e9e14c6a5fa1a5884da06fd
5	2023	Playing with Feedback: Unpredictability, Immediacy, and Entangled Agency in the No-input Mixing Desk	Tom Mudd	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3544548.3580662	67ea03c7558ddd6d044785f9c821ba7129ca9ce1
5		Edinburgh Research Explorer Playing with feedback	Tom Mudd				bb78163a50fda2833303ce6f80e061921f1e2a80
5	2024	Music, body, and machine: gesture-based synchronization in human-robot musical interaction	Xuedan Gao; Amit Rogel; Raghavasimhan Sankaranarayanan; Brody Dowling; Gil Weinberg	Frontiers Robotics AI	JournalArticle	10.3389/frobt.2024.1461615	63e18a39824959a98b05eedd872415ba972d6e11
5	2013	Methodology for the production and delivery of generative music for the personal listener : systems for realtime generative music production	Michael J Murphy				d4ddf6d50efe81b138b76729d465580451231a7b
5	2025	The Beatbots: A Musician-Informed Multi-Robot Percussion Quartet	Isabella Pu; J. Snyder; N. Leonard	IEEE/ACM International Conference on Human-Robot Interaction	JournalArticle,Conference,Review	10.1109/HRI61500.2025.10973834	89bd48ceab4246eebd934fee5b45ae21a5ac7dbd
5	2016	SolidNoise: Making Musical Robots	J. Harriman; Matthew Bethancourt; Abhishek Narula; Michael Theodore; M. D. Gross	CHI Extended Abstracts	JournalArticle,Book	10.1145/2851581.2892539	1be302bb11627e1415c3849e59c0cb8f77985393
5	2011	Interactive improvisation with a robotic marimba player	Guy Hoffman; Gil Weinberg	Auton. Robots	JournalArticle	10.1007/s10514-011-9237-0	0518137f6882722c6b47a5daa5d7770905019c30
5	2020	Introduction	Gil Weinberg; M. Bretan; Guy Hoffman; S. Driscoll	Robotic Musicianship		10.1007/978-3-030-38930-7_1	e2f479758a42b781a514af2a9dfeaf101a12e61c
5	2019	Algorithmic Spatialization Using Object-Based Audio and Indoor Positioning System	Yuan-Yi Fan	Leonardo Music Journal		10.1162/lmj_a_01058	25ebc5955928a27f87066fffa77f033b0adf986a
5	2017	Design Implications for Technology-Mediated Audience Participation in Live Music	Oliver Hödl; Geraldine Fitzpatrick; Fares Kayali; S. Holland		Review		a2027e0c2419f361f467351168a0b8671eaa1d34
5	2017	Open Symphony: Creative Participation for Audiences of Live Music Performances	Yong-Meng Wu; Le-Shao Zhang; N. Bryan-Kinns; M. Barthet	IEEE Multim.	JournalArticle,Review	10.1109/MMUL.2017.19	004ca847dccf725e7965e978cb11f015c67a8612
5	2017	’ s repository of research publications and other research outputs Design Implications for Technology-Mediated Audience Participation in Live Music Conference or Workshop Item	Oliver Hödl; Geraldine Fitzpatrick; Fares Kayali		Review		224ed7c0231fad07122ce33283d5ca91d9973d8c
5	2017	Open Symphony: Creative Participation for Audiences of Live Music Performances	Yong-Meng Wu; Le-Shao Zhang; N. Bryan-Kinns; Mathieu Barthet	IEEE Multimedia	Review		dd109e68d6843cdeab161b06eb4fae17234d56ac
5	2009	Establishing Usability for Interactive Music Applications that Use Embodied Mediation Technology	Alexander Deweppe; M. Leman; M. Lesaffre				f5abc0f36c59c13c343a15f2ae261be790dae81e
5	2023	Understanding the musical interaction of children with autism spectrum disorder using elastic display	Ivonne Monarca; Monica Tentori; Franceli Linney Cibrian	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-022-01703-y	0555f4eb7d50ee2b7facd59809b820d575c589f7
5	2016	Some Principles of Visual Design for Computer Music	Wang Ge	Leonardo Music Journal		10.1162/LMJ_a_00960	11ef509d64622e0a38ab7846f55bb88c82dc3d3e
5	2015	ChucK: A Strongly Timed Computer Music Language	Wang Ge; Perry R. Cook; Spencer Salazar	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00324	8e2d3b1ad72fa8548dd16f6997123f5efbd06bd7
5	2008	The chuck audio programming language. a strongly-timed and on-the-fly environ/mentality	Perry R. Cook; Wang Ge				a1503cd0b7688379f724e64ba50b12ce726c5e8c
5	2024	"Different and Boundary-Pushing:" How Blind and Low Vision Youth Live Code Together	W. Payne; E. Xu; Izabella Rodrigues; Matthew Kaney; Madeline Mau; Amy Hurst	Creativity & Cognition	JournalArticle,Book	10.1145/3635636.3656200	797601460a857e7694435902f90ec9f659924a77
5	2021	A Comparison of Real-Time Linux-Based Architectures for Embedded Musical Applications	L. Vignati; Stefano Zambon; Luca Turchet	Journal of The Audio Engineering Society		10.17743/jaes.2021.0052	0a4f191eeb074ca3eebbcf285b136bea22200168
5	2020	Finding Music in Chaos: Designing and Composing with Virtual Instruments Inspired by Chaotic Equations	Landon P. Viator		Review	10.31390/gradschool_dissertations.5177	c1214d8dc975471f2f96a05bc2f7e0f0b24adf01
5	2015	Deadmau5, Derek Bailey, and the Laptop Instrument -- Improvisation, Composition, and Liveness in Live Coding	A. Parkinson; Renick Bell			10.5281/ZENODO.19350	a275340d5215cc7a5256bd1c47cc90636c080b35
5	2014	3DMIN - Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments	Till Bovermann; Amelie Hinrichsen; D. Lopes; Alberto de Campo; Hauke Egermann; Alexander Foerstel	International Conference on Mathematics and Computing	JournalArticle		7f5b38832c88cf621e274c685d9f6650cb15469a
5	2024	Multiple Musical Skills Framework for Robotic Musicianship	Lawrence Schofield; Chapa Sirithunge; Arsen Abdulali; Fumiya Iida	IOP Conference Series: Materials Science and Engineering	JournalArticle,Conference	10.1088/1757-899X/1321/1/012015	320e646609be4e9ab61b8f42af919684ca905491
5	2015	The StringPhone: a novel voice driven physically based synthesizer	David Stubbe Teglbjærg; Jesper Andersen; Stefania Serafin	Audio Mostly Conference	JournalArticle	10.1145/2814895.2814916	f16918d80e762afdb0d87c8ffe241bf374382c5d
5	2012	6to6Mappr: an educational tool for fast and easy mapping of input devices to musical parameters	Steven Gelineck; N. Böttcher	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/2371456.2371475	01e259b1e480a4143b3a7fb298c178f6c23c4ac7
5	2018	Improving networked music performance systems using application‐network collaboration	Emmanouil Lakiotakis; C. Liaskos; X. Dimitropoulos	Concurrency and Computation	JournalArticle	10.1002/cpe.4730	5e6117b6203c4849a6961311dbe5f2ee10d921ee
5	2014	A Four Strategy Model of Creative Parameter Space Interaction	Robert Tubb; S. Dixon	ICCC	JournalArticle		9960ed992f808f2cba4f2e734adf614c27672132
5	2016	Music and HCI	S. Holland; Andrew Mcpherson; W. Mackay; M. Wanderley; Michael Gurevich; Tom Mudd	CHI Extended Abstracts	Book,JournalArticle	10.1145/2851581.2856479	fe35a65cd225c55d64c875f80d0f6c5034acc74c
5	2011	Sound Spheres: A Design Study of the Articulacy of a Non-Contact Finger Tracking Virtual Musical Instrument	C. Hughes; M. Wermelinger; S. Holland				b250ed3d037bb4d06812602ff6cdee0966d1e8c6
5	2011	Sound Spheres : the Heuristic Design and Evaluation of a Non-contact Finger-tracking Virtual Musical Instrument	C. Hughes; M. Wermelinger; S. Holland				275478b14381ebeb54dd2834bd3127da67f0ddc3
5	2019	ScreenPlay: A topic-theory-inspired interactive system	George Meikle	Organised Sound		10.1017/S1355771819000499	5c8a6cb65a28c74aff2b258a915c2c2f2f7377af
5	2020	From 8-bit punk to 8-bit avant-garde: designing an embedded platform to control vintage sound chips	Victor Zappi	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3411109.3411148	ba57a76fba25722c4ea234cd514224f06aaa64e9
5	2018	Exploring the motivations for building new digital musical instruments	G. Emerson; Hauke Egermann	Music & Science	JournalArticle	10.1177/1029864918802983	90fa84dac31bdee390dba0b7dc6c981862c61841
5	2018	Co-design of a Smart Cajón	Luca Turchet; Andrew Mcpherson; M. Barthet			10.17743/JAES.2018.0007	00d878b3155c1225b03cc730871b8114fdf86b3e
5	2018	Toward the adoption of design concepts in scoring for Digital Musical Instruments: a case study on affordances and constraints	Raul Masu; Nuno N. Correia; Fabio Morreale				4f6009e2bd91c3f0ecaca35e161d8ee994be4955
5	2018	Understanding media multiplicities	O. Bown; Sam Ferguson	Entertainment Computing	JournalArticle,Review	10.1016/j.entcom.2017.11.001	7b2581785d69d627d63c7fcb652c816c648f1676
5	2017	Interfacing sound: visual representation of sound in musical software instruments	T. Magnusson			10.1007/978-981-10-2951-6_11	b5d37f569b58df33692ba9ce2baebd7979bbfac6
5	2016	Interfacing Sound : Visual Representation of Sound in Musical Software Instruments	S. Weinzierl				f12e783a77e0cc909003bd3b79596d4048c8687d
5	2017	Composition assistée par ordinateur : techniques et outils de programmation visuelle pour la création musicale	Jean Bresson				e9d9901a2910a1cf8a95bfaa2a74faff7ec3779c
5	2015	Wireless Body-worn Sound System for Dance and Music Performance	F. Otondo	Organised Sound		10.1017/S1355771815000278	b79ddc8d1015cae35f0af32a1be96cd4ad3fde38
5	2015	Trajectoires: a mobile application for controlling and composing sound spatialization	Xavier Favory; Jérémie Garcia; J. Bresson	Interaction Homme-Machine	JournalArticle,Book	10.1145/2820619.2820624	c934e745638fab2af1220fdf927da475752c0e84
5	2018	A Functional Analysis of Haptic Feedback in Digital Musical Instrument Interactions	Gareth W. Young; David Murphy; Jeffrey Weeter			10.1007/978-3-319-58316-7_6	0e957d3d88f9736851e52a7783a0641876f75472
5	2017	The Hyper-Mandolin	L. Turchet	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3123514.3123539	3c4ab5d3e933949746ecfb10f85ed52997a9022b
5	2016	The EyeHarp: A Gaze-Controlled Digital Musical Instrument	Zacharias Vamvakousis; Rafael Ramírez	Frontiers in Psychology	JournalArticle	10.3389/fpsyg.2016.00906	3351a5d7e7b891f7144758bda953d2b7fe53fc42
5	2018	Computers Helping People with Special Needs	Reinhard Koutny; Sebastian Günther; Naina Dhingra; A. Kunz; Klaus Miesenberger; M. Mühlhäuser	Lecture Notes in Computer Science		10.1007/978-3-319-94274-2	534ed68110bd42286db4f23c769208c5b47af142
5	2013	mono 2 eN : A Multi-Channel Autospatialisation Performance System	C. Goddard		Review		88ad09e3261b9f6e5ec6e0bcbba9682af3021412
5	2019	Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication	Luca Turchet; M. Barthet	IEEE Transactions on Human-Machine Systems	JournalArticle	10.1109/THMS.2018.2885408	bb5abdda5aadb8229158413b289e85975918e6ad
5	2012	Dance-the-Music: an educational platform for the modeling, recognition and audiovisual monitoring of dance steps using spatiotemporal motion templates	Pieter-Jan Maes; Denis Amelynck; M. Leman	EURASIP Journal on Advances in Signal Processing	JournalArticle	10.1186/1687-6180-2012-35	fa9dc0330d67f9301eb40903630a1618e6e426b6
5	2018	Materiality in Sound Art	Asbjørn Blokkum Flø	Organised Sound		10.1017/S1355771818000134	ca491712d3b97c0db40036213a85b9148b13214b
5	2014	Mechatronic Keyboard Music: Design, Evaluation, and Use of a New Mechatronic Harmonium	Jim W. Murphy; Ajay Kapur; D. Carnegie	International Conference on Mathematics and Computing	JournalArticle,Review	10.5281/ZENODO.850651	90437727eb9f4df3ff904cae917aee9ef3af4a77
5	2017	Integrating the Cognitive with the Physical: Musical Path Planning for an Improvising Robot	M. Bretan; Gil Weinberg	AAAI Conference on Artificial Intelligence	JournalArticle,Conference	10.1609/aaai.v31i1.11158	397655c935b643bf628e60edc0fc5fc358f1ba78
5	2015	The Kitsch-Instrument: Hackable Robotic Music	J. Harriman; Michael Theodore; M. D. Gross	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/2677199.2680593	2fd154d137515a450f28f39d73407d8c28d489b5
5	2025	Diffractive Constellations: Activating Human-Machine Co-Creation in Violin Performance through Embedded Modular Coding	S. Thorn	Creativity & Cognition	Book,JournalArticle	10.1145/3698061.3726942	83f01e3bc79ed95a57be2b0a5c2c5d36095b96df
5	2019	Instruments of Articulation: Signal Processing in Live Performance	S. Thorn; Xin Sha	MOCO	Book,JournalArticle	10.1145/3347122.3347133	21b3cdd628f3b9e00759de0ef5a448ed10051fad
5	2018	Algorithmic Spatialisation	Jan C. Schacher	The Oxford Handbook of Algorithmic Music			edd71f409150057a1eeb13f3cf35663cd3b09c88
5	2014	Harnessing the piano's voltage	Alissa Gleiser				f5feeabc7a5632e21ef665b12728ebcbb84f34e0
5	2018	Interfacing Jazz: A Study in Computer-Mediated Jazz Music Creation And Performance	Rui Dias				4461b22b9d5291c79f532dc0d38b97817df65c6e
5	2005	Interactive computer music: a performer's guide to issues surrounding Kyma with live clarinet input	Roland Anton Karnatz				115f854e1d6d9c15a744f181dbd52a1780bb866e
5	2014	Real-time Machine Listening and Segmental Re-synthesis for Networked Music Performance	Chrisoula Alexandraki				f21b1712db212beaf8f4c95b5da46286ac0ffb38
5	2018	Gesture-controlled musical performance: from movement awareness to mastery	Mary Mainsbridge			10.1080/14794713.2017.1419801	4883cf32e6b4f55fd53500e6430acd572f839446
5	2013	Collaborative music making as ‘remediated’ practice	D. Akoumianakis; George Ktistakis; George Vlachakis; P. Zervas; Chrisoula Alexandraki	International Conference on Digital Signal Processing	JournalArticle,Conference	10.1109/ICDSP.2013.6622733	212f5fda1e20034f93d060ff7b9bf84d1be2f756
5	2017	Experiencing Responsive Technology in a Mixed Work: Interactive music as embodied and situated activity	Anna Einarsson	Organised Sound		10.1017/S1355771817000425	2aab0c910e53a3467c7601d137cd98f1f59fe1bf
5	2026	Explainable AI through the Lens of Material Agency: Enabling Musical Interface Design with Neural Audio Models	S. Zheng; Anna Xambó Sedó; Nick Bryan-Kinns	arXiv.org	JournalArticle	10.48550/arXiv.2607.23309	9993d4f2742adf86f297a4d43ad8c9aa9a6f3a40
5	2018	Posthuman Gesture	Ian Jarvis; Doug Van Nort	MOCO	JournalArticle,Book,Review	10.1145/3212721.3212807	4fc97cd278789f789a677dff12c1787453739559
5	2018	Augmenting an improvised practice on the viola da gamba	Mark A. C. Summers				9b8c439e08a7265846d14bf4384a721159097f95
5	2021	Musical Cyborgs: Human-Machine Contact Spaces for Creative Musical Interaction	Sebastian Trump	AIMC	JournalArticle	10.5281/zenodo.5137912	c7e36d1638fd5620ac1364a260741b9acfd3cad7
5	2018	Jamming with the Plot Twister : Designing virtual worlds for improvised performances	Einar Christoffersson				05e7ad0d70a4f8e230bd2db84ea8d86cd9669b57
5	2012	Encountering the hidden worlds of musical objects	A. Parkinson				713bdce37acfc75b9fe9f82d3e4e1d83dce008fa
5	2005	PHYSICAL MOVEMENT AND MUSICAL GESTURES : A MULTILEVEL MAPPING STRATEGY	D. Fenza; S. Canazza; A. Rodà				8ce8631af3a97cc49f720006a0fbe604bc106963
5	2019	Playsound.space: Improvising in the browser with semantic sound objects	Ariane S. Stolfi; Alessia Milo; M. Barthet	Journal of New Music Research		10.1080/09298215.2019.1649433	98052490b1832fe6a3f12fba4c60a8b3b39c27ba
5	2013	‘Click, Play and Save’: The iGamelan as a Tool for Music-culture Sustainability	S. Brunt; H. Johnson			10.1080/08145857.2013.844497	30d970d4bbcc50535b2ccafbf4646d626093bbca
5	2010	MagiMusic: using embedded compass (magnetic) sensor for touch-less gesture based interaction with digital music instruments in mobile devices	Hamed Ketabdar; Amirhossein Jahanbekam; K. Yüksel; Tobias Hirsch; Amin Haji Abolhassani	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/1935701.1935749	52a5dbbc53e1afcdfdc2e8bea56f47cf6daea8a1
5	2013	Anthropomorphic Musical Robots Designed to Produce Physically Embodied Expressive Performances of Music	J. Solis; A. Takanishi	Guide to Computing for Expressive Music Performance	Review	10.1007/978-1-4471-4123-5_9	1b7dcc52e2294ffebd8ce8f1ab6f1f21c555bafb
5	2013	Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound	Mailis G. Rodrigues; M. Wanderley; P. Lopes	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-12976-1_24	708ecca00996b608862686c2b7e0c207d6327504
5	2013	A Type-Based Approach to Generative parameter Mapping	J. Moreno; Vesa Norilo	International Conference on Mathematics and Computing	JournalArticle		48b78d3cf16d00911ed3011af95fba741088b21d
5	2023	From Site-Specific Sampling to Gamification: An exploration of performative engagement with the environment	Dr Martin K. Koszolko; Thomas Studley	Organised Sound	JournalArticle	10.1017/S1355771823000547	ba3ff702267454b133f5210db8fd5d1a8090a576
5	2014	Human performance of computational sound models for immersive environments	Christian Heinrichs; Andrew Mcpherson; Andy Farnell			10.3366/SOUND.2014.0059	dd8c730acaad83a42d29eaf8f0acad46d595cb27
5	2012	Using Narrative Analysis to Map the Control Parameters of Enhanced Operatic Singing	Katty Kochman; Pieter Coussement; D. Moelants; M. Leman			10.1080/09298215.2011.647822	e876494b864ff9ef3eb1328630ad02f13202eac9
5	2015	Spectromorphology and Spatiomorphology of Sound Shapes: Audio-Rate AEP and DBAP Panning of Spectra	Stuart James	International Conference on Mathematics and Computing	JournalArticle		18bbe271bdf0567b28e87b175c1f7c3fe81fe650
5	2007	Thummer Mapping Project ( ThuMP ) Report	Drew Paine				94b7fdd7943462ba279952f04bdf84020f9e74ae
5	2025	Guaranteeing Equitable Musical Collaboration: Lessons Learned from the Music-Making Activities in Mixed-Hearing Groups	ChungHa Lee; You-Jin Choi; Songmin Chung; Eunhye Cho; Jin-Hyuk Hong	Proc. ACM Hum. Comput. Interact.	JournalArticle	10.1145/3711113	e0b429b6f0c80d988d71f9fc3ea3ad5253a6eacc
5	2015	Using Audio Feature Extraction for Interactive Feature-Based Sonification of Sound	Sam Ferguson	International Conference on Auditory Display	JournalArticle		8be4aba2610e0235389477a60edd4ca17e47a339
5	2024	Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation	Nicole Robson; Andrew P. McPherson; Nick Bryan-Kinns	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/3613904.3642616	2e8100f7855baaed37f9f8cb1c81b1e94faf5012
5	2020	Designing interactive sonic artefacts for dance performance: an ecological approach	Raul Masu; Nuno N. Correia; S. Jurgens; Jochen Feitsch; T. Romão	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3411109.3412297	88fbc40064c2283be886ca6c861f12ab227bb674
5	2019	Signal Processing as Practice: Trial-and-Error Revision of the Sensorimotor Dynamics of a Hybrid Violin	S. Thorn	Creativity & Cognition	JournalArticle,Book	10.1145/3325480.3326551	d8f7d18b8c32a02815a58e0647cd31e3b8b2df40
5	2017	Musical Organics: A Heterarchical Approach to Digital Organology	T. Magnusson		Review	10.1080/09298215.2017.1353636	727f105c83dde552ec195d75aa4e6d04f80420dd
5	2020	Cooperative Experimentalism: Sharing to enhance electronic media	Andrew R. Brown; J. Ferguson; A. Bennett				95ca38347f503eb2e0a1f28a082a64396fd9083a
5	2015	A Maker's Mechanological Paradigm: Seeing Experiential Media Systems as Structurally Determined	Byron Lahey				a7566bb8250d09c72e1403570c9a58cccd1105ca
5		SIMONE : UN INSTRUMENT DISTRIBUÉ POUR L’ÉTUDE DES INTERACTIONS IMPROVISÉES COLLECTIVES	Aliénor Golvet; Benjamin Matuszewski; Frédéric Bevilacqua				7b6fc4a842e49cbbbeeb887cea605cd1ada49c94
5	2022	Idiosyncratic Audio Feedback Networks for Music Creation	Adriano Claro Monteiro	Revista Vortex	JournalArticle,Review	10.33871/23179937.2022.10.1.4690	04082a43c53f8435c0d12f18f9883c11c82be274
5	2018	Towards a Semantic Architecture for the Internet of Musical Things	Luca Turchet; Fabio Viola; G. Fazekas; M. Barthet	Conference of the Open Innovations Association	JournalArticle,Conference	10.23919/FRUCT.2018.8587917	d7f20c5a064875213dde32fde580f18058360620
5	2018	Symbaline: An electromagnetically actuated wine glass instrument	Lior Arbel; Y. Schechner; N. Amir			10.1080/09298215.2018.1465983	0bc88d683bbbec50c591c9500b927c06ce2a4366
5	2004	Beat Induction and Rhythm Analysis for Live Audio Processing : 1 st Year PhD Report	N. Collins				83560f888d9106999b723a8cf6a8f1b84be9fba5
5	2025	SquishySonics: A Deformable Interface for the Physical Control of Real-time AI Sound Generation Tools	T. Khallaghi; Peter D. Bennett; Atau Tanaka	CHI Extended Abstracts	JournalArticle,Book	10.1145/3706599.3721175	66522371ff96e9d010811ce2727dfdd69f1b0716
5	2017	A Topo-Phonic Table for Tangible Sonic Interaction	Diemo Schwarz; Grégoire Lorieux; Emmanuelle Lizère; Ariadna Alsina Tarrès; Frédéric Bevilacqua	International Conference on Mathematics and Computing	JournalArticle		7c7d1f7397cf0187afdb69f32c46c08cd7db9233
5	2013	Aesthetics and Design for Group Music Improvisation	M. Funk; B. Hengeveld; Joep W. Frens; G.W.M. Rauterberg	Interacción	JournalArticle	10.1007/978-3-642-39351-8_40	4fcd8bef53bb0fde582ae98ef5a8aaa8258f3284
5	2013	Investigating how to design for systems through designing a group music improvisation system.	B. Hengeveld; Joep W. Frens; M. Funk				8fe86051fe2227e42f5ee22a2fbf703951dbcc70
5	2026	Mapping of d.i.y. neural networks’ processing data in audiovisual compositions: digital waste, algorithms’ idiosyncrasies, and transfictionality of data-evoking aesthetics	Tanguy Pocquet du Haut-Jussé	Organised Sound	JournalArticle	10.1017/s1355771826101344	8e09f74b5d2c335532e6cb37a66f5915642bca02
5	2017	Bodily Expression Support for Creative Dance Education by Grasping-Type Musical Interface with Embedded Motion and Grasp Sensors	Tomoyuki Yamaguchi; H. Kadone	Italian National Conference on Sensors	JournalArticle	10.3390/s17051171	ce8f1cb8d178260c162a4a92834515c12327de7b
5	2014	Supporting creative dance performance by grasping-type musical interface	Tomoyuki Yamaguchi; H. Kadone	IEEE International Conference on Robotics and Biomimetics	JournalArticle,Conference	10.1109/ROBIO.2014.7090450	08bff25900324f4199805d1a5590ba2a513b4d12
5	2011	The Chameleon Guitar—Guitar with a Replaceable Resonator	Amit Zoran; J. Paradiso			10.1080/09298215.2011.554609	e89c12233bfc1ab0f84fd1f092b30671e983ab49
5	2006	Making Sense of Interaction Using a Model-Based Approach.	Parisa Eslambolchilar				38d1c5e38463335988a61edd46ff6eb3d5d03c38
5	2006	An empirically-derived model for predicting completion time of cursor positioning tasks in dual-task environments	J. Heines; M. Schedlbauer				17ec899e6f36aedb1702c3d8d93ad66ad25c20db
5	2003	A task-based framework for the quantitative evaluation of input devices	Martin S. Dulberg; R. St. Amant; D. McAllister				b1cdfb3113587cb589f6362e1165c355fe646dc2
5	2005	Dynamic Management of Input/Output Devices for Wearable Computers	W. O. de Morais				1299a62ddeacaf8746e1af2a6026610f719454b8
5	2005	Dynamic Management of Input/Output Devices for Wearable Computers	Systèmes Embarqués				daf589ade6b0a127d36a0c9420ddcc60fd0a8c61
5	2007	A malleable control structure for softwired user interfaces	N. Villar; H. Gellersen	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle	10.1145/1226969.1226980	34654e1200d5c444e71b123c86acd941ed3569e6
5	1999	Multimodal human-computer interaction: a constructive and empirical study	R. Raisamo		Review		099f03ea5b68d0f57bfc9de6b0e2243adc3656df
5	1999	Roope Raisamo Multimodal Human-Computer Interaction : a constructive and empirical study	R. Raisamo		Review		4153aa222c860363d6c13dad7588e4e65dcf268a
5	2007	Mode'lisation, E'valuation et Ge'ne'ration de Techniques d'Interaction	Caroline Appert				bbd1ee3727c193a4c9d7f4b59757e1e7a085693b
5	2007	Direct-touch vs. mouse input for tabletop displays	C. Forlines; Daniel J. Wigdor; Chia Shen; Ravin Balakrishnan	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/1240624.1240726	8e6cd74b1e25cded5dde1599df2f9d980112ecfe
5	2013	The human body as an interactive computing platform	Scott E. Hudson; Chris Harrison				7a95b0ddca0749c0ccf5b4e7d5b20de1b6d3ae81
5	2017	JamSketch: Improvisation Support System with GA-Based Melody Creation from User's Drawing	Tetsuro Kitahara; Sergio I. Giraldo; Rafael Ramírez	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-030-01692-0_34	92718ea0f23657d7c445f53ffb7aea7d4c70be19
5	2016	User Interfaces for Cooperation	Alexander Kulik		Review		6f4c67bd75a8cb37f835e1bffb3f55f62a950066
5	2009	Gesture Control of Sound Spatialization for Live Musical Performance	M. Marshall; Joseph W. Malloch; M. Wanderley	Gesture Workshop	JournalArticle	10.1007/978-3-540-92865-2_25	bf9f2c6e6399847c098d53873937b843add53b42
5	2010	Toward the Evaluation of Complex Hand Gestures for Expressive Voice Synthesis	Jonas Chatel-Goldman				00df8acbe7e28ba553b115f87c3f13a3c5684c0e
5	2011	Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language	Anna Xambó; Robin C. Laney; C. Dobbyn; Sergi Jordà	International Conference on Mathematics and Computing	JournalArticle		5aaa214185f67417651d92098ff80f59b36b4c41
5	2016	outputs Multi-touch interaction principles for collaborative real-time music activities : towards a pattern language Conference Item	Anna Xambó; Robin Laney; C. Dobbyn				9ef0f347ac912c1bf84bdf64bb57da6faee5552b
5	2015	Comparing the Timing of Movement Events for Air-Drumming Gestures	Luke Dahl	Computer Music Modeling and Retrieval	JournalArticle	10.1007/978-3-319-46282-0_1	e6c5d37dc57de97526225a153dd4cceee493e562
5	2019	Record Production Conference Mono : Stereo : Multi					13a03c381be6c177fa2fc3fe506832201acc068a
5	2018	The MSCI Platform: A Framework for the Design and Simulation of Multisensory Virtual Musical Instruments	James Leonard; N. Castagné; C. Cadoz; A. Luciani			10.1007/978-3-319-58316-7_8	4290754371e083cd70db2e50414c47ad66aef80c
5	2010	A Tangible User Interface for Playing Virtual Acoustics	Gerda Strobl; Carola Ries; C. Leitner; M. Rohrmoser; G. Holzmann				3271b64156e588b369502e0e2101b81400dbef6d
5	2010	A Tangible User Interface for Playing Virtual Acoustics	Birgit Gasteiger				72b7240386ddeb2365558064f5ee08b5b969972b
5	2004	The Music Technology Program at McGill University	G. Scavone; Nathan Whetsell	International Conference on Mathematics and Computing	JournalArticle		f67391b785d5cdbe94a646b3e9eef8e7e7c8b29c
5	2005	Expressiveness and Digital Musical Instrument Design	D. Arfib; Jean-Michel Couturier; L. Kessous			10.1080/09298210500124273	fda3455a419a423613500817a4951bc869a5876f
5	2023	Musical Live Coding in Relation to Interactivity Variations	Georgios Diapoulis	Organised Sound	JournalArticle	10.1017/S1355771823000444	b0bdba2283f0cd372bd8abbc233a92ee273fd789
5	2020	Touching the audience: musical haptic wearables for augmented and participatory live music performances	Luca Turchet; Travis J. West; M. Wanderley	Personal and Ubiquitous Computing	JournalArticle	10.1007/s00779-020-01395-2	6d6c16c63d5cd15a0e4b5c28b50b9bcaa8d0a660
5	2023	FM Tone Transfer with Envelope Learning	Franco Caspe; Andrew P. McPherson; Mark Sandler	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3616195.3616196	7a2f5342b2fd74dae16e10119689ffbd8945ae3c
5	2020	Deep generative models for musical audio synthesis	M. Huzaifah; L. Wyse	Handbook of Artificial Intelligence for Music	JournalArticle,Review	10.1007/978-3-030-72116-9_22	d4752d70b2794248a748f3f53a73960c2f70dd03
5	2011	An Investigative High-Level Design of an Electric Bass Tutoring System Integrating Game Elements	Adam S. Jenkins		Review		d8422aa2611a5add373c3843e18e4cdca006b814
5		SYNTHÈSE CONCATÉNATIVE EN RÉALITÉ VIRTUELLE	J. Bell				0524e60f3c2b7e787f79d854c685cb6a23ae751e
5	2006	NOVEL INTERFACES FOR CONTROLLING SOUND EFFECTS AND PHYSICA L MODELS	Stefania Serafin; B. Niels; Anders Fredslund; Goce Talaganov; Peter Pozza Thomsen				8cf3b41c36f6797b2c0f099925de43bb1e88f72b
5		Is This Guitar Talking or What ! ?	M. Astrinaki; L. Reboursière; A. Moinet; R. Graham; N. D'Alessandro; T. Dutoit				65cac661b3a708ba20ae33bf417d2d1777746974
5	2017	2003: OpenSound Control: State of the Art 2003	M. Wright; Adrian Freed; A. Momeni			10.1007/978-3-319-47214-0_9	e6c7db4aba71e0bc6bfce9008511fb5107ea5e81
5	2020	A Comprehensive Survey on Deep Music Generation: Multi-level Representations, Algorithms, Evaluations, and Future Directions	Shulei Ji; Jing Luo; Xinyu Yang	arXiv.org	JournalArticle,Review		479eaafcee15a44b632b3cab41491b517e1531fe
5	2005	A History of robotic Musical Instruments	Ajay Kapur	International Conference on Mathematics and Computing	JournalArticle		fb6ca275674f67806e9f0796529e704305b098d7
5	2003	Design Concepts and Control Strategies for Interactive Improvisational Music Systems	Thomas Ciufo		Review		b49afcb8236f90f4a8246176764d743671706677
5	2024	Musical Instruments in Extended Reality: A Systematic Review	J. L. Gómez-Sirvent; Francisco López de la Rosa; R. Sánchez-Reolid; Rafael Morales Herrera; A. Fernández-Caballero	International journal of human computer interactions	JournalArticle,Review	10.1080/10447318.2024.2431352	661b424102b658613178c70db465212011d1a500
5	2019	Cinemacraft: exploring fidelity cues in collaborative virtual world interactions	S. Narayanan; Nicholas F. Polys; I. Bukvic	Virtual Reality	JournalArticle	10.1007/s10055-019-00382-0	981dc66baba6fe174e7f4139c065bc5a06bee39a
5	2010	Form and function: examples of music interface design	Richard Hoadley	British Computer Society Conference on Human-Computer Interaction	JournalArticle	10.14236/EWIC/HCI2010.60	08a5ae46ec05cbe15d2e27cd13590fdeef81512e
5	2011	DESIGNING AN EXPRESSIVE VIRTUAL PERCUSSION INSTRUMENT	Brian Dolhansky; Andrew P. McPherson; Youngmoo E. Kim				7200b2bd778bfb79d2beb8018072dfa8ddf421c4
5	2007	Shamus - a Sensor-Based Integrated Mobile phone Instrument	Georg Essl; Michael Rohs	International Conference on Mathematics and Computing	JournalArticle		e4c601a58ba9be6ab75ce29ff684965bc334913f
5	2024	Using Incongruous Genres to Explore Music Making with AI Generated Content	Nick Bryan-Kinns; Ashley Noel-Hirst; Corey Ford	Creativity & Cognition	Book,JournalArticle	10.1145/3635636.3656198	b2d815c5c7239d1c692896749945112622e1043b
5	2011	Collaborative music interaction on tabletops: An HCI approach	Anna Xambó; Robin C. Laney; C. Dobbyn; Sergi Jordà				f9ed6a1f28c433b37769c9d89fe5099b29e1da78
5	2014	Touchpoint: Dynamically Re-Routable Effects Processing as a Multi-Touch Tablet Instrument	N. Suda; Owen Vallis	International Conference on Mathematics and Computing	JournalArticle		61269a91bdabfe4a98e55c4d0f402ce1c630a15e
5	2026	Designing User-Defined Gestures for Tangible Interaction with Cubes for Smart Home Control	Nacera Latreche; Bert Schiettecatte; Paolo Roselli; Nuwan T. Attygalle; Jean Vanderdonckt	Symposium on Designing Interactive Systems	Book,JournalArticle,Conference	10.1145/3800645.3813062	68361de829736158c0698937ea0a0c1a2f4b7182
5	2005	Orb3 - Musical robots within an Adaptive Social Composition System	D. Livingstone; E. Miranda	International Conference on Mathematics and Computing	JournalArticle		3a45ef8fadc67288aa29e9dab297ffce8a51e527
5	2017	Do Androids Dream of Computer Music? Proceedings of the Australasian Computer Music Conference 2017	T. Ikegami; S. Barrass; W. Burt; P. Doornbusch; L. Dollman; L. Harrald				05b191d42fb5a50540fe43738afe5ef643463018
5	2011	Annotating Distributed Scores for Mutual Engagement in Daisyphone and Beyond	N. Bryan-Kinns	Leonardo Music Journal		10.1162/LMJ_a_00061	65e796f97573b1d6fcdd2d3d2aca894f81009d14
5	2024	Development of embodied listening studies with multimodal and wearable haptic interfaces for hearing accessibility in music	D. Cavdir	Frontiers Comput. Sci.	JournalArticle,Review	10.3389/fcomp.2023.1162758	4ff2cfe9f2bba296d7197e922b0adb459ba42f48
5	2013	Vibrotactile Notification for Live Electronics Performance : A Prototype System	M. Schumacher; Marcello Giordano; M. Wanderley; Sean Ferguson				dc4752075e5993e0fbe227a5f8e4be384f9d6b1d
5	2018	Narrative to Action in the Creation and Performance of Music with Data-driven Instruments	Chia-Feng Wang				72c33376f297c3b78031f5b34c1a6997db8db2b3
5	2016	Reference Architecture for Self-aware and Self-expressive Computing Systems	A. Chandra; Peter R. Lewis; Kyrre Glette; S. Stilkerich	Self-aware Computing Systems		10.1007/978-3-319-39675-0_4	53778f109a0751530ef5b8436c864a188381995e
5	2016	Self-awareness and Self-expression: Inspiration from Psychology	Peter R. Lewis; A. Chandra; Kyrre Glette	Self-aware Computing Systems		10.1007/978-3-319-39675-0_2	09668f17f28667673b095b3d72f4f0301ee9c918
5	2010	The LapSlapper - Feel the Beat	M. Andresen; Morten Bach; Kristian Kristensen	Haptic and Audio Interaction Design	JournalArticle	10.1007/978-3-642-15841-4_17	e1bb3b8a912d51f8ae8c608ac0dcd0bc51bb0e21
5	2017	Methods for Personalized Design of Data Sonification	KatieAnna Wolf				fdc3d062844d4786e2476c973fe6a8c6c320e1e8
5	2017	Chapter 3 Relationships to Other Concepts	Kyrre Glette; Peter R. Lewis; A. Chandra				b2b54dc87ce37fed3af3be87f1ce43253295ce15
5	2016	Self-aware Object Tracking in Multi-Camera Networks	Lukas Esterle; Jennifer Simonjan; G. Nebehay; R. Pflugfelder; G. F. Domínguez; B. Rinner	Self-aware Computing Systems		10.1007/978-3-319-39675-0_13	880f2ec456f8708fd16daac76eddf4a8b393b9f1
5	2016	Device 1 Device 2 Device 3 Application Middleware Transport Internet ( Wireless ) Network Application Middleware Transport Internet Application Middleware Transport Internet	Jennifer Simonjan; Bernhard Dieber; B. Rinner				fb98c7969c82d469eb651a06db92057fa4e154bc
5	2008	Flexible control of Composite parameters in Max/MSP	Timothy A. Place; Trond Lossius; Alexander Refsum Jensenius; Nils Peters	International Conference on Mathematics and Computing	JournalArticle		9459cf2acf2ab253b44982449eea750d846862db
5	2007	User-centered computing and design in esp: a driving interface for musical expression synthesis	E. Chew; A. François; Jie Liu				03a4a0937af9092e686dbe0b44c8f1d139044320
5	2021	Preserving Hand-Drawn Qualities in Audiovisual Performance Through Sketch-Based Interaction	Samuelle Bourgault; Jennifer Jacobs	IEEE Symposium on Visual Languages / Human-Centric Computing Languages and Environments	JournalArticle	10.1109/VL/HCC51201.2021.9576315	9a4d5d22c8036aac7fae5e572758f6a0941b3391
5	2017	Designing for Kinesthetic Awareness: Revealing User Experiences through Second-Person Inquiry	Jules Françoise; Yves Candau; Sarah Fdili Alaoui; T. Schiphorst	International Conference on Human Factors in Computing Systems	JournalArticle,Book,Conference	10.1145/3025453.3025714	b12e4d43bbc8ee2d88f5dde37e50c9687abbe85c
5	2017	Haptics in Music: The Effects of Vibrotactile Stimulus in Low Frequency Auditory Difference Detection Tasks	Gareth W. Young; David Murphy; Jeffrey Weeter	IEEE Transactions on Haptics	JournalArticle	10.1109/TOH.2016.2646370	bc7933d69de258c1ad3325053554cb98198a0c48
5	2015	Designing interaction for browsing media collections (by similarity). (Concevoir l'interaction pour la navigation dans des collections de contenu media (par similarité))	Christian Frisson		Review		0a180a3036b1bc20a8640bb655418c3d73b83cef
5	2007	Rhythmism: a VJ performance system with maracas based devices	Satoru Tokuhisa; Yukinari Iwata; M. Inakage	IFAC Symposium on Advances in Control Education	JournalArticle	10.1145/1255047.1255089	b8b0a8ac8c6fd2714beeac460e389b46693dd6bd
5	2015	Collective Sound Checks: Exploring Intertwined Sonic and Social Affordances of Mobile Web Applications	Norbert Schnell; Sébastien Robaszkiewicz; Frédéric Bevilacqua; Diemo Schwarz	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/2677199.2688808	92ea5605579e20b87ccbf861ac7de58207b5bc25
5	2022	Semantic Web of Musical Things: Achieving interoperability in the Internet of Musical Things	Luca Turchet; Francesco Antoniazzi	Journal of Web Semantics	JournalArticle	10.1016/j.websem.2022.100758	0c0bebd74fdec96f7d86bb348e98d8e3694abcd1
5	2012	Zatlab: A Gesture Analysis System to Music Interaction	André Baltazar; L. Martins; Jaime S. Cardoso				df5ccf9502ff9eb33d4719b3909b4e1227b32168
5	2012	Haptic, Audio, and Visual: Multimodal Distribution for Interactive Games	Marco Gaudina; Victor Zappi; A. Brogni; D. Caldwell	IEEE Transactions on Instrumentation and Measurement	JournalArticle	10.1109/TIM.2012.2202071	f761d6742f16545620407a4fb12e3bc285ffab0d
5	2015	The Speckled Cellist: Classification of Cello Bowing Techniques using the Orient Specks	Debadri Mukherjee; D. Arvind	BodyNets	JournalArticle	10.4108/eai.28-9-2015.2261477	bc780beb7519e50c5bd67684067fbf6f59f071ff
5	2015	Edinburgh Research Explorer The Speckled Cellist: Classification of Cello Bowing Styles using the Orient Specks	Orient Specks; Debadri Mukherjee; D. Arvind				075020196a1c3ab1501ebdb57e8ae6c80e261a59
5	2015	Studying the Timing of Discrete Musical Air Gestures	Luke Dahl	Computer Music Journal	JournalArticle	10.1162/COMJ_a_00298	553a9958214156dc9559939292f992445dccc766
5	2013	DistributeDJ: A Mobile Group Music Making Toolkit	Daniel Shapira; S. Dubnov	2013 IEEE Seventh International Conference on Semantic Computing	JournalArticle,Conference	10.1109/ICSC.2013.64	6da9fa6aeb58d740bf784db37421313565052e63
5	2016	Non-speech voice for sonic interaction: a catalogue	Alan Del Piccolo; D. Rocchesso	Journal on Multimodal User Interfaces	JournalArticle,Review	10.1007/s12193-016-0227-6	bfa09427e7805284d2d7c1b8263c57317d4c2d61
5	2018	Computational Models of Expressive Music Performance: A Comprehensive and Critical Review	Carlos Eduardo Cancino-Chacón; M. Grachten; W. Goebl; G. Widmer	Frontiers in Digital Humanities	JournalArticle,Review	10.3389/fdigh.2018.00025	f616b67e404cabf78a7718ff42fae84b3248e1a3
5	2018	C Minor: a Semantic Publish/Subscribe Broker for the Internet of Musical Things	Fabio Viola; Luca Turchet; Francesco Antoniazzi; G. Fazekas	Conference of the Open Innovations Association	JournalArticle,Conference	10.23919/FRUCT.2018.8588087	74cc29afe521bb5d9decb663ae425460ea4a15d0
5	2021	Using Distributed Techology to Make Music in the Time of the Attention Economy	T. Carson			10.31390/gradschool_dissertations.5576	35c5cd7535715ef541f9bb3e0edb1e75d31050e4
5	2009	Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social	Ge Wang; Georg Essl; Jeff Smith; Spencer Salazar; Perry R. Cook; Rob Hamilton	International Conference on Mathematics and Computing	JournalArticle		7261192aabea9f556fe8cd0b1235c8e163924a08
5	2021	Musical robot swarms, timing, and equilibria	M. Krzyżaniak	Journal of New Music Research		10.1080/09298215.2021.1910313	b7e4050f51256c0d9228443ac28fca9f706e2c34
5	2021	Boris: a Spoken Conversational Agent for Music Production for People with Motor Disabilities	Fabio Catania; Pietro Crovari; E. Beccaluva; G. De Luca; Erica Colombo; Nicola Bombaci	ACM SIGCHI Italian Chapter International Conference on Computer-Human Interaction	Book,JournalArticle	10.1145/3464385.3464713	6c7a033fda53161deb195db94f848f36e29abdc9
5	2007	Interaction 3D pour la musique	Florent Berthaut; M. Desainte-Catherine; M. Hachet				5686d1abd24161f8adf7ed4535a9a16d6f23ffe4
5	2026	Workshopping with radical nails and speculative sound circuits: A brief report	Marinos Koutsomichalis	Open Research Europe	JournalArticle,Review	10.12688/openreseurope.21060.1	039a26c9abc276f9a10dac537439649cfe9abc5b
5	2025	Interactive Audio Sculpting: Plugin Customization and UI Affordances in Immersive Environments	Michel Buffa; Marco Winckler; Quentin Escobar; Samuel Demont; Ayoub Hofr; Adam Mir-Sadjadi	2025 IEEE 6th International Symposium on the Internet of Sounds (IS2)	JournalArticle,Review	10.1109/IS264627.2025.11284559	773632af726a385ef8c25cf396e2cf7c83a4528c
5	2019	An Environment for Gestural Interaction with 3D Virtual Musical Instruments as an Educational Tool	Christos Garoufis; A. Zlatintsi; Kosmas Kritsis; P. Filntisis; Vassilis Katsouros; P. Maragos	European Signal Processing Conference	JournalArticle,Conference	10.23919/EUSIPCO.2019.8902604	e477580867c86af3a6f2aa966e6145f7e5ea50c6
5	2018	A Web-based Real-Time Kinect Application for Gestural Interaction with Virtual Musical Instruments	A. Zlatintsi; P. Filntisis; Christos Garoufis; A. Tsiami; Kosmas Kritsis; Maximos A. Kaliakatsos-Papakostas	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3243274.3243297	5450f88fb6bce4e5623afeb7265b5a2030a61e93
5	2018	Piano Genie	Chris Donahue; Ian Simon; S. Dieleman	International Conference on Intelligent User Interfaces	JournalArticle,Book,Conference	10.1145/3301275.3302288	71e5a76ea53877e6d295dad67759a3683636854f
5	2017	EchoSnap and PlayableAle: Exploring Audible Resonant Interaction	Peter D. Bennett; Christopher Haworth; G. Ouzounian; James Wheale	International Conference on Tangible, Embedded, and Embodied Interaction	Book,JournalArticle	10.1145/3024969.3025091	3b14b27c2a8d2b9d0c63f405c232a55a8bfa5b87
5		Analysis and Evaluation of Visual Cues in Graphical Interpolators	Darrell Gibson; R. Polfreman				46cadac55b2d2a63fe86061320eb686c31860b39
5	2014	Augmented Interactive Scores for Music Creation	D. Fober; Y. Orlarey; S. Letz		Review		4676a12f91f5fb7d0a03e1ed7808c2e568920de3
5	2014	EXPLORING THE DESIGN SPACE OF HAND-CONTROLLED GUITAR EFFECTS FOR LIVE MUSIC	M. Yanagida; R. Dannenberg; M. Sánchez; A. Joseph; P. Capell; R. Joseph				ee333818b269e100fcaa8da0e0070dcc21f07cb8
5	2017	Webxophone: Web Audio wind instrument	Euyshick Hong; Jun Kim	International Conference on Advancements in Computational Sciences	JournalArticle,Book	10.1145/3127942.3127954	d9d3951cd15a5f84a90d5c23090af218c234d06b
5	2007	I1)-Musika:Mobile Interface Musical Expression (MIME)	Hsin-Hsin Lin	International Conference on Information Visualisation	JournalArticle,Conference,Review	10.1109/IV.2007.67	39db48c9961905bb47911b981fd897a198adf1cb
5	2020	Voks: Digital instruments for chironomic control of voice samples	Grégoire Locqueville; C. d'Alessandro; Samuel Delalez; B. Doval; Xiao Xiao	Speech Communication	JournalArticle	10.1016/j.specom.2020.10.002	347fec372eab59bf304870f52d858a70141ff086
5	2017	Zound: An interactive live electronics	D. Randazzo; Giovanni Cospito	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3123514.3123566	1b3ab841e4df65a205665f50693cbad5f5a26795
5	2015	UniCoMP-An Approach Towards Flexibility , Versatility and Liberty of Action on Stage	Oliver Hödl; Geraldine Fitzpatrick				f95a1e45bda8878486b00b48ee93364689e9ba0e
5	2024	Evaluating Dextoria - A modular, embedded system to control electric guitar effects via sound-producing gestures	Björn Bernreiter; Gross-Vogt Katharina; Marian Weger	Audio Mostly Conference	Book,JournalArticle,Conference	10.1145/3678299.3678342	26c47d7db57c9c8478f52093dcd27fd9a198ee9a
5	2018	Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques	B. Liang; G. Fazekas; Mark B. Sandler	Journal of The Audio Engineering Society		10.17743/JAES.2018.0035	7897184ba6f4acd534dabf153e0af15bdb9da650
5	2016	Barehanded music: real-time hand interaction for virtual piano	Hui Liang; Jin Wang; Qian Sun; Yong-Jin Liu; Junsong Yuan; Jun Luo	ACM Symposium on Interactive 3D Graphics and Games	Book,JournalArticle,Conference	10.1145/2856400.2856411	53a8025fc11e7f6fd04391bef54f32d45a9b6d7d
5	2013	Towards a more flexible and creative music mixing interface	Steven Gelineck; Morten Büchert; Jesper Andersen	CHI Extended Abstracts	Book,JournalArticle	10.1145/2468356.2468487	46b882251fb80e1d08f13c249f07236be317e54f
5	2021	Looking Back and Looking Forward	M. Campbell; J. Gilbert; A. Myers	Modern Acoustics and Signal Processing		10.1007/978-3-030-55686-0_9	d498daf2bc9d2cd9634bda8673a84d7415114bf9
5	2019	WOMEN’S LABOR: AN INSTALLATION AND CONCERT OF NEW AND OLD “FEMININE” INSTRUMENTS	Jocelyn Ho; Margaret Schedel; M. Blessing				4c3b0081ac4d4cc7454eac421ffd924d3631f6fe
5	2016	Conversations with Expert Users in Music Retrieval and Research Challenges for Creative MIR	Kristina Andersen; Peter Knees	International Society for Music Information Retrieval Conference	JournalArticle		9eebb1a6498420f55d5fb52d3fe89dd1e21ae316
5	2022	The Robo-Cajon: An Example of Live Performance with Musical Robotics	Austin Franklin				9ed60a418e8f70487bdc415ab8cce0927966f47d
5	2017	Interaction Models for Real-time Participatory Musical Performance using Mobile Devices	Dan-Yi Liu; E. van der Heide	International Conference on Mathematics and Computing	JournalArticle,Review		a4d8862c7ade0c53d904530f4822a97116ca5d9b
5	2015	An Accessible Platform for Exploring Haptic Interactions with Co-located Capacitive and Piezoresistive Sensors	Adrian Freed; David Wessel	International Conference on Tangible, Embedded, and Embodied Interaction	JournalArticle,Book	10.1145/2677199.2680571	aa3605f1db25db6168c06909cd7646a7a403e1d4
5	2014	Emerging Technologies for Real-Time Diffusion Performance	B. Johnson	Leonardo Music Journal		10.1162/LMJ_a_00188	35803f6daa5630cd626452f240ee0dfa00470c0a
5	2014	Diffusing Diffusion: A History of the Technological Advances in Spatial Performance	B. Johnson; Michael Norris; Ajay Kapur	International Conference on Mathematics and Computing	JournalArticle		4bb8f55f98d99d2cc5c5850389fbf86a4094232a
5	2021	Investigating Page Turning Methods for Sheet Music during Piano Play	Karola Marky; Julia Fischer; M. Mühlhäuser; Andrii Matviienko	International Conference on Human-Computer Interaction with Mobile Devices and Services	Book,JournalArticle,Conference	10.1145/3447527.3474863	4256919c53d915d019df5eaf19301965c2935033
5	2015	TouchNoise: A New Multitouch Interface for Creative Work with Noise	Axel Berndt; Nadia Al-Kassab; Raimund Dachselt	Audio Mostly Conference	JournalArticle	10.1145/2814895.2814896	ca8ff006f31a4e4829abdc843d3c382491dee04c
5	2015	A review and design methodology of preserving piano playing techniques through contactless sensor fusion system	C. W. Choo; M. Mariappan; Razak Mohd Ali Lee; W. Wong		Review		3770f5dc737f843f30b779cab247591b53066d2e
5	2026	Survey of GPU Acceleration in Acoustics and Audio Signal Processing	A. F. Carvalho; Aleksandar Ilic; Leonel Sousa	ACM Computing Surveys	JournalArticle,Review	10.1145/3830900	c02b5178ff603e6e7119708cf9f7eabe8dc6c132
5	2013	Dynamic music notation in Quantum 2 Canticorum	Richard Hoadley				6c21c529514d5cdf82237a76fa9385bcab0f0584
5	2019	VIBRA - Technical and Artistic Issues in an Interactive Dance Project	Andreas Bergsland				07cd4d0f92b9abb8bfac10fa6cd335104ab43205
5	2020	Analysis of Closed-Loop Control Strategies for Robotic Percussionists Análise de Métodos de Controle em Malha Fechada para Robôs Percussionistas	Y. Medeiros; T. Tavares; Matheus Souza; Meire da Silva; Eric Rohmer; A. R. Fioravanti			10.47749/t/unicamp.2019.1128773	b5d6f30882a99f5389abc23cb256eee3545872f8
5	2015	DSRmarimba : low-cost , open source actuated acoustic marimba framework	G. Kouroupetroglou				17da111e0400b584bdfa1174c2980cbda61c4371
5	2018	TOWARDS CREATING AN AUGMENTED HANDPAN USING LEAP MOTION	Christine Steinmeier; Dominic Becking				043050bbe5031b9d47cd2ff3f9da8f7f62a2b717
5	2022	On the Challenges of Embedded Real-time Music Information Retrieval	Luca Turchet; Domenico Stefani				73664f70856e536fffb45c7b4db136988d12fddb
5	2023	Using design dimensions to develop a multi-device audio experience through workshops and prototyping	David Geary; Jon Francombe; Kristian Hentschel; Damian T. Murphy	Audio Mostly Conference	JournalArticle,Book,Conference	10.1145/3616195.3616199	52c4ee463dbfc143f1c01c1d765fdc691d5f2d15
5	2024	Views from the South: how making cultures from the Global South can inform sustainability in technologically-mediated arts design practices	Adnan Marquez-Borbon	Journal of New Music Research	JournalArticle	10.1080/09298215.2024.2442352	ffb50b8c7e0b2fd68b414145f9fa16ea7755cfa3
5	2026	Skill-Adaptive Ghost Instructors: Enhancing Retention and Reducing Over-Reliance in VR Piano Learning	Tzu-Hsin Hsieh; Cassandra Michelle Stefanie Visser; E. Eisemann; R. Marroquim	International Conference on Human Factors in Computing Systems	Book,JournalArticle,Conference	10.1145/3772318.3791437	d463c6e0737e8b64fa9d0d1b2075e6eab692206d
5	2021	Using game theory to support the audience participation in digital performances	J. Araújo; Igino de Oliveira Silva; Rômulo Augusto Vieira Costa; Marcela Alves de Almeida; F. Schiavoni			10.35699/2317-6377.2020.32675	bce033d22d11c3938260f7d49e485b8310b050c1
5	2026	Collective Craft: How Artists Collaborate to Train AI-based Audio Synthesis Model for Music	T. Jourdan; Jules Françoise; Frédéric Bevilacqua	Creativity & Cognition	JournalArticle,Book	10.1145/3803784.3807533	6b0d7bfb20037d01ed84b84e552717dd166678de
5		AGENTIAL SCORES: EXPLORING EMERGENT, SELF-ORGANISING AND ENTANGLED MUSIC NOTATION	Jack Armitage; Thor Magnusson				b4ef75a6236c5611bfd027f3c0e4c9e373332f01
5	2020	A Method for Learning Netytar: An Accessible Digital Musical Instrument	Nicola Davanzo; F. Avanzini	International Conference on Computer Supported Education	JournalArticle	10.5220/0009816106200628	fc1854a8a5f6d8b4e975f217de63d59c51a29d03
5	2021	Ever-shifting roles in building, composing and performing with digital musical instruments	Koray Tahiroglu	Journal of New Music Research		10.1080/09298215.2021.1900275	7da77f0869a6c883550970a067893e7c48a64e17
5	2021	Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass	Adam Pultz Melbye	Organised Sound		10.1017/S1355771821000029	5f12d59e30fa2d2388945c80b8f54d1e8c6c8f2e
5	2025	Sustainability and the Internet of Sounds: Case Studies	L. Gabrielli; Emanuele Principi; Luca Turchet	IEEE Transactions on Technology and Society	JournalArticle,Review	10.1109/TTS.2024.3513777	df7d8b83b70391bb4007bc17315fda977cb59504
5	2024	Accessible guitar playing: Exploring participatory design of digital musical instruments in a special educational needs school	A. Förster; Norbert Schnell	Int. J. Hum. Comput. Stud.	JournalArticle	10.1016/j.ijhcs.2024.103435	9e0ae8e6968ebfa8e67fac95f9664bf3c8de5087
5	2023	Digital Musical Instruments in Special Educational Needs Schools	A. Förster; Steffen Lepa		Review		1187d56446833edea2434aa22c7ea7471ea0da1b
5	2021	Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation	Fabio Morreale	Transactions of the International Society for Music Information Retrieval	JournalArticle	10.5334/tismir.86	035417efc4ebbb15b7f797de04d25716b8b98210
5	2022	Visualization for AI-Assisted Composing	Simeon Rau; Frank Heyen; Stefan Wagner; M. Sedlmair	International Society for Music Information Retrieval Conference	JournalArticle		db935db3376c48381c49cbe9986201e6b6fa45ce
