cited_by_round1_works	year	first_author	title	doi
4	1988	Clarke, E. F.	Generative processes in music. The psychology of performance, improvisation, and composition	
3			How are the player's ideas conveyed to the audience?	10.2307/40285377
3			Interplay between analysis and synthesis in studies of music performance and music experience	10.2307/40285322
3	1985		A model of expressive timing in tonal music	10.2307/40285321
3	1993		Music as motion: a synopsis of Alexander Truslit’s (1938) ‘Gestaltung und Bewegung in der Musik,’	10.1177/030573569302100104
3			Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘Träumerei,’	10.1121/1.404425
3	1992		The dynamics of dynamics: A model of musical expression	10.1121/1.402843
3	2006	B.H. Repp	Music, motor control and the brain	10.1093/acprof:oso/9780199298723.003.0004
3			Mapping musical thought to musical performance	10.1037/0096-1523.15.2.331
3			Performances of Chopin, Bach, and Bartok: Studies in motor programming	10.1016/0010-0285(81)90013-x
3			The perception of expressive timing in music	10.1007/bf00309269