score above_curated_q1 set year guessed_title file nearest_archive_entry 0.303 True ICMC 2008 DEVELOPMENT OF A REAL-TIME GESTURAL INTERFACE FOR HANDS-FREE MUSICAL PERFORMANCE CONTROL ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1194.pdf.txt Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding of the Nature of Human Musical Interaction Abstract 0.2616 True ICMC 2008 DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS? Henri Penttinen ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1319.pdf.txt Stanford Mobile Phone Orchestra (MoPhO) 0.2592 True ICMC 2005 TOWARDS AN AUTOMATED MUSIC TEACHING SYSTEM: AUTOMATIC RECOGNITION OF MUSICAL ICMC/2005/defevent/papers/cr1003.pdf.txt Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding of the Nature of Human Musical Interaction Abstract 0.2592 True ICMC 2008 DEVELOPMENT OF A REAL−TIME GESTURAL INTERFACE FOR HANDS−FREE MUSICAL PERFORMANCE CONTROL ICMC/2008/ICMC08 USB Proceedings/defevent/abstract/a1194.pdf.txt Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding of the Nature of Human Musical Interaction Abstract 0.2438 True ICMC 2005 DESIGNING AND IMPLEMENTING THE CHUCK PROGRAMMING LANGUAGE Perry R. Cook† Ananya Misra ICMC/2005/defevent/papers/cr1225.pdf.txt ChucK: A Concurrent, On-the-fly Audio Programming Language 0.2241 True ICMC 2008 SCORING THE COLOR OF WAITING Margaret Schedel ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1418.pdf.txt Scoring an Interactive, Multimedia Performance Work 0.2236 True DAFx 2006 DAFx/2006/papers/p_279.pdf.txt The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis 0.2223 True ICMC 2000 An Expressive Synthesis Model for Bowed String Instruments Tapio Takala 1, Jarmo Hiipakka 1,3, Mikael Laurson 2 and Vesa Välimäki 3 ICMC/2000/Papers/23PhyMo3/3Takala.pdf.txt Gestural control of a real-time physical model of a bowed string instrument 0.2196 True ICMC 2000 A New Music Keyboard with Continuous Key-position Sensing and High-speed Communication ICMC/2000/ICMC2000_Freed.pdf.txt A new music Keyboard with continous key-position sensing and high-speed communication 0.2194 True ICMC 2001 Data driven identification and computer animation of bowed string model ICMC/2001/data/cr1246.pdf.txt Bring Your Own Bow: Real-Time Bowing Parameter Estimation from String Sensor Data 0.2181 True ICMC 2008 Research Staff Michael Alcorn Michael Alcorn’s compositional interests lie at the intersection ICMC/2008/SARC Stuff/SARC_Staff.pdf.txt Where Are You Standing? 0.2154 True GestureWorkshop 2003 A Video System for Recognizing Gestures by Artificial Neural Networks for Expressive Musical Control GestureWorkshop/2003/Modler2003.pdf.txt An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime 0.2131 True ICMC 2000 Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument ICMC/2000/ICMC2000_O'Modhrain.pdf.txt The vBow: Development of a Virtual Violin Bow Haptic Human-Computer Interface 0.2118 True ICMC 2001 Real Time Extended Physical Models for the Composer and Performer ICMC/2001/ICMC2001_Burtner.pdf.txt Gestural control of a real-time physical model of a bowed string instrument 0.2107 True ICMC 2000 Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument ICMC/2000/Papers/98Poste3/2Serafin.pdf.txt Playability Evaluation of a Virtual Bowed String Instrument 0.2101 True ICMC 2001 An Audio-Driven Perceptually Meaningful Timbre Synthesizer Tristan Jehan, Bernd Schoner∗ ICMC/2001/data/cr1002.pdf.txt ISEE: An Intuitive Sound Editing Environment 0.2061 True M&G2 M&G2/contents/Topper David & Swendsen Peter M&G2 full paper.pdf.txt Wireless Dance Control : PAIR and WISEAR 0.2033 True ICMC 2005 THE M-OBJECTS: A SMALL LIBRARY FOR MUSICAL RHYTHM GENERATION AND MUSICAL TEMPO ICMC/2005/defevent/papers/cr1294.pdf.txt Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance 0.2028 True ICMC 2008 INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE Cléo Palacio-Quintin ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1560.pdf.txt The Hyper-Flute 0.2023 True ICMC 2005 PLYMOUTH BRAIN-COMPUTER MUSIC INTERFACE PROJECT: INTELLIGENT ASSISTIVE TECHNOLOGY FOR MUSIC-MAKING ICMC/2005/defevent/papers/cr1026.pdf.txt Toward Direct Brain-Computer Musical Interfaces 0.2013 True ICMC 2008 THE LAB FOR CREATIVE ARTS & TECHNOLOGIES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1504.pdf.txt Studio Report of the Computer Music Lab of CNUCE/C.N.R. 0.2006 True ICMC 2001 Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models ICMC/2001/data/cr1334.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.2 True SMC 2010 ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Enric Guaus, Josep Llus Arcos SMC/2010/42.pdf.txt A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors 0.1965 True ICMC 2008 THE WORLDSCAPE LAPTOP ORCHESTRA: CREATING LIVE, INTERACTIVE DIGITAL MUSIC FOR AN ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1354.pdf.txt The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments 0.1962 True ICMC 2005 THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION ICMC/2005/defevent/papers/cr1165.pdf.txt Study of haptic and visual interaction for sound and music control in the Phase project 0.1957 True ICMC 2000 Voice Morphing System for Impersonating in Karaoke Applications ICMC/2000/Papers/27VoSyn2/2Cano.pdf.txt Acappella Synthesis Demonstrations using RWC Music Database 0.193 True ICMC 2005 THE SUICIDED VOICE – THE MEDIATED VOICE Mark Alexander Bokowiec ICMC/2005/defevent/papers/cr1020.pdf.txt V'Oct(Ritual) 0.1925 True ISMIR 2018 VOCALSET: A SINGING VOICE DATASET Julia Wilkins1,2 1 Prem Seetharaman1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/114_Paper.pdf.txt Borrowed Voices 0.1917 True ICMC 2001 Technological Advances for Conducting a Virtual Ensemble Guy E. Garnett, Mangesh Jonnalagadda, Ivan Elezovic, Timothy Johnson, Kevin Small ICMC/2001/ICMC2001_Garnett.pdf.txt The Conductor Program and the Mechanical Baton 0.1917 True ICMC 2008 NRCI: SOFTWARE TOOLS FOR LAPTOP ENSEMBLE Christopher Burns and Greg Surges ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1357.pdf.txt A Software System for Laptop Performance and Improvisation 0.1907 True ICMC 2005 Evolution And Embodiment: Playable Instruments for Free Music ICMC/2005/defevent/papers/cr1126.pdf.txt Heretic's Brew 0.1905 True ICMC 2008 SENSOR BOWS & APPLICATION FOR STRINGED INSTRUMENTS Keith A. McMillen ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1258.pdf.txt Stage-Worthy Sensor Bows for Stringed Instruments 0.1902 True ICMC 2005 FTM — COMPLEX DATA STRUCTURES FOR MAX Norbert Schnell Riccardo Borghesi Diemo Schwarz Frederic Bevilacqua Remy Müller ICMC/2005/defevent/papers/cr1205.pdf.txt MnM: a Max/MSP mapping toolbox 0.19 True ICMC 2005 GUITAR FINGERING FOR MUSIC PERFORMANCE ICMC/2005/defevent/papers/cr1271.pdf.txt Construction of a System for Recognizing Touch of Strings for Guitar 0.1891 True SMC 2010 DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Pierre Jouvelot CRI, Mathématiques et systèmes, MINES ParisTech SMC/2010/51.pdf.txt MobileFaust: a Set of Tools to Make Musical Mobile Applications with the Faust Programming Language 0.1888 True ICMC 2001 Main Sessions § PLENARY SESSION 1 § PAPER SESSION 1: Digital Signal Processing 1 ICMC/2001/sessions.pdf.txt The Creation of a Multi-Human, Multi-Robot Interactive Jam Session 0.1885 True ICMC 2008 Faculty of Arts, Humanities and Social Sciences ICMC/2008/SARC Stuff/BSc_MusicTech.pdf.txt Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design 0.1884 True ICMC 2005 HOME CONDUCTING – CONTROL THE OVERALL MUSICAL EXPRESSION WITH GESTURES ICMC/2005/defevent/papers/cr1273.pdf.txt The light baton : a system for conducting computer music performance 0.188 True DAFx 2003 DAFx/2003/dafx17.pdf.txt Force Feedback Gesture Controlled Physical Modelling Synthesis 0.1861 True ICMC 2005 THE OVERTONE VIOLIN: A NEW COMPUTER MUSIC INSTRUMENT Dan Overholt ICMC/2005/defevent/papers/cr1006.pdf.txt The Overtone Violin 0.186 True ICMC 2005 THE REACTABLE* Sergi Jordà, Martin Kaltenbrunner, Günter Geiger, Ross Bencina ICMC/2005/defevent/papers/cr1280.pdf.txt Dynamic Patches for Live Musical Performance 0.1858 True ICMC 2005 A VIRTUAL PATCHBAY FOR ROBUST DISTRIBUTED INTERACTIVE MUSIC SYSTEMS ICMC/2005/defevent/papers/cr1145.pdf.txt OpenSound Control: State of the Art 2003 0.1857 True DAFx 2002 DAFx/2002/DAFX02_Arfib_Couturier_Kessous_gestural_stategies.pdf.txt A Digital Emulator of the Photosonic Instrument 0.1856 True ICMC 2008 FOUNDATIONS FOR ON-THE-FLY LEARNING IN THE CHUCK PROGRAMMING LANGUAGE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1780.pdf.txt ChucK: A Concurrent, On-the-fly Audio Programming Language 0.1853 True ICMC 2005 HAPTIC THEREMIN: DEVELOPING A HAPTIC MUSICAL CONTROLLER USING THE SENSABLE ICMC/2005/defevent/papers/cr1180.pdf.txt Haptic feedback in a computer music performance interface 0.1846 True ICMC 2008 OUNK - AN AUDIO SCRIPTING ENVIRONMENT FOR SIGNAL PROCESSING AND MUSIC COMPOSITION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1625.pdf.txt The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming 0.1843 True ICMC 2000 Synthesis of expressive movement Antonio Camurri, Paolo Coletta, Matteo Ricchetti, Gualtiero Volpe ICMC/2000/Papers/62IntSy2/3Camurr2.pdf.txt Interactive multimodal mobile robot for musical performance 0.1842 True ICMC 2008 INTERACTIVE AUDIO SIGNAL SCRIPTING Victor Lazzarini An Grúpa Theicneolaíocht Fuaime agus Ceoil Dhigitigh ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1093.pdf.txt OOPS: An Audio Synthesis Library in C for Embedded (and Other) Applications 0.1842 True SMC 2010 EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Marc Sosnick SMC/2010/71.pdf.txt Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs 0.1841 True ICMC 2005 THE LABORATORY FOR CREATIVE ARTS & TECHNOLOGIES – STUDIO REPORT ICMC/2005/defevent/papers/cr1291.pdf.txt The Story of The Max Lab: A Thirty-Six-Year Collaborative Journey 0.1838 True ICMC 2005 FROM BOULEZ TO BALLADS: TRAINING IRCAM’S SCORE FOLLOWER Diemo Schwarz ICMC/2005/defevent/papers/cr1096.pdf.txt Score Following: State of the Art and New Developments 0.1836 True DAFx 2006 DAFx/2006/papers/p_041.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1835 True ICMC 2005 COMPOSITION AS GAME STRATEGY: MAKING MUSIC BY PLAYING BOARD GAMES AGAINST EVOLVED ICMC/2005/defevent/papers/cr1036.pdf.txt Reunion2012: A Novel Interface for Sound Producing Actions Through the Game of Chess 0.1835 True ICMPC ICMPC/ICMPC06/pdfs/423.pdf.txt A Computer Music System for Human Singing 0.1832 True ICMC 2008 CCRMA STUDIO REPORT Carr Wilkerson / Sasha Leitman / Fernando Lopez-Lezcano ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1730.pdf.txt MoPho – A Suite for a Mobile Phone Orchestra 0.1829 True ICMC 2005 HAILE – AN INTERACTIVE ROBOTIC PERCUSSIONIST Gil Weinberg Georgia Tech ICMC/2005/defevent/papers/cr1105.pdf.txt Toward Robotic Musicianship 0.1826 True ICMC 2001 Automatic Estimation of Control Parameters: An Instance-Based Learning Approach ICMC/2001/data/cr1057.pdf.txt Trumpet and Trumpet Player: Model and Simulation in a Musical Context 0.1816 True ICMC 2005 STUDIOS FOR SOUND, TECHNOLOGY & RESEARCH, ICMC/2005/defevent/papers/cr1327.pdf.txt Motion-Influenced Composition 0.1815 True ICMC 2005 CO-AUDICLE: A COLLABORATIVE AUDIO PROGRAMMING SPACE Ananya Misra Philip Davidson Perry R. Cook† ICMC/2005/defevent/papers/cr1317.pdf.txt ChuckPad: Social Coding for Computer Music 0.1801 True ICMC 2005 CURRENT RESEARCH IN CONCATENATIVE SOUND SYNTHESIS Diemo Schwarz ICMC/2005/defevent/papers/cr1074.pdf.txt The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis 0.1799 True ICMC 2000 Interactive Composition: Sharing the Creative Process on the Internet ICMC/2000/Papers/97Poste2/2Popat.pdf.txt Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the User-Participant? 0.1797 True ICMC 2008 IMPLICIT PHYSIOLOGICAL INTERACTION FOR THE GENERATION OF AFFECTIVE MUSICAL SOUNDS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1718.pdf.txt Listening to Your Brain: Implicit Interaction in Collaborative Music Performances 0.1793 True SMC 2010 DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Henning Pohl, Aristotelis Hadjakos SMC/2010/28.pdf.txt Interactive Dance/Music Systems 0.1792 True ICMC 2005 Piano Case, Keyboard, And Strings: Separation-Derived Musical Instruments In An Interactive Composition ICMC/2005/defevent/papers/cr1314.pdf.txt Physical Interactions with Digital Strings --- A hybrid approach to a digital keyboard instrument 0.179 True ICMC 2008 Implicit Physiological Interaction for the Generation of Affective ICMC/2008/ICMC08 USB Proceedings/defevent/abstract/a1718.pdf.txt Listening to Your Brain: Implicit Interaction in Collaborative Music Performances 0.1785 True ICMC 2000 Glottal source modeling for singing voice synthesis Hui-Ling Lu ICMC/2000/Papers/26VoSyn1/1Lu.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1785 True OSCC an OpenSoundControl-based sensor platform Emmanuel FLETY Nicolas LEROY OSCC/Ethersense-OSC-conference3.pdf.txt DaisyLab, a Phonetic Deconstruction of Humankind 0.1783 True ICMC 2005 ON THE RELATIVE INFLUENCE OF EVEN AND ODD HARMONICS IN CLARINET TIMBRE ICMC/2005/defevent/papers/cr1157.pdf.txt Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet 0.1774 True DAFx 2006 DAFx/2006/papers/p_287.pdf.txt Parallel Processing System Design with "Propeller" Processor 0.1771 True ICMC 2000 The Bregman Electronic Music Studio at Dartmouth College Eric Lyon ICMC/2000/Papers/91Studi1/1Lyon.pdf.txt Students' Projects of Interactive Media-installations in SUAC 0.177 True ICMC 2008 ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1488.pdf.txt Musical applications of new, multi-axis guitar string sensors 0.177 True ISMIR 2018 BRIDGING AUDIO ANALYSIS, PERCEPTION AND SYNTHESIS WITH PERCEPTUALLY-REGULARIZED VARIATIONAL TIMBRE SPACES ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/219_Paper.pdf.txt Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces 0.1769 True ICMC 2000 Signal Analysis of the Singing Voice: Low-Order Representations of Singer Identity ICMC/2000/Papers/26VoSyn1/2Mellody.pdf.txt The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human--Computer Interface 0.1768 True DAFx 2002 DAFx/2002/DAFX02_Verfaille_Arfib_adaptive_DAFx.pdf.txt Adaptive Timbre Control Using Gesture 0.1768 True ICMC 2008 VOICE SYNTHESIS USING THE GENERALIZED PRESSURE-CONTROLLED VALVE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1761.pdf.txt Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments 0.1767 True ICMC 2008 REALTIME MUSIC PROGRAMMING USING SND-RT Kjetil Matheussen Norwegian network for Technology, Acoustics and Music. (NOTAM) ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1387.pdf.txt MobileFaust: a Set of Tools to Make Musical Mobile Applications with the Faust Programming Language 0.1759 True DAFx 2006 DAFx/2006/papers/p_315.pdf.txt The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming 0.1749 True SMC 2010 REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL SMC/2010/31.pdf.txt Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping Layer 0.1747 True SMC 2010 EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Chris Kiefer SMC/2010/50.pdf.txt A Malleable Interface for Sonic Exploration 0.1746 True ICMC 2000 Scalable Connectivity Processor for Computer Music Performance Systems ICMC/2000/Papers/Demos/10Avizie.pdf.txt Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data 0.1745 True ICMC 2006 Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar ICMC/2006/freed/freed-icmc2006.pdf.txt An Approach to Instrument Augmentation : the Electric Guitar 0.1743 True ICMC 2008 ANTESCOFO: ANTICIPATORY SYNCHRONIZATION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1779.pdf.txt Score Following: State of the Art and New Developments 0.1742 True ICMC 2001 Using the Web for Live Interactive Music John P. Young Peabody Conservatory of Music ICMC/2001/data/cr1208.pdf.txt Cathedral : an interactive work for the web 0.1742 True ICMC 2008 TWO APPROACHES FOR INTERACTION MANAGEMENT IN TIMBRE-AWARE IMPROVISATION SYSTEMS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1449.pdf.txt Design Issues in Interaction Modeling for Free Improvisation 0.1741 True ICMC 2005 SIMULATION OF HUMAN VOICE TIMBRE BY ORCHESTRATION OF ACOUSTIC MUSIC INSTRUMENTS ICMC/2005/defevent/papers/cr1010.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1736 True ICMC 2008 TABLA GYAN: A SYSTEM FOR REALTIME TABLA RECOGNITION AND RESYNTHESIS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1764.pdf.txt The Electronic Tabla Controller 0.1734 True ICMC 2008 VISUAL AND SOUND GENERATION DRIVEN BY BRAIN, HEART AND RESPIRATION SIGNALS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1558.pdf.txt Toward Direct Brain-Computer Musical Interfaces 0.1732 True ICMC 2001 Score Following Using Spectral Analysis and Hidden Markov Models ICMC/2001/data/cr1126.pdf.txt Score Following: State of the Art and New Developments 0.1732 True ICMC 2008 MULTI-AGENT MULTIMODAL PERFORMANCE ANALYSIS Arne Eigenfeldt School for the Contemporary Arts, ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1653.pdf.txt Multimodal Musician Recognition 0.1731 True GestureWorkshop 2003 Analysis of a Genuine Scratch Performance Kjetil Falkenberg Hansen and Roberto Bresin GestureWorkshop/2003/Hansen2003.pdf.txt The Skipproof Virtual Turntable for High-Level Control of Scratching 0.1727 True ICMC 2005 IF I HAD A HAMMER: DESIGN AND THEORY OF AN ELECTROMAGNETICALLY-PREPARED PIANO ICMC/2005/defevent/papers/cr1338.pdf.txt Physical Interactions with Digital Strings --- A hybrid approach to a digital keyboard instrument 0.1726 True ICMC 2005 AUDIO SIGNAL DRIVEN SOUND SYNTHESIS Cornelius Poepel Academy of Media Arts ICMC/2005/defevent/papers/cr1154.pdf.txt Synthesized Strings for String Players 0.1724 True ICMC 2001 Articulation Rules For Automatic Music Performance Roberto Bresin ICMC/2001/data/cr1001.pdf.txt On Mapping N Articulation onto M Synthesiser-Control Parameters 0.1724 True ICMC 2008 WHAT NEXT? CONTINUATION IN REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1658.pdf.txt The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis 0.1722 True ICMC 2008 TECHNOLOGY, REAL-TIME NOTATION, AND AUDIENCE PARTICIPATION IN FLOCK ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1127.pdf.txt Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilypond 0.1721 True ICMC 2000 Jammin' on the Web - a new Client/Server Architecture for Multi-User Musical Performance ICMC/2000/Papers/31DistPS/2Burk.pdf.txt A Simple Architecture for Server-based (Indoor) Audio Walks 0.172 True ICMC 2005 DEVELOPING CROSS-PLATFORM AUDIO AND MUSIC APPLICATIONS WITH THE CLAM FRAMEWORK ICMC/2005/defevent/papers/cr1065.pdf.txt CLAM: A Framework for Audio and Music Application Development 0.1719 True ISMIR 2018 FROM LABELED TO UNLABELED DATA – ON THE DATA CHALLENGE IN AUTOMATIC DRUM TRANSCRIPTION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/185_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1716 True ICMC 2000 The Gassmann Electronic Music Studio ICMC/2000/Papers/92Studi2/1Dobrian.pdf.txt Democratizing Interactive Music Production over the Internet 0.1715 True DAFx 2002 DAFx/2002/DAFX02_DHaes_Rodet_trumpet_model.pdf.txt Trumpet and Trumpet Player: Model and Simulation in a Musical Context 0.1713 True ICMC 2005 BEGINNER’S MIND: AN ENVIRONMENT FOR SONIC IMPROVISATION Thomas Ciufo ICMC/2005/defevent/papers/cr1159.pdf.txt Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live Performance 0.1709 True ICMC 2001 Princeton Sound Kitchen Open Source Software Report Perry Cook, Colby Leider, Tae Hong Park, George Tzaneatakis ICMC/2001/data/cr1154.pdf.txt CLAM: A Framework for Audio and Music Application Development 0.1706 True DAFx 2006 DAFx/2006/papers/p_325.pdf.txt Spatial Sound Synthesis in Computer-Aided Composition 0.1706 True ICMC 2000 Software Tools for Musical Expression Roberto Bresin and Anders Friberg ICMC/2000/Papers/Demos/03Bresin.pdf.txt Generative rules for music performance: A formal description of a rule system 0.1706 True ICMC 2005 USING TIMBRE IN A COMPUTER-BASED IMPROVISATION SYSTEM William Hsu ICMC/2005/defevent/papers/cr1120.pdf.txt Managing Gesture and Timbre for Analysis and Instrument Control in an Interactive Environment 0.1706 True ICMC 2008 COMPUTER INPUT DEVICE FOR POLYPHONIC STRINGED INSTRUMENTS Keith A. McMillen ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1241.pdf.txt Musical applications of new, multi-axis guitar string sensors 0.1706 True ICMC 2008 SPECTRAL SPATIALIZATION - AN OVERVIEW David Kim-Boyle ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1549.pdf.txt Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing 0.1705 True ICMC 2005 Session : Studio reports ICMC/2005/defevent/sessions/s200.pdf.txt Rethinking Data Practices for ‘Intelligent’ Musical Interfaces 0.1702 True ICMC 2005 Session : Poster Introduction Session ICMC/2005/defevent/sessions/s520.pdf.txt V'Oct(Ritual) 0.1701 True ICMC 2000 Musical Activities ICMC/2000/Papers/94Studi4/3Serra.pdf.txt Where Are You Standing? 0.1699 True ICMC 2001 Modeling the Tempo Coupling between an Ensemble and the Conductor ICMC/2001/data/cr1300.pdf.txt Computer Music System which Follows a Human Conductor 0.1698 True ICMC 2001 Analysis-Synthesis of Flute Sounds Using a Non-Linear Digital ICMC/2001/data/cr1361.pdf.txt On the Use of Flute Air Jet as A Musical Control Variable 0.1693 True GestureWorkshop 2003 Design and Use of Some New Digital Musical Instruments Daniel Arfib, Jean-Michel Couturier, and Loïc Kessous GestureWorkshop/2003/Arfib2003.pdf.txt The Digital Computer as a Musical Instrument 0.1692 True ICMC 2001 Music Plus One: A System for Expressive and Flexible Musical Accompaniment ICMC/2001/data/cr1403.pdf.txt Investigating the Role of Score Following in Automatic Musical Accompaniment 0.1691 True ICMC 2005 ICMC/2005/defevent/papers/cr1261.pdf.txt Studio Report of the Computer Music Lab of CNUCE/C.N.R. 0.169 True ICMC 2000 Comparison of Sound Spatialization Techniques in MPEG-4 Scene Description ICMC/2000/Papers/65Spati1/1Vaanane.pdf.txt A Framework for Immersive Spatial Audio Performance 0.1686 True ICMC 2005 MUSIC HAPTIC : MUSICAL HARMONY NOTIONS FOR ALL WITH A FORCE FEEDBACK MOUSE AND A SPATIAL REPRESENTATION ICMC/2005/defevent/papers/cr1302.pdf.txt Movement Characteristics Using a Mouse with Tactile and Force Feedback 0.1685 True ICMC 2008 VIMIC - A NOVEL TOOLBOX FOR SPATIAL SOUND PROCESSING IN MAX/MSP ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1190.pdf.txt The ZKM Klangdom 0.1685 True ICMC 2008 PLAYING THE NETWORK: THE USE OF TIME DELAYS AS MUSICAL DEVICES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1425.pdf.txt net.art 2.0. new materials towards net art 0.1685 True SMC 2010 TIDAL – PATTERN LANGUAGE FOR LIVE CODING OF MUSIC Alex McLean and Geraint Wiggins SMC/2010/39.pdf.txt Feedforward 0.1684 True ICMC 2005 LARYNXOPHONE: USING VOICE AS A WIND CONTROLLER Àlex Loscos, Óscar Celma ICMC/2005/defevent/papers/cr1308.pdf.txt Real-time Control of Synthesis Parameters for LightHarp MIDI Controller 0.1679 True DAFx 2002 DAFx/2002/DAFX02_Avanzini_Serafin_Rocchesso_rubbed_surfaces.pdf.txt Toward a Generalized Friction Controller: from the Bowed String to Unusual Musical Instruments 0.1678 True ICMC 2000 ICMC/2000/Papers/94Studi4/1Kuchera.pdf.txt Where Are You Standing? 0.1678 True ICMPC ICMPC/ICMPC06/pdfs/467.pdf.txt A Directable Performance Rendering System: Itopul 0.1677 True ICMC 2001 A System Supporting Flexible Distributed Real-Time Music Processing ICMC/2001/data/cr1188.pdf.txt Aura II: Making Real-Time Systems Safe for Music 0.1672 True ICMC 2008 TWO CROSS-PLATFORM CSOUND-BASED PLUGIN GENERATORS Victor Lazzarini ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1138.pdf.txt The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming 0.1671 True ICMC 2000 Adaptive oscillator networks for partial tracking and piano music transcription ICMC/2000/Papers/96Poste1/1Marolt.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.167 True ICMC 2008 Topics Please follow the links to get more information about topics/papers ICMC/2008/ICMC08 USB Proceedings/defevent/main/topidx.pdf.txt Toward a Theory of Interfaces for Computer Music Systems 0.1669 True ISMIR 2018 TRANSFERRING THE STYLE OF HOMOPHONIC MUSIC USING RECURRENT NEURAL NETWORKS AND AUTOREGRESSIVE MODELS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/107_Paper.pdf.txt A Physical Intelligent Instrument using Recurrent Neural Networks 0.1668 True ICMC 2000 Perceptual and Analytical Analysis of the effect of the Hammer Impact on the Piano Tones ICMC/2000/Papers/22PhyMo2/3Bensa.pdf.txt Morphosis for piano 0.1667 True ISMIR 2018 LEARNING DOMAIN-ADAPTIVE LATENT REPRESENTATIONS OF MUSIC SIGNALS USING VARIATIONAL AUTOENCODERS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/169_Paper.pdf.txt Inspecting and Interacting with Meaningful Music Representations using VAE 0.1667 True ISMIR 2018 AN END-TO-END FRAMEWORK FOR AUDIO-TO-SCORE MUSIC TRANSCRIPTION ON MONOPHONIC EXCERPTS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/87_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1667 True SMC 2010 PHOXES - MODULAR ELECTRONIC MUSIC INSTRUMENTS BASED ON PHYSICAL MODELING SOUND SYNTHESIS SMC/2010/34.pdf.txt PHYSMISM : A Control Interface for Creative Exploration of Physical Models 0.1665 True ICMC 2008 ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1738.pdf.txt Where Are You Standing? 0.1665 True ISMIR 2018 CONDITIONING DEEP GENERATIVE RAW AUDIO MODELS FOR STRUCTURED AUTOMATIC MUSIC ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/192_Paper.pdf.txt GestureRNN: A neural gesture system for the Roli Lightpad Block 0.1664 True ISMIR 2018 LEARNING TO LISTEN, READ, AND FOLLOW: SCORE FOLLOWING AS A REINFORCEMENT LEARNING GAME ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/45_Paper.pdf.txt Score Following: State of the Art and New Developments 0.166 True ICMC 2005 USING A PERCEPTUALLY BASED TIMBRE METRIC FOR PARAMETER CONTROL ESTIMATION IN PHYSICAL MODELING SYNTHESIS ICMC/2005/defevent/papers/cr1150.pdf.txt ISEE: An Intuitive Sound Editing Environment 0.166 True SMC 2010 ISSUES AND TECHNIQUES FOR COLLABORATIVE MUSIC MAKING ON MULTI-TOUCH SURFACES SMC/2010/22.pdf.txt Augmenting human-human interaction in mobile group improvisation 0.1657 True ICMC 2001 Creating and Exploring Huge Parameter Spaces: Interactive Evolution as a Tool for Sound Generation ICMC/2001/data/cr1008.pdf.txt Evolution of interactive control and rel-time synthesis in a digital music system 0.1657 True ICMC 2001 Note and Hammer Velocity Dependence of a Piano String Model Based on Coupled Digital Waveguides ICMC/2001/data/cr1237.pdf.txt A Meta-Action for the Grand Piano 0.1655 True ICMC 2001 ICMC/2001/data/cr1309.pdf.txt Where Are You Standing? 0.1655 True ICMC 2005 GRANULAR SYNTHESIS OF SOUNDS THROUGH MARKOV CHAINS WITH FUZZY CONTROL ICMC/2005/defevent/papers/cr1050.pdf.txt PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis 0.1654 True ICMC 2005 LIEM-CDMC, STUDIO REPORT Adolfo Núñez, director c) Santa Isabel 52, 28008 ICMC/2005/defevent/papers/cr1248.pdf.txt Studio Report of the Computer Music Lab of CNUCE/C.N.R. 0.1652 True ICMC 2005 SYMBOLIC CONTROL OF SOUND SYNTHESIS IN COMPUTER ASSISTED COMPOSITION ICMC/2005/defevent/papers/cr1113.pdf.txt SMucK: Symbolic Music in ChucK 0.1651 True ISMIR 2018 EVALUATING AUTOMATIC POLYPHONIC MUSIC TRANSCRIPTION Andrew McLeod ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/148_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1651 True SMC 2010 PERFORMANCE RENDERING FOR POLYPHONIC PIANO MUSIC WITH A COMBINATION OF PROBABILISTIC MODELS SMC/2010/4.pdf.txt Polyhymnia : An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation 0.165 True DAFx 2002 DAFx/2002/DAFX02_Arnuncio_Hinojosa_deBoer_c++_development.pdf.txt A new interactive performance system for real- time sound synthesis 0.1646 True DAFx 2002 DAFx/2002/DAFX02_Hanna_Beurive_Desainte-Catherine_noise_synthesis.pdf.txt Intuitive Real-Time Control of Spectral Model Synthesis 0.1646 True ICMC 2000 SHAPE AND MATERIAL DESIGN IN PHYSICAL MODELING SOUND SYNTHESIS ICMC/2000/Papers/21PhyMo1/1Djohari.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.1646 True ICMC 2008 RHYTHMIC ANALYSIS FOR REAL-TIME AUDIO EFFECTS Adam M. Stark, Matthew E.P. Davies and Mark D. Plumbley ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1610.pdf.txt Real-Time Beat-Synchronous Audio Effects 0.1644 True ICMC 2008 STUDIO REPORT: UC BERKELEY CENTER FOR NEW MUSIC AND AUDIO TECHNOLOGIES (CNMAT) ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1734.pdf.txt Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design 0.1643 True ICMC 2008 THE SPATIAL POLITICS OF RADIO: ANNA FRIZ’S CRITICAL UTOPIAS Gascia Ouzounian ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1441.pdf.txt Radio Healer 0.1641 True ISMIR 2018 REPRESENTATION LEARNING OF MUSIC USING ARTIST LABELS Jiyoung Park1∗ Jongpil Lee2∗ Jangyeon Park1 Jung-Woo Ha1 Juhan Nam2 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/168_Paper.pdf.txt Cross-modal Sound Mapping Using Deep Learning 0.164 True ICMC 2000 Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression Analysis ICMC/2000/Papers/75ExPer1/2Ishikaw.pdf.txt Learning Performance Rules in a Music Interpretation System 0.164 True ICMC 2005 A NOVEL APPROACH TO MIXED MODEL DISCRETE-TIME DOMAIN SIMULATION OF THE SOUND FIELD GENERATED BY A STRING ICMC/2005/defevent/papers/cr1046.pdf.txt Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs 0.164 True ICMPC ICMPC/ICMPC06/pdfs/579.pdf.txt The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music 0.1637 True ICMC 2005 MIDI TO SP−MIDI TRANSCODING USING PHRASE STEALING ICMC/2005/defevent/abstract/a1022.pdf.txt The Disfunctions of MIDI 0.1636 True SMC 2010 HEAD IN SPACE: A HEAD-TRACKING BASED BINAURAL SPATIALIZATION SYSTEM SMC/2010/54.pdf.txt Immersive virtual reality technology 0.1635 True ICMC 2000 Real-time composition in Elody Stephane Letz, Dominique Fober, Yann Orlarey ICMC/2000/Papers/72CompS2/1Letz.pdf.txt A functional approach to real-time control 0.1635 True ICMC 2008 Sessions ICMC/2008/ICMC08 USB Proceedings/defevent/main/sesidx.pdf.txt The Creation of a Multi-Human, Multi-Robot Interactive Jam Session 0.1635 True ICMC 2008 RECENT DEVELOPMENTS IN THE DIFFERENT STROKES ENVIRONMENT Mark Zadel and Gary Scavone ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1742.pdf.txt Different Strokes: a Prototype Software System for Laptop Performance and Improvisation 0.1635 True ISMIR 2018 INSTRUMENT ACTIVITY DETECTION IN POLYPHONIC MUSIC USING DEEP NEURAL NETWORKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/275_Paper.pdf.txt Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music 0.1634 True ICMC 2008 POLYPHONIC NOTE TRACKING USING MULTIMODAL RETRIEVAL OF MUSICAL EVENTS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1505.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1632 True ICMC 2001 Studio Report of The Centre for Music Technology, ICMC/2001/data/cr1041.pdf.txt Studio Report of the Computer Music Lab of CNUCE/C.N.R. 0.1631 True ICMC 2000 V ISCO — Visual S ALIERI Components Jürgen Kilian Holger H. Hoos ICMC/2000/Papers/96Poste1/3Kilian.pdf.txt Tree Music: Composing with GAIA 0.1631 True ICMC 2001 Physical modeling for sound synthesis with particle-interaction ICMC/2001/ICMC2001_Fourcade.pdf.txt Physical Models and Musical Controllers -- Designing a Novel Electronic Percussion Instrument 0.163 True ICMC 2000 WOW’EM: Encouraging an Integrated Generation ICMC/2000/Papers/99Poste4/3Burns.pdf.txt Women Who Build Things: Gestural Controllers, Augmented Instruments, and Musical Mechatronics 0.1629 True DAFx 2006 DAFx/2006/papers/p_157.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1627 True DAFx 2002 DAFx/2002/DAFX02_Bank_Sujbert_piano_synthesis.pdf.txt A Multi-Instrument, Force-Feedback Keyboard 0.1626 True ICMC 2008 EVALUATING THE WIIMOTE AS A MUSICAL CONTROLLER Chris Kiefer Dept. of Informatics ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1571.pdf.txt HCI Methodology For Evaluating Musical Controllers : A Case Study 0.1622 True ICMC 2008 INTERACTIVE SWARM ORCHESTRA A GENERIC PROGRAMMING ENVIRONMENT FOR ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1184.pdf.txt Coral -- a Physical and Haptic Extension of a Swarm Simulation 0.1621 True ICMC 2005 SARC: STUDIO REPORT Michael Alcorn Chris Corrigan Sonic Arts Research Centre ICMC/2005/defevent/papers/cr1246.pdf.txt Ground Me ! An Interactive Sound Art Installation 0.1621 True ICMC 2008 DATA-DRIVEN RECOMPOSITION USING THE HIERARCHICAL DIRICHLET PROCESS HIDDEN MARKOV MODEL ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1413.pdf.txt Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. 0.1619 True ICMC 2005 NEW APPROACHES TO DIGITAL SUBTRACTIVE SYNTHESIS Antti Huovilainen and Vesa Välimäki ICMC/2005/defevent/papers/cr1071.pdf.txt An Introduction to the SSSP Digital Synthesizer 0.1618 True ICMC 2008 THE NYQUIST COMPOSITION ENVIRONMENT: SUPPORTING TEXTUAL PROGRAMMING WITH A ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1617.pdf.txt Music Programming in Minim 0.1617 True ICMC 2005 AUTOMATED TESTING OF OPEN-SOURCE MUSIC SOFTWARE WITH OPEN SOUND WORLD AND ICMC/2005/defevent/papers/cr1312.pdf.txt Implementation and performance issues with OpenSound control 0.1616 True ICMC 2005 SYNTHESIS AND PERCEPTUAL MANIPULATION OF PERCUSSIVE SOUNDS Mitsuko Aramaki & Richard Kronland-Martinet ICMC/2005/defevent/papers/cr1104.pdf.txt Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces 0.1615 True ICMC 2000 CARTAH/SMCC Studio Report ICMC/2000/Papers/92Studi2/3Karpen.pdf.txt Intersecting Lines 0.1612 True ICMC 2008 NOT JUST MORE FMS: TAKING IT TO THE NEXT LEVEL Tae Hong Park , Zhiye Li, Jonathan Biguenet ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1757.pdf.txt Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis 0.1609 True ICMC 2005 ORB3 – MUSICAL ROBOTS WITHIN AN ADAPTIVE SOCIAL COMPOSITION SYSTEM ICMC/2005/defevent/papers/cr1197.pdf.txt Orb3 -- Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces 0.1609 True ISMIR 2018 IMPROVING BASS SALIENCY ESTIMATION USING LABEL PROPAGATION AND TRANSFER LEARNING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/143_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1605 True ICMC 2008 EXPRESSIVE IRISH FIDDLE PERFORMANCE MODEL INFORMED WITH BOWING ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1646.pdf.txt Bowstroke Database : A Web-Accessible Archive of Violin Bowing Data 0.1602 True ICMC 2008 continuaMENTE: INTEGRATING PERCUSSION, AUDIOVISUAL AND IMPROVISATION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1677.pdf.txt GeKiPe, a gesture-based interface for audiovisual performance 0.1601 True ICMC 2008 A LOW-COST SPHERICAL LOUDSPEAKER ARRAY FOR ELECTROACOUSTIC MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1226.pdf.txt Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs) 0.1599 True DAFx 2006 DAFx/2006/papers/p_309.pdf.txt VOSIS: a Multi-touch Image Sonification Interface 0.1599 True ICMC 2001 Analysis and Synthesis of Room Acoustics Using the MPEG-4 Scene ICMC/2001/data/cr1289.pdf.txt A Framework for Immersive Spatial Audio Performance 0.1599 True ISMIR 2018 GUITARSET: A DATASET FOR GUITAR TRANSCRIPTION Qingyang Xi1 Rachel M. Bittner1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/188_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1597 True ICMC 2000 Generic panning tools for MAX/MSP Ville Pulkki ICMC/2000/Papers/66Spati2/3Pulkki.pdf.txt The ZKM Klangdom 0.1597 True ICMC 2005 JACK-ON: A LOW-COST WIRELESS SENSOR INTERFACE Dr. Barry Moon Sacha Atkinson ICMC/2005/defevent/papers/cr1045.pdf.txt Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32 0.1597 True ICMPC ICMPC/ICMPC06/pdfs/175.pdf.txt Timbre et causalité 0.1595 True ICMC 2000 Instrument Sound Description in the Context of MPEG-7 Geoffroy Peeters ICMC/2000/Papers/42MuInR2/1Peeters.pdf.txt Towards a perceptual framework for interface design in digital environments for timbre manipulation 0.1595 True ICMC 2001 An Interactive Beat Tracking and Visualisation System Simon Dixon ICMC/2001/data/cr1115.pdf.txt A Turing Test for B-Keeper : Evaluating an Interactive 0.1595 True ICMC 2005 Sessions ICMC/2005/defevent/main/sesidx.pdf.txt The Creation of a Multi-Human, Multi-Robot Interactive Jam Session 0.1593 True SMC 2010 LEGATO AND GLISSANDO IDENTIFICATION IN CLASSICAL GUITAR Tan Hakan Özaslan and Josep Lluis Arcos SMC/2010/67.pdf.txt A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors 0.1591 True ICMC 2005 NAVIGATING THE LANDSCAPE OF COMPUTER AIDED ALGORITHMIC COMPOSITION SYSTEMS: A ICMC/2005/defevent/papers/cr1132.pdf.txt Integrated Algorithmic Composition Fluid systems for including notation in music composition cycle 0.159 True ICMC 2000 Design and Analysis of Virtual Musical Environments (VME) Jaein Hwang, Gerard Jounghyun Kim ICMC/2000/Papers/33ViMuEn/1Hwang.pdf.txt The science of virtual reality and virtual environments 0.159 True ICMC 2008 AN INTERACTIVE BIO-MUSIC IMPROVISATION SYSTEM Koray Tahiroğlu ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1570.pdf.txt Creating Interactive Multimedia Works with Bio-data 0.1589 True ICMC 2005 TEMPLATE BASED KEY FINDING FROM AUDIO Özgür İzmirli Center for Arts and Technology ICMC/2005/defevent/papers/cr1293.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1589 True ICMC 2005 Session : Paper Session 1: Sound Synthesis and Analysis ICMC/2005/defevent/sessions/s360.pdf.txt MoPho – A Suite for a Mobile Phone Orchestra 0.1588 True ICMC 2001 A Musical Instrument Based on a Bioacoustic Model of a Cicada ICMC/2001/ICMC2001_Smyth.pdf.txt Creating Sustained Tones with the Cicada's Rapid Sequential Buckling Mechanism 0.1586 True ISMIR 2018 REVISITING SINGING VOICE DETECTION: A QUANTITATIVE REVIEW AND THE FUTURE OUTLOOK ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/38_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1585 True CIM 2005 A Particle-based Fuzzy Logic Approach to Sound Synthesis CIM/2005/CIM05_Articles/CADIZ_R_CIM05.pdf.txt Fuzzy Logic Control Toolkit 2.0: composing and synthesis by fuzzyfication 0.1584 True ICMC 2000 ICMC/2000/Papers/93Studi3/2Alexand.pdf.txt Students' Projects of Interactive Media-installations in SUAC 0.1584 True ISMIR 2018 TIMBRE DISCRIMINATION FOR BRIEF INSTRUMENT SOUNDS Francesco Bigoni ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/249_Paper.pdf.txt Timbre et causalité 0.1582 True ICMC 2000 Cluster-Weighted Sampling for Synthesis and Cross-Synthesis of Violin ICMC/2000/ICMC2000_Schoner.pdf.txt Automated Violin Fingering Transcription Through Analysis of an Audio Recording 0.1581 True ICMC 2000 SLINC 1.0: A GUI for controlling synthesis and linking instruments in RTcmix ICMC/2000/Papers/96Poste1/2Topper.pdf.txt Tree Music: Composing with GAIA 0.158 True ICMC 2008 EXPORING NEW COMPOSER/PERFORMER INTERACTIONS USING REAL-TIME NOTATION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1682.pdf.txt Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles 0.1579 True ICMC 2001 From Piano String Vibrations to the Acoustic Field Radiated by the Soundboard ICMC/2001/data/cr1272.pdf.txt 'GXtar', an Interface Using Guitar Techniques 0.1579 True ICMC 2005 POCKET GAMELAN: A BLUEPRINT FOR PERFORMANCE USING WIRELESS DEVICES ICMC/2005/defevent/papers/cr1319.pdf.txt Pocket Gamelan: Tuneable Trajectories for Flying Sources in Mandala 3 and Mandala 4 0.1578 True ICMC 2008 VICTORIA COUNTS – A CASE STUDY WITH ELECTRONIC VIOLIN BOW Knut Guettler ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1664.pdf.txt The Hyperbow Controller: Real-Time Dynamics Measurement of Violin Performance 0.1576 True SMC 2010 I NTERLUDE - A F RAMEWORK FOR AUGMENTED M USIC S CORES D. Fober C. Daudin Y. Orlarey S. Letz SMC/2010/35.pdf.txt SMucK: Symbolic Music in ChucK 0.1574 True ICMC 2005 SYNAPSE>VALENTINE: REUNITING ACOUSTIC AND ELECTRONIC Jeremy Castro Baguyos ICMC/2005/defevent/papers/cr1013.pdf.txt Keo Improvisation for sensor instrument Qgo 0.1574 True ICMC 2005 SOFTWARE AGENTS AND CREATING MUSIC/SOUND ART: FRAMES, DIRECTIONS, AND WHERE TO FROM HERE? ICMC/2005/defevent/papers/cr1119.pdf.txt Software Agents in Music and Sound Art Research/Creative Work: Current State adn a Possible Direction 0.1574 True SMC 2010 ANALYZING GESTURE AND SOUND SIMILARITIES WITH A HMM-BASED DIVERGENCE MEASURE SMC/2010/9.pdf.txt Modelling Gestures in Music Performance with Statistical Latent-State Models 0.1573 True ICMC 2006 The LoM Mapping Toolbox for Max/MSP/Jitter Doug Van Nort , Marcelo M. Wanderley ICMC/2006/van_wand_icmc06_final.pdf.txt GRASSP: Gesturally-Realized Audio, Speech and Song Performance 0.1572 True ICMC 2000 Singing Voice Impersonator Application for PC Maarten de Boer, Jordi Bonada, Pedro Cano, Alex Loscos, Xavier Serra ICMC/2000/Papers/Demos/14deBoe1.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1571 True ICMC 2001 The international sound art festival in Mexico City (Sound, its relationship to the art disciplines and to the new technologies) ICMC/2001/data/cr1069.pdf.txt Aura: Presence/ without$^*$ Manual 0.1571 True SMC 2010 TIMBRE REMAPPING THROUGH A REGRESSION-TREE TECHNIQUE Dan Stowell and Mark D. Plumbley SMC/2010/7.pdf.txt Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis 0.1568 True DAFx 2006 DAFx/2006/papers/p_177.pdf.txt Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments 0.1568 True ICMC 2008 RESOUND: OPEN-SOURCE LIVE SOUND SPATIALISATION James Mooney ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1533.pdf.txt Tree Music: Composing with GAIA 0.1566 True ICMC 2005 RTMIDI, RTAUDIO, AND A SYNTHESIS TOOLKIT (STK) UPDATE Gary P. Scavone ICMC/2005/defevent/papers/cr1253.pdf.txt CLAM: A Framework for Audio and Music Application Development 0.1563 True ICMC 2000 An Open Architecture for Real-time Music Software Amar Chaudhary, Adrian Freed and Matthew Wright ICMC/2000/Papers/Demos/01Chaudh.pdf.txt An Extensible Real-Time Signal Processing Environment for Max 0.1562 True ICMC 2008 REINFORCEMENT LEARNING FOR LIVE MUSICAL AGENTS Nick Collins ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1054.pdf.txt Autonomous Listening-Based Synthesizer Control with Reinforcement Learning for Live Sound Matching 0.1562 True ICMC 2008 ICMC/2008/SARC Stuff/MA_Sonic_Arts.pdf.txt Ambiguous Devices 0.156 True ICMC 2005 A TAXONOMY OF SEQUENCER USER-INTERFACES Matthew Duignan, James Noble ICMC/2005/defevent/papers/cr1260.pdf.txt Interaction Taxonomy for Sequencer-Based Music Performances 0.156 True ICMC 2008 ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1620.pdf.txt Studio Report of the Computer Music Lab of CNUCE/C.N.R. 0.1554 True ICMC 2005 LARGE AUDIENCE PARTICIPATION, TECHNOLOGY, AND ORCHESTRAL PERFORMANCE ICMC/2005/defevent/papers/cr1015.pdf.txt SVOrk: Stanford Virtual Reality Orchestra 0.1554 True ICMC 2008 DESIGN AND DEVELOPMENT OF AN INTERACTIVE SONIFICATION INTERFACE FOR HEARING IMAGES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1706.pdf.txt VOSIS: a Multi-touch Image Sonification Interface 0.1551 True ISMIR 2018 MUSIC SOURCE SEPARATION USING STACKED HOURGLASS NETWORKS Sungheon Park ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/138_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.155 True ICMC 2005 FUZZY RULES IN COMPUTER-ASSISTED MUSIC INTERPRETATION Tatiana Kiseliova ICMC/2005/defevent/papers/cr1335.pdf.txt Learning Performance Rules in a Music Interpretation System 0.155 True ICMC 2008 Current Research at SARC www.sarc.qub.ac.uk The Sonic Arts Research Centre (SARC) has ICMC/2008/SARC Stuff/SARC_Research.pdf.txt Ambiguous Devices 0.1549 True ICMC 2008 ASDF: AUDIO SCENE DESCRIPTION FORMAT Matthias Geier and Sascha Spors ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1802.pdf.txt The Spatial Sound Description Interchange Format: Principles, Specification, and Examples 0.1549 True SMC 2010 A COMPARISON OF PROBABILISTIC MODELS FOR ONLINE PITCH TRACKING SMC/2010/74.pdf.txt Probabilistic Models for Designing Motion and Sound Relationships 0.1547 True DAFx 2006 DAFx/2006/papers/p_209.pdf.txt Embedded, Modular, and Affordable High-Density Loudspeaker Arrays 0.1547 True ISMIR 2018 SKELETON PLAYS PIANO: ONLINE GENERATION OF PIANIST BODY MOVEMENTS FROM MIDI PERFORMANCE ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/109_Paper.pdf.txt SICIB: An Interactive Music Composition System Using Body Movements 0.1546 True ICMC 2000 Body Representations in the Electroacoustic Music Denise Garcia ICMC/2000/Papers/12Aesth2/2Garcia.pdf.txt New Performance Instruments for Electroacoustic Music 0.1545 True ICMC 2005 APPLICATION OF IMAGE SONIFICATION METHODS TO MUSIC Woon Seung Yeo and Jonathan Berger ICMC/2005/defevent/papers/cr1064.pdf.txt In Between: Time, Space and Image in Cross-Media Performance 0.1544 True ICMC 2000 iEAR Studios ICMC/2000/Papers/94Studi4/2Bahn.pdf.txt Students' Projects of Interactive Media-installations in SUAC 0.1544 True ISMIR 2018 ZERO-MEAN CONVOLUTIONS FOR LEVEL-INVARIANT SINGING VOICE DETECTION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/189_Paper.pdf.txt A Computer Music System for Human Singing 0.1542 True ICMC 2000 Designing a virtual theatrical listening space Laura Bianchini ICMC/2000/Papers/91Studi1/2Bianch2.pdf.txt Structure-Borne Sound and Aurally Active Spaces 0.1542 True ICMPC ICMPC/ICMPC06/pdfs/629.pdf.txt The Skipproof Virtual Turntable for High-Level Control of Scratching 0.1539 True DAFx 2006 DAFx/2006/papers/p_019.pdf.txt Learning Performance Rules in a Music Interpretation System 0.1539 True ICMC 2001 Realizing Lucier and Stockhausen: Case studies in electroacoustic performance practice ICMC/2001/data/cr1388.pdf.txt I Am Sitting in a (Latent) Room 0.1539 True ICMPC ICMPC/ICMPC06/pdfs/447.pdf.txt Conducting Collective Instruments : A Case Study 0.1537 True DAFx 2006 DAFx/2006/papers/p_263.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1537 True ICMC 2005 KITTy: A PACKAGE FOR EXTERNAL PATCHES COMMUNICATION MANAGEMENT IN MAX/MSP – A ICMC/2005/defevent/papers/cr1037.pdf.txt Entre l'idée et l'œuvre. Parcours de l'informatique musicale 0.1537 True ICMC 2005 IMPORTANCE OF INHARMONICITY IN THE ACOUSTIC GUITAR Hanna Järveläinen and Matti Karjalainen ICMC/2005/defevent/papers/cr1269.pdf.txt Thresholds 0.1536 True ICMC 2005 A FRAMEWORK FOR PERSONALIZATION OF INTERACTIVE SOUND SYNTHESIS ICMC/2005/defevent/papers/cr1299.pdf.txt The Development of a Piano Player 0.1535 True DAFx 2006 DAFx/2006/papers/p_071.pdf.txt Handheld Acoustic Filter Bank for Musical Control 0.1534 True ICMC 2000 Real-Time Implementation and Control of a Classical Guitar Synthesizer in SuperCollider ICMC/2000/Papers/23PhyMo3/4Laurson.pdf.txt Real-Time Synthesizer Control 0.1533 True ISMIR 2018 JAZZ SOLO INSTRUMENT CLASSIFICATION WITH CONVOLUTIONAL NEURAL NETWORKS, SOURCE SEPARATION, AND TRANSFER ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/145_Paper.pdf.txt Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music 0.1533 True ISMIR 2018 A TIMBRE-BASED APPROACH TO ESTIMATE KEY VELOCITY FROM POLYPHONIC PIANO RECORDINGS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/196_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1533 True SMC 2010 A LOOK INTO THE PAST: ANALYSIS OF TRENDS SMC/2010/55.pdf.txt To gesture or Not? An Analysis of Terminology in NIME Proceedings 2001--2013 0.1532 True DAFx 2002 DAFx/2002/DAFX02_Monti_Sandler_polyphonic_piano_extraction.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1532 True ICMC 2000 Real-time Initiative Exchange Algorithm for Interactive Music System ICMC/2000/Papers/62IntSy2/2Taki.pdf.txt A Robot Musician Interacting with a Human Partner through Initiative Exchange 0.1532 True ICMC 2001 Audibility of Initial Pitch Glides in String Instrument Sounds ICMC/2001/data/cr1108.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.1532 True SMC 2010 THE ‘STANZA LOGO–MOTORIA’: AN INTERACTIVE ENVIRONMENT FOR LEARNING AND COMMUNICATION SMC/2010/52.pdf.txt The Rullen Band 0.1531 True DAFx 2006 DAFx/2006/papers/p_083.pdf.txt Neuron-modeled Audio Synthesis: Nonlinear Sound and Control 0.1531 True SMC 2010 DYNAMIC CUES FOR NETWORK MUSIC INTERACTIONS Alain B. Renaud SMC/2010/21.pdf.txt The Loop 0.153 True ICMC 2008 CONSTRUCTION OF AN ELECTRONIC TIMBRE DICTIONARY FOR ENVIRONMENTAL SOUNDS BY ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1445.pdf.txt Timbre et causalité 0.1528 True ICMC 2008 MULTI-USER HAND GESTURE BASED MUSICAL ELEMENT MAPPING WITH TRADITIONAL MUSICAL ELEMENTS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1588.pdf.txt Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music 0.1527 True DAFx 2002 DAFx/2002/DAFX02_Furukawa_Dutilleux_swim_swan.pdf.txt Licht & Hiebe 0.1527 True DAFx 2002 DAFx/2002/DAFX02_Spevak_Favreau_soundspotter.pdf.txt Sound Selection by Gestures 0.1527 True ICMC 2005 Inner Room Extension of A General Model for Spatial Processing of ICMC/2005/defevent/abstract/a1041.pdf.txt ROOM#81 0.1527 True SMC 2010 ADAPTIVE SPATIALIZATION AND SCRIPTING CAPABILITIES IN THE SPATIAL TRAJECTORY EDITOR HOLO-EDIT SMC/2010/59.pdf.txt A Framework for Immersive Spatial Audio Performance 0.1526 True ISMIR 2018 AUDIO-ALIGNED JAZZ HARMONY DATASET FOR AUTOMATIC CHORD TRANSCRIPTION AND CORPUS-BASED RESEARCH ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/206_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1526 True M&G2 M&G2/contents/Thompson William Forde, Russo Frank & Quinto Lena M&G2 full .pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1525 True M&G2 M&G2/contents/Aho Marko M&G2 full paper.pdf.txt A Computer Music System for Human Singing 0.1524 True DAFx 2006 DAFx/2006/papers/p_199.pdf.txt A Modulation Matrix for Complex Parameter Sets 0.1524 True ICMC 2000 Using the Sound Description Interchange Format within the SMS Applications ICMC/2000/Papers/45AuEnFo/4deBoer1.pdf.txt Towards a Gesture Description Interchange Format 0.1524 True ICMC 2008 TWO NETWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER VOICES’ Vincent Akkermans ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1605.pdf.txt Computers in music 0.1522 True ICMC 2000 DIPS : the real-time digital image processing objects for Max environment ICMC/2000/Papers/63IntSy3/4Matsuda.pdf.txt An Extensible Real-Time Signal Processing Environment for Max 0.1522 True ICMC 2008 AN EFFICIENT OFF-LINE BEAT TRACKING METHOD FOR MUSIC WITH STEADY TEMPO ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1312.pdf.txt Real-Time Beat-Synchronous Audio Effects 0.1521 True ICMC 2008 TECHNOLOGY, CULTURE AND LOCATION IN A RECENT NEW ZEALAND SONIC ART PROJECT ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1411.pdf.txt New Performance Instruments for Electroacoustic Music 0.152 True DAFx 2002 DAFx/2002/DAFX02_Castagne_Cadoz_creating_music.pdf.txt Visual Representation in GENESIS as a tool for Physical Modeling, Sound Synthesis and Musical Composition 0.152 True ICMC 2005 NEW WARPED LPC-BASED FEATURE FOR FAST AND ROBUST SPEECH/MUSIC DISCRIMINATION ICMC/2005/defevent/papers/cr1069.pdf.txt The Orchestra of Speech: a speech-based instrument system 0.1519 True ICMC 2006 The Table is The Score: An Augmented-Reality Interface for Real-Time, Tangible, Spectrographic Performance ICMC/2006/levin_scrapple_20060320_1200dpi.pdf.txt Augmented Piano in Augmented Reality 0.1518 True ICMC 2005 BLOCK-BASED PHYSICAL MODELING FOR DIGITAL SOUND SYNTHESIS OF MEMBRANES AND PLATES ICMC/2005/defevent/papers/cr1035.pdf.txt Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs 0.1517 True ICMC 2005 GISMO: AN APPLICATION FOR AGENT-BASED COMPOSITION Yuta Uozumi ICMC/2005/defevent/papers/cr1220.pdf.txt four fragments---A Performance for Swarming Robotics 0.1517 True ICMC 2005 IMPLICIT PATCHING FOR DATAFLOW-BASED AUDIO ANALYSIS AND SYNTHESIS ICMC/2005/defevent/papers/cr1306.pdf.txt Music Programming in Minim 0.1517 True SMC 2010 TOWARDS A PRACTICAL APPROACH TO MUSIC THEORY ON THE REACTABLE SMC/2010/23.pdf.txt Mary Had a Little scoreTable* or the reacTable* Goes Melodic 0.1517 True SMC 2010 ON ARCHITECTURE AND FORMALISMS FOR COMPUTER-ASSISTED IMPROVISATION SMC/2010/60.pdf.txt A system for computer assisted gestural improvisation 0.1516 True ICMC 2000 Streaming Structured Audio Marek Claussen ICMC/2000/Papers/45AuEnFo/2Clausse.pdf.txt An Overview of the Structured Sound Synthesis Project 0.1516 True ICMC 2001 Center for New Music and Audio Technologies (CNMAT): Studio Report ICMC/2001/data/cr1327.pdf.txt Students' Projects of Interactive Media-installations in SUAC 0.1516 True ICMC 2008 IN FLUX – A NEW APPROACH TO SOUND DIFFUSION PERFORMANCE PRACTICE FOR FIXED MEDIA MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1038.pdf.txt MULTI-TOUCH INTERFACES FOR PHANTOM SOURCE POSITIONING IN LIVE SOUND DIFFUSION 0.1516 True ISMIR 2018 PLAYER VS TRANSCRIBER: A GAME APPROACH TO DATA MANIPULATION FOR AUTOMATIC DRUM TRANSCRIPTION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/24_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1515 True DAFx 2002 DAFx/2002/DAFX02_Ortiz_Casajus_polyphonic_transcription_piano.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1515 True ICMC 2000 NONLINEAR INTERACTION IN THE DIGITAL WAVEGUIDE WITH THE APPLICATION TO PIANO SOUND SYNTHESIS ICMC/2000/Papers/22PhyMo2/2Balazs.pdf.txt Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments 0.1515 True ICMC 2000 Dynamic Audio Mixing ICMC/2000/Papers/33ViMuEn/3Pachet1.pdf.txt A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio 0.1515 True ICMPC ICMPC/ICMPC06/pdfs/678.pdf.txt Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music 0.1515 True ISMIR 2018 On the Relationships between Music-induced Emotion and Physiological Signals ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/115_Paper.pdf.txt The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music 0.1514 True DAFx 2002 DAFx/2002/DAFX02_Burtner_Serafin_Topper_singing_bowl.pdf.txt HyperPuja: A Tibetan Singing Bowl Controller 0.1514 True ICMC 2005 THE MACHINE LEARNING AND INTELLIGENT MUSIC PROCESSING ICMC/2005/defevent/papers/cr1249.pdf.txt Machine Learning of Musical Gestures 0.1514 True ISMIR 2018 AUDIO-TO-SCORE ALIGNMENT USING TRANSPOSITION-INVARIANT FEATURES ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/166_Paper.pdf.txt A Musical Performance Evaluation System for Beginner Musician based on Real-time Score Following 0.1514 True SMC 2010 CONNECTING GRAPHICAL SCORES TO SOUND SYNTHESIS IN PWGL Mika Kuuskankare SMC/2010/63.pdf.txt Graphical marionette 0.1513 True CIM 2005 Perceptual Evaluation of Vibrato Models Vincent Verfaille, CIM/2005/CIM05_Articles/VERFAILLE_V_CIM05.pdf.txt Electromagnetically Actuated Acoustic Amplitude Modulation Synthesis 0.1513 True ICMC 2008 TOWARDS AN INTERCHANGE FORMAT FOR SPATIAL AUDIO SCENES Gary Kendall ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1795.pdf.txt The Spatial Sound Description Interchange Format: Principles, Specification, and Examples 0.1511 True ICMC 2008 EXPLORING MUSICAL MAPPINGS AND GENERATING ACCOMPANIMENT WITH CHAOTIC SYSTEMS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1483.pdf.txt Investigation of a Novel Shape Sensor for Musical Expression 0.151 True DAFx 2006 DAFx/2006/papers/p_133.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1509 True DAFx 2002 DAFx/2002/DAFX02_Lazzarini_audio_object.pdf.txt Manhattan: End-User Programming for Music 0.1507 True ICMC 2001 Spectral analysis of timing profiles of piano performances Paul Trilsbeek, Peter Desain & Henkjan Honing ICMC/2001/data/cr1109.pdf.txt Morphosis for piano 0.1505 True ICMC 2008 A Full-body Gesture Recognition System and its Integration in the ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1373.pdf.txt "3rd. Pole" -- A Composition Performed via Gestural Cues 0.1505 True ISMIR 2018 INTERACTIVE ARRANGEMENT OF CHORDS AND MELODIES BASED ON A TREE-STRUCTURED GENERATIVE MODEL ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/1_Paper.pdf.txt Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks 0.1504 True ICMC 2005 A GENERALIZED PARAMETRIC REED MODEL FOR VIRTUAL MUSICAL INSTRUMENTS ICMC/2005/defevent/papers/cr1307.pdf.txt The Half-Physler: An oscillating real-time interface to a tube resonator model 0.1503 True ICMC 2001 Java Music Specification Language, an introduction and overview ICMC/2001/data/cr1013.pdf.txt Packages for ArtWonk : New Mathematical Tools for Composers 0.1503 True M&G2 M&G2/contents/Penalba Alicia M&G2 full paper.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1502 True DAFx 2006 DAFx/2006/papers/p_127.pdf.txt Automated Violin Fingering Transcription Through Analysis of an Audio Recording 0.1502 True ICMC 2000 REAL-TIME MORPHING AMONG DIFFERENT EXPRESSIVE INTENTIONS IN AUDIO PLAYBACK ICMC/2000/Papers/76ExPer2/1Canazza.pdf.txt An abstract control space for communication of sensory expressive intentions in music performance 0.1502 True ICMC 2005 TIME-STRETCHING USING THE INSTANTANEOUS FREQUENCY DISTRIBUTION AND PARTIAL TRACKING ICMC/2005/defevent/papers/cr1267.pdf.txt Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments 0.1502 True ICMPC ICMPC/ICMPC06/pdfs/628.pdf.txt Associating Emoticons with Musical Genres 0.1501 True ICMC 2008 THE SILENT DRUM CONTROLLER: A NEW PERCUSSIVE GESTURAL INTERFACE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1656.pdf.txt The Radio Drum as a Synthesizer Controller 0.1501 True ICMC 2008 REAL-TIME COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1812.pdf.txt Sodaconductor 0.1501 True ISMIR 2018 ONSETS AND FRAMES: DUAL-OBJECTIVE PIANO TRANSCRIPTION Curtis Hawthorne?† ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/19_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.15 True ICMC 2001 Kopavogur Computer Music Center (KCMC) Hilmar Thordarson, Rikhardur H. Fridriksson ICMC/2001/data/cr1033.pdf.txt Students' Projects of Interactive Media-installations in SUAC 0.15 True ICMC 2008 AN INSTANCE BASED MODEL FOR GENERATING EXPRESSIVE PERFORMANCE DURING COMPOSITION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1107.pdf.txt Intersecting Lines 0.1499 True ICMC 2008 SPLIT-SIDEBAND SYNTHESIS Victor Lazzarini Joseph Timoney Thomas Lysaght ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1019.pdf.txt colligation 0.1498 True ICMC 2000 On tempo tracking: Tempogram Representation and Kalman filtering ICMC/2000/Papers/75ExPer1/3Cemgil.pdf.txt Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter 0.1496 True GestureWorkshop 2003 Holistic Body Tracking for Gestural Interfaces Christian Lange, Thomas Hermann, and Helge Ritter GestureWorkshop/2003/Lange2003.pdf.txt A Model for Human-Computer Interaction Based on the Recognition of Musical Gestures 0.1496 True GestureWorkshop 2003 The Features People Use to Recognize Human Movement Style Frank E. Pollick GestureWorkshop/2003/Pollick2003.pdf.txt Human Movement Tracking Technology 0.1496 True ICMC 2001 Panel: New directions in Music Information Retrieval Roger Dannenberg, Jonathan Foote, George Tzanetakis*, Christopher Weare (panelists) ICMC/2001/data/cr1125.pdf.txt Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases 0.1495 True DAFx 2006 DAFx/2006/papers/p_275.pdf.txt The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming 0.1495 True SMC 2010 MUSICJSON: A REPRESENTATION FOR THE COMPUTER MUSIC CLOUD Jesus L. Alvaro SMC/2010/17.pdf.txt Understanding Cloud Support for the Audience Participation Concert Performance of Crowd in C[loud] 0.1494 True ICMC 2005 TIME VARIABLE TEMPO DETECTION AND BEAT MARKING Geoffroy Peeters ICMC/2005/defevent/papers/cr1301.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1494 True SMC 2010 TOWARDS ADAPTIVE MUSIC GENERATION BY REINFORCEMENT LEARNING OF MUSICAL TENSION SMC/2010/24.pdf.txt A Compact Spectrum-Assisted Human Beatboxing Reinforcement Learning Tool On Smartphone 0.1492 True ICMPC ICMPC/ICMPC06/pdfs/260.pdf.txt Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano Performance 0.1491 True ICMPC ICMPC/ICMPC06/pdfs/527.pdf.txt A Computer Music System for Human Singing 0.149 True ICMC 2001 Karl MacMillan, Michael Droettboom, Ichiro Fujinaga ICMC/2001/data/cr1130.pdf.txt Music Programming in Minim 0.1489 True ICMC 2005 SURVIVING ON PLANET CCRMA, TWO YEARS LATER AND STILL ALIVE ICMC/2005/defevent/papers/cr1177.pdf.txt The Sound Flinger : A Haptic Spatializer 0.1488 True DAFx 2002 DAFx/2002/DAFX02_Serafin_Wilkerson_Smith_bowl_resonators.pdf.txt Toward a Generalized Friction Controller: from the Bowed String to Unusual Musical Instruments 0.1488 True ICMC 2001 Frequency Shaping of Audio Signals Christopher Penrose ICMC/2001/data/cr1295.pdf.txt Physical Audio Digital Filters 0.1488 True ICMC 2008 HOW TO MAKE YOUR WIFE LISTEN: THE PORTRAYAL OF WOMEN IN MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1352.pdf.txt Women, Art & Technology 0.1486 True M&G2 M&G2/contents/Litman Peter M&G2 full paper.pdf.txt Virtual conducting practice environment 0.1486 True SMC 2010 D-JOGGER: SYNCING MUSIC WITH WALKING Bart Moens IPEM, Dept. of Musicology SMC/2010/66.pdf.txt Real-Time Phase Vocoder Manipulation by Runner's Pace 0.1485 True ICMC 2005 Authors Authors Abel, Jonathan Agon, Carlos Alcorn, Michael Amatriain, Xavier ICMC/2005/defevent/main/all_auth.pdf.txt Mutatis Mutandis 0.1485 True ICMC 2008 SPECTRAL SYNTHESIS AND CONTROL WITH CELLULAR AUTOMATA Jaime Serquera and Eduardo R. Miranda ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1707.pdf.txt Life Game Orchestra as an Interactive Music Composition System Translating Cellular Patterns of Automata into Musical Scales 0.1483 False ICMPC ICMPC/ICMPC06/pdfs/130.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1483 False ISMIR 2018 IMPROVED CHORD RECOGNITION BY COMBINING DURATION AND HARMONIC LANGUAGE MODELS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/300_Paper.pdf.txt Harmonic Words, Narrative Chords: Textual Sonification Using Part of Speech 0.1482 False DAFx 2002 DAFx/2002/DAFX02_Boyer_Rosier_iterative_method_HEDS_model.pdf.txt The Da ̈ıs: A Haptically Enabled New Interface for Musical Expression for Controlling Physical Models for Sound Synthesis 0.1482 False DAFx 2002 DAFx/2002/DAFX02_Xiang_music_production.pdf.txt PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis 0.1482 False SMC 2010 AN AUDIOVISUAL WORKSPACE FOR PHYSICAL MODELS Benjamin Schroeder, Marc Ainger, Richard Parent SMC/2010/13.pdf.txt A Physically Based Sound Space for Procedural Agents 0.1481 False DAFx 2006 DAFx/2006/papers/p_077.pdf.txt Physical Interactions with Digital Strings --- A hybrid approach to a digital keyboard instrument 0.1479 False ICMC 2005 A SYNAESTHETIC APPROACH FOR A SYNTHESIZER INTERFACE BASED ON GENETIC ALGORITHMS AND FUZZY SETS ICMC/2005/defevent/papers/cr1210.pdf.txt Design Principles and User Interfaces of Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970's 0.1478 False ICMC 2000 THE MUSIC, TECHNOLOGY AND INNOVATION RESEARCH GROUP ICMC/2000/Papers/93Studi3/3Hugill.pdf.txt New Performance Instruments for Electroacoustic Music 0.1476 False ICMC 2005 The "Air Worm": An Interface for Real−Time Manipulation of Expressive Music Performance ICMC/2005/defevent/abstract/a1077.pdf.txt Towards a Model for Instrumental Mapping for Expert Musical Performance 0.1475 False ICMC 2001 Parameter estimation for dual-polarization plucked string models ICMC/2001/data/cr1024.pdf.txt Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments 0.1475 False ICMC 2001 PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Model Based Synthesis ICMC/2001/data/cr1088.pdf.txt The digital piano and the patch control language system 0.1475 False ICMPC ICMPC/ICMPC06/pdfs/177.pdf.txt Interaction with Tonal Pitch Spaces 0.1475 False SMC 2010 AUTOMATIC SONG COMPOSITION FROM THE LYRICS EXPLOITING PROSODY OF JAPANESE LANGUAGE SMC/2010/44.pdf.txt Machine Songs 0.1474 False ICMC 2001 Architectural Overview of a System for Collaborative Music Composition Over the Web ICMC/2001/ICMC2001_Wust.pdf.txt Cosmo Collective 0.1473 False ICMC 2005 MIDI TO SP-MIDI TRANSCODING USING PHRASE STEALING Simon Lui ICMC/2005/defevent/papers/cr1022.pdf.txt CaMus 2 -- Optical Flow and Collaboration in Camera Phone Music Performance 0.1472 False ICMC 2005 MULTI-RIPPLE LOSS FILTER FOR WAVEGUIDE PIANO SYNTHESIS Jukka Rauhala, Heidi-Maria Lehtonen, and Vesa Välimäki ICMC/2005/defevent/papers/cr1072.pdf.txt Physical Audio Digital Filters 0.1471 False ICMC 2000 Rule-Based Emotional Coloring of Music Performance Roberto Bresin and Anders Friberg ICMC/2000/Papers/76ExPer2/3Bresin1.pdf.txt Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano Performance 0.1471 False ICMPC ICMPC/ICMPC06/pdfs/378.pdf.txt Returns & Simulacra 0.147 False ICMC 2001 Inductive Learning of General and Robust Local Expression Principles ICMC/2001/data/cr1170.pdf.txt Learning Performance Rules in a Music Interpretation System 0.147 False ICMC 2005 ENP EXPRESSION DESIGNER A VISUAL TOOL FOR CREATING ENP-EXPRESSIONS ICMC/2005/defevent/papers/cr1140.pdf.txt The evolution of interactive graphical control interfaces for music applications 0.147 False ICMC 2005 AN ASSOCIATIVE APPROACH TO COMPUTER-ASSISTED MUSIC COMPOSITION ICMC/2005/defevent/papers/cr1284.pdf.txt Mediating Gesture: An Interactive Approach to Computer-Assisted Music 0.1469 False ICMC 2000 A Distributed Interactive Music Application using Harmonic Constraint ICMC/2000/Papers/31DistPS/1Pazel.pdf.txt NAKANISYNTH: An Intuitive Freehand Drawing Waveform Synthesiser Application for iOS Devices 0.1467 False ICMC 2008 INTERACTIVE SWARM ORCHESTRA AN ARTIFICIAL LIFE APPROACH TO COMPUTER MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1200.pdf.txt Metacreation: Art and Artificial Life 0.1467 False ISMIR 2018 EVALUATING A COLLECTION OF SOUND-TRACING DATA OF MELODIC PHRASES ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/209_Paper.pdf.txt Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion 0.1466 False DAFx 2006 DAFx/2006/papers/p_067.pdf.txt Sound Analyser: A Plug-In for Real-Time Audio Analysis in Live Performances and Installations 0.1466 False ICMC 2000 Model-Based Synthesis of the Clavichord 1 2 1 Vesa Välimäki , Mikael Laurson , Cumhur Erkut , and Tero Tolonen ICMC/2000/Papers/22PhyMo2/1Valimak.pdf.txt A Tangible Virtual Vibrating String : A Physically Motivated Virtual Musical Instrument Interface 0.1466 False ICMC 2005 ELECTROACOUSTIC PERFORMANCE INTERFACES THAT LEARN FROM THEIR USERS ICMC/2005/defevent/papers/cr1142.pdf.txt The `Virtualmonium': an instrument for classical sound diffusion over a virtual loudspeaker orchestra 0.1465 False DAFx 2006 DAFx/2006/papers/p_031.pdf.txt Performing experimental music by physical simulation 0.1465 False ICMC 2008 FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMBLED ACOUSMATIC MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/abstract/a1162.pdf.txt The CyberWhistle: An Instrument For Live Performance 0.1463 False ISMIR 2018 MUSIC GENERATION AND TRANSFORMATION WITH MOMENT MATCHING-SCATTERING INVERSE NETWORKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/131_Paper.pdf.txt Stacco: Exploring the Embodied Perception of Latent Representations in Neural Synthesis 0.1462 False ICMPC ICMPC/ICMPC06/pdfs/405.pdf.txt Socks and Ammo 0.1461 False ICMC 2008 TOWARDS THE IMPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1598.pdf.txt Network Jamming : Distributed Performance using Generative Music 0.1461 False ISMIR 2018 COMPARISON OF AUDIO FEATURES FOR RECOGNITION OF WESTERN AND ETHNIC INSTRUMENTS IN POLYPHONIC MIXTURES ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/139_Paper.pdf.txt Real-Time Raag Recognition for Interactive Music 0.146 False ICMC 2000 Musical Analysis of a Computer Music Project, by Computer-Assistance, ICMC/2000/Papers/98Poste3/3Liu.pdf.txt Learning Performance Rules in a Music Interpretation System 0.146 False ICMPC ICMPC/ICMPC06/pdfs/337.pdf.txt Creativity in Children's Digital Music Composition 0.146 False ISMIR 2018 A PREDICTIVE MODEL FOR MUSIC BASED ON LEARNED INTERVAL REPRESENTATIONS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/179_Paper.pdf.txt An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks 0.1459 False DAFx 2002 DAFx/2002/DAFX02_Mueller-Tomfelde_silent_computer.pdf.txt The continuum : a continuous music keyboard 0.1459 False ICMPC ICMPC/ICMPC06/pdfs/227.pdf.txt SmartDrone: An Aurally Interactive Harmonic Drone 0.1456 False ICMC 2005 WHAT IS THE COLOR OF THAT MUSIC PERFORMANCE? Roberto Bresin ICMC/2005/defevent/papers/cr1275.pdf.txt Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano Performance 0.1455 False ICMC 2000 AIR FLOW RELATED IMPROVEMENTS FOR BASIC PHYSICAL MODELS OF BRASS INSTRUMENTS ICMC/2000/Papers/23PhyMo3/1Vergez.pdf.txt Trumpet and Trumpet Player: Model and Simulation in a Musical Context 0.1455 False ICMC 2000 Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA) ICMC/2000/Papers/27VoSyn2/1Schnell.pdf.txt The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human--Computer Interface 0.1455 False ICMC 2008 Q3OSC OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB GAME ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1745.pdf.txt SoundCraft: Transducing StarCraft 2 0.1455 False ISMIR 2018 CONVOLUTIONAL GENERATIVE ADVERSARIAL NETWORKS WITH BINARY NEURONS FOR POLYPHONIC MUSIC GENERATION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/218_Paper.pdf.txt A Physical Intelligent Instrument using Recurrent Neural Networks 0.1454 False ICMC 2005 λGTK: A PORTABLE GRAPHICS LAYER FOR COMMON MUSIC Heinrich Taube ICMC/2005/defevent/papers/cr1185.pdf.txt Tree Music: Composing with GAIA 0.1454 False ISMIR 2018 FRAME-LEVEL INSTRUMENT RECOGNITION BY TIMBRE AND PITCH Yun-Ning Hung and Yi-Hsuan Yang ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/55_Paper.pdf.txt An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks 0.1453 False ICMPC ICMPC/ICMPC06/pdfs/419.pdf.txt Design and Evaluation of a Gesture Controlled Singing Voice Installation 0.1453 False ISMIR 2018 DOCUMENT ANALYSIS OF MUSIC SCORE IMAGES WITH SELECTIONAL AUTO-ENCODERS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/93_Paper.pdf.txt Optical Music Recognition for Interactive Score Display 0.1452 False ICMC 2008 THE ROSEGARDEN CODICIL: REHEARSING MUSIC IN NINETEENTONE EQUAL TEMPERAMENT ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1561.pdf.txt XR Musical Keyboard: An Extended Reality Keyboard with an Arbitrary Number of Keys and Pitches 0.1452 False ICMC 2008 A GAME THEORETICAL MODEL FOR MUSICAL INTERACTION Grace Leslie ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1576.pdf.txt SoundCraft: Transducing StarCraft 2 0.1451 False CIM 2005 Acoustical correlates of the main features of violin timbre perception CIM/2005/CIM05_Articles/STEPANEK_J_CIM05_01.pdf.txt Timbre Space as a Musical Control Structure 0.1451 False ICMC 2001 Hypermusic and the Sighting of Sound - A Nomadic Studio Report ICMC/2001/ICMC2001_Impett.pdf.txt Computer audio research laboratory report 0.1449 False ICMC 2000 A New, Flexible Framework for Audio and Image Synthesis. James McCartney ICMC/2000/Papers/61IntSy1/2McCartn.pdf.txt A Real-Time Synthesis Unit 0.1449 False ICMPC ICMPC/ICMPC06/pdfs/361.pdf.txt Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response 0.1448 False DAFx 2006 DAFx/2006/papers/p_165.pdf.txt The Whammy Bar as a Digital Effect Controller 0.1448 False ICMC 2008 CROSS-POLLINATION: TOWARDS AN AESTHETICS OF THE REAL Tom Davis ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1692.pdf.txt The Loop 0.1448 False ICMPC ICMPC/ICMPC06/pdfs/369.pdf.txt Design for auditory imagery: altering instruments to explore performer fluency 0.1447 False ICMC 2001 ICMC/2001/data/cr1204.pdf.txt Real-time console for live performance of computer music and for recording studios 0.1447 False ICMC 2005 Electroacoustic Music Laboratory Jesús Guridi Conservatoire of Music ICMC/2005/defevent/papers/cr1274.pdf.txt New Performance Instruments for Electroacoustic Music 0.1447 False ICMC 2008 A MULTILAYERED GDIF-BASED SETUP FOR STUDYING COARTICULATION IN THE MOVEMENTS OF MUSICIANS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1583.pdf.txt Towards a Gesture Description Interchange Format 0.1446 False DAFx 2006 DAFx/2006/papers/p_121.pdf.txt Timbre Space as a Musical Control Structure 0.1445 False GestureWorkshop 2003 Expressiveness of Musician’s Body Movements in Performances on Marimba GestureWorkshop/2003/Dahl2003.pdf.txt An abstract control space for communication of sensory expressive intentions in music performance 0.1445 False ICMC 2005 REAL TIME SIGNAL TRANSPOSITION WITH ENVELOPE PRESERVATION IN THE PHASE VOCODER ICMC/2005/defevent/papers/cr1323.pdf.txt Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments 0.1445 False ICMC 2008 INTERCHANGE FORMATS AND THE ART OF SPATIAL AUDIO Gary S. Kendall ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1804.pdf.txt The Spatial Sound Description Interchange Format: Principles, Specification, and Examples 0.1444 False DAFx 2006 DAFx/2006/papers/p_169.pdf.txt An Introduction to the SSSP Digital Synthesizer 0.1444 False ICMC 2001 Functional Specification of a Distributed and Mobile Architecture for Virtual ICMC/2001/data/cr1230.pdf.txt Real time control of 3D sound space by gesture 0.1441 False GestureWorkshop 2003 The Analysis of Gesture: Establishing a Set of Parameters Nicla Rossini GestureWorkshop/2003/Rossini2003.pdf.txt Empty-Handed Gesture Analysis in Max/FTS 0.1441 False ICMC 2005 A HISTORY OF ROBOTIC MUSICAL INSTRUMENTS Ajay Kapur ICMC/2005/defevent/papers/cr1264.pdf.txt Designing and Building Expressive Robotic Guitars 0.144 False DAFx 2002 DAFx/2002/DAFX02_Tzanetakis_Essl_Cook_beat_strength_perception.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.144 False ICMC 2000 CURVEPAINTER: A NEW COMPOSITIONAL TOOL Colby N. Leider ICMC/2000/Papers/97Poste2/1Leider.pdf.txt A Look at the Design and Creation of a Graphically Controlled Digital Musical Instrument 0.144 False ICMPC ICMPC/ICMPC06/pdfs/338.pdf.txt Interaction with Tonal Pitch Spaces 0.144 False ICMPC ICMPC/ICMPC06/pdfs/665.pdf.txt Start 'em Young: Digital Music Instrument for Education 0.1439 False DAFx 2002 DAFx/2002/DAFX02_Wells_Murphy_partial_tracking.pdf.txt Computers and dance: a bibliography 0.1439 False ICMC 2005 ANALYSIS OF ELECTROACOUSTIC WORKS WITH MUSIC AND LANGUAGE INTERSECTIONS ICMC/2005/defevent/papers/cr1258.pdf.txt MAGE 2.0: New Features and its Application in the Development of a Talking Guitar 0.1438 False ICMC 2005 MIMESIS, A VISUAL AND MUSICAL INSTRUMENT Agueda Simó ICMC/2005/defevent/papers/cr1115.pdf.txt Virtual Art: From Illusion to Immersion 0.1438 False ICMC 2005 AUDIO ANALOGIES: CREATING NEW MUSIC FROM AN EXISTING PERFORMANCE BY CONCATENATIVE SYNTHESIS ICMC/2005/defevent/papers/cr1263.pdf.txt Tangible Scores: Shaping the Inherent Instrument Score 0.1437 False ICMC 2005 INNER ROOM EXTENSION OF A GENERAL MODEL FOR SPATIAL PROCESSING OF SOUNDS ICMC/2005/defevent/papers/cr1041.pdf.txt ROOM#81 0.1437 False ICMC 2008 A TOOLKIT FOR MUSIC AND AUDIO ACTIVITIES ON THE XO COMPUTER Victor Lazzarini ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1073.pdf.txt Csound Instruments On Stage 0.1437 False ICMC 2008 NOVEL PERCUSSIVE INSTRUMENT DESIGN – CONVERTING MATHEMATICAL FORMULAE INTO ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1793.pdf.txt Gestural Control of Digital Audio Environments 0.1437 False ICMPC ICMPC/ICMPC06/pdfs/254.pdf.txt The Rullen Band 0.1437 False ICMPC ICMPC/ICMPC06/pdfs/468.pdf.txt A Minor Chord for BladeAxe 0.1435 False ICMC 2008 APPLICATIONS OF GEOSCIENTIFIC SONIFICATION: PRELIMINARY RESULTS – WHERE IS MY RESERVOIR? ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1486.pdf.txt The Accordiatron : A MIDI Controller For Interactive Music 0.1435 False ICMC 2008 IMPLEMENTATION AND APPLICATIONS OF OPEN SOUND CONTROL TIMESTAMPS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1659.pdf.txt Open Sound Control : Constraints and Limitations 0.1433 False ICMC 2001 Simple resonators with shape control Davide Rocchesso Dipartimento di Informatica ICMC/2001/data/cr1034.pdf.txt Real-time Adaptive Control of Modal Synthesis 0.1433 False M&G2 M&G2/contents/Vines Bradley, Wanderley Marcelo, Krumhansl Carol, Dalca Ioa.pdf.txt An abstract control space for communication of sensory expressive intentions in music performance 0.1431 False ICMC 2005 Session : Poster Introduction Session ICMC/2005/defevent/sessions/s340.pdf.txt The Interactive Arts System: Introduction to a Real-Time Performance Tool 0.143 False ICMC 2001 ENP Musical Notation Library based on Common Lisp and CLOS Mika Kuuskankare and Mikael Laurson ICMC/2001/data/cr1047.pdf.txt AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music 0.143 False ICMC 2001 A Fast Data Structure for Disk-Based Audio Editing Dominic Mazzoni and Roger B. Dannenberg ICMC/2001/data/cr1182.pdf.txt GROOVE - a Program to Compose, Store, and Edit Functions of Time 0.143 False ICMC 2001 On the importance of phase information in additive analysis/synthesis of binaural sounds ICMC/2001/data/cr1185.pdf.txt Timbre Space as a Musical Control Structure 0.1429 False ICMC 2000 Center for New Music and Audio Technologies (CNMAT) Studio Report ICMC/2000/Papers/92Studi2/2Andrews.pdf.txt Where Are You Standing? 0.1428 False ICMC 2008 CONDITIONS FOR DEVELOPMENT OF AN INTERCHANGE FORMAT FOR SPATIAL AUDIO ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1820.pdf.txt The Spatial Sound Description Interchange Format: Principles, Specification, and Examples 0.1428 False ICMPC ICMPC/ICMPC06/pdfs/300.pdf.txt A Minor Chord for BladeAxe 0.1428 False ISMIR 2018 END-TO-END LEARNING FOR MUSIC AUDIO TAGGING AT SCALE Jordi Pons?† Oriol Nieto† Matthew Prockup† Erik Schmidt† Andreas Ehmann† Xavier Serra? ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/191_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1427 False ICMC 2005 SPATIALISATION USING SOUNDING OBJECTS Maarten van Walstijn, Michael Alcorn, and Stefan Bilbao ICMC/2005/defevent/papers/cr1237.pdf.txt Spatial Sound Synthesis in Computer-Aided Composition 0.1427 False ICMC 2008 NETWORK DRAMATURGY: BEING ON THE NODE Pedro Rebelo Franziska Schroeder ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1814.pdf.txt Interaction: Artistic Practice in the Network 0.1427 False ICMPC ICMPC/ICMPC06/pdfs/62.pdf.txt Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases 0.1425 False DAFx 2001 DAFx/2001/dafx01_final.pdf.txt The reciprocity between ancillary gesture and music structure performed by expert musicians 0.1425 False ICMC 2001 Automatic Bass Line Transcription from Polyphonic Music Stephen W. Hainsworth, Malcolm D. Macleod ICMC/2001/data/cr1089.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1425 False ICMC 2005 IMUTUS SCORE PROCESSING COMPONENTS D.Fober, S.Letz, Y.Orlarey ICMC/2005/defevent/papers/cr1032.pdf.txt CLAM: A Framework for Audio and Music Application Development 0.1424 False ICMC 2005 THE COMPOSITIONAL PROCESSES OF ELECTROACOUSTIC COMPOSERS: CONTRASTING PERSPECTIVES ICMC/2005/defevent/papers/cr1075.pdf.txt Abstraction and Activity in Computer-Mediated Music Production 0.1424 False ICMC 2005 A FLEXIBLE AUTHORING TOOL FOR WAVE FIELD SYNTHESIS S. Bleda J.J. López ICMC/2005/defevent/papers/cr1089.pdf.txt A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio 0.1424 False ISMIR 2018 OPTICAL MUSIC RECOGNITION IN MENSURAL NOTATION WITH REGION-BASED CONVOLUTIONAL NEURAL NETWORKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/32_Paper.pdf.txt Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and Music 0.1423 False DAFx 2006 DAFx/2006/papers/p_107.pdf.txt Contextualizing Musical Organics: An Ad-hoc Organological Classification Approach 0.1423 False ICMC 2005 THE ARCHITECTURE OF AURACLE: A VOICE-CONTROLLED, NETWORKED SOUND INSTRUMENT ICMC/2005/defevent/papers/cr1038.pdf.txt The Architecture of Auracle: a Real-Time, Distributed, Collaborative Instrument 0.1423 False ICMC 2005 SPAA- AN AGENT BASED INTERACTIVE COMPOSITION Michael Spicer Singapore Polytechnic ICMC/2005/defevent/papers/cr1073.pdf.txt The synthetic performer in the context o live performance 0.1423 False SMC 2010 Analysis and automatic annotation of singer’s postures during concert and SMC/2010/29.pdf.txt Hand Posture Recognition: IR, IMU and sEMG 0.1422 False ICMC 2000 The jMax environment: an overview of new features François Déchelle, Norbert Schnell, Riccardo Borghesi, Nicola Orio ICMC/2000/Papers/61IntSy1/1Dechell.pdf.txt A Simple Architecture for Server-based (Indoor) Audio Walks 0.1422 False ICMPC ICMPC/ICMPC06/pdfs/342.pdf.txt An Interface for Emotional Expression in Audio-Visuals 0.1421 False ICMC 2000 Extensions and Applications of the SDIF Sound Description Interchange Format ICMC/2000/Papers/99Poste4/1Schwarz.pdf.txt Towards a Gesture Description Interchange Format 0.1421 False ICMC 2005 SYNTHESIZING A JAVANESE GONG AGENG Lydia Ayers Andrew Horner ICMC/2005/defevent/papers/cr1116.pdf.txt Keseh Gong: Augmented Balinese Gamelan "Gong" for Interactive Music Performance 0.142 False ICMC 2005 NEW SOUND DECOMPOSITION METHOD APPLIED TO GRANULAR SYNTHESIS Charles Bascou and Laurent Pottier ICMC/2005/defevent/papers/cr1239.pdf.txt PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis 0.142 False ICMC 2008 COMPER: TOWARDS A MODEL FOR GENERATING COMPOSITIONS FROM EXPRESSIVE MUSIC PERFORMANCES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1595.pdf.txt The Micro-computer as an Input Device for Music Analysis or Composition by Computer 0.142 False ICMPC ICMPC/ICMPC06/pdfs/93.pdf.txt Timbre Space as a Musical Control Structure 0.1419 False ICMC 2005 SNDTOOLS: REAL-TIME AUDIO DSP AND 3D VISUALIZATION Ananya Misra Ge Wang Perry R. Cook† ICMC/2005/defevent/papers/cr1207.pdf.txt ChuckPad: Social Coding for Computer Music 0.1419 False ICMC 2008 CONSTRAINT-BASED COMPOSITION IN REALTIME Torsten Anders and Eduardo R. Miranda ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1509.pdf.txt 'Solo': a Specific Example of Realtime Performance 0.1419 False ICMPC ICMPC/ICMPC06/pdfs/639.pdf.txt The reciprocity between ancillary gesture and music structure performed by expert musicians 0.1416 False DAFx 2002 DAFx/2002/DAFX02_Meine_Purnhagen_sine_synthesis_MPEG4.pdf.txt A new interactive performance system for real- time sound synthesis 0.1416 False ICMC 2005 The jChing: a Java-Based Algorithmic Composition Tool Robert Hamilton ICMC/2005/defevent/papers/cr1044.pdf.txt Integrated Algorithmic Composition Fluid systems for including notation in music composition cycle 0.1416 False ICMC 2005 THE “AIR WORM”: AN INTERFACE FOR REAL-TIME MANIPULATION OF EXPRESSIVE MUSIC PERFORMANCE ICMC/2005/defevent/papers/cr1077.pdf.txt ISEE: An Intuitive Sound Editing Environment 0.1416 False ICMC 2008 MELODY MORPHING METHOD BASED ON GTTM Masatoshi Hamanaka ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1249.pdf.txt A Function-Oriented Interface for Music Education and Musical Expressions: ``the Sound Wheel'' 0.1416 False SMC 2010 FIRST STEPS IN RELAXED REAL-TIME TYPO-MORPHOLOGICAL AUDIO ANALYSIS/SYNTHESIS SMC/2010/57.pdf.txt Utilisations récentes de capteurs gestuels en création musicale à l'Ircam 0.1415 False ICMC 2008 PARAMETER CONTROLLED REMOTE PERFORMANCE (PCRP): PLAYING TOGETHER DESPITE HIGH DELAY ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1801.pdf.txt A Musical Performance Evaluation System for Beginner Musician based on Real-time Score Following 0.1413 False ICMC 2001 Main Conference Information ICMC/2001/info.pdf.txt Aura: Presence/ without$^*$ Manual 0.1412 False ICMPC ICMPC/ICMPC06/pdfs/235.pdf.txt The Musical Synchrotron : Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo 0.1411 False ICMPC ICMPC/ICMPC06/pdfs/589.pdf.txt Introduction 0.141 False ICMC 2000 Mapping a Virtual Sound Space into a Real Visual Space Stéphane Natkin ICMC/2000/Papers/33ViMuEn/2Natkin.pdf.txt Real time control of 3D sound space by gesture 0.141 False ICMC 2005 FINDING SUBSEQUENCES OF MELODIES IN MUSICAL PIECES Kamil Adiloğlu ICMC/2005/defevent/papers/cr1079.pdf.txt ism: Improvisation Supporting System based on Melody Correction 0.141 False M&G2 M&G2/contents/Wollner Clemens M&G2 extended abstract.pdf.txt Following a Conductor: the Engineering of an Input Device 0.1409 False ICMPC ICMPC/ICMPC06/pdfs/297.pdf.txt Navigating Descriptive Sub-Representations of Musical Timbre 0.1408 False CIM 2005 Multidimensional timbre analysis of shakuhachi honkyoku CIM/2005/CIM05_Articles/BOLGER_D_CIM05.pdf.txt Timbre et causalité 0.1408 False DAFx 2002 DAFx/2002/DAFX02_Duxbury_Sandler_Davis_note_onset_detection.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1408 False ICMC 2005 AN ALGORITHM FOR AUDIO SKEW COMPENSATION IN LOW LATENCY ENVIRONMENTS ICMC/2005/defevent/papers/cr1178.pdf.txt CloudOrch: A Portable SoundCard in the Cloud 0.1407 False ICMC 2005 THE CROAKER: A PHYSICAL MODEL AND A LEGO CONTROLLER Stefania Serafin and Amalia De Goetzen ICMC/2005/defevent/papers/cr1188.pdf.txt Synthesis and Control of Everyday Sounds Reconstructing Russolo's Intonarumori 0.1407 False ICMC 2005 THE VIRTUAL ELECTRONIC POEM (VEP) PROJECT Vincenzo Lombardo, Andrea Arghinenti, ICMC/2005/defevent/papers/cr1251.pdf.txt The vision of virtual reality 0.1407 False SMC 2010 STYLE EMULATION OF DRUM PATTERNS BY MEANS OF EVOLUTIONARY METHODS AND STATISTICAL ANALYSIS SMC/2010/26.pdf.txt Interactive Spatialization and Sound Design using an Evolutionary System 0.1406 False ICMC 2000 PAWN & SPAWN: Portable and Semi−Portable Audio Workstation David Topper ICMC/2000/Papers/Demos/08Toppe2.pdf.txt Extended Applications of the Wireless Sensor Array (WISEAR) 0.1406 False ICMC 2001 Efficient Pitch Detection Techniques for Interactive Music Patricio de la Cuadra, Aaron Master, Craig Sapp ICMC/2001/data/cr1207.pdf.txt Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach 0.1406 False ICMC 2005 PEAK EXTRACTION AND PARTIAL TRACKING OF MUSIC SIGNALS USING KALMAN FILTERING ICMC/2005/defevent/papers/cr1173.pdf.txt Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter 0.1406 False ISMIR 2018 FUNCTIONAL HARMONY RECOGNITION OF SYMBOLIC MUSIC DATA WITH MULTI-TASK RECURRENT NEURAL NETWORKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/178_Paper.pdf.txt A Real Time Common Chord Progression Guide on the Smartphone for Jamming Pop Song on the Music Keyboard 0.1405 False DAFx 2006 DAFx/2006/papers/p_239.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.1405 False ICMC 2005 DESIGN OF A GENERATIVE MODEL FOR SOUNDSCAPE CREATION David Birchfield ICMC/2005/defevent/papers/cr1181.pdf.txt Synthetic Ornithology: Machine learning, simulations and hyper-real soundscapes 0.1405 False ICMC 2008 SPATIAL AUDIO AUTHORING AND RENDERING: FORWARD RESEARCH THROUGH EXCHANGE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1805.pdf.txt The Spatial Sound Description Interchange Format: Principles, Specification, and Examples 0.1405 False M&G2 M&G2/contents/Aguilar Ananay M&G2 full paper.pdf.txt New Performance Instruments for Electroacoustic Music 0.1404 False DAFx 2006 DAFx/2006/papers/p_173.pdf.txt Bring Your Own Bow: Real-Time Bowing Parameter Estimation from String Sensor Data 0.1404 False ICMC 2008 SURVEY OF MUSIC ANALYSIS AND VISUALIZATION TOOLS IN PWGL Mika Kuuskankare ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1160.pdf.txt Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting Language 0.1404 False ICMPC ICMPC/ICMPC06/pdfs/310.pdf.txt The Feedback Trombone: Controlling Feedback in Brass Instruments 0.1404 False SMC 2010 CONCURRENT CONSTRAINTS CONDITIONAL-BRANCHING TIMED INTERACTIVE SCORES SMC/2010/65.pdf.txt The Pond : Interactive Multimedia Installation 0.1402 False ICMC 2008 Interaction typologies : traditional music instruments versus digital ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1681.pdf.txt Interaction Taxonomy for Sequencer-Based Music Performances 0.1402 False ISMIR 2018 CAMERA-PRIMUS: NEURAL END-TO-END OPTICAL MUSIC RECOGNITION ON REALISTIC MONOPHONIC SCORES ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/33_Paper.pdf.txt Optical Music Recognition for Interactive Score Display 0.1402 False ISMIR 2018 MUSIC MOOD DETECTION BASED ON AUDIO AND LYRICS WITH DEEP NEURAL NET ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/99_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1401 False ICMC 2001 Enhancing sound description in VRML Alexandre Topol, Florent Schaeffer ICMC/2001/data/cr1229.pdf.txt Music(re)ality: A Collaborative Improvisation between Virtual and Real World 0.1401 False ICMC 2005 EXPLOITING MELODIC SMOOTHNESS FOR MELODY DETECTION IN POLYPHONIC AUDIO ICMC/2005/defevent/papers/cr1099.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1401 False ICMC 2008 INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS IN THE OMAX IMPROVISATION SYSTEM ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1565.pdf.txt Score Following: State of the Art and New Developments 0.14 False ICMC 2005 JACK AUDIO SERVER FOR MULTI-PROCESSOR MACHINES S.Letz, D.Fober, Y.Orlarey ICMC/2005/defevent/papers/cr1024.pdf.txt A Simple Architecture for Server-based (Indoor) Audio Walks 0.1399 False ICMC 2008 TOWARDS BI-DIMENSIONAL CLASSIFICATION OF SYMBOLIC MUSIC BY AFFECTIVE CONTENT ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1187.pdf.txt Towards an Affective Gesture Interface for Expressive Music Performance 0.1399 False SMC 2010 UNSUPERVISED GENERATION OF PERCUSSION SOUND SEQUENCES FROM A SOUND EXAMPLE SMC/2010/70.pdf.txt OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations 0.1398 False ICMPC ICMPC/ICMPC06/pdfs/529.pdf.txt Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise 0.1397 False ICMPC ICMPC/ICMPC06/pdfs/187.pdf.txt The Rullen Band 0.1396 False ISMIR 2018 IDENTIFYING EMOTIONS IN OPERA SINGING: IMPLICATIONS OF ADVERSE ACOUSTIC CONDITIONS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/22_Paper.pdf.txt Design and Evaluation of a Gesture Controlled Singing Voice Installation 0.1395 False ICMC 2008 The MusicDB: A Music Database Query System for Recombinance-based Composition in Max/MSP ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1458.pdf.txt Fuzzy Logic Control Toolkit 2.0: composing and synthesis by fuzzyfication 0.1394 False ICMC 2000 Sound Exchange and Performance on Internet2 Mara Helmuth ICMC/2000/Papers/31DistPS/3Helmuth.pdf.txt Tree Music: Composing with GAIA 0.1394 False ICMC 2001 Preparation for Interactive Live Computer Performance in Collaboration with a Symphony Orchestra ICMC/2001/ICMC2001_Madden.pdf.txt The Ningen Dogs Orchestra 0.1394 False ICMC 2005 AUTOMATIC GENERATION OF METRICAL STRUCTURE BASED ON GTTM Masatoshi Hamanaka ICMC/2005/defevent/papers/cr1062.pdf.txt Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator 0.1394 False ICMC 2005 SOUND DIFFUSION USING HAND-HELD LIGHT-EMITTING PEN CONTROLLERS ICMC/2005/defevent/papers/cr1141.pdf.txt Fields: An Exploration into the use of Mobile Devices as a Medium for Sound Diffusion 0.1393 False ICMC 2008 FLEXIBLE CONTROL OF COMPOSITE PARAMETERS IN MAX/MSP Timothy Place,a Trond Lossius,b Alexander Refsum Jensenius,c Nils Petersd ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1702.pdf.txt Analytic vs. holistic approaches for the live search of sound presets using graphical interpolation 0.1393 False SMC 2010 TONAL SIGNATURES Gilbert Nouno Researcher, Electronic Musician - Ircam SMC/2010/68.pdf.txt Interaction with Tonal Pitch Spaces 0.1392 False ICMC 2000 SCANNED SYNTHESIS: AN INTRODUCTION AND DEMONSTRATION OF A NEW ICMC/2000/Papers/81SoSyM1/2Boulan1.pdf.txt A Scanned Synthesis Virtual Instrument 0.1392 False ICMC 2008 SOUND COMMUNICATION: A STANDARD SYNTAX FOR INTER-APPLICATION, INTER-DEVICE AND INTERPLAYER COMMUNICATION OVER OSC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1623.pdf.txt Communication of musical gesture using the AES/EBU digital audio standard 0.1391 False DAFx 2002 DAFx/2002/DAFX02_Smyth_Smith_flute-like_sounds.pdf.txt A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic Models 0.1391 False ICMC 2001 Alignment of Monophonic and Polyphonic Music to a Score Nicola Orio ICMC/2001/data/cr1375.pdf.txt A Musical Performance Evaluation System for Beginner Musician based on Real-time Score Following 0.1391 False ICMC 2005 A SMARTER WAY TO FIND PITCH Philip McLeod, Geoff Wyvill ICMC/2005/defevent/papers/cr1172.pdf.txt Harmonic Intonation Trainer: An Open Implementation in Pure Data 0.1391 False ISMIR 2018 SEMI-SUPERVISED LYRICS AND SOLO-SINGING ALIGNMENT Chitralekha Gupta1,2 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/30_Paper.pdf.txt LiVo: Sing a Song with a Vowel Keyboard 0.1391 False SMC 2010 A LYRICS-MATCHING QBH SYSTEM FOR INTERACTIVE ENVIRONMENTS Panagiotis Papiotis SMC/2010/41.pdf.txt Investigating the Role of Score Following in Automatic Musical Accompaniment 0.1388 False ICMC 2008 ADAPTIVE BOTTLE K. Adiloğlu, R. Anniés, K. Obermayer ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1340.pdf.txt Aspects of the Aesthetics of Telecomommunications 0.1387 False ICMC 2005 NEAREST CENTROID ERROR CLUSTERING FOR RADIAL/ELLIPTICAL BASIS FUNCTION NEURAL ICMC/2005/defevent/papers/cr1129.pdf.txt Timbre Tuning: Variation in Cello Sprectrum Across Pitches and Instruments 0.1387 False ICMC 2005 MMT TRAVEL KIT Dr. Rosemary Mountain ICMC/2005/defevent/papers/cr1326.pdf.txt The Pond : Interactive Multimedia Installation 0.1387 False ICMC 2008 PROJECT LOVELACE: TEENAGE GIRLS AND TECHNOLOGY-BASED COMPOSITION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1202.pdf.txt Women Who Build Things: Gestural Controllers, Augmented Instruments, and Musical Mechatronics 0.1386 False ICMC 2001 Learning-Based Jam Session System for A Guitar Trio Masatoshi Hamanaka∗ , Masataka Goto∗∗,∗∗∗ , and Nobuyuki Otsu∗∗∗,∗ ICMC/2001/data/cr1146.pdf.txt The Creation of a Multi-Human, Multi-Robot Interactive Jam Session 0.1386 False ISMIR 2004 QUERY-BY-BEAT-BOXING: MUSIC RETRIEVAL FOR THE DJ Ajay Kapur Electrical and Computer ISMIR/2004/paper217-dce1e4aa40a8975fa18965a974d7980a.pdf.txt Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases 0.1386 False ISMIR 2018 A SINGLE-STEP APPROACH TO MUSICAL TEMPO ESTIMATION USING A CONVOLUTIONAL NEURAL NETWORK ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/141_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1386 False SMC 2010 AUDIO-BASED MUSIC VISUALIZATION FOR MUSIC STRUCTURE ANALYSIS Ho-Hsiang Wu and Juan P. Bello SMC/2010/73.pdf.txt Mining Unlabeled Electronic Music Databases through 3D Interactive Visualization of Latent Component Relationships 0.1385 False DAFx 2002 DAFx/2002/DAFX02_Topper_Burtner_Serafin_SOS_synthesis.pdf.txt Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing 0.1385 False ICMPC ICMPC/ICMPC06/pdfs/374.pdf.txt Morphosis for piano 0.1385 False ISMIR 2018 DEEP WATERSHED DETECTOR FOR MUSIC OBJECT RECOGNITION Lukas Tuggener1,3 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/225_Paper.pdf.txt Optical Music Recognition for Interactive Score Display 0.1385 False OSCC 2004 OSC and Gesture features of CNMAT's Connectivity Processor Rimas Avizienis and Adrian Freed OSCC/OSC2004-RimasBox.pdf.txt Score and/or gesture : The system RTI4I for real-time contyrol of the processor 4I 0.1384 False ICMC 2005 FREEDOM WITHIN STRUCTURAL CONSTRAINTS IN THE DARKRIDE COMPOSITION HARRICAN DAY ICMC/2005/defevent/papers/cr1297.pdf.txt iFP: A Music Interface Using an Expressive Performance Template 0.1383 False ICMC 2008 RAMEAU: A SYSTEM FOR AUTOMATIC HARMONIC ANALYSIS Pedro Kröger, Alexandre Passos, Marcos Sampaio, Givaldo de Cidra ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1516.pdf.txt A Function-Oriented Interface for Music Education and Musical Expressions: ``the Sound Wheel'' 0.1383 False ISMIR 2018 VOCAL MELODY EXTRACTION WITH SEMANTIC SEGMENTATION AND AUDIO-SYMBOLIC DOMAIN TRANSFER LEARNING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/286_Paper.pdf.txt A Semantic Analysis of the Design Space of Input Devices 0.1382 False DAFx 2006 DAFx/2006/papers/p_253.pdf.txt Intuitive Real-Time Control of Spectral Model Synthesis 0.1382 False ICMC 2001 Controlling Material Properties in Physical Models of Sounding Objects ICMC/2001/data/cr1141.pdf.txt Developing Block-Movement, Physical-Model Based Objects for the Reactable 0.1382 False ICMC 2001 Automatic Modeling of Musical Style O. Lartillot1, S. Dubnov2, G. Assayag1, G. Bejerano3 ICMC/2001/data/cr1328.pdf.txt Modelling Gestures in Music Performance with Statistical Latent-State Models 0.1382 False ICMC 2005 PERMUTATION GROUPS AND CHORD TESSELATIONS Franck Jedrzejewski ICMC/2005/defevent/papers/cr1008.pdf.txt A Minor Chord for BladeAxe 0.1382 False ISMIR 2018 MUSICAL TEXTURE AND EXPRESSIVITY FEATURES FOR MUSIC EMOTION RECOGNITION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/250_Paper.pdf.txt Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano Performance 0.1381 False ICMC 2000 Design and Implementation of a platform independent Guido Notation Engine ICMC/2000/Papers/98Poste3/1Renz.pdf.txt Dance and Movement Notation 0.1381 False ICMC 2008 INTERCHANGE FORMATS FOR SPATIAL AUDIO Stephen Travis Pope FASTLab Inc. & HeavenEverywhere Media ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1818.pdf.txt The Spatial Sound Description Interchange Format: Principles, Specification, and Examples 0.1381 False ICMPC ICMPC/ICMPC06/pdfs/571.pdf.txt The Hayward Tuning Vine: an interface for Just Intonation 0.138 False CIM 2005 The Continuum of words, voice and music. In search for a vocabulary for the timbre of song and voice CIM/2005/CIM05_Articles/MOSSBERG_F_CIM05.pdf.txt Words , Movement and Timbre 0.138 False CIM 2005 Towards a Mapping of Timbral Space CIM/2005/CIM05_Articles/SEAGO_A_CIM05.pdf.txt Timbre Space as a Musical Control Structure 0.138 False DAFx 2002 DAFx/2002/DAFX02_Lagrange_Marchand_Rault_nonstationary_model.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.138 False ICMC 2005 TONALITY VISUALIZATION OF POLYPHONIC AUDIO Emilia Gómez Jordi Bonada ICMC/2005/defevent/papers/cr1283.pdf.txt Grounded Yet Shifting: Shaping Hybrid Performance Ecologies with Dynamic Tonality 0.138 False ICMC 2008 INTERCULTURAL EXPLORATION: THE COMPUTER AND TRADITIONAL MUSIC CULTURES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1770.pdf.txt Sonic Crucible Entanglements 0.1379 False ICMC 2000 SCANNED SYNTHESIS ICMC/2000/Papers/81SoSyM1/1Verplan.pdf.txt A Scanned Synthesis Virtual Instrument 0.1379 False ISMIR 2004 THE INTERNATIONAL MUSIC INFORMATION RETRIEVAL SYSTEMS EVALUATION LABORATORY: ISMIR/2004/paper220-9f30cf2a39ea701625aad9ee86f6ac1f.pdf.txt Integration of Freesound content in creative applications and sound interfaces: a survey of use cases 0.1378 False ICMC 2000 B RIC O LEUR AN D EN G IN EER IN C O M P UT ER M US IC Ingeborg Okkels ICMC/2000/Papers/11Aesth1/3Okkels.pdf.txt The Aesthetics of Interactive Computer Music 0.1378 False ICMC 2005 HEARING EMERGENCE: TOWARDS SOUND-BASED SELF-ORGANISATION Tom Davis ICMC/2005/defevent/papers/cr1143.pdf.txt Environment for the Interactive Design of Emergent Art 0.1378 False ICMPC ICMPC/ICMPC06/pdfs/22.pdf.txt Song Kernel --- Explorations in Intuitive Use of Harmony 0.1378 False SMC 2010 IN A CONCRETE SPACE. RECONSTRUCTING THE SPATIALIZATION OF IANNIS XENAKIS’ CONCRET PH ON A MULTICHANNEL SETUP SMC/2010/40.pdf.txt Echology 0.1377 False ICMC 2005 LATTICE: STRATEGIES FOR AND AGAINST CONTROL IN AN IMPROVISATION INSTRUMENT ICMC/2005/defevent/papers/cr1118.pdf.txt A Software System for Laptop Performance and Improvisation 0.1376 False ICMC 2001 Williams [re]Mix[er]: An Interactive I Ching Composing Program ICMC/2001/data/cr1066.pdf.txt Cellphonia: 4’ 33” 0.1376 False ICMPC ICMPC/ICMPC06/pdfs/269.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1375 False ICMC 2000 High Level Musical Control of Sound Synthesis in OpenMusic Carlos Agon, Marco Stroppa, Gérard Assayag (IRCAM) ICMC/2000/Papers/71CompS1/3Agon.pdf.txt Spatial Sound Synthesis in Computer-Aided Composition 0.1375 False ICMC 2005 A FINITE DIFFERENCE PLATE MODEL Stefan Bilbao Sonic Arts Research Centre ICMC/2005/defevent/papers/cr1254.pdf.txt P[r]o[pri]et[a]ry in[ternet] [Ad]mo[ni]tion[s] 0.1375 False ICMPC ICMPC/ICMPC06/pdfs/453.pdf.txt Contour: A Real-Time MIDI System Based on Gestural Input 0.1375 False SMC 2010 AV CLASH – ONLINE TOOL FOR MIXING AND VISUALIZING AUDIO RETRIEVED FROM SMC/2010/33.pdf.txt Playsound.space: Inclusive Free Music Improvisations Using Audio Commons 0.1374 False ICMC 2005 A STREAMING OBJECT ORIENTED IMPLEMENTATION OF THE MODAL DISTRIBUTION ICMC/2005/defevent/papers/cr1103.pdf.txt OOPS: An Audio Synthesis Library in C for Embedded (and Other) Applications 0.1374 False ICMC 2005 A STETHOSCOPE FOR IMAGINARY SOUND INTERACTIVE SOUND IN A HEALTH CARE ENVIRONMENT ICMC/2005/defevent/papers/cr1235.pdf.txt Interactive Public Sound Art: a case study 0.1372 False ICMC 2000 TIME-SPECTRAL MODELING OF SOUNDS BY MEANS OF HARMONIC-BAND WAVELETS ICMC/2000/Papers/82SoSyM2/3Polotti.pdf.txt Intuitive Real-Time Control of Spectral Model Synthesis 0.1372 False ICMC 2001 Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance Models ICMC/2001/data/cr1187.pdf.txt A new interactive performance system for real- time sound synthesis 0.1371 False CIM 2005 Assessment of Timbre Using Verbal Attributes Graham Darke, Faculty of Computing, Engineering and Mathematical Sciences, CIM/2005/CIM05_Articles/DARKE_G_CIM05.pdf.txt Timbre Space as a Musical Control Structure 0.137 False ISMIR 2004 MIR IN MATLAB: THE MIDI TOOLBOX Tuomas Eerola ISMIR/2004/paper193-249ef326be14f8950d0e19541317b50f.pdf.txt Contour: A Real-Time MIDI System Based on Gestural Input 0.1369 False ICMC 2008 OUT OF SYNC: A SIMPLE SCORE BASED GUI FOR QUICK CORRECTION IN PERFORMER COMPUTER ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1686.pdf.txt Investigating the Role of Score Following in Automatic Musical Accompaniment 0.1369 False SMC 2010 ON THE TRACEABILITY OF THE COMPOSITIONAL PROCESS Hanns Holger Rutz SMC/2010/38.pdf.txt The Loop 0.1368 False DAFx 2006 DAFx/2006/papers/p_215.pdf.txt NBody : interactive multidirectional musical instrument body radiation simulators, and a database of measured impulse resonses 0.1368 False ICMC 2005 DEVELOPING TOOLS FOR STUDYING MUSICAL GESTURES WITHIN THE MAX/MSP/JITTER ENVIRONMENT ICMC/2005/defevent/papers/cr1288.pdf.txt All You Need Is LOD : Levels of Detail in Visual Augmentations for the Audience 0.1367 False ICMC 2000 Temporal type constructors for computer music programming Eli Brandt ICMC/2000/Papers/71CompS1/2Brandt.pdf.txt Mapping Spectral Frames to Pitch with Support Vector Machine 0.1366 False GestureWorkshop 2003 Performance Gestures of Musicians: What Structural and Emotional Information Do They Convey? GestureWorkshop/2003/Vines2003.pdf.txt The Perception of Live-sequenced Electronic Music via Hearing and Sight 0.1366 False ICMC 2008 SPATIAL SWARM GRANULATION Scott Wilson ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1690.pdf.txt PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis 0.1365 False ICMC 2005 IMUTUS – AN EFFECTIVE PRACTICING ENVIRONMENT FOR MUSIC TUITION ICMC/2005/defevent/papers/cr1091.pdf.txt i-Maestro : Technology-Enhanced Learning and Teaching for Music 0.1365 False ICMC 2005 CONTROL OF VST PLUG-INS USING OSC Michael Zbyszyński Adrian Freed ICMC/2005/defevent/papers/cr1230.pdf.txt Real-Time Beat-Synchronous Audio Effects 0.1365 False ICMC 2008 AUTHENTICITY AND EMULATION: CHIPTUNE IN THE EARLY TWENTY-FIRST CENTURY ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1304.pdf.txt 21st-Century Musical Instruments: Hardware and Software 0.1364 False DAFx 2006 DAFx/2006/papers/p_203.pdf.txt Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach 0.1364 False ICMC 2005 SEMI-SUPERVISED CLASSIFICATION OF MUSICAL GENRE USING MULTI-VIEW FEATURES ICMC/2005/defevent/papers/cr1030.pdf.txt Mapping Spectral Frames to Pitch with Support Vector Machine 0.1364 False ICMC 2008 POPULARITY OF MUSIC PLAYER PARAMETERS AND FEATURES Jukka Holm ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1538.pdf.txt Associating Emoticons with Musical Genres 0.1364 False ICMC 2008 NETWORKED SONIC SPACES Jérôme Joy Peter Sinclair Locus Sonus – audio in art, Sonic Research Lab, http://locusonus.org/ ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1816.pdf.txt net.art 2.0. new materials towards net art 0.1363 False ISMIR 2004 UNDERSTANDING SEARCH PERFORMANCE IN QUERY-BY-HUMMING SYSTEMS Roger B. Dannenberg and Ning Hu ISMIR/2004/paper236-c7a7b367d12592bf6498494b12ed4b59.pdf.txt Matching Parts : Inner Voice Led Control for Symbolic and Audio Accompaniment 0.1362 False GestureWorkshop 2003 Gestural Imagery in the Service of Musical Imagery Rolf Inge Godøy GestureWorkshop/2003/Godoy2003.pdf.txt Motor Imagery: What Does It Offer for New Digital Musical Instruments? 0.1362 False ICMC 2000 FFTease: a collection of spectral signal processors for Max/MSP ICMC/2000/Papers/Demos/02Penros.pdf.txt Parallel Processing System Design with "Propeller" Processor 0.1362 False ICMC 2001 Etna - a New Advanced Graphical Tree Representation of Music Wolfgang Chico-Töpfer ICMC/2001/data/cr1359.pdf.txt Capture, Representation, and "Composition" of the Instrumental Gesture 0.1362 False ISMIR 2004 ESTIMATING THE TONALITY OF POLYPHONIC AUDIO FILES: COGNITIVE VERSUS MACHINE LEARNING MODELLING ISMIR/2004/paper164-2dcab112b5b356cdc355797b0693f2d0.pdf.txt Grounded Yet Shifting: Shaping Hybrid Performance Ecologies with Dynamic Tonality 0.1361 False ICMC 2000 Auditory-Visual Associations for Music Compositional Processes: A Survey ICMC/2000/Papers/12Aesth2/1Giannak.pdf.txt Gestural Control of Sound Synthesis 0.1361 False ICMC 2005 INTEGRATION OF SOUND AND IMAGE IN TWO WORKS FOR PIANO AND COMPUTER ICMC/2005/defevent/papers/cr1028.pdf.txt Musical Score Generation in Valses and Etudes 0.1361 False ICMC 2008 ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1714.pdf.txt Synthesis and Control of Everyday Sounds Reconstructing Russolo's Intonarumori 0.136 False ISMIR 2004 FROM SOUND SAMPLING TO SONG SAMPLING Jean-Julien Aucouturier, Francois Pachet, Peter Hanappe ISMIR/2004/paper233-afcdff5912c9c874303dd2379636883d.pdf.txt Sonic Serendipity: Embracing Discovery in File Finder-Based Improvisation 0.136 False ISMIR 2018 A CROWDSOURCED EXPERIMENT FOR TEMPO ESTIMATION OF ELECTRONIC DANCE MUSIC ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/220_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.136 False SMC 2010 MIMICRY OF TONE PRODUCTION: RESULTS FROM A PILOT EXPERIMENT Tommaso Bianco SMC/2010/45.pdf.txt Gestural Embodiment of Environmental Sounds: an Experimental Study 0.1359 False ICMC 2001 Model-based Synthesis of the Ud and the Renaissance Lute Cumhur Erkut1 , Mikael Laurson2 , Mika Kuuskankare2 , and Vesa Välimäki1 ICMC/2001/data/cr1094.pdf.txt A web-based 3D environment for gestural interaction with virtual music instruments as a STEAM education tool 0.1359 False ICMC 2001 New techniques to model reverberant instrument body responses ICMC/2001/data/cr1165.pdf.txt Physical Audio Digital Filters 0.1359 False ICMC 2005 Session : Poster Introduction Session ICMC/2005/defevent/sessions/s180.pdf.txt Introduction 0.1359 False ISMIR 2018 CONTENT-BASED USER MODELS: MODELING THE MANY FACES OF MUSICAL PREFERENCE ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/128_Paper.pdf.txt Associating Emoticons with Musical Genres 0.1359 False SMC 2010 VOICE CONVERSION: A CRITICAL SURVEY Anderson F. Machado∗ SMC/2010/43.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1358 False DAFx 2006 DAFx/2006/papers/p_181.pdf.txt An Introduction to the SSSP Digital Synthesizer 0.1358 False ICMC 2005 THE MUSIC, TECHNOLOGY AND INNOVATION RESEARCH CENTRE (MTI) AT DE MONTFORT ICMC/2005/defevent/papers/cr1009.pdf.txt Intersecting Lines 0.1358 False ICMPC ICMPC/ICMPC06/pdfs/137.pdf.txt Music Aid---Towards a Collaborative Experience for Deaf and Hearing People in Creating Music 0.1358 False ICMPC ICMPC/ICMPC06/pdfs/659.pdf.txt Making Sound Synthesis Accessible for Children 0.1358 False ISMIR 2018 SHARED GENERATIVE REPRESENTATION OF AUDITORY CONCEPTS AND EEG TO RECONSTRUCT PERCEIVED AND IMAGINED MUSIC ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/101_Paper.pdf.txt Generating an Integrated Musical Expression with a Brain--Computer Interface 0.1355 False DAFx 2006 DAFx/2006/papers/p_145.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1354 False ICMC 2005 ACE: A general−purpose classification ensemble optimization framework ICMC/2005/defevent/abstract/a1149.pdf.txt Towards a Taxonomy of Realtime Interfaces for Electronic Music Performance 0.1354 False ICMC 2005 DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC MUSIC ICMC/2005/defevent/papers/cr1139.pdf.txt An Unfinished History of Electronic Music 0.1354 False ICMPC ICMPC/ICMPC06/pdfs/288.pdf.txt A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation 0.1354 False M&G2 M&G2/contents/Styns Frederik, Noorden Leon van & Leman Marc M&G2 full pape.pdf.txt SICIB: An Interactive Music Composition System Using Body Movements 0.1353 False ICMC 2005 EXTENDING DYNAMIC STOCHASTIC SYNTHESIS Andrew R. Brown Creative Industries Faculty ICMC/2005/defevent/papers/cr1122.pdf.txt A new interactive performance system for real- time sound synthesis 0.1353 False ISMIR 2018 USING MUSICAL RELATIONSHIPS BETWEEN CHORD LABELS IN AUTOMATIC CHORD EXTRACTION TASKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/231_Paper.pdf.txt A Minor Chord for BladeAxe 0.1353 False M&G2 M&G2/contents/Kuhl Ole M&G2 full paper.pdf.txt Meaning in Musical Gesture 0.1352 False ICMC 2005 SOUND RE-SYNTHESIS FROM RHYTHM PATTERN FEATURES – AUDIBLE INSIGHT INTO A MUSIC FEATURE EXTRACTION PROCESS ICMC/2005/defevent/papers/cr1300.pdf.txt Towards a perceptual framework for interface design in digital environments for timbre manipulation 0.1351 False ISMIR 2018 ANALYSIS OF COMMON DESIGN CHOICES IN DEEP LEARNING SYSTEMS FOR DOWNBEAT TRACKING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/203_Paper.pdf.txt Neural Networks for Mapping Gestures to Sound Synthesis Parameters 0.135 False DAFx 2006 DAFx/2006/papers/p_247.pdf.txt Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis 0.135 False ICMC 2000 The effect of inharmonicity on pitch in string instrument sounds ICMC/2000/Papers/56SoPrP2/1Jarvela.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.135 False ICMC 2005 STUDIO REPORT: MUSIC RESEARCH CENTRE, ICMC/2005/defevent/papers/cr1078.pdf.txt The Loop 0.135 False ICMC 2005 PERCEPTUAL ATOMIC NOISE Kristoffer Jensen ICMC/2005/defevent/papers/cr1211.pdf.txt Electronic Music 0.135 False SMC 2010 LIMITATIONS IN THE RECOGNITION OF SOUND TRAJECTORIES AS MUSICAL PATTERNS SMC/2010/11.pdf.txt Images as Spatial Sound Maps 0.135 False SMC 2010 Examining the role of context in the recognition of walking sounds SMC/2010/12.pdf.txt Ambulation: Exploring Listening Technologies for an Extended Sound Walking Practice 0.1349 False ICMC 2008 Panel 3: Network Performance Telematic Music – Restrictions and Advantages Compared to Traditional One−Site Music Events ICMC/2008/ICMC08 USB Proceedings/defevent/sessions/s500.pdf.txt Network audio performance and installation 0.1348 False ICMC 2000 Rhythms as emerging structures ICMC/2000/Papers/68ToIntC/2Pachet2.pdf.txt Osiris: a liquid based digital musical instrument 0.1348 False ISMIR 2018 DEEP NEURAL NETWORKS WITH VOICE ENTRY ESTIMATION HEURISTICS FOR VOICE SEPARATION IN SYMBOLIC MUSIC ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/304_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1348 False ISMIR 2018 GENRE-AGNOSTIC KEY CLASSIFICATION WITH CONVOLUTIONAL NEURAL NETWORKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/7_Paper.pdf.txt Introducing EG-IPT and ipt~: a novel electric guitar dataset and a new Max/MSP object for real-time classification of instrumental playing techniques 0.1347 False ICMPC ICMPC/ICMPC06/pdfs/67.pdf.txt Controlling Physically Based Virtual Musical Instruments Using The Gloves 0.1346 False DAFx 2002 DAFx/2002/DAFX02_Lysaght_Timoney_timbre_morphing.pdf.txt SonicJumper Composer 0.1346 False DAFx 2006 DAFx/2006/papers/p_221.pdf.txt A Reverberation Instrument Based on Perceptual Mapping 0.1346 False ICMC 2000 ICMC/2000/Papers/91Studi1/3Boulan2.pdf.txt Motion-Influenced Composition 0.1346 False ICMC 2001 PortAudio – an Open Source Cross Platform Audio API Ross Bencina, Phil Burk ICMC/2001/data/cr1123.pdf.txt Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System 0.1345 False ICMC 2005 CONCATENATION AND STRETCH/SQUEEZE OF MUSICAL INSTRUMENTAL SOUND USING SOUND ICMC/2005/defevent/papers/cr1135.pdf.txt Parameterized Morphing as a Mapping Technique for Sound Synthesis 0.1345 False ICMPC ICMPC/ICMPC06/pdfs/657.pdf.txt Facing the Music. A Facial Action Controlled Musical Interface 0.1344 False CIM 2005 Verbal description of musical sound timbre in Czech language and its relation CIM/2005/CIM05_Articles/STEPANEK_J_CIM05_02.pdf.txt Timbre et causalité 0.1344 False ICMC 2001 Karl MacMillan, Michael Droettboom, Ichiro Fujinaga ICMC/2001/data/cr1189.pdf.txt Pratical Evaluation of Synthesis Performance on the Beaglebone Black 0.1343 False DAFx 2002 DAFx/2002/DAFX02_Murphy_Mullen_waveguide_mesh_modeling.pdf.txt ROOM#81 0.1343 False ICMC 2005 AN SQL-BASED CONTROL SYSTEM FOR LIVE ELECTRONICS Francesco Canavese ICMC/2005/defevent/papers/cr1138.pdf.txt A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems 0.1343 False ICMPC ICMPC/ICMPC06/pdfs/212.pdf.txt An Interface for Emotional Expression in Audio-Visuals 0.1343 False ICMPC ICMPC/ICMPC06/pdfs/676.pdf.txt The aesthetics of interactive music systems 0.1342 False ICMPC ICMPC/ICMPC06/pdfs/44.pdf.txt Cor Cordis 0.1341 False DAFx 2002 DAFx/2002/DAFX02_Timoney_Lazzarini_Lysaght_soundobjcet_library.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1341 False ICMC 2005 MICHELANGELO LUPONE: “FORMA DEL RESPIRO” Luca Spanu Musica e nuove tecnologie ICMC/2005/defevent/papers/cr1250.pdf.txt Geste et pensée musicale: de l'outil à l'instrument 0.1341 False ICMC 2008 CONTROLLING SPATIAL SOUND WITHIN AN INSTALLATION ART CONTEXT Trond Lossius ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1806.pdf.txt An approach to stochastic spatialization --- A case of Hot Pocket 0.1341 False SMC 2010 EXPLORING COMMON VARIATIONS IN STATE OF THE ART CHORD RECOGNITION SYSTEMS SMC/2010/1.pdf.txt Motion Pattern Recognition For Interactive Dance 0.1341 False SMC 2010 INTERPRETATION AND COMPUTER ASSISTANCE IN JOHN CAGE’S SMC/2010/58.pdf.txt Score Following: State of the Art and New Developments 0.134 False ICMC 2000 Coney Island: Combining jMax, Spat and VSS for Acoustic Integration of Spatial and ICMC/2000/Papers/35InSeSy/4Bargar1.pdf.txt Towards model-based recognition of human movements in image sequences 0.134 False ICMC 2005 ORB3 – MUSICAL ROBOTS WITHIN AN ADAPTIVE SOCIAL COMPOSITION SYSTEM ICMC/2005/defevent/abstract/a1197.pdf.txt Orb3 -- Adaptive Interface Design for Real time Sound Synthesis & Diffusion within Socially Mediated Spaces 0.134 False ICMC 2005 THE COMBINATION OF VISUAL AND SONIC GENERATIVE PROCESSES IN A DIGITAL LANDSCAPE ICMC/2005/defevent/papers/cr1017.pdf.txt Sonicolour: Exploring Colour Control of Sound Synthesis with Interactive Machine Learning 0.134 False ICMC 2005 LIE POISSON SYNTHESIS Steven Benzel Berry College ICMC/2005/defevent/papers/cr1052.pdf.txt Composing For Improvisation with Chaotic Oscillators 0.134 False ICMC 2005 STATE-BASED SEQUENCING: DIRECTING THE EVOLUTION OF MUSIC Michael O. Jewell, Mark S. Nixon and Adam Prügel-Bennett ICMC/2005/defevent/papers/cr1169.pdf.txt Integrated Algorithmic Composition Fluid systems for including notation in music composition cycle 0.1339 False ICMPC ICMPC/ICMPC06/pdfs/165.pdf.txt Trimpin: An Interview 0.1338 False CIM 2005 An Examination of Correlations between Flutists’ Linguistic Practices and Their Sound Production on the Flute CIM/2005/CIM05_Articles/LAMKIN_L_CIM05.pdf.txt On the Use of Flute Air Jet as A Musical Control Variable 0.1338 False ICMPC ICMPC/ICMPC06/pdfs/411.pdf.txt Creativity in Children's Digital Music Composition 0.1338 False ISMIR 2018 LEARNING TRANSPOSITION-INVARIANT INTERVAL FEATURES FROM SYMBOLIC MUSIC AND AUDIO ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/172_Paper.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1337 False ICMC 2000 IMPROVING THE EXTENDED KALMAN FILTER METHOD 1 FOR THE RESTORATION OF ELECTRO-ACOUSTIC MUSIC ICMC/2000/Papers/55SoPrP1/3Bari.pdf.txt Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter 0.1337 False ICMC 2008 COMPOSING FOR RELATIVE TIME IN DISTRIBUTED PERFORMANCE Robert Rowe ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1809.pdf.txt MalLo: A Distributed Synchronized Musical Instrument Designed For Internet Performance 0.1337 False ISMIR 2018 PART-INVARIANT MODEL FOR MUSIC GENERATION AND HARMONIZATION Yujia Yan[ , Ethan Lustig\ , Joseph VanderStel\ , Zhiyao Duan[ ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/293_Paper.pdf.txt Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks 0.1336 False ICMC 2001 QSketcher: An Environment for Composing Music for Film Steven Abrams, Ralph Bellofatto, Robert ICMC/2001/data/cr1363.pdf.txt System Composing 0.1336 False ICMC 2005 WAVETABLE INTERPOLATION OF MULTIPLE INSTRUMENT TONES Jonathan Mohr ICMC/2005/defevent/papers/cr1234.pdf.txt An embedded wavetable synthesizer for the electronic bandoneon with parameter mappings based on acoustical measurements 0.1336 False ICMPC ICMPC/ICMPC06/pdfs/325.pdf.txt Morphosis for piano 0.1334 False ICMC 2000 THE SHORT-TIME LAGUERRE TRANSFORM: A NEW METHOD FOR REAL-TIME FREQUENCY WARPING OF SOUNDS ICMC/2000/Papers/82SoSyM2/1Evangel.pdf.txt Electronic Music 0.1333 False ICMC 2000 Arno: Constraints Programming in Common Music Torsten Anders Studio für elektroakustische Musik (SeaM) ICMC/2000/Papers/71CompS1/1Anders.pdf.txt A system for computer assisted gestural improvisation 0.1333 False ICMPC ICMPC/ICMPC06/pdfs/188.pdf.txt Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response 0.1332 False ICMPC ICMPC/ICMPC06/pdfs/509.pdf.txt The Effect of Visualizing Audio Targets in a Musical Listening and Performance Task 0.1332 False ICMPC ICMPC/ICMPC06/pdfs/548.pdf.txt A Computer Music System for Human Singing 0.1332 False SMC 2010 CREATION AND EXPLORATION OF A PERCEPTUAL SONIC TEXTURES SPACE USING A TANGIBLE INTERFACE SMC/2010/32.pdf.txt Performing experimental music by physical simulation 0.1331 False ICMC 2000 A compositional methodology based on data extracted from natural phenomena ICMC/2000/Papers/12Aesth2/3Barrett.pdf.txt M.I.N.I. (Musical Instruments Numerical Interface) 0.1331 False ICMC 2005 ESTIMATING TRANSFER FUNCTION FROM AIR TO BONE CONDUCTION USING SINGING VOICE ICMC/2005/defevent/papers/cr1259.pdf.txt Play-A-Grill: Music To Your Teeth 0.133 False ICMC 2005 MODERNISING LIVE ELECTRONICS TECHNOLOGY IN THE WORKS OF JONATHAN HARVEY ICMC/2005/defevent/papers/cr1070.pdf.txt Learning from History: Recreating and Repurposing Harriet Padberg's Computer Composed Canon and Free Fugue 0.133 False ICMC 2005 MICRO TEXTURES WITH MACRO-NOTES Mikael Laurson Sibelius Academy ICMC/2005/defevent/papers/cr1174.pdf.txt Composing for the (dis)Embodied Ensemble : Notational Systems in (dis)Appearances 0.133 False ICMPC ICMPC/ICMPC06/pdfs/479.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1329 False DAFx 2000 DAFx/2000/dafx2000.pdf.txt Challenges and Performance of High-Fidelity Audio Streaming for Interactive Performances 0.1329 False ICMC 2005 ALGORITHMS TODAY NOTES ON LANGUAGE DESIGN FOR JUST IN TIME PROGRAMMING ICMC/2005/defevent/papers/cr1218.pdf.txt Manhattan: End-User Programming for Music 0.1329 False ICMPC ICMPC/ICMPC06/pdfs/345.pdf.txt Trondheim Voices 0.1327 False ICMC 2005 Free Sound Within Culturally Specific Practice Robert J. Gluck ICMC/2005/defevent/papers/cr1005.pdf.txt New Media Culture in Europe 0.1327 False SMC 2010 PHASESHAPING OSCILLATOR ALGORITHMS FOR MUSICAL SOUND SYNTHESIS SMC/2010/15.pdf.txt An Introduction to the SSSP Digital Synthesizer 0.1326 False DAFx 2002 DAFx/2002/DAFX02_Maso_Trestino_Mian_MPEG4_speech.pdf.txt Mapping Spectral Frames to Pitch with Support Vector Machine 0.1326 False GestureWorkshop 2003 Gesture Analysis: Invariant Laws in Movement Sylvie Gibet, Jean-François Kamp, and Franck Poirier GestureWorkshop/2003/Gibet2003.pdf.txt An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime 0.1326 False ICMC 2008 TOWARDS THE IMPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: THE DIAMOUSES ICMC/2008/ICMC08 USB Proceedings/defevent/abstract/a1598.pdf.txt JamSpace: Designing A Collaborative Networked Music Space for Novices 0.1326 False ICMPC ICMPC/ICMPC06/pdfs/435.pdf.txt Toward a Theory of Interfaces for Computer Music Systems 0.1326 False ICMPC ICMPC/ICMPC06/pdfs/637.pdf.txt Towards an Affective Gesture Interface for Expressive Music Performance 0.1325 False CIM 2005 Can hyperventilation be a trance mechanism in Nganasan ritual dance accompaniment? CIM/2005/CIM05_Articles/OJAMAA_T_CIM05.pdf.txt Timbre et causalité 0.1325 False ICMC 2005 DESIGN AND IMPLEMENTATION OF AUTOMATIC EVALUATION OF RECORDER PERFORMANCE IN IMUTUS ICMC/2005/defevent/papers/cr1160.pdf.txt Investigating the Role of Score Following in Automatic Musical Accompaniment 0.1325 False ICMPC ICMPC/ICMPC06/pdfs/533.pdf.txt Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design 0.1325 False ISMIR 2018 MAIN MELODY EXTRACTION WITH SOURCE-FILTER NMF AND CRNN Dogac Basaran1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/273_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1324 False ICMC 2005 VARÈSE’S POÈME ÉLECTRONIQUE REGAINED: EVIDENCE FROM THE VEP PROJECT ICMC/2005/defevent/papers/cr1268.pdf.txt The vision of virtual reality 0.1324 False ICMPC ICMPC/ICMPC06/pdfs/395.pdf.txt Harmonic Words, Narrative Chords: Textual Sonification Using Part of Speech 0.1324 False ICMPC ICMPC/ICMPC06/pdfs/64.pdf.txt Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design 0.1323 False ICMC 2005 VIRTUAL AUDIO REPRODUCTION ENGINE FOR SPATIAL ENVIRONMENTS Thomas Musil ICMC/2005/defevent/papers/cr1277.pdf.txt A Framework for Immersive Spatial Audio Performance 0.1322 False M&G2 M&G2/M&G2 Proceedings TOC.pdf.txt Gesture -- Music 0.1322 False SMC 2010 SHORT TERM PITCH MEMORY IN WESTERN vs. OTHER EQUAL TEMPERAMENT TUNING SMC/2010/72.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1321 False ICMC 2001 Evaluating spatial sound with binaural auditory model Ville Pulkki ICMC/2001/data/cr1354.pdf.txt A Framework for Immersive Spatial Audio Performance 0.1321 False ICMC 2005 EXTENDED PRINCIPAL COMPONENTS ANALYSIS MATCHING WITH SPECTRAL WEIGHTING FOR WAVETABLE SYNTHESIS ICMC/2005/defevent/papers/cr1048.pdf.txt Spectra 0.132 False DAFx 2006 DAFx/2006/papers/p_001.pdf.txt A corpus-based method for controlling guitar feedback 0.132 False ICMC 2005 ACE: A GENERAL-PURPOSE CLASSIFICATION ENSEMBLE OPTIMIZATION FRAMEWORK ICMC/2005/defevent/papers/cr1149.pdf.txt Contextualizing Musical Organics: An Ad-hoc Organological Classification Approach 0.132 False ICMC 2008 RICHARD WAGNER WAS THE FIRST NETWORK ARTIST Andrew Gerzso ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1813.pdf.txt The Ningen Dogs Orchestra 0.1319 False ICMC 2005 Implicit Patching for Dataflow−based Audio Analysis And Synthesis ICMC/2005/defevent/abstract/a1306.pdf.txt Music Programming in Minim 0.1319 False ICMC 2008 DIGITAL MUSIC INSTRUMENTS AND SOUND EXPRESSION Paulo Ferreira-Lopes ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1175.pdf.txt Show Them My Screen: Mirroring a Laptop Screen as an Expressive and Communicative Means in Computer Music 0.1319 False ICMPC ICMPC/ICMPC06/pdfs/180.pdf.txt Interaction with Tonal Pitch Spaces 0.1318 False CIM 2005 Automatic music classification and the importance of instrument identification CIM/2005/CIM05_Articles/MCKAY_C_CIM05.pdf.txt Towards a Taxonomy of Realtime Interfaces for Electronic Music Performance 0.1318 False ICMC 2000 Towards a General Methodological Classification of Computer-Assisted Music Analysis ICMC/2000/Papers/53MuMoA3/3Schuele.pdf.txt Mediating Gesture: An Interactive Approach to Computer-Assisted Music 0.1318 False ISMIR 2004 VISUAL COLLAGING OF MUSIC IN A DIGITAL LIBRARY David Bainbridge ISMIR/2004/paper223-178e03038d8c900c3dc4c49955f7a53e.pdf.txt Rapid Prototyping of New Instruments with CodeCircle 0.1317 False ICMC 2008 SYNTHBOT: AN UNSUPERVISED SOFTWARE SYNTHESIZER PROGRAMMER Matthew Yee-King ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1715.pdf.txt SynthAssist: Querying an Audio Synthesizer by Vocal Imitation 0.1317 False ICMPC ICMPC/ICMPC06/pdfs/642.pdf.txt The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member 0.1317 False M&G2 M&G2/contents/Jarman-Ivens Freya M&G2 full paper.pdf.txt Women, Art & Technology 0.1316 False ICMC 2001 Visual and Adaptive Constraint Programming in Music Charlotte Truchet, Gérard Assayag, Philippe Codognet ICMC/2001/data/cr1110.pdf.txt Performance Rules for Computer-Controlled Contemporary Keyboard Music 0.1316 False ICMC 2005 SCRIME STUDIO REPORT Myriam Desainte-Catherine, Pierre Hanna, Christophe Havel, ICMC/2005/defevent/papers/cr1086.pdf.txt Measurement and Data Analysis for Engineering and Science 0.1316 False ICMC 2005 TIMBRE AS A PSYCHOACOUSTIC PARAMETER FOR HARMONIC ANALYSIS AND COMPOSITION ICMC/2005/defevent/papers/cr1330.pdf.txt Timbre et causalité 0.1315 False ICMC 2000 Automatic technique in frequency domain for near-lossless time-scale modification of audio ICMC/2000/Papers/83SoSyM3/2Bonada.pdf.txt Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping 0.1315 False ICMPC ICMPC/ICMPC06/pdfs/151.pdf.txt Meaning in Musical Gesture 0.1315 False ISMIR 2018 AUTOMATIC, PERSONALIZED, AND FLEXIBLE PLAYLIST GENERATION USING REINFORCEMENT LEARNING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/18_Paper.pdf.txt A Compact Spectrum-Assisted Human Beatboxing Reinforcement Learning Tool On Smartphone 0.1315 False ISMIR 2018 INSTRUDIVE: A MUSIC VISUALIZATION SYSTEM BASED ON AUTOMATICALLY RECOGNIZED INSTRUMENTATION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/63_Paper.pdf.txt Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering 0.1314 False ICMPC ICMPC/ICMPC06/pdfs/347.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1314 False ISMIR 2018 THE NES MUSIC DATABASE: A MULTI-INSTRUMENTAL DATASET WITH EXPRESSIVE PERFORMANCE ATTRIBUTES ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/265_Paper.pdf.txt Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. 0.1313 False ICMC 2008 Authors Authors Affiliation Authors Affiliation Adiloglu, Kamil ICMC/2008/ICMC08 USB Proceedings/defevent/main/all_auth.pdf.txt Mutatis Mutandis 0.1313 False ICMC 2008 TEATRACKS: A DEMONSTRATION OF AN AUDITORY DISPLAY OF A MULTITRACK SOUND SEQUENCER ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1259.pdf.txt Designing a Spatial Vibrotactile Interface for Accessible Spatial Audio Mixing by Blind and Visually Impaired Music Producers. 0.1313 False ICMC 2008 {TranSpell} Kazuaki Shiota ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1710.pdf.txt The Overtone Violin 0.1313 False ICMPC ICMPC/ICMPC06/pdfs/373.pdf.txt The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member 0.1312 False DAFx 2006 DAFx/2006/papers/p_267.pdf.txt A Live Coding Performance 0.1312 False ICMC 2005 USING CODES: COOPERATIVE MUSIC PROTOTYPING AND EDUCATIONAL PERSPECTIVES ICMC/2005/defevent/papers/cr1189.pdf.txt Interactive Gesture Music Performance Interface 0.1312 False SMC 2010 EMOTIONS IN THE VOICE: HUMANISING A ROBOTIC VOICE Tristan Bowles SMC/2010/30.pdf.txt Auditory Masquing : Wearable Sound Systems for Diegetic Character Voices 0.1311 False ICMC 2001 A Genetic Search Technique for Polyphonic Pitch Detection Guillermo Garcia ICMC/2001/data/cr1338.pdf.txt Pitch Fingering Systems and the Search for Perfection 0.1311 False ICMC 2005 LAMBDA−GTK: A Portable Graphics Layer for Common Music ICMC/2005/defevent/abstract/a1185.pdf.txt Tree Music: Composing with GAIA 0.1311 False ICMPC ICMPC/ICMPC06/pdfs/555.pdf.txt Sound Control: Supporting Custom Musical Interface Design for Children with Disabilities 0.1311 False ICMPC ICMPC/ICMPC06/pdfs/84.pdf.txt Interaction with Tonal Pitch Spaces 0.131 False ICMC 2005 DRUMTRACK: BEAT INDUCTION FROM AN ACOUSTIC DRUM KIT WITH SYNCHRONISED SCHEDULING ICMC/2005/defevent/papers/cr1111.pdf.txt New Interfaces for Popular Music Performance 0.131 False ICMC 2005 ILEARN: AN ITUNES AUDIO INDEXING PLUG-IN FOR EDUCATION G. McAllister, P.S. Taylor and M. Rodgers ICMC/2005/defevent/papers/cr1227.pdf.txt Sonic Serendipity: Embracing Discovery in File Finder-Based Improvisation 0.131 False ICMPC ICMPC/ICMPC06/pdfs/242.pdf.txt Sound Control: Supporting Custom Musical Interface Design for Children with Disabilities 0.1309 False DAFx 2002 DAFx/2002/DAFX02_Karjalainen_Valimaki_Esquef_bell-like_sounds.pdf.txt Handheld Acoustic Filter Bank for Musical Control 0.1309 False ICMC 2000 A Waveguide Mesh Model of High-Frequency Violin Body Resonances ICMC/2000/Papers/24PhyMo4/3Huang.pdf.txt Physical Audio Digital Filters 0.1309 False M&G2 Second International Conference on Music and Gesture Royal Northern College of Music M&G2/M&G2 conference programme.pdf.txt Gesture -- Music 0.1308 False DAFx 2002 DAFx/2002/DAFX02_Darlington_Daudet_Sandler_wavelet.pdf.txt Physical Audio Digital Filters 0.1308 False ICMPC ICMPC/ICMPC06/pdfs/521.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1308 False ICMPC ICMPC/ICMPC08/ICMPC10/PDF/AUTHOR/MP081004.PDF.txt Framework for Exploration of Performance Space 0.1307 False ICMC 2005 THE RHYTHM TRANSFORM: TOWARDS A GENERIC RHYTHM DESCRIPTION Enric Guaus, Perfecto Herrera ICMC/2005/defevent/papers/cr1311.pdf.txt Gyroscope-Based Conducting Gesture Recognition 0.1307 False ICMC 2008 EQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAINS: A CASE STUDY OF ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1369.pdf.txt transcriptions 0.1307 False ICMPC ICMPC/ICMPC06/pdfs/207.pdf.txt Women Who Build Things: Gestural Controllers, Augmented Instruments, and Musical Mechatronics 0.1307 False ICMPC ICMPC/ICMPC06/pdfs/636.pdf.txt A Computer Music System for Human Singing 0.1307 False ISMIR 2018 COMPARING RNN PARAMETERS FOR MELODIC SIMILARITY Tian Cheng, Satoru Fukayama, Masataka Goto ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/61_Paper.pdf.txt PerFormer: An AI-Driven Approach to Melody Generation in Microtonal Persian Music 0.1306 False ICMPC ICMPC/ICMPC06/pdfs/495.pdf.txt A Computer Music System for Human Singing 0.1306 False ICMPC ICMPC/ICMPC06/pdfs/512.pdf.txt Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise 0.1306 False ISMIR 2018 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/37_Paper.pdf.txt CLAM: A Framework for Audio and Music Application Development 0.1304 False ICMC 2005 AN EVALUATION OF WARPING TECHNIQUES APPLIED TO PARTIAL ENVELOPE ANALYSIS ICMC/2005/defevent/papers/cr1092.pdf.txt Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping 0.1304 False ICMC 2005 MODALYS DEMONSTRATION Nicholas Ellis IRCAM 1 place Igor Stravinsky ICMC/2005/defevent/papers/cr1097.pdf.txt Real-time Adaptive Control of Modal Synthesis 0.1304 False ICMPC ICMPC/ICMPC06/pdfs/225.pdf.txt Design and Evaluation of a Digital Theatre Wind Machine 0.1304 False ICMPC ICMPC/ICMPC06/pdfs/41.pdf.txt Pain Creature 0.1304 False ICMPC ICMPC/ICMPC06/pdfs/570.pdf.txt Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise 0.1303 False ICMC 2000 Models and Deformations in Procedural Synchronous Sound for Animation ICMC/2000/Papers/52MuMoA2/1Bargar2.pdf.txt Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces 0.1303 False ICMC 2001 Music Informatics Laboratory Jens Arnspang, Kristoffer Jensen, ICMC/2001/data/cr1306.pdf.txt Computer audio research laboratory report 0.1303 False ICMC 2008 GOLDSMITHS ELECTRONIC MUSIC STUDIOS: 40 YEARS Dr Michael Young, Dr John Drever, Dr Mick Grierson, Ian Stonehouse ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1520.pdf.txt Hugh Le Caine’s 1948 sackbut syntheziser : performance mode of electronic instruments 0.1303 False ICMPC ICMPC/ICMPC06/pdfs/377.pdf.txt Introduction 0.1303 False SMC 2010 QUANTIFYING MASKING IN MULTI-TRACK RECORDINGS Sebastian Vega SMC/2010/36.pdf.txt Multitouch Interface for Audio Mixing 0.1302 False DAFx 2002 DAFx/2002/DAFX02_Schimmel_Smekal_Krkavec_optimizing_DSP.pdf.txt Parallel Processing System Design with "Propeller" Processor 0.1302 False ICMC 2005 VISUALIZATION OF LOW DIMENSIONAL STRUCTURE IN TONAL PITCH SPACE ICMC/2005/defevent/papers/cr1200.pdf.txt Interaction with Tonal Pitch Spaces 0.1302 False ICMC 2008 ONTOLOGY MANAGEMENT FOR PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1320.pdf.txt Longevity in NIME research: a case study using time-based media art preservation models 0.1302 False ICMPC ICMPC/ICMPC06/pdfs/551.pdf.txt The Rullen Band 0.1302 False ISMIR 2018 MIDI-VAE: MODELING DYNAMICS AND INSTRUMENTATION OF MUSIC WITH APPLICATIONS TO STYLE TRANSFER ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/204_Paper.pdf.txt MuGeVI: A Multi-Functional Gesture-Controlled Virtual Instrument 0.1301 False DAFx 2002 DAFx/2002/DAFX02_Baeck_Zoelzer_source_separation.pdf.txt Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments 0.1301 False ICMC 2005 TOWARDS A SEMANTIC DESCRIPTOR OF SUBJECTIVE INTENSITY IN MUSIC ICMC/2005/defevent/papers/cr1244.pdf.txt Dancing-To-Music Character Animation 0.1301 False ICMC 2008 INTEROPERABILITY AND THE MARSYAS 0.2 RUNTIME G.Tzanetakis, R.Jones, C.Castillo ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1746.pdf.txt Tahakum: A Multi-Purpose Audio Control Framework 0.1301 False ICMPC ICMPC/ICMPC06/pdfs/358.pdf.txt Cor Cordis 0.1301 False SMC 2010 SOUND TEXTURE SYNTHESIS WITH HIDDEN MARKOV TREE MODELS IN THE WAVELET DOMAIN SMC/2010/53.pdf.txt Syntex: parametric audio texture datasets for conditional training of instrumental interfaces. 0.13 False ICMC 2008 “WEEDS IN THE CRACKS”: INTERDISCIPLINARITY AND MUSIC TECHNOLOGY IN ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1235.pdf.txt Current Iteration of a Course on Physical Interaction Design for Music 0.13 False ICMC 2008 WHAT IS AN EVENT? The EVENT Schema, Circumstances, Metaphor And Gist ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1712.pdf.txt Managing Musical Complexity with Embodied Metaphors 0.13 False ICMC 2008 Demos 3 ICMC/2008/ICMC08 USB Proceedings/defevent/sessions/s520.pdf.txt NIME Education at the HKU, Emphasizing performance 0.13 False ICMPC ICMPC/ICMPC06/pdfs/148.pdf.txt ISEE: An Intuitive Sound Editing Environment 0.13 False ISMIR 2018 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/248_Paper.pdf.txt Mining Unlabeled Electronic Music Databases through 3D Interactive Visualization of Latent Component Relationships 0.1299 False DAFx 2006 DAFx/2006/papers/p_227.pdf.txt Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical Garden 0.1299 False ICMC 2008 A UNIFIED MODEL FOR AUDIO AND CONTROL SIGNALS IN PWGLSYNTH Vesa Norilo and Mikael Laurson ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1405.pdf.txt A Framework for Modular VST-based NIMEs Using EDA and Dependency Injection 0.1299 False ICMPC ICMPC/ICMPC06/pdfs/113.pdf.txt Multimodal analysis of expressive gesture in music and dance performances 0.1299 False ICMPC ICMPC/ICMPC06/pdfs/431.pdf.txt four fragments---A Performance for Swarming Robotics 0.1298 False ICMC 2001 Spectrum of Pitch Differences Models the Perception of Octave ICMC/2001/data/cr1282.pdf.txt Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping 0.1298 False ICMC 2005 TIMING IS TEMPO-SPECIFIC* Henkjan Honing Music Cognition Group ICMC/2005/defevent/papers/cr1023.pdf.txt The Navi Activity Monitor : Toward Using Kinematic Data to Humanize Computer Music 0.1297 False ICMPC ICMPC/ICMPC06/pdfs/330.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1295 False DAFx 2002 DAFx/2002/DAFX02_Kauppinen_Roth_signal_extrapolation.pdf.txt Physical Audio Digital Filters 0.1295 False ICMPC ICMPC/ICMPC06/pdfs/464.pdf.txt Dancing the Music: Interactive Dance and Music 0.1294 False DAFx 2002 DAFx/2002/DAFX02_Skovenborg_Nielsen_consonance-1.pdf.txt Interaction with Tonal Pitch Spaces 0.1294 False ICMC 2000 MuTaTeD'II: A SYSTEM FOR MUSIC INFORMATION RETRIEVAL OF ENCODED MUSIC ICMC/2000/Papers/42MuInR2/3Boehm.pdf.txt A Mobile Music Environment Using a PD Compiler and Wireless Sensors 0.1293 False ICMC 2008 AUTONOMOUS DEVELOPMENT OF SINGING-LIKE INTONATIONS BY INTERACTING BABBLING ROBOTS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1007.pdf.txt Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments 0.1292 False M&G2 M&G2/contents/Mathers Andrew M&G2 full paper.pdf.txt Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion 0.1292 False SMC 2010 AUTOMATIC MUSIC TAG CLASSIFICATION BASED ON BLOCK-LEVEL FEATURES SMC/2010/19.pdf.txt A Semantic Analysis of the Design Space of Input Devices 0.1291 False OSCC Paper Session I: Implementations of OSC Session Chair: Matthew Wright OSCC/wright-implementations.pdf.txt The Creation of a Multi-Human, Multi-Robot Interactive Jam Session 0.129 False ICMPC ICMPC/ICMPC06/pdfs/248.pdf.txt The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member 0.129 False ICMPC ICMPC/ICMPC06/pdfs/42.pdf.txt Instruments and the Electronic Age 0.129 False ICMPC ICMPC/ICMPC06/pdfs/649.pdf.txt ism: Improvisation Supporting System based on Melody Correction 0.1289 False ICMPC ICMPC/ICMPC06/pdfs/278.pdf.txt A Minor Chord for BladeAxe 0.1289 False SMC 2010 SIMPLE TEMPO MODELS FOR REAL-TIME MUSIC TRACKING Andreas Arzt SMC/2010/27.pdf.txt Duet Interaction: Learning Musicianship for Automatic Accompaniment 0.1288 False ICMC 2005 RE-WIRED : REWORKING 20TH CENTURY LIVE ELECTRONICS FOR TODAY Dr Richard Polfreman ICMC/2005/defevent/papers/cr1247.pdf.txt The metaphysics of live electronics 0.1288 False ICMC 2005 A GOALS-BASED REVIEW OF PHYSICAL MODELLING Nicolas Castagné Claude Cadoz ICMC/2005/defevent/papers/cr1285.pdf.txt PHYSMISM : A Control Interface for Creative Exploration of Physical Models 0.1288 False ISMIR 2018 METER DETECTION AND ALIGNMENT OF MIDI PERFORMANCE Andrew McLeod ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/136_Paper.pdf.txt Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator 0.1287 False M&G2 M&G2/contents/Schutz Michael & Kubovy Michael M&G2 extended abstract.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1286 False ICMC 2005 EXTRACTING THE MELODY OF AN IMAGE USING MATE-SIMILARITY GENETIC ALGORITHM ICMC/2005/defevent/papers/cr1153.pdf.txt Interactive Spatialization and Sound Design using an Evolutionary System 0.1286 False ICMC 2008 THE WALKING MACHINE Per Anders Nilsson Academy of Music and Drama ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1531.pdf.txt Operating Sound Parameters Using Markov Model and Bayesian Filters in Automated Music Performance 0.1285 False ICMC 2000 Emotion, Theme And Structure: Enhancing Computer Music Through System Dynamics Modelling. ICMC/2000/Papers/53MuMoA3/1Whalley.pdf.txt States and Sound: Modelling Interactions with Musical User Interfaces 0.1284 False ICMPC ICMPC/ICMPC06/pdfs/513.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1284 False ISMIR 2018 UNDERSTANDING A DEEP MACHINE LISTENING MODEL THROUGH FEATURE INVERSION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/272_Paper.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1283 False ICMC 2001 Composing Outdoor Augmented-Reality Sound Environments Camille Goudeseune, Hank Kaczmarski ICMC/2001/ICMC2001_Goudeseune.pdf.txt SOMETHING TO GO HEAR #4 0.1283 False ICMC 2008 ERRANT SOUND SYNTHESIS Nick Collins ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1049.pdf.txt Timbre Space as a Musical Control Structure 0.1283 False ISMIR 2018 A FLEXIBLE APPROACH TO AUTOMATED HARMONIC ANALYSIS: MULTIPLE ANNOTATIONS OF CHORALES BY BACH AND PRÆTORIUS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/283_Paper.pdf.txt Interaction with Tonal Pitch Spaces 0.1283 False SMC 2010 CHORD SEQUENCE PATTERNS IN OWL Jens Wissmann FZI Research Center for SMC/2010/3.pdf.txt The OWL programmable stage effects pedal: Revising the concept of the on-stage computer for live music performance 0.1282 False ICMC 2001 Harmonic Visualizations of Tonal Music Craig Stuart Sapp Center for Computer Assisted Research in the Humanities ICMC/2001/data/cr1101.pdf.txt A Minor Chord for BladeAxe 0.1281 False ICMC 2005 TOWARDS SCHENKERIAN ANALYSIS BY COMPUTER: A REDUCTIONAL MATRIX ICMC/2005/defevent/papers/cr1083.pdf.txt Toward a Theory of Interfaces for Computer Music Systems 0.128 False ICMC 2008 THE MEXICAN CENTRE FOR MUSIC AND SONIC ARTS STUDIO REPORT Dr. Rodrigo Sigal ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1059.pdf.txt The Artist's use of telecommunications: a review 0.128 False ICMPC ICMPC/ICMPC06/pdfs/59.pdf.txt A Computer Music System for Human Singing 0.1278 False DAFx 2006 DAFx/2006/papers/p_193.pdf.txt Online Map Interface for Creative and Interactive 0.1278 False ICMC 2008 STUDIO REPORT: DIGITÓPIA AT CASA DA MÚSICA Rui Penha, Paulo M. Rodrigues ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1603.pdf.txt Ten-Hand Piano : A Networked Music Installation 0.1277 False ICMPC ICMPC/ICMPC06/pdfs/550.pdf.txt The Hybrid: A Music Performance System 0.1276 False DAFx 2002 DAFx/2002/DAFX02_Moeller_Gromowski_Zoelzer_measurement_nonlinear-1.pdf.txt The Half-Physler: An oscillating real-time interface to a tube resonator model 0.1276 False ICMPC ICMPC/ICMPC06/pdfs/316.pdf.txt Associating Emoticons with Musical Genres 0.1275 False ICMC 2000 Music as HandWerk, the middle way between Vorhandenheit and Zuhandenheit ICMC/2000/Papers/11Aesth1/2Richard.pdf.txt A computer Music Repertory 0.1275 False ICMC 2008 THE ENIGMA OF VITRUVIAN RESONATING VASES AND THE RELEVANCE OF THE CONCEPT FOR TODAY ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1470.pdf.txt The Audio Programming Book 0.1275 False ICMC 2008 HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1511.pdf.txt Style and Constraint in Electronic Musical Instruments 0.1275 False ICMC 2008 VISUALIZATION TOOLS FOR MUSICAL TIMING APPLIED TO AFRO-CUBAN PERCUSSION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1744.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1275 False ICMPC ICMPC/ICMPC06/pdfs/355.pdf.txt In Between: Time, Space and Image in Cross-Media Performance 0.1275 False M&G2 M&G2/contents/Blank Marilyn & Davidson Jane M&G2 extended abstract.pdf.txt The Sentograph: Input Devices and the Communication of Bodily Expression 0.1274 False ICMPC ICMPC/ICMPC06/pdfs/404.pdf.txt Towards an Affective Gesture Interface for Expressive Music Performance 0.1273 False GestureWorkshop 2003 Correlation of Gestural Musical Audio Cues and Perceived Expressive Qualities GestureWorkshop/2003/Leman2003.pdf.txt The Accordiatron: A Gestural Interface for Interactive Music 0.1273 False ICMC 2005 MUSICAL THOUGHT NETWORKED Dante Tanzi Laboratorio di Informatica Musicale ICMC/2005/defevent/papers/cr1061.pdf.txt Time, proximity and meaning on the net 0.1273 False ICMC 2008 VOCABLE SYNTHESIS Alex McLean and Geraint Wiggins ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1542.pdf.txt Words , Movement and Timbre 0.1273 False ICMC 2008 THE EFFECT OF AIR TURBULENCE ON SOUND AND ITS APPLICATION TO MUSICAL SIGNAL PROCESSING ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1691.pdf.txt Virtual Air Guitar 0.1273 False ICMPC ICMPC/ICMPC06/pdfs/241.pdf.txt Performance factors in control of hight- dimentional spaces 0.1273 False ICMPC ICMPC/ICMPC06/pdfs/516.pdf.txt Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical Expression 0.1272 False ICMPC ICMPC/ICMPC06/pdfs/410.pdf.txt NIME Education at the HKU, Emphasizing performance 0.1272 False ISMIR 2018 DALI: A LARGE DATASET OF SYNCHRONIZED AUDIO, LYRICS AND NOTES, AUTOMATICALLY CREATED USING TEACHER-STUDENT ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/35_Paper.pdf.txt LiVo: Sing a Song with a Vowel Keyboard 0.1271 False ICMPC ICMPC/ICMPC06/pdfs/565.pdf.txt Machine Songs 0.127 False ICMC 2005 MUSIQUE LAB 2 : A THREE LEVEL APPROACH FOR MUSIC EDUCATION AT SCHOOL ICMC/2005/defevent/papers/cr1337.pdf.txt « Musique: composition automatique - automation composée » 0.1269 False ICMC 2005 GEOMETRY IN SOUND: A SPEECH/MUSIC AUDIO CLASSIFIER INSPIRED BY AN IMAGE CLASSIFIER ICMC/2005/defevent/papers/cr1202.pdf.txt Mapping Spectral Frames to Pitch with Support Vector Machine 0.1269 False ICMPC ICMPC/ICMPC06/pdfs/440.pdf.txt A Computer Music System for Human Singing 0.1268 False ICMC 2005 THE PROSTHETIC CONGA: TOWARDS AN ACTIVELY CONTROLLED HYBRID MUSICAL INSTRUMENT ICMC/2005/defevent/papers/cr1238.pdf.txt Hybrid Drum: Iterative Development Toward Standalone Operation and Physical Feedback 0.1268 False ICMC 2008 COMPOSING WITH BRAINWAVES: MINIMAL TRIAL P300 RECOGNITION AS AN INDICATION OF SUBJECTIVE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1450.pdf.txt Toward Direct Brain-Computer Musical Interfaces 0.1268 False ISMIR 2018 MATRIX CO-FACTORIZATION FOR COLD-START RECOMMENDATION Olivier Gouvert1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/142_Paper.pdf.txt Machine Songs 0.1267 False ICMC 2008 INTRODUCING ASANNOTATION: A TOOL FOR SOUND ANALYSIS AND ANNOTATION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1616.pdf.txt A Manifold Interface for a High Dimensional Control Space 0.1267 False ICMPC ICMPC/ICMPC06/pdfs/393.pdf.txt Control of Phrasing and Articulation in Synthesis 0.1266 False ICMC 2008 VISUALISATION OF MUSICAL STRUCTURE BY APPLYING IMPROVED EDITING ALGORITHMS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1577.pdf.txt Matching Parts : Inner Voice Led Control for Symbolic and Audio Accompaniment 0.1265 False DAFx 2002 DAFx/2002/DAFX02_Polotti_Menzer_Evangelista_inharmonic_sound.pdf.txt Synthesis and Control of Everyday Sounds Reconstructing Russolo's Intonarumori 0.1265 False ICMC 2008 K Kapur, Ajay Kendall, Gary Kersten, Stefan Kessous, Loic Kiefer, Chris ICMC/2008/ICMC08 USB Proceedings/defevent/authors/K.pdf.txt Communication esthetics, interactive participation and artistic systems of communication and expression 0.1265 False ICMC 2008 W Walker, Jacqueline Walsh, Rory Wang, Ge Wessel, David Whalley, Ian ICMC/2008/ICMC08 USB Proceedings/defevent/authors/W.pdf.txt Ethernet Orchestra - Remote Networked Performance 0.1264 False DAFx 2006 DAFx/2006/papers/p_259.pdf.txt Blackbox Loops 0.1264 False DAFx 2006 DAFx/2006/papers/p_291.pdf.txt A Live Coding Performance 0.1264 False ICMC 2008 USING THE CORDIS-ANIMA FORMALISM FOR THE PHYSICAL MODELING OF THE GREEK ZOURNAS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1614.pdf.txt The Half-Physler: An oscillating real-time interface to a tube resonator model 0.1262 False DAFx 2006 DAFx/2006/papers/p_101.pdf.txt AM MODE: Using AM and FM Synthesis for Acoustic Drum Set Augmentation 0.1262 False ICMPC ICMPC/ICMPC06/pdfs/199.pdf.txt Evaluating the Perceived Similarity Between Audio-Visual Features Using Corpus-Based Concatenative Synthesis 0.1262 False ICMPC ICMPC/ICMPC06/pdfs/616.pdf.txt Morphosis for piano 0.1262 False ISMIR 2018 COMPUTATIONAL CORPUS ANALYSIS: A CASE STUDY ON JAZZ SOLOS Christof Weiß1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/23_Paper.pdf.txt Evaluating the Perceived Similarity Between Audio-Visual Features Using Corpus-Based Concatenative Synthesis 0.1262 False ISMIR 2018 LISTENER ANONYMIZER: CAMOUFLAGING PLAY LOGS TO PRESERVE USER’S DEMOGRAPHIC ANONYMITY ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/78_Paper.pdf.txt Songs 2 See: Learn to Play by Playing 0.1261 False ICMC 2008 AUTOMATIC FITNESS IN GENERATIVE JAZZ IMPROVISATION Kjell Bäckman ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1474.pdf.txt Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and Performance 0.1261 False ICMPC ICMPC/ICMPC06/pdfs/322.pdf.txt An Interface for Emotional Expression in Audio-Visuals 0.126 False ICMC 2005 A SIMPLE DYNAMIC TONEHOLE MODEL FOR REAL-TIME SYNTHESIS OF CLARINET-LIKE INSTRUMENTS ICMC/2005/defevent/papers/cr1067.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.126 False ICMPC ICMPC/ICMPC06/pdfs/170.pdf.txt Learning Performance Rules in a Music Interpretation System 0.126 False ICMPC ICMPC/ICMPC06/pdfs/501.pdf.txt Instruments and the Electronic Age 0.1259 False ICMC 2005 PERFORMING ALGORITHMIC COMPUTER MUSIC: REAL-TIME SCORE INTERPRETATION OF DAVID BIRCHFIELD’S COMMUNITY ICMC/2005/defevent/papers/cr1231.pdf.txt Musical Score Generation in Valses and Etudes 0.1259 False ICMC 2008 Conference Info Authors Sessions Papers Topics Search ICMC/2008/ICMC08 USB Proceedings/defevent/main/welcome.pdf.txt Gambiarra and Techno-Vernacular Creativity in NIME Research 0.1258 False ICMPC ICMPC/ICMPC06/pdfs/439.pdf.txt Instruments and the Electronic Age 0.1257 False ICMC 2005 A GENETIC ALGORITHM FOR THE AUTOMATIC GENERATION OF PLAYABLE GUITAR TABLATURE ICMC/2005/defevent/papers/cr1021.pdf.txt 'GXtar', an Interface Using Guitar Techniques 0.1257 False ICMC 2008 THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1316.pdf.txt Spatial Sound Synthesis in Computer-Aided Composition 0.1257 False ICMPC ICMPC/ICMPC06/pdfs/186.pdf.txt 3-D model based tracking of human upper body movement: a multi-view approach 0.1257 False ICMPC ICMPC/ICMPC06/pdfs/302.pdf.txt Timbre Space as a Musical Control Structure 0.1257 False ICMPC ICMPC/ICMPC06/pdfs/446.pdf.txt Morphosis for piano 0.1255 False ICMPC ICMPC/ICMPC06/pdfs/51.pdf.txt Song Kernel --- Explorations in Intuitive Use of Harmony 0.1255 False ICMPC ICMPC/ICMPC06/pdfs/556.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1254 False ICMPC ICMPC/ICMPC06/pdfs/228.pdf.txt A low-cost MRI compatible keyboard 0.1254 False ICMPC ICMPC/ICMPC06/pdfs/231.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1253 False ICMC 2001 Measuring Intention against Reception in Electroacoustic Music: ICMC/2001/data/cr1349.pdf.txt New Performance Instruments for Electroacoustic Music 0.1253 False ICMC 2005 OPTIMAL POSITIONING IN LOW-DIMENSIONAL CONTROL SPACES USING CONVEX OPTIMIZATION ICMC/2005/defevent/papers/cr1208.pdf.txt Timbre Space as a Musical Control Structure 0.1253 False ICMC 2008 OUR RESEARCH FOR LOST ROUTE TO ROOT Jérôme Barthélemy, Alain Bonardi, Guillaume Boutard, Raffaele Ciavarella ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1485.pdf.txt Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic Technologies 0.1253 False ICMPC ICMPC/ICMPC06/pdfs/675.pdf.txt Timbre et causalité 0.1253 False M&G2 M&G2/contents/Zagorski Thomas Simon M&G2 full paper.pdf.txt Virtual Musical Instruments: Technological Aspects and Interactive Performance Issues 0.1252 False ICMC 2008 OWT: A REAL-TIME OPTIMAL TUNING APPLICATION Wei Pan1 , Micah K. Johnson2 , Larry Polansky3 , Daniel Rockmore1,4 and Douglas Repetto5 ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1399.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1252 False ICMPC ICMPC/ICMPC06/pdfs/680.pdf.txt A Laptop Ensemble Performance System using Recurrent Neural Networks 0.1251 False DAFx 2006 DAFx/2006/papers/p_233.pdf.txt Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical Garden 0.1251 False ICMC 2008 ANALYSIS, VISUALIZATION, AND TRANSFORMATION OF AUDIO SIGNALS USING DICTIONARY-BASED METHODS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1409.pdf.txt An Overview of the Structured Sound Synthesis Project 0.1251 False ICMPC ICMPC/ICMPC06/pdfs/319.pdf.txt Morphosis for piano 0.125 False ICMC 2008 IMPROVEMENTS OF SYMBOLIC KEY FINDING METHODS Matthias Robine, Thomas Rocher and Pierre Hanna ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1699.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.125 False ICMC 2008 TIME AFTER TIME : SHORT-CIRCUITING THE EMOTIONAL DISTANCE BETWEEN ALGORITHM AND HUMAN IMPROVISORS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1790.pdf.txt JamSketch: A Drawing-based Real-time Evolutionary Improvisation Support System 0.125 False ICMPC ICMPC/ICMPC06/pdfs/438.pdf.txt Designing Empowering Vocal and Tangible Interaction 0.1249 False ICMC 2001 Manipulation and Resynthesis with Natural Grains Reynald Hoskinson, Dinesh Pai ICMC/2001/ICMC2001_Hoskinson.pdf.txt PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis 0.1249 False ICMC 2001 Time-Frequency Reassignment for Music Analysis Stephen W. Hainsworth and Patrick J. Wolfe† ICMC/2001/data/cr1137.pdf.txt Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch Tracking Techniques to a Video Signal 0.1249 False ICMC 2005 MUSICSTRANDSTM : A PLATFORM FOR DISCOVERING AND EXPLORING MUSIC ICMC/2005/defevent/papers/cr1334.pdf.txt Location33: A Mobile Musical 0.1249 False SMC 2010 ADDITIONAL EVIDENCE THAT COMMON LOW-LEVEL FEATURES OF INDIVIDUAL AUDIO FRAMES ARE NOT REPRESENTATIVE OF MUSIC SMC/2010/20.pdf.txt An Interface for Real-time Classification of Articulations Produced by Violin Bowing 0.1248 False ICMC 2000 A NEW ALGORITHM FOR BANDWIDTH ASSOCIATION IN BANDWIDTH-ENHANCED ADDITIVE SOUND MODELING ICMC/2000/Papers/82SoSyM2/2Fitz1.pdf.txt Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing 0.1248 False ICMC 2005 TOWARDS A ROADMAP FOR THE RESEARCH IN MUSIC TECHNOLOGY Xavier Serra ICMC/2005/defevent/papers/cr1198.pdf.txt Towards a Repository Template for Music Technology Research 0.1247 False ICMC 2001 Implementing Temporal Type Constructors for Music Programming ICMC/2001/data/cr1223.pdf.txt Computer music at Carnegie Mellon University 0.1247 False ICMC 2005 ISIS, AN ALTERNATIVE APPROACH TO SOUND WAVES Clarence Barlow Royal Conservatoire ICMC/2005/defevent/papers/cr1192.pdf.txt The Theremin Textural Expander 0.1247 False ICMC 2008 REMOTE 3D-AUDIO PERFORMANCE WITH SPATIALIZED DISTRIBUTION Winfried Ritsch ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1821.pdf.txt Diastema for the time floating between the networked remote places 0.1247 False ICMPC ICMPC/ICMPC06/pdfs/240.pdf.txt Live Writing: Gloomy Streets 0.1247 False ICMPC ICMPC/ICMPC06/pdfs/77.pdf.txt Motor Imagery: What Does It Offer for New Digital Musical Instruments? 0.1247 False ICMPC ICMPC/ICMPC06/pdfs/83.pdf.txt Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion 0.1245 False ICMPC ICMPC/ICMPC06/pdfs/173.pdf.txt Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano Performance 0.1245 False ICMPC ICMPC/ICMPC06/pdfs/469.pdf.txt Evaluating the Audience's Perception of Real-time Gestural Control and Mapping Mechanisms in Electroacoustic Vocal Performance 0.1245 False SMC 2010 LYRICS-TO-AUDIO ALIGNMENT AND PHRASE-LEVEL SEGMENTATION USING INCOMPLETE INTERNET-STYLE CHORD ANNOTATIONS SMC/2010/2.pdf.txt LiVo: Sing a Song with a Vowel Keyboard 0.1244 False ICMC 2001 Do Composition Systems Support Creativity? - An evaluation Barry Eaglestone, Nigel Ford, Mark Clowes ICMC/2001/data/cr1340.pdf.txt InkSplorer : Exploring Musical Ideas on Paper and Computer 0.1244 False ICMPC ICMPC/ICMPC06/pdfs/414.pdf.txt The Development of a Piano Player 0.1243 False DAFx 2002 DAFx/2002/DAFX02_Boyer_Abed-Meraim_audio_transient_modeling.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1243 False DAFx 2006 DAFx/2006/papers/p_319.pdf.txt MoPho – A Suite for a Mobile Phone Orchestra 0.1243 False ICMC 2001 Grouping, Similarity and the Recognition of Rhythmic Structure ICMC/2001/data/cr1360.pdf.txt A Model for Human-Computer Interaction Based on the Recognition of Musical Gestures 0.1243 False ICMC 2001 Detection and modeling of fast attack transients Xavier Rodet and Florent Jaillet1 ICMC/2001/data/cr1379.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1242 False ICMC 2000 TRANSIENT PRESERVATION UNDER TRANSFORMATION IN AN ADDITIVE SOUND MODEL ICMC/2000/Papers/83SoSyM3/1Fitz2.pdf.txt An Introduction to the SSSP Digital Synthesizer 0.1242 False ICMC 2008 VOICE SEPARATION IN POLYPHONIC MUSIC: A DATA-DRIVEN APPROACH Anna Jordanous ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1582.pdf.txt VIDI – a voice instrument digital interface of Byzantine music 0.1242 False ICMC 2008 MUSIC AND GESTURE FILE: PERFORMANCE VISUALISATION, ANALYSIS, STORAGE AND EXCHANGE ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1784.pdf.txt Towards a Gesture Description Interchange Format 0.1242 False ICMPC ICMPC/ICMPC06/pdfs/91.pdf.txt Words to Music Synthesis 0.1241 False ICMC 2005 THE ‘COSMOS’ MODEL; AN EVENT GENERATION SYSTEM FOR SYNTHESIZING EMERGENT SONIC ICMC/2005/defevent/papers/cr1054.pdf.txt Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator 0.1241 False ICMC 2005 COMBINING AUDIO AND GESTURES FOR A REAL-TIME IMPROVISER Roberto Morales ICMC/2005/defevent/papers/cr1183.pdf.txt Real-Time Performance via User Interfaces to Musical Structures 0.1241 False ICMPC ICMPC/ICMPC06/pdfs/314.pdf.txt Hitmachine: Collective Musical Expressivity for Novices 0.124 False ICMC 2001 Hard Sync Without Aliasing Eli Brandt ICMC/2001/data/cr1222.pdf.txt An Introduction to the SSSP Digital Synthesizer 0.124 False ICMPC ICMPC/ICMPC06/pdfs/182.pdf.txt Sonic Serendipity: Embracing Discovery in File Finder-Based Improvisation 0.124 False M&G2 M&G2/contents/Lee Martin M&G2 full paper.pdf.txt Gesture -- Music 0.124 False SMC 2010 STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC SMC/2010/18.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1239 False ICMC 2005 Why Does The Acoustic Space Of Churches Exalt Gregorian Chant? ICMC/2005/defevent/abstract/a1315.pdf.txt Lo specchio confuso dall'ombra 0.1239 False SMC 2010 HUBS AND ORPHANS - AN EXPLORATIVE APPROACH Martin Gasser SMC/2010/46.pdf.txt VibeFM: Visual Exploration of FM Synthesis 0.1238 False ICMC 2000 An Evaluation Study on Music Perception for Music Content-based Information Retrieval ICMC/2000/Papers/41MuInR1/2Melucci.pdf.txt Automatic Recognition of Soundpainting for the Generation of Electronic Music Sounds 0.1237 False ICMPC ICMPC/ICMPC06/pdfs/273.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1237 False ICMPC ICMPC/ICMPC06/pdfs/363.pdf.txt Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks 0.1237 False ICMPC ICMPC/ICMPC06/pdfs/368.pdf.txt Dance and Technology I: Moving Toward the Future. Proceedings of the First Annual Conference 0.1237 False ICMPC ICMPC/ICMPC06/pdfs/507.pdf.txt Musicianship for Robots with Style 0.1237 False ICMPC ICMPC/ICMPC06/pdfs/604.pdf.txt Round Table 0.1236 False DAFx 2006 DAFx/2006/papers/p_115.pdf.txt A Multi-Instrument, Force-Feedback Keyboard 0.1236 False ICMC 2005 DISSCO: A Unified Approach to Sound Synthesis and Composition ICMC/2005/defevent/papers/cr1332.pdf.txt A Gesture Control Interface for a Wave Field Synthesis System 0.1235 False DAFx 2006 DAFx/2006/papers/p_037.pdf.txt Filtering Motion Capture Data for Real-Time Applications 0.1235 False DAFx 2006 DAFx/2006/papers/p_095.pdf.txt Filtering Motion Capture Data for Real-Time Applications 0.1235 False M&G2 M&G2/contents/Aksnes Hallgjerd M&G2 extended abstract.pdf.txt An Interface for Emotional Expression in Audio-Visuals 0.1234 False ICMC 2005 Session : Poster Introduction Session ICMC/2005/defevent/sessions/s700.pdf.txt Introduction 0.1234 False ICMPC ICMPC/ICMPC06/pdfs/43.pdf.txt Music-based respiratory biofeedback in visually-demanding tasks 0.1234 False ICMPC ICMPC/ICMPC06/pdfs/476.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1233 False ICMC 2008 REMOTE 3D−AUDIO PERFORMANCE WITH SPATIALIZED DISTRIBUTION ICMC/2008/ICMC08 USB Proceedings/defevent/abstract/a1821.pdf.txt Everything In Its Place 0.1233 False ICMC 2008 TAPPING INTO THE INTERNET AS AN ACOUSTICAL AND MUSICAL MEDIUM ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1810.pdf.txt Timbre Space as a Musical Control Structure 0.1233 False ICMPC ICMPC/ICMPC06/pdfs/24.pdf.txt Cognition and Physicality in Musical CyberInstruments 0.1232 False ICMC 2008 INFNO: GENERATING SYNTH POP AND ELECTRONIC DANCE MUSIC ON DEMAND ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1136.pdf.txt Controlling Live Generative Electronic Music with Deviate 0.1232 False ICMC 2008 Telematic Music – Restrictions and Advantages Compared to Traditional One-Site ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1807.pdf.txt Network Latency Adaptive Tempo in the Public Sound Objects System 0.1232 False ICMPC ICMPC/ICMPC06/pdfs/213.pdf.txt Interaction with Tonal Pitch Spaces 0.1231 False ICMC 2001 Demudi: The Debian Multimedia Distribution François Déchelle ICMC/2001/data/cr1070.pdf.txt NEXUS: Collaborative Performance for the Masses, Handling Instrument Interface Distribution through the Web 0.123 False DAFx 2002 DAFx/2002/DAFX02_Fitzgerald_Coyle_Lawlor_drum_transcription.pdf.txt Extending the Soundcard for Use with Generic DC Sensors Demonstrated by Revisiting a Vintage ISA Design 0.123 False ICMC 2008 FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMBLED ACOUSMATIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1162.pdf.txt New Performance Instruments for Electroacoustic Music 0.123 False ICMC 2008 MUSIC THAT LISTENS TO WHAT'S GOING TO HAPPEN: INTERNETENHANCED, SELF-ADAPTING SOUNDSCAPES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1822.pdf.txt The Tipping Point 0.123 False ISMIR 2018 AUDIO BASED DISAMBIGUATION OF MUSIC GENRE TAGS Romain Hennequin, Jimena Royo-Letelier, Manuel Moussallam ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/163_Paper.pdf.txt Tangible Music Interfaces Using Passive Magnetic Tags 0.1229 False ICMC 2005 OPEN-SOURCE MATLAB TOOLS FOR INTERPOLATION OF SDIF SINUSOIDAL SYNTHESIS PARAMETERS ICMC/2005/defevent/papers/cr1328.pdf.txt The Metasurface -- Applying Natural Neighbour Interpolation to Two-to-Many Mapping 0.1229 False ICMC 2008 A STUDY INTO THE PERCEPTION OF ENVELOPMENT IN ELECTROACOUSTIC MUSIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1798.pdf.txt An Interactive Real-Time System for the Control of Sound Localization 0.1229 False ICMPC ICMPC/ICMPC06/pdfs/142.pdf.txt Revisiting Cagean Composition Methodology with a Modern Computational Implementation 0.1229 False ICMPC ICMPC/ICMPC06/pdfs/289.pdf.txt Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases 0.1228 False ICMC 2008 DO YOU SOUND LIKE YOUR FRIENDS? EXPLORING ARTIST SIMILARITY VIA ARTIST SOCIAL NETWORK ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1608.pdf.txt An Open Source Interface based on Biological Neural Networks for Interactive Music Performance 0.1228 False ICMC 2008 CUANDO CANTO BAJAN LOS CERROS: AN INITIATIVE FOR INTERFACE DEVELOPMENT ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1696.pdf.txt Metabow: Gesture Mapping in Immersive Sonic Environments 0.1228 False ISMIR 2018 StructureNet: INDUCING STRUCTURE IN GENERATED MELODIES Gabriele Medeot1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/126_Paper.pdf.txt Transformer Neural Networks for Automated Rhythm Generation 0.1228 False M&G2 M&G2/contents/Dahl Sofia M&G2 full paper.pdf.txt The reciprocity between ancillary gesture and music structure performed by expert musicians 0.1227 False ICMC 2000 ICMC/2000/Papers/93Studi3/1Young.pdf.txt New Performance Instruments for Electroacoustic Music 0.1227 False ICMPC ICMPC/ICMPC06/pdfs/190.pdf.txt A Minor Chord for BladeAxe 0.1226 False ICMC 2008 ANALOGUE TO DIGITAL: AUTHENTICIY VS. ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1416.pdf.txt Live performance interaction for humans and machines in the early twenty-first century: One composer's aesthetics for composition and performance practice 0.1226 False ICMPC ICMPC/ICMPC06/pdfs/329.pdf.txt Harmonic Words, Narrative Chords: Textual Sonification Using Part of Speech 0.1226 False ICMPC ICMPC/ICMPC06/pdfs/97.pdf.txt Machine Songs 0.1225 False ICMPC ICMPC/ICMPC06/pdfs/189.pdf.txt On Mapping N Articulation onto M Synthesiser-Control Parameters 0.1225 False ICMPC ICMPC/ICMPC06/pdfs/391.pdf.txt LoopBoxes - Evaluation of a Collaborative Accessible Digital Musical Instrument 0.1225 False ICMPC ICMPC/ICMPC06/pdfs/434.pdf.txt Timbre et causalité 0.1224 False ICMC 2001 Adaptive additive synthesis using spline based parameter trajectory ICMC/2001/data/cr1052.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1224 False ICMPC ICMPC/ICMPC06/pdfs/40.pdf.txt Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voice 0.1223 False ICMPC ICMPC/ICMPC06/pdfs/234.pdf.txt Motion-Influenced Composition 0.1222 False ICMC 2000 Integrating Bayesian Networks with Logic Programs for Music R. Morales ICMC/2000/Papers/68ToIntC/3Morales.pdf.txt Fuzzy Logic Control Toolkit 2.0: composing and synthesis by fuzzyfication 0.1222 False ICMC 2001 Temporal Filtering: Framing Sonic Objects Barry Moon ICMC/2001/data/cr1039.pdf.txt PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis 0.1222 False ICMC 2005 PHASE BASHING FOR SAMPLE-BASED FORMANT SYNTHESIS Miller Puckette ICMC/2005/defevent/papers/cr1194.pdf.txt Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis 0.1222 False ICMPC ICMPC/ICMPC06/pdfs/568.pdf.txt The Navi Activity Monitor : Toward Using Kinematic Data to Humanize Computer Music 0.1221 False ICMC 2008 The Use of Mel-frequency Cepstral Coefficients in Musical Instrument Identification ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1541.pdf.txt ISEE: An Intuitive Sound Editing Environment 0.122 False ICMPC ICMPC/ICMPC06/pdfs/461.pdf.txt DanSense: Rhythmic Analysis of Dance Movements Using Acceleration-Onset Times 0.122 False ICMPC ICMPC/ICMPC06/pdfs/48.pdf.txt Design for auditory imagery: altering instruments to explore performer fluency 0.122 False ISMIR 2018 A GENERALIZED PARSING FRAMEWORK FOR GENERATIVE MODELS OF HARMONIC SYNTAX ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/258_Paper.pdf.txt ImprovGenerator : Online Grammatical Induction for On-the-Fly Improvisation Accompaniment 0.122 False SMC 2010 A PERCEPTUAL STUDY ON DYNAMICAL FORM IN MUSIC Jens Hjortkjær Dept. of Arts and Cultural Studies SMC/2010/61.pdf.txt Dynamical modeling of the grand piano action 0.1219 False ICMC 2005 AN INTERACTIVE AURAL APPROACH TO THE ANALYSIS OF COMPUTER MUSIC ICMC/2005/defevent/papers/cr1068.pdf.txt Still Life —for piano and live electronics 0.1219 False ICMPC ICMPC/ICMPC06/pdfs/596.pdf.txt Collaborative Learning with Interactive Music Systems 0.1218 False ICMC 2000 "Aulos": An RTcmix interfaced software application for modeling cylindrical pipes with tone ICMC/2000/Papers/Demos/05Tsahal.pdf.txt Musical Control of a Pipe Based on Acoustic Resonance 0.1218 False ICMC 2001 Perceptual Wavetable Matching for Synthesis of Musical Instrument Tones ICMC/2001/data/cr1059.pdf.txt Autonomous Listening-Based Synthesizer Control with Reinforcement Learning for Live Sound Matching 0.1218 False ICMC 2001 The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive Timing ICMC/2001/data/cr1067.pdf.txt Generative rules for music performance: A formal description of a rule system 0.1217 False ICMC 2005 RESPONSIVE ENVIRONMENTS: NEW TECHNOLOGY AND THEATRE SOUND Michael Kraskin ICMC/2005/defevent/papers/cr1182.pdf.txt Computers as Theatre 0.1216 False ICMPC ICMPC/ICMPC06/pdfs/317.pdf.txt Touch Screen Collaborative Music: Designing NIME for Older People with Dementia 0.1216 False ICMPC ICMPC/ICMPC06/pdfs/382.pdf.txt Drum-Dance-Music-Machine: Construction of a Technical Toolset for Low-Threshold Access to Collaborative Musical Performance 0.1216 False ICMPC Pitch and tempo precision in the reproduction of familiar songs ICMPC/ICMPC06/pdfs/459.pdf.txt Machine Songs 0.1216 False ISMIR 2018 ANALYSIS BY CLASSIFICATION: A COMPARATIVE STUDY OF ANNOTATED AND ALGORITHMICALLY EXTRACTED PATTERNS IN ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/75_Paper.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1215 False ISMIR 2018 SUMMARIZING AND COMPARING MUSIC DATA AND ITS APPLICATION ON COVER SONG IDENTIFICATION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/36_Paper.pdf.txt Music Data Mining 0.1214 False ICMC 2000 Modelling a Drum by Interfacing 2-D and 3-D Waveguide Meshes Marc Aird ICMC/2000/Papers/24PhyMo4/2Aird.pdf.txt Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments 0.1213 False ICMPC ICMPC/ICMPC06/pdfs/192.pdf.txt Machine Songs 0.1213 False ICMPC ICMPC/ICMPC06/pdfs/308.pdf.txt 21st-Century Musical Instruments: Hardware and Software 0.1213 False ISMIR 2018 INFLUENCES ON THE SOCIAL PRACTICES SURROUNDING COMMERCIAL MUSIC ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/52_Paper.pdf.txt The Other Hegemony: Effects of software development culture on music software, and what we can do about it 0.1211 False ICMC 2000 Bridging the Gulf Between Music and Listener: Effect of Style Label and Descriptive Notes on ICMC/2000/Papers/51MuMoA1/2Frank2.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.121 False DAFx 2006 DAFx/2006/papers/p_283.pdf.txt FAUST Multiplatform toolbox for Body Brain Digital Musical Instruments 0.1209 False ICMPC ICMPC/ICMPC06/pdfs/104.pdf.txt Sonification of Fish Movement Using Pitch Mesh Pairs 0.1209 False ICMPC ICMPC/ICMPC06/pdfs/274.pdf.txt four fragments---A Performance for Swarming Robotics 0.1209 False ICMPC ICMPC/ICMPC06/pdfs/298.pdf.txt Interaction with Tonal Pitch Spaces 0.1209 False SMC 2010 AUTOMATIC MUSIC COMPOSITION BASED ON COUNTERPOINT AND IMITATION USING STOCHASTIC MODELS SMC/2010/49.pdf.txt The Well-Sequenced Synthesizer 0.1208 False DAFx 2002 DAFx/2002/DAFX02_Ottaviani_Fontana_Rocchesso_distance_cues.pdf.txt The Perception of Live-sequenced Electronic Music via Hearing and Sight 0.1208 False ICMC 2008 PATTERN-SPECIFIC PIANO EXERCISE RETRIEVAL Min-Joon Yoo ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1197.pdf.txt Morphosis for piano 0.1208 False ICMC 2008 ADAPTIVE MELODIC SEGMENTATION AND MOTIVIC IDENTIFICATION Greg Wilder ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1602.pdf.txt Music Data Mining 0.1208 False ICMPC ICMPC/ICMPC06/pdfs/18.pdf.txt Live Writing: Gloomy Streets 0.1207 False ICMPC ICMPC/ICMPC06/pdfs/299.pdf.txt Live Cinema: Designing an Instrument for Cinema Editing as a Live Performance 0.1207 False ICMPC ICMPC/ICMPC06/pdfs/481.pdf.txt bog : Instrumental Aliens 0.1206 False DAFx 2006 DAFx/2006/papers/p_057.pdf.txt Filtering Motion Capture Data for Real-Time Applications 0.1206 False ICMC 2000 Next Steps from NeXTSTEP: MusicKit and SoundKit in a New World ICMC/2000/Papers/Demos/04Brand.pdf.txt Interactive Mobile Musical Application using faust2smartphone 0.1206 False ICMC 2005 AN AUTOMATED EVENT ANALYSIS SYSTEM WITH COMPOSITIONAL APPLICATIONS ICMC/2005/defevent/papers/cr1019.pdf.txt Mono-Replay : a software tool for digitized sound animation 0.1204 False DAFx 2006 DAFx/2006/papers/p_153.pdf.txt Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis 0.1204 False ICMPC ICMPC/ICMPC06/pdfs/247.pdf.txt Timbre Space as a Musical Control Structure 0.1203 False DAFx 2002 DAFx/2002/DAFX02_Badeau_Boyer_David_EDS_modeling_tracking.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.1203 False ICMC 2008 A MUSIC LOOP EXPLORER SYSTEM Sebastian Streich Bee Suan Ong YAMAHA Corporation ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1315.pdf.txt Blackbox Loops 0.1202 False GestureWorkshop 2003 Gesture in Style Han Noot and Zsófia Ruttkay Center for Mathematics and Computer Science GestureWorkshop/2003/Noot2003.pdf.txt Sonification of Facial Actions for Musical Expression 0.1202 False ICMC 2008 TEXTURAL COMPOSITION: IMPLEMENTATION OF AN INTERMEDIARY AESTHETIC ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1475.pdf.txt Echology 0.1202 False ICMPC ICMPC/ICMPC06/pdfs/425.pdf.txt Optical Music Recognition for Interactive Score Display 0.1202 False ICMPC ICMPC/ICMPC06/pdfs/559.pdf.txt Swing Set : Musical Controllers with Inherent Physical Dynamics 0.1201 False ICMPC ICMPC/ICMPC06/pdfs/277.pdf.txt A Minor Chord for BladeAxe 0.1201 False ICMPC ICMPC/ICMPC06/pdfs/90.pdf.txt Measurement of Latency in Interactive Multimedia Art 0.1201 False ICMPC FREQUENTLY ASKED QUESTIONS LINK ► ► ► PROBLEM SUMMARY ICMPC/ICMPC08/ICMPC10/CAUSAL/FAQ.PDF.txt The New Media Reader 0.12 False ICMC 2005 ELEVATION PROBLEMS IN THE AURALISATION OF SOUND SOURCES WITH ARBITRARY SHAPE WITH WAVE FIELD SYNTHESIS ICMC/2005/defevent/papers/cr1175.pdf.txt The Tipping Point 0.12 False ICMPC ICMPC/ICMPC06/pdfs/633.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.12 False ICMPC ICMPC/ICMPC06/pdfs/701.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.12 False ISMIR 2018 WAVE-U-NET: A MULTI-SCALE NEURAL NETWORK FOR END-TO-END AUDIO SOURCE SEPARATION ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/205_Paper.pdf.txt Simulated EEG-Driven Audio Information Mapping Using Inner Hair-Cell Model and Spiking Neural Network 0.1199 False ICMC 2000 Forêt profonde by Francis Dhomont - Representation of the Unconscious ICMC/2000/Papers/13Aesth3/2Rubin.pdf.txt Managing Musical Complexity with Embodied Metaphors 0.1199 False ICMPC ICMPC/ICMPC06/pdfs/134.pdf.txt i-Maestro : Technology-Enhanced Learning and Teaching for Music 0.1199 False ICMPC ICMPC/ICMPC06/pdfs/366.pdf.txt Mappe per Affetti Erranti : a Multimodal System for Social Active Listening and Expressive Performance 0.1199 False ICMPC ICMPC/ICMPC06/pdfs/646.pdf.txt Polyphonic velocity-sensitive keyboard interface 0.1197 False ICMC 2005 PATHS ON STERN-BROCOT TREE AND WINDING NUMBERS OF MODES Domenico Vicinanza ICMC/2005/defevent/papers/cr1144.pdf.txt Taking the Auspices 0.1197 False ISMIR 2018 TWO WEB APPLICATIONS FOR EXPLORING MELODIC PATTERNS IN JAZZ SOLOS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/177_Paper.pdf.txt Algorithmic Pattern 0.1196 False ICMPC ICMPC/ICMPC06/pdfs/313.pdf.txt Rhythm Performance from a Spectral Point of View 0.1196 False M&G2 M&G2/contents/Guy Rebecca M&G2 full paper.pdf.txt A Virtually Real Flute 0.1195 False ICMPC ICMPC/ICMPC06/pdfs/477.pdf.txt Parameterized Melody Generation with Autoencoders and Temporally-Consistent Noise 0.1195 False ICMPC ICMPC/ICMPC06/pdfs/686.pdf.txt Harmonic Intonation Trainer: An Open Implementation in Pure Data 0.1195 False SMC 2010 CONSTANT-Q TRANSFORM TOOLBOX FOR MUSIC PROCESSING Christian Schörkhuber SMC/2010/48.pdf.txt Frequency Content of Breath Pressure and Implications for Use in Control 0.1195 False SMC 2010 THE INFLUENCE OF REED MAKING ON THE PERFORMANCE AND SOUND QUALITY OF THE OBOE SMC/2010/5.pdf.txt Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet 0.1194 False ICMPC ICMPC/ICMPC06/pdfs/286.pdf.txt four fragments---A Performance for Swarming Robotics 0.1194 False ISMIR 2004 TOOLS AND ARCHITECTURE FOR THE EVALUATION OF SIMILARITY MEASURES : CASE STUDY OF TIMBRE SIMILARITY ISMIR/2004/paper231-dd16448792d169905c15c5a582303c8e.pdf.txt Towards a perceptual framework for interface design in digital environments for timbre manipulation 0.1194 False SMC 2010 Structural Modeling Of Pinna-Related Transfer Functions Simone Spagnol SMC/2010/62.pdf.txt A meta-wind-instrument physical model, and a meta-controller for real-time performance control 0.1192 False DAFx 2006 DAFx/2006/papers/p_089.pdf.txt THE PIPE: Explorations with Breath Control 0.1192 False ICMC 2001 Transients modelling by pruned wavelet trees Laurent Daudet ICMC/2001/data/cr1400.pdf.txt Moon via Spirit (2019) for hybrid analogue/digital live electronics 0.1192 False ICMC 2005 E Eaglestone, Barry Eck, Douglas Einbond, Aaron Ellis, Nicholas ICMC/2005/defevent/authors/E.pdf.txt This is an instrument! 0.1192 False ICMC 2005 THE SEMANTIC HIFI PROJECT Hugues Vinet IRCAM-CNRS STMS 1, place Igor Stravinsky ICMC/2005/defevent/papers/cr1279.pdf.txt Sound Surfing Network (SSN): Mobile Phone-based Sound Spatialization with Audience Collaboration 0.1192 False ICMPC ICMPC/ICMPC06/pdfs/25.pdf.txt SICIB: An Interactive Music Composition System Using Body Movements 0.119 False ICMC 2000 Lars-Gunnar Bodin's “Anima": Intervallic Symmetry as Metaphor for A Cybernetic Age ICMC/2000/Papers/13Aesth3/3Fredric.pdf.txt New Performance Instruments for Electroacoustic Music 0.119 False ICMC 2008 INTEGRATED RECOGNITION SYSTEM FOR MUSIC SCORES Artur Capela, Jaime S. Cardoso ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1637.pdf.txt 21st-Century Musical Instruments: Hardware and Software 0.119 False ISMIR 2018 EVALUATING LANGUAGE MODELS OF TONAL HARMONY David R. W. Sears1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/262_Paper.pdf.txt An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks 0.1189 False CIM 2005 Sound Shaping and Timbral Justification in the 'Moral Realist CIM/2005/CIM05_Articles/RUDY_P_CIM05.pdf.txt MuDI - Multimedia Digital Instrument for Composing and Performing Digital Music for Films in Real-time 0.1189 False ICMC 2000 A Flexible Analysis-Synthesis Method for Transients Harvey Thornburg, Fabien Gouyon ICMC/2000/Papers/83SoSyM3/3Thornbu.pdf.txt Mono-Replay : a software tool for digitized sound animation 0.1189 False ISMIR 2018 A DATA-DRIVEN APPROACH TO MID-LEVEL PERCEPTUAL MUSICAL FEATURE MODELING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/183_Paper.pdf.txt Descriptors for Perception of Quality in Jazz Piano Improvisation 0.1187 False ICMPC ICMPC/ICMPC06/pdfs/402.pdf.txt An abstract control space for communication of sensory expressive intentions in music performance 0.1186 False ISMIR 2018 EMPIRICALLY WEIGHING THE IMPORTANCE OF DECISION FACTORS WHEN SELECTING MUSIC TO SING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/117_Paper.pdf.txt Descriptors for Perception of Quality in Jazz Piano Improvisation 0.1186 False ISMIR 2018 ALIGNED SUB-HIERARCHIES: A STRUCTURE-BASED APPROACH TO THE COVER SONG TASK ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/81_Paper.pdf.txt BeatJockey : A New Tool for Enhancing DJ Skills 0.1185 False DAFx 2006 DAFx/2006/papers/p_297.pdf.txt M.I.N.I. (Musical Instruments Numerical Interface) 0.1185 False ICMC 2005 Session : Paper Session 3: Systems for Composition and Music Education ICMC/2005/defevent/sessions/s400.pdf.txt Vistas 0.1185 False ICMC 2008 AMBISONICS EQUIVALENT PANNING Martin Neukom, Jan C. Schacher ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1146.pdf.txt The ZKM Klangdom 0.1185 False ICMC 2008 PANEL SESSION Reinventing Audio and Music Computation for Many-Core ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1717.pdf.txt Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data 0.1184 False ICMC 2000 Fleece: Graphical 3-D Trajectory Specification Software for Spatialization in Live Performance ICMC/2000/Papers/66Spati2/1Castle.pdf.txt A Look at the Design and Creation of a Graphically Controlled Digital Musical Instrument 0.1184 False ICMC 2008 IKLAX : A NEW MUSICAL AUDIO FORMAT FOR INTERACTIVE MUSIC Fabien Gallot ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1575.pdf.txt Music Interfaces for Novice Users : Composing Music on a Public Display with Hand Gestures 0.1184 False ICMPC ICMPC/ICMPC06/pdfs/597.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1184 False ICMPC ICMPC/ICMPC06/pdfs/68.pdf.txt Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping 0.1183 False CIM 2005 Timbre of nonlinear distortion effects: Perceptual attributes beyond sharpness? CIM/2005/CIM05_Articles/MARUI_A_CIM05.pdf.txt The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual Studies 0.1182 False DAFx 2002 DAFx/2002/DAFX02_Raad_Mertins_lossy_lossless_coding.pdf.txt Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data 0.1182 False DAFx 2003 DAFx/2003/dafx63.pdf.txt Improving instrumental sound synthesis by modeling the effects of performer gesture 0.1181 False ICMC 2000 A Mathematical/Psychometric Framework for Comparing the Perceptual Response to ICMC/2000/Papers/55SoPrP1/2Wakefi2.pdf.txt AM MODE: Using AM and FM Synthesis for Acoustic Drum Set Augmentation 0.1181 False ICMC 2001 Delimitation of Compositive Constants in Electroacoustic Music from the Interior of Argentina ICMC/2001/data/cr1271.pdf.txt New Performance Instruments for Electroacoustic Music 0.118 False ICMPC ICMPC/ICMPC06/pdfs/321.pdf.txt Song Kernel --- Explorations in Intuitive Use of Harmony 0.118 False ISMIR 2004 INSTRUMENT IDENTIFICATION IN SOLO AND ENSEMBLE MUSIC USING INDEPENDENT SUBSPACE ANALYSIS ISMIR/2004/paper119-44c75ebbaa0dcb511526588b79f7b82d.pdf.txt Automated Violin Fingering Transcription Through Analysis of an Audio Recording 0.1179 False ICMPC ICMPC/ICMPC06/pdfs/149.pdf.txt SICIB: An Interactive Music Composition System Using Body Movements 0.1179 False ICMPC ICMPC/ICMPC06/pdfs/517.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1178 False DAFx 2006 DAFx/2006/papers/p_161.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.1178 False ICMPC ICMPC/ICMPC06/pdfs/152.pdf.txt Current Trends in Electronic Music Interfaces 0.1177 False ICMC 2008 R Rae, Alex Rebelo, Ana Rebelo, Pedro Renaud, Alain Repetto, Douglas ICMC/2008/ICMC08 USB Proceedings/defevent/authors/R.pdf.txt Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System 0.1177 False ICMPC ICMPC/ICMPC06/pdfs/480.pdf.txt Interpretation and Space 0.1177 False ICMPC ICMPC/ICMPC06/pdfs/519.pdf.txt Interaction with Tonal Pitch Spaces 0.1176 False DAFx 2006 DAFx/2006/papers/p_007.pdf.txt Composing For Improvisation with Chaotic Oscillators 0.1176 False ICMC 2005 EVOLVING ADAPTIVE SENSORS IN A SYNTHETIC LISTENER Peter Beyls ICMC/2005/defevent/papers/cr1076.pdf.txt Real-time Gesture Mapping in Pd Environment using Neural Networks 0.1176 False ICMC 2005 INTRA-NOTE FEATURES PREDICTION MODEL FOR JAZZ SAXOPHONE PERFORMANCE ICMC/2005/defevent/papers/cr1281.pdf.txt An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realtime 0.1175 False DAFx 2006 DAFx/2006/papers/p_139.pdf.txt Rhythm Performance from a Spectral Point of View 0.1175 False ICMC 2000 A Framework for Representing and Manipulating Tonal Music Steven Abrams, Robert Fuhrer, Daniel V. Oppenheim, Don P. Pazel, James Wright ICMC/2000/Papers/68ToIntC/1Abrams.pdf.txt A Function-Oriented Interface for Music Education and Musical Expressions: ``the Sound Wheel'' 0.1174 False ICMPC ICMPC/ICMPC06/pdfs/282.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1174 False ICMPC ICMPC/ICMPC06/pdfs/668.pdf.txt Making Sound Synthesis Accessible for Children 0.1174 False ISMIR 2018 INVESTIGATING CROSS-COUNTRY RELATIONSHIP BETWEEN USERS’ SOCIAL TIES AND MUSIC MAINSTREAMINESS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/130_Paper.pdf.txt MMODM: Massively Multipler Online Drum Machine 0.1173 False DAFx 2002 DAFx/2002/DAFX02_Hamalainen_smoothing_peak_limiters.pdf.txt Level Up: Digital Games Research Conference 0.1172 False ICMPC ICMPC/ICMPC06/pdfs/631.pdf.txt Meaning in Musical Gesture 0.1171 False ICMPC ICMPC/ICMPC06/pdfs/567.pdf.txt Motion Pattern Recognition For Interactive Dance 0.117 False ICMC 2000 Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic Music ICMC/2000/Papers/51MuMoA1/1Frank1.pdf.txt Toward a Theory of Interfaces for Computer Music Systems 0.117 False ICMC 2005 NOTATION-BASED ANCIENT GREEK MUSIC SYNTHESIS WITH Dionysios Politis ICMC/2005/defevent/papers/cr1095.pdf.txt Metamorphosis 0.117 False ICMPC ICMPC/ICMPC06/pdfs/237.pdf.txt Cognitive Issues in Computer Music Programming 0.117 False ICMPC ICMPC/ICMPC06/pdfs/603.pdf.txt Timbre Space as a Musical Control Structure 0.1168 False ICMC 2008 INVESTIGATING ARTISTIC POTENTIAL OF THE DREAM INTERFACE: THE AURAL PAINTING ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1517.pdf.txt L2Ork 0.1167 False DAFx 2006 DAFx/2006/papers/p_013.pdf.txt Filtering Motion Capture Data for Real-Time Applications 0.1166 False ICMPC ICMPC/ICMPC06/pdfs/304.pdf.txt Polyhymnia : An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol Interpretation 0.1165 False DAFx 2006 DAFx/2006/papers/p_025.pdf.txt The Disfunctions of MIDI 0.1165 False ICMC 2005 SEMANTIC SEGMENTATION OF MUSIC AUDIO CONTENTS Bee Suan Ong & Perfecto Herrera ICMC/2005/defevent/papers/cr1289.pdf.txt Dancing-To-Music Character Animation 0.1165 False ICMC 2008 ARTICULATED NOISE Eric Lyon Sonic Arts Research Centre School of Music & Sonic Arts ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1652.pdf.txt Music for Sleeping & Waking Minds 0.1163 False ICMC 2000 In-phase corrections for Ambisonics Gordon Monro School of Mathematics and Statistics ICMC/2000/Papers/65Spati1/2Monro.pdf.txt Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs) 0.1163 False ISMIR 2018 JSYMBOLIC 2.2: EXTRACTING FEATURES FROM SYMBOLIC MUSIC FOR USE IN MUSICOLOGICAL AND ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/26_Paper.pdf.txt SBASS-1 features 0.1162 False ICMPC ICMPC/ICMPC06/pdfs/252.pdf.txt Timbre et causalité 0.1161 False SMC 2010 KETTLE: A REAL-TIME MODEL FOR ORCHESTRAL TIMPANI Panagiotis Papiotis SMC/2010/6.pdf.txt Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises 0.116 False ICMC 2005 Large-Scale Duration Organization in ‘Hodoi tô Ergô’ Kimmo Kuitunen ICMC/2005/defevent/papers/cr1155.pdf.txt GeoGraphy : a Real-Time, Graph-Based Composition Environment 0.116 False ISMIR 2018 DRIFTIN’ DOWN THE SCALE: DYNAMIC TIME WARPING IN THE PRESENCE OF PITCH DRIFT AND TRANSPOSITIONS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/97_Paper.pdf.txt The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human--Computer Interface 0.116 False SMC 2010 MUSICGALAXY – AN ADAPTIVE USER-INTERFACE FOR EXPLORATORY MUSIC RETRIEVAL SMC/2010/56.pdf.txt A Human Factors Approach to Computer Music Systems User-Interface Design 0.1159 False ICMC 2008 Posters 3 ICMC/2008/ICMC08 USB Proceedings/defevent/sessions/s540.pdf.txt HCI Methodology For Evaluating Musical Controllers : A Case Study 0.1158 False ICMC 2008 T Tahiroglu, Koray Takanishi, Atsuo Tanzi, Dante Teixeira, Luis F. ICMC/2008/ICMC08 USB Proceedings/defevent/authors/T.pdf.txt interface : Electronic Chamber Ensemble 0.1158 False ICMPC ICMPC/ICMPC06/pdfs/542.pdf.txt A flexible system for creating music while interacting with the computer 0.1157 False ICMC 2008 NOT BEING THERE Miller Puckette Center for Research in Computing and the Arts ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1808.pdf.txt Diastema for the time floating between the networked remote places 0.1156 False ICMC 2008 Posters 2 ICMC/2008/ICMC08 USB Proceedings/defevent/sessions/s360.pdf.txt Motion-Influenced Composition 0.1156 False ICMPC ICMPC/ICMPC06/pdfs/263.pdf.txt Designing Empowering Vocal and Tangible Interaction 0.1156 False ICMPC ICMPC/ICMPC06/pdfs/350.pdf.txt Designing Empowering Vocal and Tangible Interaction 0.1155 False ICMPC ICMPC/ICMPC06/pdfs/30.pdf.txt Electronic Music Systems: Structure, Control, Product 0.1155 False ICMPC ICMPC/ICMPC06/pdfs/323.pdf.txt Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response 0.1155 False ISMIR 2018 EXPLORING MUSICAL RELATIONS USING ASSOCIATION RULE NETWORKS Renan de Padua1,2 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/268_Paper.pdf.txt Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases 0.1154 False ICMC 2005 G Garcia de la Torre, Alfonso Garcia Galan, Sebastian Garrivier, Elodie ICMC/2005/defevent/authors/G.pdf.txt The Mutantrumpet 0.1154 False ICMC 2005 REAL-TIME AUDITORY MODELS Daniel Pressnitzer, Dan Gnansia Equipe Audition, LPE CNRS UMR 8581 ICMC/2005/defevent/papers/cr1134.pdf.txt Simulated EEG-Driven Audio Information Mapping Using Inner Hair-Cell Model and Spiking Neural Network 0.1154 False ICMPC ICMPC/ICMPC06/pdfs/520.pdf.txt Improvise+=Chain: Listening to the Ensemble Improvisation of an Autoregressive Generative Model 0.1154 False ICMPC ICMPC/ICMPC06/pdfs/638.pdf.txt Making Mappings: Design Criteria for Live Performance 0.1153 False ICMPC ICMPC/ICMPC06/pdfs/416.pdf.txt In Between: Time, Space and Image in Cross-Media Performance 0.1153 False ISMIR 2018 VOCALS IN MUSIC MATTER: THE RELEVANCE OF VOCALS IN THE MINDS OF LISTENERS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/98_Paper.pdf.txt Descriptors for Perception of Quality in Jazz Piano Improvisation 0.1152 False ICMPC ICMPC/ICMPC06/pdfs/573.pdf.txt four fragments---A Performance for Swarming Robotics 0.1152 False ISMIR 2018 MUSICAL-LINGUISTIC ANNOTATIONS OF IL LAURO SECCO Emilia Parada-Cabaleiro1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/11_Paper.pdf.txt P[a]ra[pra]xis : Poetry in Motion 0.1151 False ICMPC ICMPC/ICMPC06/pdfs/55.pdf.txt Cognitive Issues in Computer Music Programming 0.115 False DAFx 2002 DAFx/2002/DAFX02_Keiler_Marchand_sine_extract_compare.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1149 False ICMC 2001 Representation and Discovery of Multiple Viewpoint Patterns Darrell Conklin ICMC/2001/data/cr1332.pdf.txt Exploring Continuous Time Recurrent Neural Networks through Novelty Search 0.1149 False ICMPC ICMPC/ICMPC06/pdfs/375.pdf.txt Design for auditory imagery: altering instruments to explore performer fluency 0.1149 False ISMIR 2018 ON THE IMPACT OF MUSIC ON DECISION MAKING IN COOPERATIVE TASKS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/298_Paper.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1148 False ICMC 2008 MULTICORE TECHNOLOGIES IN JACK AND FAUST Y. Orlarey Grame ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1815.pdf.txt A Simple Architecture for Server-based (Indoor) Audio Walks 0.1148 False ICMPC ICMPC/ICMPC06/pdfs/196.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1147 False ICMPC ICMPC/ICMPC06/pdfs/243.pdf.txt Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned 0.1147 False ICMPC ICMPC/ICMPC06/pdfs/594.pdf.txt Modelling Gestures in Music Performance with Statistical Latent-State Models 0.1147 False ICMPC ICMPC/ICMPC06/pdfs/608.pdf.txt On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young People 0.1147 False SMC 2010 ACOUSTIC REHABILITATIO OF A LITTLE CHURCH I VIAROS (SPAI) SMC/2010/69.pdf.txt ROOM#81 0.1146 False SMC 2010 CROWDSOURCING A REAL-WORLD ON-LINE QUERY BY HUMMING SYSTEM Arefin Huq SMC/2010/64.pdf.txt LiVo: Sing a Song with a Vowel Keyboard 0.1145 False ICMC 2005 SOFTWARE FOR SPECTRAL ANALYSIS, EDITING, AND SYNTHESIS Michael Klingbeil ICMC/2005/defevent/papers/cr1121.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.1145 False ISMIR 2018 METHODOLOGIES FOR CREATING SYMBOLIC CORPORA OF WESTERN MUSIC BEFORE 1600 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/46_Paper.pdf.txt SMucK: Symbolic Music in ChucK 0.1144 False ICMPC ICMPC/ICMPC06/pdfs/204.pdf.txt An Automated Digital Sound Synthesis Instrument 0.1144 False ICMPC ICMPC/ICMPC06/pdfs/398.pdf.txt Cognitive Issues in Computer Music Programming 0.1144 False ICMPC ICMPC/ICMPC06/pdfs/491.pdf.txt Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design 0.1142 False ICMC 2001 A Memory-Based Model for Music Analysis: Challenging the Gestalt Principles ICMC/2001/data/cr1260.pdf.txt Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks 0.1142 False ICMC 2005 Timbre as a Psychoacoustic Parameter for Harmonic Composition ICMC/2005/defevent/abstract/a1330.pdf.txt Timbre et causalité 0.1142 False ICMC 2005 ICMC/2005/defevent/papers/cr1136.pdf.txt Quartet for Strings 0.1142 False ICMPC ICMPC/ICMPC06/pdfs/147.pdf.txt Intersecting Lines 0.1142 False ICMPC ICMPC/ICMPC06/pdfs/502.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1141 False ICMC 2001 Constant Q Profiles for Tracking Modulations in Audio Data Format ICMC/2001/data/cr1284.pdf.txt Interaction with Tonal Pitch Spaces 0.1141 False ICMC 2008 DRAWING ELECTROACOUSTIC MUSIC Jean-Baptiste Thiebaut, Patrick G. T. Healey, Nick Bryan Kinns ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1630.pdf.txt Electroacoustic Music with Moving Images: the art of media pairing 0.1141 False ICMPC ICMPC/ICMPC06/pdfs/487.pdf.txt Reframing Consciousness: Art, Mind and Technology 0.114 False ICMPC ICMPC/ICMPC06/pdfs/164.pdf.txt Trimpin: An Interview 0.1139 False ICMC 2001 A Modified Rectangular Waveguide Mesh Structure with Interpolated Input and Output Points∗ ICMC/2001/data/cr1172.pdf.txt Exploring audio and tactile qualities of instrumentality with bowed string simulations 0.1138 False ICMC 2008 HIGH-PERFORMANCE AUDIO COMPUTING — A POSITION PAPER Richard Dobson ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1573.pdf.txt Parallel Processing System Design with "Propeller" Processor 0.1137 False CIM 2005 Timbre and the Cultural Politics of French Spectralism CIM/2005/CIM05_Articles/DROTT_E_CIM05.pdf.txt Timbre et causalité 0.1137 False ICMC 2005 KARAOKE SYSTEM WITH SPATIAL ACOUSTICS ESTIMATION FOR VOCAL OR INSTRUMENTAL REMOVAL ICMC/2005/defevent/papers/cr1102.pdf.txt Trondheim Voices 0.1137 False ICMC 2008 ”UNDERGROUND SOUNDS” EXPERIMENTING WITH THE SOUNDS OF EARTHQUAKES ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1703.pdf.txt Active Acoustic Instruments for Electronic Chamber Music 0.1137 False ICMPC ICMPC/ICMPC06/pdfs/335.pdf.txt An Intelligent Drum Machine for Electronic Dance Music Production and Performance 0.1136 False ICMPC ICMPC/ICMPC06/pdfs/563.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1136 False ISMIR 2018 TOWARDS FULL-PIPELINE HANDWRITTEN OMR WITH MUSICAL SYMBOL DETECTION BY U-NETS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/175_Paper.pdf.txt Optical Music Recognition for Interactive Score Display 0.1135 False ICMC 2005 D Dahan, Kevin Dannenberg, Roger Davidson, Philip Davis, Tom De Campo, Alberto ICMC/2005/defevent/authors/D.pdf.txt Ambiguous Devices 0.1134 False ICMPC ICMPC/ICMPC06/pdfs/163.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1133 False ICMC 2005 ICMC/2005/defevent/papers/cr1262.pdf.txt MICON A Music Stand for Interactive Conducting 0.1133 False ICMC 2008 THE CYCLOTRON: A TOOL FOR PLAYING WITH TIME Daniel Trueman ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1787.pdf.txt Toward a Theory of Interfaces for Computer Music Systems 0.1133 False M&G2 M&G2/contents/Botelho Mauro M&G2 full paper.pdf.txt A Minor Chord for BladeAxe 0.1132 False DAFx 2006 DAFx/2006/papers/p_149.pdf.txt Real-Time Beat-Synchronous Audio Effects 0.1131 False DAFx 2006 DAFx/2006/papers/p_187.pdf.txt A Real-Time Synthesis Unit 0.113 False ICMPC ICMPC/ICMPC06/pdfs/105.pdf.txt Steelpan-specific pitch detection: a dataset and deep learning model 0.113 False ICMPC ICMPC/ICMPC06/pdfs/583.pdf.txt Machine Recognition of Music Information Composition Systems and Techniques Instrumental Gesture Modeling by Identification with Time-Varying Mechanical Models 0.1129 False ICMC 2005 SONENVIR – A PROGRESS REPORT Alberto de Campo Christopher Frauenberger ICMC/2005/defevent/papers/cr1196.pdf.txt Towards a Humane Graphical User Interface for Live Electronic Music 0.1129 False ICMPC ICMPC/ICMPC06/pdfs/303.pdf.txt Cognitive Issues in Computer Music Programming 0.1129 False ICMPC ICMPC/ICMPC06/pdfs/609.pdf.txt Contour: A Real-Time MIDI System Based on Gestural Input 0.1128 False ICMC 2000 Developments in Audio File Formats Richard W. Dobson ICMC/2000/Papers/45AuEnFo/1Dobson.pdf.txt Towards a Gesture Description Interchange Format 0.1126 False ICMPC ICMPC/ICMPC06/pdfs/65.pdf.txt VIDI – a voice instrument digital interface of Byzantine music 0.1126 False ISMIR 2018 DISAMBIGUATING MUSIC ARTISTS AT SCALE WITH AUDIO METRIC LEARNING ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/211_Paper.pdf.txt A Compact Spectrum-Assisted Human Beatboxing Reinforcement Learning Tool On Smartphone 0.1124 False ICMC 2000 On the Perception of Transients: Applying Psychophysical Constraints to Improve Audio Analysis and Synthesis ICMC/2000/Papers/55SoPrP1/1Wakefi1.pdf.txt Thresholds 0.1124 False ICMPC ICMPC/ICMPC06/pdfs/315.pdf.txt Instruments and the Electronic Age 0.1123 False ICMPC ICMPC/ICMPC06/pdfs/122.pdf.txt Pyrogenesis 0.1123 False ICMPC ICMPC/ICMPC06/pdfs/451.pdf.txt ism: Improvisation Supporting System based on Melody Correction 0.112 False CIM 2005 A Study on One Note: Timbre as the Generator of Form in the Music of Elliott CIM/2005/CIM05_Articles/JENKINS_JD_CIM05.pdf.txt Timbre et causalité 0.112 False ISMIR 2018 SE AND SN L DIAGRAMS: FLEXIBLE DATA STRUCTURES FOR MIR Melissa R. McGuirl 1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/105_Paper.pdf.txt Arrangements: Flexibly Adapting Music Data for Live Performance 0.112 False SMC 2010 COMPARISON OF NON-STATIONARY SINUSOID ESTIMATION METHODS USING REASSIGNMENT AND DERIVATIVES SMC/2010/14.pdf.txt The Clavette: A Generalized Microtonal MIDI Keyboard Controller 0.1117 False DAFx 2002 DAFx/2002/DAFX02_Hanna_Desainte-Catherine_overlap_add_noise_synthesis.pdf.txt Passive Acoustic Knock Tracking for Interactive Windows 0.1117 False ICMPC ICMPC/ICMPC06/pdfs/126.pdf.txt A Study to Discover Metrics to Measure Kinesthetic Empathy in Interactive Music Performance 0.1117 False ICMPC ICMPC/ICMPC06/pdfs/141.pdf.txt The Development of a Piano Player 0.1116 False ICMPC ICMPC/ICMPC06/pdfs/110.pdf.txt Disentangling Relative from Absolute Amplitude in Fitts' Law Experiments 0.1116 False ICMPC ICMPC/ICMPC06/pdfs/354.pdf.txt Timbre Space as a Musical Control Structure 0.1115 False ICMC 2005 A PEN-BASED MUSICAL SCORE EDITOR Sébastien Macé Eric Anquetil ICMC/2005/defevent/papers/cr1085.pdf.txt Computer audio research laboratory report 0.1114 False ISMIR 2004 CREATING A NESTED MELODIC REPRESENTATION: COMPETITION AND COOPERATION AMONG BOTTOM-UP AND ISMIR/2004/paper155-f78d1a4cfc73ad0f31efeeceb34e863f.pdf.txt Generative rules for music performance: A formal description of a rule system 0.1113 False ICMPC ICMPC/ICMPC06/pdfs/365.pdf.txt Real-Time Performance via User Interfaces to Musical Structures 0.1112 False ICMC 2008 DIGITAL TIME: COMPLEXITY AND PERCEPTION Dante Tanzi ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1343.pdf.txt Gestural Control of Digital Audio Environments 0.1112 False ICMPC ICMPC/ICMPC06/pdfs/415.pdf.txt Abstraction and Activity in Computer-Mediated Music Production 0.1112 False ICMPC ICMPC/ICMPC06/pdfs/89.pdf.txt Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument Design 0.1111 False DAFx 2006 DAFx/2006/papers/p_303.pdf.txt Physical Audio Digital Filters 0.1111 False ICMC 2000 The Interdisciplining of Computer Music Kenneth Fields CREATE ICMC/2000/Papers/11Aesth1/1Fields.pdf.txt Abstraction and Activity in Computer-Mediated Music Production 0.1111 False ICMPC ICMPC/ICMPC06/pdfs/54.pdf.txt Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset Times 0.1111 False M&G2 M&G2/contents/Vojcic Aleksandra M&G2 extended abstract.pdf.txt The Global Metronome: Absolute Tempo Sync For Networked Musical Performance 0.111 False ICMPC ICMPC/ICMPC06/pdfs/359.pdf.txt Dynamics in Music Conducting: A Computational Comparative Study Among Subjects 0.1109 False ICMC 2008 ANALYSIS−SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE ICMC/2008/ICMC08 USB Proceedings/defevent/abstract/a1714.pdf.txt Moon via Spirit (2019) for hybrid analogue/digital live electronics 0.1109 False ICMPC ICMPC/ICMPC06/pdfs/452.pdf.txt Machine Songs 0.1109 False ICMPC ICMPC/ICMPC06/pdfs/52.pdf.txt Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks 0.1108 False ICMC 2005 TILING THE (MUSICAL) LINE WITH POLYNOMIALS: SOME THEORETICAL AND IMPLEMENTATIONAL ASPECTS ICMC/2005/defevent/papers/cr1098.pdf.txt Packages for ArtWonk : New Mathematical Tools for Composers 0.1108 False ICMPC ICMPC/ICMPC06/pdfs/266.pdf.txt Interaction with Tonal Pitch Spaces 0.1106 False ICMPC ICMPC/ICMPC06/pdfs/318.pdf.txt The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member 0.1106 False ICMPC ICMPC/ICMPC06/pdfs/611.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1105 False ICMC 2000 Snd3D; a 3D sound system for VR and interactive applications Peter Lundén ICMC/2000/Papers/66Spati2/2Lunden.pdf.txt jMax: An Environment for Real-Time Musical Applications 0.1105 False ICMPC ICMPC/ICMPC06/pdfs/326.pdf.txt Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E`s Model and DMIs 0.1105 False ICMPC ICMPC/ICMPC06/pdfs/572.pdf.txt Quartet for Strings 0.1103 False M&G2 M&G2/contents/Malin Yonatan M&G2 extended abstract.pdf.txt Contour: A Real-Time MIDI System Based on Gestural Input 0.1101 False ICMPC ICMPC/ICMPC06/pdfs/505.pdf.txt Chroma Palette : Chromatic Maps of Sound As Granular Synthesis Interface 0.11 False CIM 2005 Verbal Labels Affect Memory for Musical Timbre CIM/2005/CIM05_Articles/ROGERS_N_CIM05.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.11 False ISMIR 2018 PRECISION OF SUNG NOTES IN CARNATIC MUSIC Venkata Subramanian Viraraghavan1,2 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/120_Paper.pdf.txt Pitch Canvas: Touchscreen Based Mobile Music Instrument 0.1098 False ISMIR 2018 CONCERT STITCH: ORGANIZATION AND SYNCHRONIZATION OF CROWD-SOURCED RECORDINGS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/182_Paper.pdf.txt Synchronization of Multimodal Recordings for Musical Performance Research 0.1097 False DAFx 2002 DAFx/2002/DAFX02_Weikert_diffuse_sound_field.pdf.txt ROOM#81 0.1097 False ICMC 2005 AUTOMATIC MOTIVIC ANALYSIS INCLUDING MELODIC SIMILARITY FOR DIFFERENT CONTOUR CARDINALITIES: ICMC/2005/defevent/papers/cr1193.pdf.txt Contour: A Real-Time MIDI System Based on Gestural Input 0.1096 False CIM 2005 The timbre of the “horn-violin” in the early 20th century recordings CIM/2005/CIM05_Articles/ISAFFO_L_CIM05.pdf.txt Timbre et causalité 0.1096 False ICMC 2005 A NEW DISSIMILARITY METRIC FOR THE CLUSTERING OF PARTIALS USING THE COMMON VARIATION CUE ICMC/2005/defevent/papers/cr1171.pdf.txt Playing Together with a Semi-Automated Robotic Flute Using a Gesture Cue Detection System 0.1095 False ICMPC ICMPC/ICMPC06/pdfs/470.pdf.txt REMUPP -- An Interactive Tool for Investigating Musical Properties and Relations 0.1095 False ISMIR 2018 VISUALIZATION OF AUDIO DATA USING STACKED GRAPHS Mathieu Lagrange∗ , Mathias Rossignol, Grégoire Lafay∗ ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/96_Paper.pdf.txt Autonomous Listening-Based Synthesizer Control with Reinforcement Learning for Live Sound Matching 0.1094 False DAFx 2006 DAFx/2006/papers/p_053.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1094 False ICMC 2001 Visualizing Musical Structure and Rhythm via Self-Similarity Jonathan Foote and Matthew Cooper ICMC/2001/data/cr1043.pdf.txt Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping 0.1092 False ICMC 2008 STOCHASTIC RESONANCE SOUND SYNTHESIS Rodrigo F. Cádiz and Patricio de la Cuadra ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1548.pdf.txt An approach to stochastic spatialization --- A case of Hot Pocket 0.109 False ICMPC ICMPC/ICMPC06/pdfs/146.pdf.txt Instruments and the Electronic Age 0.109 False ICMPC ICMPC/ICMPC06/pdfs/176.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.109 False ICMPC ICMPC/ICMPC06/pdfs/33.pdf.txt Instruments and the Electronic Age 0.1089 False ICMC 2005 TOWARDS A HOLOPHONIC MUSICAL TEXTURE Panayiotis A. Kokoras ICMC/2005/defevent/papers/cr1303.pdf.txt What is a Musical Instrument? 0.1089 False ICMPC Some considerations on algorithmic music and madrigals of Gesualdo da Venosa ICMPC/ICMPC06/pdfs/115.pdf.txt Packages for ArtWonk : New Mathematical Tools for Composers 0.1089 False ICMPC ICMPC/ICMPC06/pdfs/150.pdf.txt The Navi Activity Monitor : Toward Using Kinematic Data to Humanize Computer Music 0.1089 False ICMPC ICMPC/ICMPC06/pdfs/156.pdf.txt Song Kernel --- Explorations in Intuitive Use of Harmony 0.1089 False ICMPC ICMPC/ICMPC06/pdfs/432.pdf.txt Cognitive Issues in Computer Music Programming 0.1088 False DAFx 2002 DAFx/2002/DAFX02_Smith_Serafin_Abel_Berners_doppler_leslie.pdf.txt Sodaconductor 0.1087 False SMC 2010 RESTORATION OF AUDIO DOCUMENTS WITH LOW SNR: A NMF PARAMETER ESTIMATION AND PERCEPTUALLY MOTIVATED SMC/2010/47.pdf.txt Lo specchio confuso dall'ombra 0.1085 False ICMC 2005 T Takanishi, Atsuo Tanzi, Dante Taube, Heinrich Tazelaar, Kees ICMC/2005/defevent/authors/T.pdf.txt A "Ballet Mécanique" for the 21st Century: Performing George Antheil's Dadaist Masterpiece with Robots 0.1085 False ICMC 2008 H Hacihabiboglu, Hüseyin Hadjakos, Aristotelis Hagan, Kerry Hair, Graham ICMC/2008/ICMC08 USB Proceedings/defevent/authors/H.pdf.txt Beethoven-in-a-Box: Raymond Scott's Electronium 0.1083 False ICMC 2008 MAINTAINING AND USING PROVENANCE DATA IN COMPUTER MUSIC John ffitch ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1494.pdf.txt Speed Makes Us Oblivious: A Slow and Responsible Approach to Engaging with Audio Sample Archives 0.1083 False ISMIR 2018 CONTROLLED VOCABULARIES FOR MUSIC METADATA Pasquale Lisena1 Konstantin Todorov2 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/68_Paper.pdf.txt Pyrogenesis 0.1082 False ICMC 2008 L Lagadec, Owen Lagrange, Mathieu Laurson, Mikael Lazzarini, Victor ICMC/2008/ICMC08 USB Proceedings/defevent/authors/L.pdf.txt Ambiguous Devices 0.1082 False ICMC 2008 Posters 1 ICMC/2008/ICMC08 USB Proceedings/defevent/sessions/s120.pdf.txt Hardware, Software, Artware: Confluence of Art and Technology–Art Practice at the ZKM Institute for Visual Media 0.1082 False ICMPC ICMPC/ICMPC06/pdfs/541.pdf.txt Towards an Affective Gesture Interface for Expressive Music Performance 0.108 False ICMPC ICMPC/ICMPC06/pdfs/131.pdf.txt Television Sky 0.1077 False ISMIR 2018 VENUERANK: IDENTIFYING VENUES THAT CONTRIBUTE TO ARTIST POPULARITY ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/91_Paper.pdf.txt The Medium is the Message: Composing Instruments and Performing Mappings 0.1076 False ICMPC ICMPC/ICMPC06/pdfs/655.pdf.txt GROOVE, a Program for Realtime Control of a Sound Synthesizer by a Computer 0.1075 False ICMC 2008 FREEDOM IN TAPESTREA! VOICE-AWARE TRACK MANIPULATIONS Tom Lieber ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1736.pdf.txt Using an Expressive Performance Template in a Music Conducting Interface 0.1075 False ICMPC ICMPC/ICMPC06/pdfs/244.pdf.txt Creating a White Noise Instrument for Collaborative Improvisation 0.1075 False ICMPC ICMPC/ICMPC06/pdfs/441.pdf.txt Computer audio research laboratory report 0.1074 False CIM 2005 Spectral Analysis as a Resource for Contemporary Orchestration Technique CIM/2005/CIM05_Articles/ROSE_F_CIM05.pdf.txt Rhythm Performance from a Spectral Point of View 0.1074 False ICMPC ICMPC/ICMPC06/pdfs/102.pdf.txt The Rullen Band 0.1073 False ICMC 2005 TOWARDS THE SYNTHESIS OF WAVEFRONT EVOLUTION IN 2-D Georg Essl ICMC/2005/defevent/papers/cr1209.pdf.txt M.I.N.I. (Musical Instruments Numerical Interface) 0.1072 False ICMC 2005 W Wanderley, Marcelo M. Wang, Ge Weinberg, Gil Werner, Stefan ICMC/2005/defevent/authors/W.pdf.txt Phrases from Paul Lansky's Six Fantasies 0.1071 False ICMPC ICMPC/ICMPC06/pdfs/626.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1069 False ICMC 2008 DIGITAL MUSIC COLLECTIONS: A PLACE OF KNOWLEDGE EMERGENCE? Francis Rousseaux ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1283.pdf.txt Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces 0.1069 False ICMPC ICMPC/ICMPC06/pdfs/346.pdf.txt ISEE: An Intuitive Sound Editing Environment 0.1068 False ICMC 2005 TOWARDS A HOLOPHONIC MUSICAL TEXTURE ICMC/2005/defevent/abstract/a1303.pdf.txt Ecological Psychology and the Electroacoustic Concert Context 0.1067 False ICMPC ICMPC/ICMPC06/pdfs/462.pdf.txt Hoppsa Universum -- An Interactive Dance Installation for Children 0.1066 False ICMPC ICMPC/ICMPC06/pdfs/645.pdf.txt Evaluating the Audience's Perception of Real-time Gestural Control and Mapping Mechanisms in Electroacoustic Vocal Performance 0.1065 False DAFx 2002 DAFx/2002/DAFX02_Viste_Evangelista_source_separation_avoid_beats.pdf.txt Haptic Music Player---Synthetic audio-tactile stimuli generation based on the notes' pitch and instruments' envelope mapping 0.1064 False ICMPC ICMPC/ICMPC06/pdfs/215.pdf.txt Interaction with Tonal Pitch Spaces 0.1064 False ICMPC ICMPC/ICMPC06/pdfs/525.pdf.txt A Minor Chord for BladeAxe 0.1062 False SMC 2010 Sparse Regression in Time-Frequency Representations of Complex Audio SMC/2010/16.pdf.txt Abstraction and Activity in Computer-Mediated Music Production 0.1061 False ICMC 2008 THE IMPORTANCE OF HUSSERL’S PHENOMENOLOGY OF INTERNAL TIME-CONSCIOUSNESS FOR MUSIC ANALYSIS AND COMPOSITION ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1785.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.106 False ICMC 2008 THE CHALLENGES AND OPPORTUNITIES OF MULTIPLE PROCESSORS: WHY MULTI-CORE PROCESSORS ARE EASY ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1823.pdf.txt Parallel Processing System Design with "Propeller" Processor 0.1059 False ICMC 2005 QOSQO: SPIRITUALITY, PROCESS AND STRUCTURE Gary S. Kendall ICMC/2005/defevent/papers/cr1233.pdf.txt NIME 2019 Program Committee Members 0.1058 False DAFx 2002 DAFx/2002/DAFX02_Liu_Lee_Hong_bit_allocation.pdf.txt Transforming 8-Bit Video Games into Musical Interfaces via Reverse Engineering and Augmentation 0.1058 False ICMPC ICMPC/ICMPC06/pdfs/21.pdf.txt Designing Empowering Vocal and Tangible Interaction 0.1057 False ICMC 2000 An XML-based SDIF Stream Relationships Language Matthew Wright, Amar Chaudhary, Adrian Freed, Sami Khoury, Ali Momeni, Diemo Schwarz*, David Wessel ICMC/2000/Papers/45AuEnFo/3Wright.pdf.txt A new continuous multimodal musical controller using wireless magnetic tags 0.1057 False ICMC 2005 THE DELEUZE-IAN/GUATTARIAN PERFORMANCE: PERFORMANCING AT N-1 DIMENSIONS ICMC/2005/defevent/papers/cr1014.pdf.txt SICIB: An Interactive Music Composition System Using Body Movements 0.1057 False ICMPC ICMPC/ICMPC06/pdfs/403.pdf.txt The Musical Synchrotron : Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical Tempo 0.1056 False ICMPC ICMPC/ICMPC06/pdfs/27.pdf.txt Dance and Technology IV. Proceedings of the Fourth Annual Conference 0.1056 False ICMPC ICMPC/ICMPC06/pdfs/536.pdf.txt Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory 0.1054 False ICMC 2000 TRACKING MONOPHONIC MUSIC FOR MODELLING MELODIC SEGMENTATION PROCESSES ICMC/2000/Papers/53MuMoA3/2Serman.pdf.txt Touch Interaction for Corpus-based Audio–Visual Synthesis 0.1054 False ICMC 2001 OBJECT-BASED SOUND SYNTHESIS Augusto Sarti, Stefano Tubaro Dipartimento di Elettronica e Informazione, Politecnico di Milano ICMC/2001/data/cr1005.pdf.txt Elemental: a Gesturally Controlled System to Perform Meteorological Sounds 0.1054 False SMC 2010 MELODIC MEMORY AND ITS DEPENDENCE ON FAMILIARITY AND DIFFICULTY SMC/2010/8.pdf.txt Generating Convincing Harmony Parts with Simple Long Short-Term Memory Networks 0.1052 False ICMPC ICMPC/ICMPC06/pdfs/76.pdf.txt Perceptions of Skill in Performances with Acoustic and Electronic Instruments 0.105 False ICMPC ICMPC/ICMPC06/pdfs/390.pdf.txt Motion-Influenced Composition 0.1049 False ICMC 2001 Acoustic Cues from Shapes between Spheres and Cubes Federico Fontana, Davide Rocchesso ICMC/2001/data/cr1152.pdf.txt Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis 0.1048 False ICMC 2005 MODELING A PROCESSIVE PERSPECTIVE ON METER IN MUSIC Anja Volk ICMC/2005/defevent/papers/cr1094.pdf.txt Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator 0.1043 False ICMC 2005 THE THING LIKE US: A TOPOLOGY OF ULTRA-LOW FREQUENCIES Sander van Maas ICMC/2005/defevent/papers/cr1286.pdf.txt The expanded instrument system (EIS) 0.1043 False ICMPC ICMPC/ICMPC06/pdfs/50.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1042 False CIM 2005 Timbre of the Spheres: The Bullroarer and the Magic Wheel CIM/2005/CIM05_Articles/HAGENS_B_CIM05.pdf.txt Timbre et causalité 0.1039 False ICMPC ICMPC/ICMPC06/pdfs/82.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1039 False ISMIR 2018 IMPROVING PEAK-PICKING USING MULTIPLE TIME-STEP LOSS FUNCTIONS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/25_Paper.pdf.txt claVision: Visual Automatic Piano Music Transcription 0.1035 False ICMC 2005 A Abel, Jonathan Adiloglu, Kamil Agon, Carlos Agrawala, Maneesh ICMC/2005/defevent/authors/A.pdf.txt Music for Sleeping & Waking Minds 0.1035 False ISMIR 2018 GENERALIZED SKIPGRAMS FOR PATTERN DISCOVERY IN POLYPHONIC STREAMS ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/202_Paper.pdf.txt Quadrofeelia -- A New Instrument for Sliding into Notes 0.1034 False ICMPC ICMPC/ICMPC06/pdfs/57.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1034 False ISMIR 2018 COVER SONG SYNTHESIS BY ANALOGY Christopher J. Tralie ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/103_Paper.pdf.txt Rethinking Reflexive Looper for structured pop music 0.1033 False ISMIR 2018 SEARCHING PAGE-IMAGES OF EARLY MUSIC SCANNED WITH OMR: A SCALABLE SOLUTION USING MINIMAL ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/210_Paper.pdf.txt Integration of Freesound content in creative applications and sound interfaces: a survey of use cases 0.1033 False ISMIR 2018 AN ENERGY-BASED GENERATIVE SEQUENCE MODEL FOR TESTING SENSORY THEORIES OF WESTERN HARMONY ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/215_Paper.pdf.txt Cor Cordis 0.1032 False ICMPC ICMPC/ICMPC06/pdfs/332.pdf.txt Composing Understandings: music, motion, gesture and embodied cognition 0.1029 False ICMC 2005 SLIDING IS SMOOTHER THAN JUMPING Russell Bradford John ffitch ICMC/2005/defevent/papers/cr1137.pdf.txt XronoMorph: Algorithmic Generation of Perfectly Balanced and Well-Formed Rhythms 0.1029 False ICMC 2008 O O'Farrell, Marion O'Modhrain, Sile O'Neill, Michael Obermayer, Klaus ICMC/2008/ICMC08 USB Proceedings/defevent/authors/O.pdf.txt Distributed Composition #1 0.1027 False ICMC 2008 A Adiloglu, Kamil Adkins, Mathew Ahmad, Wasim Aitenbichler, Erwin ICMC/2008/ICMC08 USB Proceedings/defevent/authors/A.pdf.txt This is an instrument! 0.1023 False ICMC 2005 WHY DOES THE ACOUSTIC SPACE OF CHURCHES EXALT GREGORIAN CHANT? ICMC/2005/defevent/papers/cr1315.pdf.txt A Reverberation Instrument Based on Perceptual Mapping 0.1022 False ICMPC ICMPC/ICMPC06/pdfs/114.pdf.txt An abstract control space for communication of sensory expressive intentions in music performance 0.1022 False ICMPC ICMPC/ICMPC06/pdfs/522.pdf.txt Harmonic Intonation Trainer: An Open Implementation in Pure Data 0.1021 False ICMC 2000 Varèse-Le Corbusier. Scenes from a rebellious thought. Reconstruction of the Poème Electronique ICMC/2000/Papers/13Aesth3/1Bianch1.pdf.txt An Unfinished History of Electronic Music 0.1021 False ICMC 2008 G Gagliardi, Francesco Gallot, Fabien Gasteratos, Petros Gatzsche, Gabriel ICMC/2008/ICMC08 USB Proceedings/defevent/authors/G.pdf.txt Desamor I 0.1018 False ICMC 2001 Main Getting Started Adobe Acrobat Reader Tips Most useful icons to navigate through PDF documents using Adobe Acrobat Reader ICMC/2001/acrobat.pdf.txt The New Media Reader 0.1014 False ICMPC ICMPC/ICMPC06/pdfs/129.pdf.txt Eigenspace 0.1012 False ICMPC ICMPC/ICMPC06/pdfs/421.pdf.txt Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum 0.1011 False ICMPC ICMPC/ICMPC06/pdfs/577.pdf.txt Performance factors in control of hight- dimentional spaces 0.101 False ICMPC ICMPC/ICMPC06/pdfs/394.pdf.txt Machine Songs 0.0998 False ICMC 2008 D D'Escriván, Julio Dannenberg, Roger Davies, Matthew Davis, Tom ICMC/2008/ICMC08 USB Proceedings/defevent/authors/D.pdf.txt Ethernet Orchestra - Remote Networked Performance 0.0995 False ICMC 2005 L Lagrange, Mathieu Lambert, Jean−Philippe Landy, Leigh Laurson, Mikael ICMC/2005/defevent/authors/L.pdf.txt Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards 0.0994 False ISMIR 2018 A CONFIDENCE MEASURE FOR KEY LABELLING Athanasios Lykartsis Roman B. Gebhardt ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/72_Paper.pdf.txt An Interview with Sensorband 0.0993 False ICMC 2005 GROUP STRUCTURE AND EQUIVALENCE CLASSES IN EXTENDED TWELVE-TONE OPERATIONS ICMC/2005/defevent/papers/cr1124.pdf.txt Variator: A Creativity Support Tool for Music Composition 0.0992 False ICMPC ICMPC/ICMPC06/pdfs/595.pdf.txt The Navi Activity Monitor : Toward Using Kinematic Data to Humanize Computer Music 0.0976 False ICMC 2005 H Hamanaka, Masatoshi Hamilton, Robert Hanna, Pierre Hansen, Kjetil Falkenberg ICMC/2005/defevent/authors/H.pdf.txt Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards 0.0972 False ICMC 2008 STABILITY SPACE AND THE BELOW-N THRESHOLD: A COMPUTATIONAL APPROACH TO MUSIC ANALYSIS ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1128.pdf.txt Force dynamics as a design framework for mid-air musical interfaces 0.0972 False ICMC 2008 TOWARDS 'A BEAUTIFUL LAND': THE INFLUENCE OF ROTHKO AND ICMC/2008/ICMC08 USB Proceedings/defevent/papers/cr1142.pdf.txt Cage Off: Two Implementations of 4’33” in ChucK 0.0968 False ICMPC ICMPC/ICMPC06/pdfs/454.pdf.txt A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective 0.0966 False ISMIR 2018 RELEVANCE OF MUSICAL FEATURES FOR CADENCE DETECTION Louis Bigo1 Laurent Feisthauer1 Mathieu Giraud1 Florence Levé2,1 ISMIR/2018/2018_Proceedings_ISMIR_Electronic/website/articles/243_Paper.pdf.txt Biophysiologically synchronous computer generated music improves performance and reduces perceived effort in trail runners 0.0963 False ICMPC ICMPC/ICMPC06/pdfs/698.pdf.txt Fourteen Years of NIME: The Value and Meaning of `Community' in Interactive Music Research 0.0954 False ICMC 2005 O O'shea, Chris Obermayer, Klaus Onali, Paolo Ong, Bee Suan Orlarey, Yann ICMC/2005/defevent/authors/O.pdf.txt Representation-Plurality in Multi-Touch Mobile Visual Programming for Music 0.0953 False ICMPC ICMPC/ICMPC06/pdfs/386.pdf.txt REMUPP -- An Interactive Tool for Investigating Musical Properties and Relations 0.094 False ICMPC ICMPC/ICMPC06/pdfs/426.pdf.txt Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances 0.0933 False ICMC 2008 J Jacobson, Kurt Jenkins, Matthew Jensen, Filipe Jensenius, Alexander Refsum ICMC/2008/ICMC08 USB Proceedings/defevent/authors/J.pdf.txt Suspended Beginnings 0.0923 False DAFx 2006 DAFx/2006/papers/p_061.pdf.txt DIGITL A Reduction of Guitar 0.0917 False ICMC 2005 V Valimaki, Vesa Valle, Andrea Van Maas, Sander Van Walstijn, Maarten ICMC/2005/defevent/authors/V.pdf.txt SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms 0.0917 False M&G2 M&G2/contents/Bonde Anders M&G2 full paper.pdf.txt Gestural Coherence and Musical Interaction Design 0.0914 False ICMC 2005 R Rabenstein, Rudolf Radicioni, Daniele P. Ramakrishnan, Sekhar ICMC/2005/defevent/authors/R.pdf.txt DaisyLab, a Phonetic Deconstruction of Humankind 0.0913 False ICMPC ICMPC/ICMPC06/pdfs/246.pdf.txt Cognitive Issues in Computer Music Programming 0.0904 False ICMPC ICMPC/ICMPC06/pdfs/578.pdf.txt Looking NIME in the ‘I’: Tracing the social life of digital musical instruments 0.0879 False ICMC 2005 F Falkenberg Hansen, Kjetil Favilla, Stuart Ferreira Lopes, Paulo ICMC/2005/defevent/authors/F.pdf.txt Reflections on Eight Years of Instrument Creation with Machine Learning 0.084 False ICMC 2008 F Ferraro, Pascal Ferreira−Lopes, Paulo Ffitch, John Fiebrink, Rebecca ICMC/2008/ICMC08 USB Proceedings/defevent/authors/F.pdf.txt Reflections on Eight Years of Instrument Creation with Machine Learning