Cited by the archives, but in neither

Works cited by at least five archive papers, from 48342 parsed references. Titles are parsed from reference strings and may be imperfect. Titles link to the DOI where Crossref found one. The full list is in candidates_cited.bib.

Cited by	First author	Year	Title	Off-NIME citers	NIME citers
87	Wright	1997	Open Sound Control: A New Protocol for Communicating with Sound Synthesizers	4	83
66	Jordà	2007	The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces	0	66
51	Leman	2008	Embodied Music Cognition and Mediation Technology	5	46
46	Jensenius	2017	A NIME Reader-Fifteen years of New Interfaces for Musical Expression	0	46
42	Mccartney	2002	Rethinking the Computer Music Language: SuperCollider	5	37
40	Braun	2006	Using thematic analysis in psychology	0	40
40	Mcpherson	2015	An environment for submillisecond-latency audio and sensor processing on beaglebone black	0	40
38	Dourish	2001	Where the Action Is: The Foundations of Embodied Interaction	3	35
38	Frid	2019	Accessible Digital Musical Instruments-A Review of Musical Interfaces in Inclusive Music Practice	0	38
37	Barbosa	2003	Displaced soundscapes: A survey of network systems for music and sonic art creation	3	34
37	Kapur	2005	A history of robotic musical instruments	2	35
37	Caillon	2021	RAVE: A variational autoencoder for fast and high-quality neural audio synthesis	0	37
37	Wright	2005	Open Sound Control: an enabling technology for musical networking	2	35
35	Mcpherson	2010	The magnetic resonator piano: Electronic augmentation of an acoustic grand piano	1	34
34	Magnusson	2019	Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions	0	34
33	Lewis	2000	Too Many Notes: Computers, Complexity and Culture in Voyager	6	27
32	Pachet	2003	The Continuator: Musical Interaction With Style	3	29
32	Jensenius	2010	Musical gestures: concepts and methods in research	0	32
31	O'Modhrain	2000	Playing by Feel: Incorporating Haptic Feedback into Computer-Based Musical Instruments	0	31
31	Jordà	2005	Digital Lutherie Crafting musical computers for new musics' performance and improvisation	4	27
30	Small	1998	Musicking: The Meanings of Performing and Listening	2	28
29	Cook	1999	The Synthesis ToolKit (STK)	3	26
29	Collins	2006	Handmade Electronic Music: The Art of Hardware Hacking	2	27
29	Collins	2003	Live coding in laptop performance	3	26
28	Norman	2016	The Design of Everyday Things	7	21
28	Scipio	2003	‘Sound is the interface’: from interactive to ecosystemic signal processing	7	21
28	Godøy	2010	Musical Gestures: Sound, Movement, and Meaning	0	28
27	Ishii	1997	Tangible bits: towards seamless interfaces between people, bits and atoms	0	27
27	Waters	2007	Performance Ecosystems: Ecological approaches to musical interaction	6	21
26	Fiebrink	2010	The Wekinator: a system for real-time, interactive machine learning in music	0	26
26	Morreale	2023	NIME Principles & Code of Practice on Ethical Research	0	26
25	Schloss	2003	Using Contemporary Technology in Live Performance: The Dilemma of the Performer	4	21
25	Kaltenbrunner	2006	The reacTable*: A Collaborative Musical Instrument	3	22
25	Serafin	2016	Virtual reality musical instruments: State of the art, design principles, and future directions	0	25
25	Holland	2019	New Directions in Music and Human-Computer Interaction	0	25
24	Wang	2009	Stanford laptop orchestra (slork)	0	24
23	Puckette	1998	Real-time audio analysis tools for Pd and MSP	6	17
23	Blaine	2003	Collaborative Musical Experiences for Novices	4	19
23	Schwarz	2006	Real-Time Corpus-Based Concatenative Synthesis with CataRT	1	22
23	Sanfilippo	2013	Feedback systems: An analytical framework	0	23
23	Moro	2016	Making high-performance embedded instruments with bela and pure data	0	23
22	Levin	2000	Painterly Interfaces for Audiovisual Performance	0	22
21	Fels	1998	Glove-TalkII: A neural network interface which maps gestures to parallel formant speech synthesizer controls	1	20
21	Wang	2008	Do mobile phones dream of electric orchestras?	3	18
21	Fiebrink	2011	Real-time human interaction with supervised learning algorithms for music composition and performance	0	21
21	Medeiros	2014	A comprehensive review of sensors and instrumentation methods in devices for musical expression	0	21
20	Gresham-Lancaster	1998	The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music	4	16
20		2004	Gesture-Based Communication in Human-Computer Interaction	1	19
20	Wang	2015	Chuck: A strongly timed computer music language	0	20
20	Cook	2017	2001: Principles for Designing Computer Music Controllers	10	10
20	Fletcher	1998	The Physics of Musical Instruments	4	16
20	Cascone	2000	The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music	2	18
20	Trueman	2007	Why a laptop orchestra?	2	18
20	Laban	1966	Proceedings of the 2008 Conference on New Interfaces for Musical Expression (NIME08)	0	20
19	Russell	1980	A circumplex model of affect	2	17
19	Wanderley	2001	Gestural control of music	0	19
19	Paine	2009	Towards unified design guidelines for new interfaces for musical expression	2	17
19	Bevilacqua	2010	Continuous realtime gesture following and recognition	1	18
19	Oh	2011	Audience-participation techniques based on social mobile computing	0	19
19	Frauenberger	2019	Entanglement HCI The Next Wave?	0	19
19	Barad	2007	Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning	0	19
19	Puckette	1991	Combining Event and Signal Processing in the MAX Graphical Programming Environment	7	12
19	Chowning	1973	The synthesis of complex audio spectra by means of frequency modulation	7	12
19	Goudard	2011	Proceedings of the International Conference on New Interfaces for Musical Expression	0	19
18	Stowell	2009	Evaluation of live human-computer music-making: Quantitative and qualitative approaches	2	16
18	Jensenius	2022	Sound Actions: Conceptualizing Musical Instruments	0	18
17	Varela	1991	The Embodied Mind: Cognitive Science and Human Experience	2	15
17	Gibson	1986	The Ecological Approach to Visual Perception	5	12
17	Schwarz	2007	Corpus-based concatenative synthesis	1	16
17	Neustaedter	2012	Autobiographical design in HCI research: designing and learning through use-it-yourself	0	17
16	Cook	1997	Physically Informed Sonic Modeling (PhISM): Synthesis of Percussive Sounds	2	14
16	Cadoz	1993	CORDIS-ANIMA: A Modeling and Simulation System for Sound and Image Synthesis: The General Formalism	6	10
16	Fitts	1954	The information capacity of the human motor system in controlling the amplitude of movement.	12	4
16	Pulkki	1997	Virtual sound source positioning using vector base amplitude panning	2	14
16	Trueman	2006	PLOrk: The Princeton Laptop Orchestra, Year 1	2	14
16	Jordà	2004	Instruments and players: Some thoughts on digital lutherie	2	14
16	Blackwell	2005	The programming language as a musical instrument	3	13
16	Xenakis	1992	Formalized Music: Thought and Mathematics in Composition	1	15
15	Reynolds	1987	Flocks, herds and schools: A distributed behavioral model	2	13
15	Csikszentmihalyi	1990	Flow: The Psychology of Optimal Experience	0	15
15	Fels	1993	Glove-talk: A neural network interface between a data-glove and a speech synthesizer	1	14
15	Meyer	1956	Emotion and Meaning in Music	3	12
15	De Cheveigné	2002	Yin, a fundamental frequency estimator for speech and music	0	15
15	Essl	2006	An enactive approach to the design of new tangible musical instruments	2	13
15	Smalley	1997	Spectromorphology: explaining sound-shapes	2	13
15	Gaver	2003	Ambiguity as a resource for design	0	15
15	Roberts	2012	Live coding audio in the browser	0	15
15	Engel	2017	Neural Audio Synthesis of Musical Notes with WaveNet Autoencoders	0	15
15	Vns/Softvns	2001	Proceedings of the 2004 Conference on New Interfaces for Musical Expression (NIME04)	0	15
14	Bailey	1993	Improvisation: Its Nature and Practice in Music	1	13
14	Glinsky	2000	Theremin: Ether Music and Espionage	1	13
14	Dannenberg	1984	An On-Line Algorithm for Real-Time Accompaniment	4	10
14	Grey	1977	Multidimensional perceptual scaling of musical timbres	2	12
14	Mathews	1969	The technology of computer music	7	7
14	Karplus	1983	Digital synthesis of plucked-string and drum timbres	1	13
14	Essl	2010	UrMus -An Environment for Mobile Instrument Design and Performance	0	14
14	Berdahl	2005	If i had a hammer: Design and theory of an electromagnetically-prepared piano	2	12
14	Jensenius	2007	Action-Sound: Developing Methods and Tools to Study Music-Related Body Movement	0	14
14	Fels	2004	Designing for intimacy: Creating new interfaces for musical expression	0	14
14	Focke	2011	Trimpin: Contraptions for Art and Sound	2	12
14	Brinkmann	2011	Embedding pure data with libpd	0	14
14	Wang	2014	Ocarina: Designing the iPhone's Magic Flute	0	14
14	Mcpherson	2019	Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches	0	14
14	Torre	2016	The Hands: The Making of a Digital Musical Instrument	0	14
14	Höök	2018	Designing with the Body: Somaesthetic Interaction Design	0	14
14	Turchet	2018	Internet of musical things: Vision and challenges	0	14
14	Turchet	2021	Music in Extended Realities	0	14
14	Poupyrev	2000	Augmented Groove: Collaborative Jamming in Augmented Reality	0	14
14	Camurri	1999	EyesWeb-toward gesture and affect recognition in dance/music interactive systems	5	9
13	Smith	1992	Physical modeling using digital waveguides	5	8
13	Lerdahl	1983	A Generative Theory of Tonal Music	5	8
13	Max		Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07)	0	13
13	Aimi	2007	Hybrid Percussion: Extending Physical Instruments Using Sampled Acoustics	0	13
13	Assayag	2006	Omax brothers : a dynamic topology of agents for improvization learning	0	13
13	Reeves	2005	Designing the spectator experience	1	12
13	Glaser	1967	The discovery of grounded theory: strategies for qualitative research	2	11
13	Barad	2003	Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter	0	13
13			Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010)	0	13
13	Lakoff	1980	Metaphors We Live By	1	12
13	Heet	1978	String instrument vibration initiator and sustainer	1	12
13	Schnell	2009	Mubu & friends -assembling tools for content based real-time interactive audio processing in max/msp	1	12
13	Malloch	2013	Libmapper: (a library for connecting things)	0	13
13	Morreale	2017	Building a maker community around an open hardware platform	0	13
13	Mclean	2014	Making programming languages to dance to: live coding with tidal	0	13
13	Tatar	2019	Musical agents: A typology and state of the art towards musical metacreation	0	13
13	Morrison	2024	Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions	0	13
13	Bischoff	1978	Music for an interactive network of microcomputers	5	8
13	Schaeffer	1966	Traité des objets musicaux	1	12
13	Armstrong	2006	An Enactive Approach to Digital Musical Instrument Design	0	13
12	Cook	1993	SPASM: a Real-Time Vocal Tract Physical Model Editor/Controller and Singer: the Companion Software Synthesis System	0	12
12	Norman	1988	The Psychology of Everyday Things	3	9
12	Rowe	1993	Interactive Music Systems	4	8
12	Jordà	2003	Interactive music systems for everyone: exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments	0	12
12	Mccartney	1996	Supercollider: A new real time synthesis language	2	10
12	Beamish	2004	Manipulating music: multimodal interaction for DJs	0	12
12	Rosenboom	1976	Biofeedback and the Arts: Results of Early Experiments	2	10
12	Cook	2004	Remutualizing the musical instrument: Co-design of synthesis algorithms and controllers	1	11
12	Geiger	2003	PDa: Real Time Signal Processing and Sound Generation on Handheld Devices	1	11
12	Rasamimanana	2006	Gesture analysis of violin bow strokes	0	12
12	Wanderley	2005	The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field	2	10
12	Ghazala	2005	Circuit-Bending: Build your own alien instruments	1	11
12	Smith	2010	Physical Audio Signal Processing: For Virtual Musical Instruments and Audio Effects	0	12
12	Essl	2007	ShaMus -A Sensor-Based Integrated Mobile Phone Instrument	1	11
12	Wang	2009	Designing smule's iphone ocarina	0	12
12	Bloland	2007	The electromagnetically-prepared piano and its compositional implications	1	11
12	Wang	2008	The ChucK Audio Programming Language: A Strongly-timed and On-the-fly Environ/mentality	0	12
12	Hoffman	2010	Shimon: an interactive improvisational robotic marimba player	0	12
12	Cáceres	2010	JackTrip: Under the Hood of an Engine for Network Audio	3	9
12	Nijs	2009	The musical instrument as a natural extension of the musician	0	12
12	Andersen	2019	The magic machine workshops: making personal design knowledge	0	12

Outside NIME, citing many archive entries

Journal articles, chapters and conference papers outside NIME that cite at least five archive entries (Semantic Scholar forward citations). These are candidates for continuing off-NIME past its current end.

Cites	Year	Title	Venue
76	2026	A Design Space for Live Music Agents	International Conference on Human Factors in Computing Systems
59	2019	New Directions in Music and Human-Computer Interaction	Springer Series on Cultural Computing
58	2016	Body as instrument : an exploration of gestural interface design
57	2012	Interactive music: Balancing creative freedom with musical development.
53	2015	Computed fingertip touch for the instrumental control of musical sound with an excursion on the computed retinal afterimage	arXiv.org
48	2019	Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches	New Directions in Music and Human-Computer Interaction
46	2017	Mobile Devices as Musical Instruments - State of the Art and Future Prospects	Computer Music Modeling and Retrieval
46		A Scale-Based Ontology of Digital Musical Instrument Design
45	2016	Creativity, exploration and control in musical parameter spaces
42	2013	Methods and Technologies for Analysing Links Between Musical Sound and Body Motion
40	2011	Advances in new interfaces for musical expression	International Conference on Computer Graphics and Interactive Techniques
40	2009	Creating new interfaces for musical expression: introduction to NIME	SIGGRAPH Courses
39	2015	How to design and build new musical interfaces	IFIP TC13 International Conference on Human-Computer Interaction
39	2014	How to design and build musical interfaces	SIGGRAPH ASIA Courses
39	2013	Creating new interfaces for musical expression	SIGGRAPH ASIA Courses
38	2017	Modeling, recognition of finger gestures and upper-body movements for musical interaction design
38	2019	Designing Digital Musical Instruments Using Probatio	Computational Synthesis and Creative Systems
38	2017	Score instruments : a new paradigm of musical instruments to guide musical wonderers
37	2005	Digital lutherie - crafting musical computers for new musics' performance and improvisation
36	2016	Apps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical Instruments
35	2017	How to design, build, and perform with new musical interfaces	ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia
33	2016	Hacking the Body 2.0: Flutter/Stutter
33	2013	Computers in Support of Musical Expression
32	2011	An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers
32	2019	Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments
31	2018	The AirSticks: a new instrument for live electronic percussion within an ensemble
30	2012	Multimedia and live performance
30	2013	The design of a new musical glove: a live performance approach
29	2004	Instruments and Players: Some Thoughts on Digital Lutherie
29	2014	A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression	Italian National Conference on Sensors
29	2008	Geste instrumental du violoniste en situation de jeu : analyse et modélisation
29	2012	Conceptual Integration and User Interface Metaphor for the Multi-Touch Control of Recorded Audio
28	2013	MOBILE PHONES, GROUP IMPROVISATION, AND MUSIC: TRENDS IN DIGITAL SOCIALIZED MUSIC-MAKING
28	2024	User experience with digital musical instruments: a transferable method for longitudinal evaluation	Journal of New Music Research
27	2012	Advances in new interfaces for musical expression	International Conference on Societal Automation
27	2017	Mobile technologies for music interaction
27	2015	Direct and expressive interaction on the desktop: increasing granularity, extent, and dimensionality. (Interaction directe et expressive sur le bureau: améliorer la granularité, l'étendue et la dimensionnalité des actions de l'utilisateur)
27	2019	Smart Musical Instruments: Vision, Design Principles, and Future Directions	IEEE Access
26	2018	Challenges in Designing DMIs	Designing Digital Musical Instruments Using Probatio
26	2017	Methods and technologies for the analysis and interactive use of body movements in instrumental music performance
25	2015	Tabletop tangible interfaces for music performance : design and evaluation
24	2012	Open instruments : framework para desenvolvimento e performance de instrumentos musicais digitais em MaxMSP
23	2013	A Manual Actions Expressive System (MAES)	Organised Sound
23	2018	Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning	Computer Music Journal
23	2012	Multiparametric interfaces for fine-grained control of digital music
23	2019	Diverse Sounds: Enabling Inclusive Sonic Interaction
23	2025	Neural audio instruments: epistemological and phenomenological perspectives on musical embodiment of deep learning	Frontiers Comput. Sci.
23	2008	Digitizing North Indian music: preservation and extension using multimodal sensor systems, machine learning and robotics
23	2020	Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives	IEEE Access
23	2011	Real-time human interaction with supervised learning algorithms for music composition and performance
23	2018	Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians	Digital Creativity
23	2015	Interaction musicale mumérique. Recréer les signaux du contrôle	Traitement du signal
23	2014	Musical Virtual Instruments and Auditory Perception: Some Issues”
22	2013	Haptics in the Air - Exploring Vibrotactile Feedback for Digital Musical Instruments with Open Air Controllers
22	2015	Studies on customisation-driven digital music instruments
22	2018	Some reflections on the relation between augmented and smart musical instruments	Audio Mostly Conference
22	2015	Continuous auditory feedback for sensorimotor learning
22	2022	From the Lab to the Stage: Practical Considerations on Designing Performances with Immersive Virtual Musical Instruments
21	2026	Design Explorations of Instruments and Interactions with Bidirectional Haptic Couplings	International Conference on Human Factors in Computing Systems
21	2017	Traveling wave control of stringed musical instruments
21	2015	Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments	Computer Music Journal
21	2018	Design of a mapping strategy for computer sound synthesis in multi-touch surfaces based on expressive analysis of gestures
21	2017	Nonlinear Dynamics In Musical Interactions
21	2016	Experiencing mappings on a music controller: case Ableton Push
21	2018	Deep Predictive Models in Interactive Music	arXiv.org
21	2009	Quarterly Progress Scientific Report
20	2009	Interfaces for musical expression based on simulated physical models
20	2008	SINGING-DRIVEN INTERFACES FOR SOUND SYNTHESIZERS
20	2009	Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis
20	2024	On mapping as a technoscientific practice in digital musical instruments	Journal of New Music Research
20	2019	Musicking with an interactive musical system: The effects of task motivation and user interface mode on non-musicians' creative engagement	Int. J. Hum. Comput. Stud.
20	2017	Musiques pour éponge : la composition pour un nouvel instrument de musique numérique
20	2022	Studying How Digital Luthiers Choose Their Tools	International Conference on Human Factors in Computing Systems
20	2016	The Development and Use of Scaffolded Design Tools for Interactive Music
20	2014	Expressive Musical Robots: Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments
20		Musical Robots: Overview and Methods for Evaluation
19	2014	Music Technology's Influence on Flute Pedagogy: A Survey of Their Intersection	International Conference on Mathematics and Computing
19	2024	Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions	International Conference on Human Factors in Computing Systems
19	2013	Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer
19	2025	Wireless Inertial Measurement Units in Performing Arts	Italian National Conference on Sensors
19	2012	Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation.
19	2015	Proceedings of the 21st International Conference on Auditory Display, ICAD 2015, Graz, Austria, July 8-10, 2015	International Conference on Auditory Display
19	2014	Real-Time 3 D Audio Spatialization Tools for Interactive Performance
19	2009	Epistemic tools : the phenomenology of digital musical instruments
18	2018	MetaFlute: Developing Tools to Observe Micro-Timing and Physical Movements in Flute Playing
18		IST-2001-33059 ALgorithms for the Modelling of Acoustic interactions Deliverable D 13 . 2 Human model interaction : adopted specifications ( updated )
18	2011	The electronic sensor bow: a new gestural control interface
18	2014	The Seaboard:discreteness and continuity inmusical interface design
18	2010	The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments
18	2015	Let's walk up and play!: design and evaluation of collaborative interactive musical experiences for public settings
18	2012	Audience participation using mobile phones as musical instruments
18	2012	Designing expressive interaction techniques for novices inspired by expert activities : the case of musical practice. (La conception de techniques d'interaction expressives adaptées aux novices et inspirées par des activités expertes : le cas de la pratique musicale)
18	2014	Sensori-motor Learning in Movement-Sound Interactive Systems: a Review
18	2020	Was that me?: exploring the effects of error in gestural digital musical instruments	Audio Mostly Conference
18	2022	From Fiction to Function: Imagining New Instruments through Design Workshops	Computer Music Journal
18	2015	Designing mobile multi-touch drum sequencing applications
18	2021	Music in Extended Realities	IEEE Access
18	2021	PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract	Audio Mostly Conference
18	2024	Sustainable Internet of Musical Things: Strategies to Account for Environmental and Social Sustainability in Network-Based Interactive Music Systems	IEEE Access
17	2007	Action-sound : developing methods and tools to study music-related body movement

NIME-related articles in journals and proceedings

Every article Crossref lists for ACM Transactions on Computer-Human Interaction, CIM (Colloquio di Informatica Musicale), CMMR, Computer Music Journal, Computer Music Multidisciplinary Research, Contemporary Music Review, DAFx, ISMIR, International Conference on Live Coding, JIM (Journées d'Informatique Musicale), Journal of New Music Research, Leonardo Music Journal, Nordic Sound and Music Computing, Organised Sound, Personal and Ubiquitous Computing, SBCM (Brazilian Symposium on Computer Music), Sound and Music Computing, TENOR (music notation), Web Audio Conference, and music-related papers in the CHI, TEI, Audio Mostly, MOCO, DIS and Creativity and Cognition proceedings, 18357 research articles in all, scored by how much closer they are to the archives than to the rest of the sweep. As a check, the 101 CMJ articles already in off-NIME rank at a median percentile of 76.2 among 1623 CMJ articles, and 52.5% fall in the top quarter. 952 articles in neither archive score at least as high as the median curated article; the full list is in candidates_journals.bib.

Score	Source	Year	Title	Authors
0.241	CHI	2009	Audio or tactile feedback	Eve Hoggan, Andrew Crossan, Stephen A. Brewster
0.196	ISMIR	2007	A Demonstration of the SyncPlayer System.	Christian Fremerey, Frank Kurth, Meinard Müller
0.183	MOCO	2014	Non-tactile Gestural Control in Musical Performance	Mary Mainsbridge
0.182	Journal of New Music Research	2002	The Basics of Scratching	Kjetil Falkenberg Hansen
0.175	CHI	2026	MoXaRt: Audio-Visual Object-Guided Sound Interaction for XR	Tianyu Xu, Sieun Kim, Qianhui Zheng
0.169	Computer Music Journal	2001	From Dance! to “Dance”: Distance and Digits	Simon Emmerson
0.155	CMMR	2014	Vibrotactile Feedback for an Open Air Music Controller	Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley
0.143	Computer Music Journal	2020	Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface	Laddy Patricia Cadavid Hinojosa
0.124	Journal of New Music Research	2018	Symbaline: An electromagnetically actuated wine glass instrument	Lior Arbel, Yoav Y. Schechner, Noam Amir
0.124	JIM (Journées d'Informatique Musicale)	2024	VIVO: Video Analysis for Corpus-based Audio--Visual Synthesis	Matéo Fayet, Diemo Schwarz, Vincent Tiffon
0.124	MOCO	2024	DanceCraft: A Music-Reactive Real-time Dance Improv System	Ruilin Xu, Vu An Tran, Shree K. Nayar
0.122	Contemporary Music Review	2019	Choreography in R. Murray Schafer's The Crown of Ariadne—Technical or Theatrical?	Rosanna Moore
0.121	Computer Music Journal	1986	Elementi di Informatica Musicale	Marco Stroppa, Goffredo Haus
0.121	DAFx	2001	TONETABLE: A Multi-User, Mixed-Media, Interactive Installation	Bowers, J.
0.114	DIS	2023	Unlogical instrument: Material-driven gesture-controlled sound installation	Zhen Wu, Ze Gao, Tristan Braud
0.111	CMMR	2006	An Interactive Musical Exhibit Based on Infrared Sensors	Graziano Bertini, Massimo Magrini, Leonello Tarabella
0.109	DAFx	2001	Expressive Controllers For Bowed String Physical Models	Serafin S., Burtner M., Nichols C.
0.106	CHI	2007	The sound of touch	David Merrill, Hayes Raffle
0.106	CHI	2008	The sound of touch	David Merrill, Hayes Raffle, Roberto Aimi
0.105	Contemporary Music Review	1991	The UPIC as a performance instrument	Pierre Bernard
0.104	CMMR	2017	A Virtual Musical Instrument for 3D Performance with Short Gestures: Exploring Mapping Strategies with Virtual Reality	André Montes Rodrigues, Marcelo Knorich Zuffo, Olavo da Rosa Belloc
0.103	Computer Music Journal	2017	Real-Time Timbre Classification for Tabletop Hand Drumming	Kunal Jathal
0.101	International Conference on Live Coding	2020	Disabled Approaches to LiveCoding, Cripping the Code	Amble Skuse
0.097	CMMR	2014	Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture	Robert Hamilton
0.094	Journal of New Music Research	2002	The Exbow MetaSax: Compositional Applications of Bowed String Physical Models Using Instrument Controller Subsititution	Matthew Burtner, Stefania Serafin
0.093	CMMR	2006	Unifying Performer and Accompaniment	Lars Graugaard
0.093	Computer Music Journal	2015	Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones	Jim Murphy, James McVay, Paul Mathews
0.091	SBCM (Brazilian Symposium on Computer Music)	2013	Using drawings and a guitar pedal to create one-man-band music: the Illusio Jerônimo Barbosa1, Filipe Calegario1, Veronica Teichrieb1, Geber Ramalho1, Giordano Cabral2
0.090	CHI	2010	Vibrotactile Display of Music on the Human Back	Carmen Branje, Michael Maksimouski, Maria Karam
0.090	Computer Music Journal	2015	Designing Musical Instruments for the Browser	Charles Roberts, Graham Wakefield, Matthew Wright
0.087	Sound and Music Computing	2004	Three-dimensional Gestural Controller Based on Eyecon Motion Capture System	Bertrand Merlier
0.086	CHI	2002	Mod?les de présentation d'informations audio 3D pour les usagers mobiles	Safia Djennane
0.086	Computer Music Journal	1995	3-D Sound for Virtual Reality and Multimedia	Dave Madole, Durand Begault
0.085	Computer Music Journal	1985	TM +, Trio instrumental electroacoustique	Joseph Paul Taylor, Dufour, Geslin
0.084	Audio Mostly	2016	Virtual reality musical instruments	Stefania Serafin, Cumhur Erkut, Juraj Kojs
0.084	Audio Mostly	2023	Exploring the past with virtual acoustics and virtual reality	Jonathan Berger, Nima Farzaneh, Eito Murakami
0.083	Sound and Music Computing	2020	Resurrecting the tromba marina: A bowed virtual reality instrument using haptic feedback and accurate physical modelling	Silvin Willemsen, Razvan Paisa, Stefania Serafin
0.082	CIM (Colloquio di Informatica Musicale)	2003	INVESTIGATION OF THE PLAYABILITY OF VIRTUAL BOWED STRINGS Stejizizia Serajiiz, Diarza Yourzg CCRMA, Department of Music	MIT, Media Lab, Cambridge, MA
0.080	Audio Mostly	2019	Interactive sonification and the IoT	Luca Turchet
0.080	Journal of New Music Research	2001	Meter and Periodicity in Musical Performance	William A. Sethares, Thomas W. Staley
0.079	DAFx	2000	Interactive digital audio environments: gesture as a musical parameter	Sapir S.
0.078	Computer Music Journal	2020	Construction and Performance Applications of an Augmented Violin: TRAVIS II	Chantelle Ko, Lora Oehlberg
0.077	MOCO	2015	Indirection between movement and sound in an interactive sound installation	Jonas Fehr, Cumhur Erkut
0.076	SBCM (Brazilian Symposium on Computer Music)	2019	Ha Dou Ken Music: Mapping a joysticks as a musical controller	Rocha, Gabriel Lopes, Araújo, João Teixeira, Schiavoni, Flávio Luiz
0.076	Sound and Music Computing	2016	Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Dancing to Electronic Dance Music	Ragnhild Torvanger Solberg, Alexander Refsum Jensenius
0.076	Computer Music Journal	2014	In-House Development of Paper Force Sensors for Musical Applications	Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven
0.075	JIM (Journées d'Informatique Musicale)	2004	EXPRESSIVE GESTURAL CONTROL OF SOUND AND VISUAL OUTPUT IN MULTIMODAL INTERACTIVE SYSTEMS	Antonio Camurri, Barbara Mazzarino, Gualtiero Volpe
0.074	DIS	2014	Vocalizing dance movement for interactive sonification of laban effort factors	Jules Françoise, Sarah Fdili Alaoui, Thecla Schiphorst
0.074	Computer Music Journal	2020	Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies	Lauren Hayes, Adnan Marquez-Borbon
0.073	Sound and Music Computing	2015	Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance	Marcello Giordano, Marcelo M. Wanderley
0.073	Organised Sound	2005	Network Dynamics in Sustainable: a robotic sound installation	DAVID BIRCHFIELD, DAVID LORIG, KELLY PHILLIPS
0.072	CHI	2015	Use of Sound to Provide Occluded Visual Information in Touch Gestural Interface	BoYu Gao, HyungSeok Kim, Hasup Lee
0.071	CIM (Colloquio di Informatica Musicale)	2012	The EyesWeb human movement analysis library Stefano Piana	Antonio Camurri
0.070	Sound and Music Computing	2019	No Strings Attached: Force and Vibrotactile Feedback in a Guitar Simulation	Andrea Passalenti, Razvan Paisa, Niels C. Nilsson
0.070	Audio Mostly	2021	Synaesthetic Audio-Visual Sound Toys in Virtual Reality	Jonathan Weinel
0.070	DAFx	2019	Real-Time Implementation of an Elasto-Plastic Friction Model using Finite-Difference Schemes	Silvin Willemsen, Stefan Bilbao, Stefania Serafin
0.069	CHI	2026	Designing Interactive Movement Sonification For Hip-Hop Dance	Louise Grebel, Sarah Fdili Alaoui, Benjamin Matuszewski
0.068	CHI	2021	PalmBeat: A Kinesthetic Way to Feel Groove With Music	Qirui Sun, Shuqin Li, Zhihao Yao
0.067	Computer Music Journal	1979	A Microcomputer-Controlled Synthesis System for Live Performance	Martin Bartlett
0.066	DAFx	2000	A multirate, finite-width, bow-string interaction model	Serafin S., Smith J. O.
0.066	International Conference on Live Coding	2015	Sharing Time and Code in a Browser-Based Live Coding Environment	Charlie Roberts, Karl Yerkes, Danny Bazo
0.066	Computer Music Journal	1994	Journees d'Informatique Musicale (JIM '94)	Myriam Desainte-Catherine
0.066	Computer Music Journal	1996	JIM'95: Journees d'Informatique Musicale	Francois Pachet
0.066	Computer Music Journal	1997	JIM'96: Third Journees d'Informatique Musicale	Marc Chemillier, Gerard Assayag
0.063	Audio Mostly	2017	Turn-Taking and Chatting in Collaborative Music Live Coding	Anna Xambó, Pratik Shah, Gerard Roma
0.063	Audio Mostly	2015	The Sound of the Smell of my Shoes	Mark Grimshaw, Mads Walther-Hansen
0.063	CHI	2026	µCap: Instrumental Music Captions for Deaf and Hard-of-Hearing Individuals	SooYeon Ahn, In-Chang Baek, KyungJoong Kim
0.062	Sound and Music Computing	2018	Deployment of LSTMs for Real-Time Hand Gesture Interaction of 3D Virtual Music Instruments with a Leap Motion Sensor	Kosmas Kritsis, Aggelos Gkiokas, Maximos Kaliakatsos-Papakostas
0.062	CMMR	2014	A Virtual Reality Platform for Musical Creation: GENESIS-RT	James Leonard, Claude Cadoz, Nicolas Castagne
0.061	Audio Mostly	2025	Athanasius Kircher’s Sonic Playground - An Acoustic Virtual Reality Installation	Marta Rossi, Christos Michalakos
0.061	Computer Music Journal	1977	Unplayed by Human Hands	John Strawn, Prentiss Knowlton
0.060	Contemporary Music Review	2016	‘Beyond the Dance Floor’? Gendered Publics and Creative Practices in Electronic Dance Music	Christabel Stirling
0.060	JIM (Journées d'Informatique Musicale)	2026	Sova: A Libre / Open Source Polyglot and Collaborative Live Coding Environment for Pedagogy and Research on Live Coding	Raphaël Maurice Forment, Tanguy Dubois, Loïg Jezequel
0.060	Journal of New Music Research	2019	Live coding helps to distinguish between embodied and propositional improvisation	Andrew Goldman
0.059	DAFx	2003	CYMATIC: A tactile controlled physical modelling instrument	David M Howard, Stuart M Rimell
0.058	Computer Music Journal	2020	Performer Experience on a Continuous Keyboard Instrument	Giulio Moro, Andrew P. McPherson
0.057	CIM (Colloquio di Informatica Musicale)	1998	EyesWeb - toward gesture and affect recognition in dancelmusic interactive systems Antonio Camurri(), Matteo Ricchetti()(*), Massimiliano Di Stefann(), Alessandro Stroscio(")
0.056	DAFx	2000	Estimating the plucking point on a guitar string	Traube C., Smith J. O.
0.054	DAFx	2025	Generative Latent Spaces for Neural Synthesis of Audio Textures	Aaron Dees, Seán O'Leary
0.054	Computer Music Journal	2015	Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments	Andrew McPherson
0.054	Organised Sound	2013	massMobile: towards a flexible framework for large-scale participatory collaborations in live performances	Nathan Weitzner, Jason Freeman, Yan-Ling Chen
0.053	Computer Music Journal	2015	ChucK: A Strongly Timed Computer Music Language	Ge Wang, Perry R. Cook, Spencer Salazar
0.053	JIM (Journées d'Informatique Musicale)	2002	Playing with Virtual Musicians: the Continuator in Practice	François Pachet
0.053	Contemporary Music Review	2010	Real-time Score Generation for Extensible Open Forms	David Kim-Boyle
0.053	MOCO	2024	Multimodal Looper: A Live-Looping System for Gestural and Audio-visual Improvisation	Pelin Kiliboz, Cumhur Erkut
0.053	Contemporary Music Review	2006	Haptic sensation and instrumental transgression	Pedro Rebelo
0.053	MOCO	2016	A tabletop instrument for manipulation of sound morphologies with hands, fingertips and upper-body	Edgar Hemery, Sotiris Manitsaris, Fabien Moutarde
0.053	Sound and Music Computing	2012	A Study of the Noise-level in Two Infrared Marker-based Motion Capture Systems	Alexander Refsum Jensenius, Kristian Nymoen, Ståle A. Skogstad
0.052	SBCM (Brazilian Symposium on Computer Music)	2009	I/VOID/O: real-time sound synthesis and video processing in an interactive installation! Daniel Luís Barreiro1, Sandro Canavezzi de Abreu2, André Carlos Ponce de Leon Ferreira de Carvalho3	Faculdade de Artes, Filosofia e Ciências Sociais, Av. João Naves de Ávila, 2121 – Bloco 1V – 38408-100 – Uberlândia – MG – Brazil
0.052	Sound and Music Computing	2014	A Bowed String Physical Model Including Finite-width Thermal Friction and Hair Dynamics	Esteban Maestre, Carlos Spa, Julius O. Smith III
0.051	Computer Music Multidisciplinary Research	2023	The Demonstration of MVP Support System as an AR Realtime Pitch Feedback System	Yasumasa Yamaguchi, Taku Kawada, Toru Nagahama
0.050	International Conference on Live Coding	2015	Live Writing: Asynchronous Playback of Live Coding and Writing	Sang Won Lee, Georg Essl
0.049	DAFx	2006	Real-Time Corpus-Based Concatenative Synthesis with CataRT	Diemo Schwarz, Grégory Beller, Bruno Verbrugghe
0.049	Journal of New Music Research	2000	Expressiveness and Physicality in Interaction*	Antonio Camurri, Paolo Coletta, Matteo Ricchetti
0.048	CHI	2026	VRitual AV: Tactile Micro Interface. Embodied Energy in Gestural Audio-Visual Performance	Steve Gibson
0.048	CMMR	2016	Evaluating Input Devices for Dance Research	Mari Romarheim Haugen, Kristian Nymoen
0.047	International Conference on Live Coding	2023	Asymmetric Performance in Virtual Reality and Code	Leonard Geier, Paul Methfessel, Tom Beckmann
0.047	International Conference on Live Coding	2015	Deadmau5, Derek Bailey, and the Laptop Instrument -- Improvisation, Composition, and Liveness in Live Coding	Adam Parkinson, Renick Bell
0.046	MOCO	2020	Real-Time Optical Motion Capture Balance Sonification System	Mitchell Tillman, Luke Dahl, Christopher B. Knowlton
0.046	Sound and Music Computing	2015	Vibrotactile Discrimination of Pure and Complex Waveforms	Gareth W. Young, Dave Murphy, Jeffrey Weeter
0.046	Sound and Music Computing	2014	Leap Motion as Expressive Gestural Interface	Martin Ritter, Alyssa Aska
0.046	CHI	2025	SquishySonics: A Deformable Interface for the Physical Control of Real-time AI Sound Generation Tools	Trisha Khallaghi, Pete Bennett, Atau Tanaka
0.046	Sound and Music Computing	2022	Playing the Virtual Glass Armonica	Astrid Pedersen, Morten Jørgensen, Halfdan Isaksen
0.045	CHI	2019	Directedness and persistence in audio-visual interface for emergent users	Abhishek Shrivastava, Anirudha Joshi
0.043	Sound and Music Computing	2004	Expressive Gestural Control of Sound and Visual Output in Multimodal Interactive Systems	Antonio Camurri, Barbara Mazzarino, Gualtiero Volpe
0.043	Journal of New Music Research	2010	The Magaloff Project: An Interim Report	Sebastian Flossmann, Werner Goebl, Maarten Grachten
0.043	Audio Mostly	2015	Haptic and Visual feedback in 3D Audio Mixing Interfaces	Steven Gelineck, Dan Overholt
0.043	Sound and Music Computing	2019	Real-time Mapping of Periodic Dance Movements to Control Tempo in Electronic Dance Music	Lilian Jap, Andre Holzapfel
0.043	ISMIR	2020	Essentia.js: A JavaScript Library for Music and Audio Analysis on the Web	Albin Correya, Dmitry Bogdanov, Luis Joglar-Ongay
0.043	Audio Mostly	2018	Procedurally-Generated Audio for Soft-Body Animations	Feng Su, Chris Joslin
0.043	DAFx	2000	Extended performance techniques for a virtual instrument	Burtner M., Serafin S.
0.042	Journal of New Music Research	2010	The Magnetic Resonator Piano: Electronic Augmentation of an Acoustic Grand Piano	Andrew McPherson
0.042	Journal of New Music Research	2024	Human–machine agencies in live coding for music performance	Anna Xambó, Gerard Roma
0.042	Personal and Ubiquitous Computing	1998	Palmtop programmable appliance controls	Diomidis Spinellis
0.041	TEI	2016	Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback	Robert Jack, Tony Stockman, Andrew McPherson
0.041	CHI	2022	In the Zone! — Controlling and Visualising Sound Zones	Rune Møberg Jacobsen, Stine S Johansen, Niels van Berkel
0.041	SBCM (Brazilian Symposium on Computer Music)	2013	A Preliminary Evaluation of the Leap Motion Sensor as Controller of New Digital Musical Instruments	Eduardo S. Silva¹, Jader Anderson O. de Abreu¹, Janiel Henrique P. de Almeida¹,, Veronica Teichrieb1, Geber L. Ramalho1
0.041	Computer Music Journal	2016	Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions	Stefania Serafin, Cumhur Erkut, Juraj Kojs
0.040	Audio Mostly	2021	Understanding the vibrotactile feedback of the electric guitar: Methodology for a physical and perceptual study	Paul Cambourian, Oscar Gal, Arthur Pate
0.038	SBCM (Brazilian Symposium on Computer Music)	2017	Vivace: a collaborative live coding language and platform Vilson Vieira1 , Guilherme Lunhani, Geraldo Magela de Castro Rocha Junior, Caleb Mascarenhas Luporini, Daniel Penalva, Ricardo Fabbri2 , Renato Fabbri3	Cod.ai, SC, Brazil
0.038	Sound and Music Computing	2018	Towards Creating an Augmented Handpan using Leap Motion	Christine Steinmeier, Dominic Becking
0.038	SBCM (Brazilian Symposium on Computer Music)	2017	Live Coding Console with Remote Audience into the web Guilherme Martins Lunhani1 , Flávio Luiz Schiavoni2 Rua Abolição 403 – 18044-070, Sorocaba, SP	São João Del Rei, Minas Gerais, Brazil
0.038	Sound and Music Computing	2019	VIBRA - Technical and Artistic Issues in an Interactive Dance Project	Andreas Bergsland, Sigurd Saue, Pekka Stokke
0.038	Sound and Music Computing	2011	Using Physical Models Is Necessary to Guarantee Stable Analog Haptic Feedback Control for Any User and Haptic Device	Edgar Berdahl, Jean-Loup Florens, Claude Cadoz
0.037	Sound and Music Computing	2005	Instrumental Gestures and Sonic Textures	Jehan-Julien Filatriau, Daniel Arfib
0.037	Sound and Music Computing	2014	NLN-live, an Application for Live Non-linear and Interactive Instrumental Music	Than van Nispen Tot Pannerden
0.037	Audio Mostly	2017	Sound and Interaction Design of an Augmented Drum System	Jeff Gregorio, Peter English, Youngmoo E. Kim
0.036	International Conference on Live Coding	2019	CJing Practice: Combining Live Coding and VJing	Jack Purvis, Craig Anslow, James Noble
0.036	CHI	2016	Sonification Platform for Interaction with Real-Time Particle Collision Data from the ATLAS Detector	Juliana Cherston, Ewan Hill, Steven Goldfarb
0.036	Organised Sound	1996	Sculpting a sound space with information properties	STEPHEN BARRASS
0.035	Organised Sound	2005	Public Sound Objects: a shared environment for networked music practice on the Web	ALVARO BARBOSA
0.035	ACM Transactions on Computer-Human Interaction	2000	Supporting presence in collaborative environments by haptic force feedback	Eva-Lotta Sallnäs, Kirsten Rassmus-Gröhn, Calle Sjöström
0.035	Sound and Music Computing	2019	Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering	Eduardo Magãlhaes, Emil Rosenlund Høeg, Gilberto Bernardes
0.035	Sound and Music Computing	2020	Real-time implementation of a physical model of the tromba marina	Silvin Willemsen, Stefania Serafin, Stefan Bilbao
0.035	Computer Music Journal	1995	3-D Sound Spatialization using Ambisonic Techniques	David G. Malham, Anthony Myatt
0.035	Sound and Music Computing	2009	Interactive Infrasonic Environment: A New Type of Sound Installation for Controlling Infrasound	Reinhard Gupfinger, Hideaki Ogawa, Christa Sommerer
0.035	Audio Mostly	2017	Structured interaction in the SoundThimble real-time gesture sonification framework	Grigore Burloiu, Ştefan Damian, Bogdan Golumbeanu
0.035	SBCM (Brazilian Symposium on Computer Music)	2007	A Real Time and Interactive Music Spatialization System Leandro Ferrari Thomaz1, Regis Rossi Alves Faria1	Paulo (USP), Av. Prof. Luciano Gualberto, travessa 3 nº 380 – 05508-900 – São Paulo – SP – Brazil
0.034	TENOR (music notation)	2025	Livelily: The Evolution of a Live Scoring / Live Sequencing Environment	Alexandros Drymonitis
0.033	International Conference on Live Coding	2015	Cognition and Improvisation: Some Implications for Live Coding	Tim Sayer
0.033	ISMIR	2013	MeUse: Recommending Internet Radio Stations.	Maurice Grant, Adeesha Ekanayake, Douglas Turnbull
0.033	Audio Mostly	2003	Individualization in spatial-audio coding	C. Jin, N. van Schaik, V. Best
0.033	International Conference on Live Coding	2023	MosAIck: Staging Contemporary AI Performance - Connecting Live Coding, E-Textiles and Movement	Elizabeth Wilson, Deva Schubert, Mika Satomi
0.032	Sound and Music Computing	2011	Sonic Gestures as Input in Human-computer Interaction: Towards a Systematic Approach	Antti Jylhä
0.032	SBCM (Brazilian Symposium on Computer Music)	2015	Computer Music: Beyond the frontiers of signal processing and computational models V-Conga: Um Estudo de Caso Para Avaliar as Capacidades de Captura de Nuances Gestuais do Leap Motion© em um Sistema Híbrido	Eduardo S. Silva1, Giordano R. E. Cabral1, Geber L. Ramalho1, 50.740-560- Recife – PE – Brasil.
0.032	Personal and Ubiquitous Computing	2023	Towards conscientiousness-based graphical user interface design guidelines	Tomás Alves, Daniel Nunes, Daniel Gonçalves
0.031	Contemporary Music Review	2016	The Creative Process of Sculpting the Air by Jesper Nordin: Conceiving and Performing a Concerto for Conductor with Live Electronics	Baptiste Bacot, François-Xavier Féron
0.031	Computer Music Journal	1982	The Computer Audio Research Laboratory at UCSD	F. Richard Moore
0.030	CMMR	2017	User Experience in an Interactive Music Virtual Reality System: An Exploratory Study	Thomas Deacon, Tony Stockman, Mathieu Barthet
0.030	Journal of New Music Research	2009	Enaction and Music: Anticipating a New Alliance between Dynamic Instrumental Arts	Annie Luciani

NIME-related papers in the local conference archive

Papers in a local archive of ICMC, DAFx, SMC, ISMIR, ICMPC and workshop folders that are in neither archive, ranked by similarity to their ten nearest archive entries. As a check, the 44 curated off-NIME ICMC papers found locally rank at a median percentile of 76.6 among 685 ICMC texts, and 50.0% of them fall in the top quarter. Titles are guessed from the first page.

Score	Set	Year	Title (guessed)	Nearest archive entry
0.303	ICMC	2008	DEVELOPMENT OF A REAL-TIME GESTURAL INTERFACE FOR HANDS-FREE MUSICAL PERFORMANCE CONTROL	Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding
0.262	ICMC	2008	DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS? Henri Penttinen	Stanford Mobile Phone Orchestra (MoPhO)
0.259	ICMC	2005	TOWARDS AN AUTOMATED MUSIC TEACHING SYSTEM: AUTOMATIC RECOGNITION OF MUSICAL	Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding
0.259	ICMC	2008	DEVELOPMENT OF A REAL−TIME GESTURAL INTERFACE FOR HANDS−FREE MUSICAL PERFORMANCE CONTROL	Anthropomorphic Musical Performance Robots at Waseda University : Increasing Understanding
0.244	ICMC	2005	DESIGNING AND IMPLEMENTING THE CHUCK PROGRAMMING LANGUAGE Perry R. Cook† Ananya Misra	ChucK: A Concurrent, On-the-fly Audio Programming Language
0.224	ICMC	2008	SCORING THE COLOR OF WAITING Margaret Schedel	Scoring an Interactive, Multimedia Performance Work
0.224	DAFx	2006		The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis
0.222	ICMC	2000	An Expressive Synthesis Model for Bowed String Instruments Tapio Takala 1, Jarmo Hiipakka 1,3, Mikael Laurson 2 and Vesa Välimäki 3	Gestural control of a real-time physical model of a bowed string instrument
0.220	ICMC	2000	A New Music Keyboard with Continuous Key-position Sensing and High-speed Communication	A new music Keyboard with continous key-position sensing and high-speed communication
0.219	ICMC	2001	Data driven identification and computer animation of bowed string model	Bring Your Own Bow: Real-Time Bowing Parameter Estimation from String Sensor Data
0.218	ICMC	2008	Research Staff Michael Alcorn Michael Alcorn’s compositional interests lie at the intersection	Where Are You Standing?
0.215	GestureWorkshop	2003	A Video System for Recognizing Gestures by Artificial Neural Networks for Expressive Musical Control	An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in Realt
0.213	ICMC	2000	Qualitative and Quantitive Assessment of a Virtual Bowed String Instrument	The vBow: Development of a Virtual Violin Bow Haptic Human-Computer Interface
0.212	ICMC	2001	Real Time Extended Physical Models for the Composer and Performer	Gestural control of a real-time physical model of a bowed string instrument
0.211	ICMC	2000	Influence of Attack Parameters on the Playability of a Virtual Bowed String Instrument	Playability Evaluation of a Virtual Bowed String Instrument
0.210	ICMC	2001	An Audio-Driven Perceptually Meaningful Timbre Synthesizer Tristan Jehan, Bernd Schoner∗	ISEE: An Intuitive Sound Editing Environment
0.206	M&G2			Wireless Dance Control : PAIR and WISEAR
0.203	ICMC	2005	THE M-OBJECTS: A SMALL LIBRARY FOR MUSICAL RHYTHM GENERATION AND MUSICAL TEMPO	Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-
0.203	ICMC	2008	INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE Cléo Palacio-Quintin	The Hyper-Flute
0.202	ICMC	2005	PLYMOUTH BRAIN-COMPUTER MUSIC INTERFACE PROJECT: INTELLIGENT ASSISTIVE TECHNOLOGY FOR MUSIC-MAKING	Toward Direct Brain-Computer Musical Interfaces
0.201	ICMC	2008	THE LAB FOR CREATIVE ARTS & TECHNOLOGIES	Studio Report of the Computer Music Lab of CNUCE/C.N.R.
0.201	ICMC	2001	Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models	Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis
0.200	SMC	2010	ANALYZING LEFT HAND FINGERING IN GUITAR PLAYING Enric Guaus, Josep Llus Arcos	A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors
0.197	ICMC	2008	THE WORLDSCAPE LAPTOP ORCHESTRA: CREATING LIVE, INTERACTIVE DIGITAL MUSIC FOR AN	The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instrume
0.196	ICMC	2005	THE PHASE PROJECT : HAPTIC AND VISUAL INTERACTION FOR MUSIC EXPLORATION	Study of haptic and visual interaction for sound and music control in the Phase project
0.196	ICMC	2000	Voice Morphing System for Impersonating in Karaoke Applications	Acappella Synthesis Demonstrations using RWC Music Database
0.193	ICMC	2005	THE SUICIDED VOICE – THE MEDIATED VOICE Mark Alexander Bokowiec	V'Oct(Ritual)
0.193	ISMIR	2018	VOCALSET: A SINGING VOICE DATASET Julia Wilkins1,2 1 Prem Seetharaman1	Borrowed Voices
0.192	ICMC	2001	Technological Advances for Conducting a Virtual Ensemble Guy E. Garnett, Mangesh Jonnalagadda, Ivan Elezovic, Timothy Johnson, Kevin Small	The Conductor Program and the Mechanical Baton
0.192	ICMC	2008	NRCI: SOFTWARE TOOLS FOR LAPTOP ENSEMBLE Christopher Burns and Greg Surges	A Software System for Laptop Performance and Improvisation
0.191	ICMC	2005	Evolution And Embodiment: Playable Instruments for Free Music	Heretic's Brew
0.191	ICMC	2008	SENSOR BOWS & APPLICATION FOR STRINGED INSTRUMENTS Keith A. McMillen	Stage-Worthy Sensor Bows for Stringed Instruments
0.190	ICMC	2005	FTM — COMPLEX DATA STRUCTURES FOR MAX Norbert Schnell Riccardo Borghesi Diemo Schwarz Frederic Bevilacqua Remy Müller	MnM: a Max/MSP mapping toolbox
0.190	ICMC	2005	GUITAR FINGERING FOR MUSIC PERFORMANCE	Construction of a System for Recognizing Touch of Strings for Guitar
0.189	SMC	2010	DEPENDENT VECTOR TYPES FOR MULTIRATE FAUST Pierre Jouvelot CRI, Mathématiques et systèmes, MINES ParisTech	MobileFaust: a Set of Tools to Make Musical Mobile Applications with the Faust Programming
0.189	ICMC	2001	Main Sessions § PLENARY SESSION 1 § PAPER SESSION 1: Digital Signal Processing 1	The Creation of a Multi-Human, Multi-Robot Interactive Jam Session
0.189	ICMC	2008	Faculty of Arts, Humanities and Social Sciences	Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Ins
0.188	ICMC	2005	HOME CONDUCTING – CONTROL THE OVERALL MUSICAL EXPRESSION WITH GESTURES	The light baton : a system for conducting computer music performance
0.188	DAFx	2003		Force Feedback Gesture Controlled Physical Modelling Synthesis
0.186	ICMC	2005	THE OVERTONE VIOLIN: A NEW COMPUTER MUSIC INSTRUMENT Dan Overholt	The Overtone Violin
0.186	ICMC	2005	THE REACTABLE* Sergi Jordà, Martin Kaltenbrunner, Günter Geiger, Ross Bencina	Dynamic Patches for Live Musical Performance
0.186	ICMC	2005	A VIRTUAL PATCHBAY FOR ROBUST DISTRIBUTED INTERACTIVE MUSIC SYSTEMS	OpenSound Control: State of the Art 2003
0.186	DAFx	2002		A Digital Emulator of the Photosonic Instrument
0.186	ICMC	2008	FOUNDATIONS FOR ON-THE-FLY LEARNING IN THE CHUCK PROGRAMMING LANGUAGE	ChucK: A Concurrent, On-the-fly Audio Programming Language
0.185	ICMC	2005	HAPTIC THEREMIN: DEVELOPING A HAPTIC MUSICAL CONTROLLER USING THE SENSABLE	Haptic feedback in a computer music performance interface
0.185	ICMC	2008	OUNK - AN AUDIO SCRIPTING ENVIRONMENT FOR SIGNAL PROCESSING AND MUSIC COMPOSITION	The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and
0.184	ICMC	2000	Synthesis of expressive movement Antonio Camurri, Paolo Coletta, Matteo Ricchetti, Gualtiero Volpe	Interactive multimodal mobile robot for musical performance
0.184	ICMC	2008	INTERACTIVE AUDIO SIGNAL SCRIPTING Victor Lazzarini An Grúpa Theicneolaíocht Fuaime agus Ceoil Dhigitigh	OOPS: An Audio Synthesis Library in C for Embedded (and Other) Applications
0.184	SMC	2010	EFFICIENT FINITE DIFFERENCE-BASED SOUND SYNTHESIS USING GPUS Marc Sosnick	Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUs
0.184	ICMC	2005	THE LABORATORY FOR CREATIVE ARTS & TECHNOLOGIES – STUDIO REPORT	The Story of The Max Lab: A Thirty-Six-Year Collaborative Journey
0.184	ICMC	2005	FROM BOULEZ TO BALLADS: TRAINING IRCAM’S SCORE FOLLOWER Diemo Schwarz	Score Following: State of the Art and New Developments
0.184	DAFx	2006		Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis
0.183	ICMC	2005	COMPOSITION AS GAME STRATEGY: MAKING MUSIC BY PLAYING BOARD GAMES AGAINST EVOLVED	Reunion2012: A Novel Interface for Sound Producing Actions Through the Game of Chess
0.183	ICMPC			A Computer Music System for Human Singing
0.183	ICMC	2008	CCRMA STUDIO REPORT Carr Wilkerson / Sasha Leitman / Fernando Lopez-Lezcano	MoPho – A Suite for a Mobile Phone Orchestra
0.183	ICMC	2005	HAILE – AN INTERACTIVE ROBOTIC PERCUSSIONIST Gil Weinberg Georgia Tech	Toward Robotic Musicianship
0.183	ICMC	2001	Automatic Estimation of Control Parameters: An Instance-Based Learning Approach	Trumpet and Trumpet Player: Model and Simulation in a Musical Context
0.182	ICMC	2005	STUDIOS FOR SOUND, TECHNOLOGY & RESEARCH,	Motion-Influenced Composition
0.181	ICMC	2005	CO-AUDICLE: A COLLABORATIVE AUDIO PROGRAMMING SPACE Ananya Misra Philip Davidson Perry R. Cook†	ChuckPad: Social Coding for Computer Music
0.180	ICMC	2005	CURRENT RESEARCH IN CONCATENATIVE SOUND SYNTHESIS Diemo Schwarz	The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis
0.180	ICMC	2000	Interactive Composition: Sharing the Creative Process on the Internet	Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the U
0.180	ICMC	2008	IMPLICIT PHYSIOLOGICAL INTERACTION FOR THE GENERATION OF AFFECTIVE MUSICAL SOUNDS	Listening to Your Brain: Implicit Interaction in Collaborative Music Performances
0.179	SMC	2010	DANCE PATTERN RECOGNITION USING DYNAMIC TIME WARPING Henning Pohl, Aristotelis Hadjakos	Interactive Dance/Music Systems
0.179	ICMC	2005	Piano Case, Keyboard, And Strings: Separation-Derived Musical Instruments In An Interactive Composition	Physical Interactions with Digital Strings --- A hybrid approach to a digital keyboard ins
0.179	ICMC	2008	Implicit Physiological Interaction for the Generation of Affective	Listening to Your Brain: Implicit Interaction in Collaborative Music Performances
0.178	ICMC	2000	Glottal source modeling for singing voice synthesis Hui-Ling Lu	Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis
0.178	OSCC		an OpenSoundControl-based sensor platform Emmanuel FLETY Nicolas LEROY	DaisyLab, a Phonetic Deconstruction of Humankind
0.178	ICMC	2005	ON THE RELATIVE INFLUENCE OF EVEN AND ODD HARMONICS IN CLARINET TIMBRE	Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet
0.177	DAFx	2006		Parallel Processing System Design with "Propeller" Processor
0.177	ICMC	2000	The Bregman Electronic Music Studio at Dartmouth College Eric Lyon	Students' Projects of Interactive Media-installations in SUAC
0.177	ICMC	2008	ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE	Musical applications of new, multi-axis guitar string sensors
0.177	ISMIR	2018	BRIDGING AUDIO ANALYSIS, PERCEPTION AND SYNTHESIS WITH PERCEPTUALLY-REGULARIZED VARIATIONAL TIMBRE SPACES	Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual
0.177	ICMC	2000	Signal Analysis of the Singing Voice: Low-Order Representations of Singer Identity	The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Hum
0.177	DAFx	2002		Adaptive Timbre Control Using Gesture
0.177	ICMC	2008	VOICE SYNTHESIS USING THE GENERALIZED PRESSURE-CONTROLLED VALVE	Adaptive control of a vocal chord and vocal tract for computerized mechanical singing inst
0.177	ICMC	2008	REALTIME MUSIC PROGRAMMING USING SND-RT Kjetil Matheussen Norwegian network for Technology, Acoustics and Music. (NOTAM)	MobileFaust: a Set of Tools to Make Musical Mobile Applications with the Faust Programming
0.176	DAFx	2006		The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and
0.175	SMC	2010	REAL-TIME ESTIMATION OF THE VOCAL TRACT SHAPE FOR MUSICAL CONTROL	Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical
0.175	SMC	2010	EXPLORING TIMBRE SPACES WITH TWO MULTIPARAMETRIC CONTROLLERS Chris Kiefer	A Malleable Interface for Sonic Exploration
0.175	ICMC	2000	Scalable Connectivity Processor for Computer Music Performance Systems	Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data
0.174	ICMC	2006	Comparing Musical Control Structures and Signal Processing Strategies for the Augmented Cello and Guitar	An Approach to Instrument Augmentation : the Electric Guitar
0.174	ICMC	2008	ANTESCOFO: ANTICIPATORY SYNCHRONIZATION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC	Score Following: State of the Art and New Developments
0.174	ICMC	2001	Using the Web for Live Interactive Music John P. Young Peabody Conservatory of Music	Cathedral : an interactive work for the web
0.174	ICMC	2008	TWO APPROACHES FOR INTERACTION MANAGEMENT IN TIMBRE-AWARE IMPROVISATION SYSTEMS	Design Issues in Interaction Modeling for Free Improvisation
0.174	ICMC	2005	SIMULATION OF HUMAN VOICE TIMBRE BY ORCHESTRATION OF ACOUSTIC MUSIC INSTRUMENTS	Real-time CALM Synthesizer: New Approaches in Hands-Controlled Voice Synthesis
0.174	ICMC	2008	TABLA GYAN: A SYSTEM FOR REALTIME TABLA RECOGNITION AND RESYNTHESIS	The Electronic Tabla Controller
0.173	ICMC	2008	VISUAL AND SOUND GENERATION DRIVEN BY BRAIN, HEART AND RESPIRATION SIGNALS	Toward Direct Brain-Computer Musical Interfaces
0.173	ICMC	2001	Score Following Using Spectral Analysis and Hidden Markov Models	Score Following: State of the Art and New Developments
0.173	ICMC	2008	MULTI-AGENT MULTIMODAL PERFORMANCE ANALYSIS Arne Eigenfeldt School for the Contemporary Arts,	Multimodal Musician Recognition
0.173	GestureWorkshop	2003	Analysis of a Genuine Scratch Performance Kjetil Falkenberg Hansen and Roberto Bresin	The Skipproof Virtual Turntable for High-Level Control of Scratching
0.173	ICMC	2005	IF I HAD A HAMMER: DESIGN AND THEORY OF AN ELECTROMAGNETICALLY-PREPARED PIANO	Physical Interactions with Digital Strings --- A hybrid approach to a digital keyboard ins
0.173	ICMC	2005	AUDIO SIGNAL DRIVEN SOUND SYNTHESIS Cornelius Poepel Academy of Media Arts	Synthesized Strings for String Players
0.172	ICMC	2001	Articulation Rules For Automatic Music Performance Roberto Bresin	On Mapping N Articulation onto M Synthesiser-Control Parameters
0.172	ICMC	2008	WHAT NEXT? CONTINUATION IN REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS	The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative Synthesis
0.172	ICMC	2008	TECHNOLOGY, REAL-TIME NOTATION, AND AUDIENCE PARTICIPATION IN FLOCK	Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU Lilyp
0.172	ICMC	2000	Jammin' on the Web - a new Client/Server Architecture for Multi-User Musical Performance	A Simple Architecture for Server-based (Indoor) Audio Walks
0.172	ICMC	2005	DEVELOPING CROSS-PLATFORM AUDIO AND MUSIC APPLICATIONS WITH THE CLAM FRAMEWORK	CLAM: A Framework for Audio and Music Application Development
0.172	ISMIR	2018	FROM LABELED TO UNLABELED DATA – ON THE DATA CHALLENGE IN AUTOMATIC DRUM TRANSCRIPTION	claVision: Visual Automatic Piano Music Transcription
0.172	ICMC	2000	The Gassmann Electronic Music Studio	Democratizing Interactive Music Production over the Internet
0.172	DAFx	2002		Trumpet and Trumpet Player: Model and Simulation in a Musical Context

Cited by the Cited works

One round of snowballing: works that at least three of the Cited works cite in their Crossref reference lists, and that neither archive nor Cited holds. The full list is in candidates_snowball.tsv.

Cited by	Year	First author	Title
24	2007	M Leman	Embodied music cognition and mediation technology
17	1978	Gibson	The Ecological Approach to the Visual Perception of Pictures
15	2006	V Braun	Using thematic analysis in psychology
12			Ambiguity as a resource for design
12	2007	Magnusson	The acoustic, the digital and the body
8	1998	C Small	Musicking: The meanings of performing and listening
8	1990	Csikszentmihalyi	Flow: The Psychology of Optimal Experience
8	2005	Collins N.	Audio Engineering Society Convention
8			Too Many Notes: Computers, Complexity, and Culture in Voyager
8	2000	Blaine	The Jam-O-Drum interactive music system
8	2019	Frauenberger	Entanglement hci the next wave?
8			Design: Cultural Probes
8	2015	Katan	Using Interactive Machine Learning to Support Interface Development Through Workshops with Disabled People
8	2011	Fiebrink	Human model evaluation in interactive supervised learning
8			When Second Wave HCI Meets Third Wave Challenges
8	2005	Latour B.	Reassembling the Social:An Introduction to Actor-Network-Theory: An Introduction to Actor-Network-Theory
8			Spectromorphology: Explaining Sound-Shapes
7	2015	McPherson Andrew	An Environment for Submillisecond-Latency Audio and Sensor Processing on BeagleBone Black. In Audio Engineering Society Convention 138
7			Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions
7			Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning
7			Adaptive gesture recognition with variation estimation for interactive systems
7	2004	A Hunt	Multiple Media Interfaces for Music Therapy
7	1980	Russell	A circumplex model of affect.
6	2006	Braun Virginia	Using thematic analysis in psychology. Qualitative research in psychology 3, 2
6	2009	Jensenius A. R.	Musical Gestures: Sound, Movement, and Meaning
6	1971	Xenakis Iannis	Formalized Music: Thought and Mathematics in Composition. Bloomington and
6	1990	DA Norman	The design of everyday things
6			The embodied mind: cognitive science and human experience
6	1986	Dolson	The Phase Vocoder: A Tutorial
6			What in the world do we hear? An ecological approach to auditory source perception
6	2002	Bellotti	Making sense of sensing systems
6			“Entangling entanglement: a diffractive dialogue on hci and musical interactions,”
6	1997	H Ishii	“Tangible bits: towards seamless interfaces between people, bits, and atoms,”
6			Performance-led research in the wild
6			The Space between the Notes: Adding Expressive Pitch Control to the Piano Keyboard.
6	2013	Kirsh	Embodied cognition and the magical future of interaction design
6			Staying open to interpretation: engaging multiple meanings in design and evaluation
6	2009	N.H. Rasamimanana	Effort-based Analysis of Bowing Movements: Evidence of Anticipation Effects
6			Gesture in Embodied Communication and Human-Computer Interaction
5		A.	Trends in gestural control of music, Wanderley
5	1991	Karjalainen	Transmission Line Modeling and Real-Time Synthesis of String and Wind Instruments,
5	2005	Borgo	Sync or Swarm: Improvising Music In A Complex Age
5	1989	Boei	R. A. et al. Gesture Sensing via Capacitive Moments. Work Project No. 311401-(2099,2399) AT&T Bell Laboratories
5	1987	LA Suchman	Plans and situated actions: the problem of human–machine communication
5	1987	Serra Smith	PARSHL: Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation.
5	2000	Verplank B.	p: 368--371
5		J.	Musical Applications of Digital Waveguides
5	1978		} Moorer, A. 1978. "The Use of the Phase Vocoder in Computer Music Applications
5	1991		LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer Instrument,
5		Sidney	Fels and Kenji Mase. Iamascope: A Graphical Musical Instrument. Computers and Graphics
5	2002		} Burzik, A. 2002. Practising in Flow---The Secret of the Masters
5			Blues pour saqueboute: Hugh Le Caine pionnier de la musique électronique.
5	1990	Bregman A. S.	Auditory Scene Analysis: The Perceptual Organization of Sound
5
5	2010	Godøy	Chunking in Music by Coarticulation
5	1983	Jaffe D.	Extensions of the Karplus-Strong Plucked-String Algorithm
5	2005	Tarabella	Music, communication, technology
5			Designing for performative tangible interaction
5			Emotional Coloring of Computer-Controlled Music Performances
5	2014	E Cherry	Quantifying the creativity support of digital tools through the creativity support index
5			Autobiographical Design in HCI Research: Designing and Learning Through Use-It-Yourself.
5	2012	Gaver	What should we expect from research through design?
5			On the oscillations of musical instruments
5	1986	McAulay	Speech analysis/Synthesis based on a sinusoidal representation
5	2018	Turchet	Internet of Musical Things: Vision and Challenges
5			Music At Hand: Instruments, Bodies, and Cognition
5	1954	Fitts	The information capacity of the human motor system in controlling the amplitude of movement.
5	2000	Juslin	Cue utilization in communication of emotion in music performance: Relating performance to perception.
5	1998	Boone	Children's decoding of emotion in expressive body movement
5			Instrumental Listening: Sonic Gesture as Design Principle
5	2005	L. Valbom	WAVE: Sound and music in an immersive environment
4	1978	Sudnow D.	Ways of the Hand: The Organization of Improvised Conduct
4			The Use of Linear Prediction of Speech in Computer Music Applications
4	1966	Schaeffer P.	Traité des objets musicaux
4	1988	Norman	The Psychology of Everyday Things
4		J.	pp. 526--534
4	2007	Waters	Performance ecosystems: Ecological approaches to musical interaction
4	2015	Karana Elvin	Material driven design (MDD): A method to design for material experiences
4	1975		} Makhoul, J. 1975. "Linear Prediction: A Tutorial Review
4	1994	Larouche	} Larouche, J. & J. Meillier 1994. "Multichannel Excitation/ Filter Modeling of Percussive Sounds with Application to the Piano
4	2004	Kapur	} Kapur, A., Tzanetakis, G., & P. F. Driessen, "Audio-Based Gesture Extraction on the ESitar Controller
4	1992	McNeill,	Hand and Mind: What Gestures Reveal about Thought
4	1991	Roads	G. De Poli, A. Piccialli, & C
4	1947		} Gabor, D. (1947)
4	2007	Pasquinelli E.	Enaction and enactive interfaces: A handbook of terms
4			Digital Waveshaping Synthesis
4	1990	M. Kartomi	On Concepts and Classifications of Musical Instruments
4			Bell Laboratories Record December. {Dudley 1939} Dudley H. 1939
4	1996		“On Actor-Network Theory: A Few Clarifications.”
4		Steiglitz	1996 Digital Signal Processing Primer
4	2006	D Huron	Sweet Anticipation. Music and the Psychology of Expectation
4	2015	Wakkary	Material Speculation: Actual Artifacts for Critical Inquiry
4
4
4	2017	Joseph Malloch	The Routledge Companion to Embodied Music Interaction
4	2013	R Sigrist	Augmented visual, auditory, haptic, and multimodal feedback in motor learning: a review
4	1973	Johansson	Visual perception of biological motion and a model for its analysis
4	2016	Vamvakousis	The EyeHarp: A gaze-controlled digital musical instrument
4			The museum of music: a history of mechanical instruments
4	1988	Haraway	Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective