Off-NIME: NIME papers, chapters and books published outside of the NIME Conference Proceedings
What is this resource?
This website contains a table of off-NIME references relevant to the NIME community: vetted datasets, Cited, Theses, Related and Background datasets selected by rule, a Historical dataset of precursors, and a Zotero dataset of works on NIME topics from the maintainer’s reference library. This includes materials from conferences that predated NIME (CMJ, ICMC; so-called “prehistoric NIME”) as well as concurrent conferences, publications, and books, from around 1955 to 2012 in the vetted datasets, to the present in the rule-selected datasets, and back to the seventeenth century in Historical.
There are three primary datasets, represented by the radio buttons just above the table: CMJ, ICMC, and ISIDM (the Interactive Systems and Instrument Design in Music Working Group). A fourth dataset, Cited, holds works about NIME topics that are cited by many NIME and off-NIME papers, or that cite many of them, selected by the rules in the report, a fifth, Theses, holds PhD and master’s theses found in OpenAlex and DataCite, a sixth, Related, holds journal and conference papers from a sweep of music-technology venues, and a seventh, Background, holds works that many NIME papers cite but that are not themselves about NIME topics, such as philosophy, psychology and design theory. All four are selected by rule. An eighth, Historical, holds works on musical instruments and music technology published before 1957, the year of the first MUSIC program: treatises, articles and patents, either found in the archives’ reference lists or chosen by hand, each checked against a library catalogue or patent record where one has it. If you would like to get involved with cleaning any references, or with adding new datasets/features, feel free to submit a PR on the GitHub repo. To suggest a missing work, fill in the suggestion form.
Other features of this table include the search bar, column sorting (click the header to sort), and the download all button below.
An interactive atlas places these entries beside the NIME proceedings by topic, co-authorship and citation, and a report lists the works that both archives are missing.
Datasets:
| Year | Author(s) | Title | Type | Publication | Pages | URL | BibTeX |
|---|---|---|---|---|---|---|---|
| 1619 | Praetorius, Michael | Syntagma musicum II: De organographia | Book (Historical) | Elias Holwein, Wolfenbüttel | Link | ||
| 1636 | Mersenne, Marin | Harmonie universelle | Book (Historical) | Sebastien Cramoisy, Paris | Link | ||
| 1650 | Kircher, Athanasius | Musurgia universalis | Book (Historical) | Francesco Corbelletti, Rome | Link | ||
| 1722 | Bonanni, Filippo | Gabinetto armonico pieno d’istromenti sonori | Book (Historical) | Giorgio Placho, Rome | |||
| 1738 | Vaucanson, Jacques de | Le mécanisme du fluteur automate | Book (Historical) | Jacques Guerin, Paris | Link | ||
| 1843 | Menabrea, Luigi Federico and Lovelace, Ada | Sketch of the Analytical Engine invented by Charles Babbage, with notes by the translator | Article (Historical) | Scientific Memoirs | 666–731 | ||
| 1846 | Sax, Adolphe | Système d’instruments à vent dits saxophones | Misc (Historical) | ||||
| 1863 | Helmholtz, Hermann von | Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik | Book (Historical) | Friedrich Vieweg, Braunschweig | Link | ||
| 1877 | Rayleigh, John William Strutt | The theory of sound | Book (Historical) | Macmillan, London | Link | ||
| 1878 | Edison, Thomas A. | Improvement in phonograph or speaking machines | Misc (Historical) | Link | |||
| 1880 | Mahillon, Victor-Charles | Catalogue descriptif et analytique du Musée instrumental du Conservatoire royal de musique de Bruxelles | Book (Historical) | Ad. Hoste, Ghent | Link | ||
| 1887 | Berliner, Emile | Gramophone | Misc (Historical) | Link | |||
| 1895 | Marey, E.J. and Pritchard, E. | Movement | Book (Zotero) | W. Heinemann | |||
| 1897 | Cahill, Thaddeus | Art of and apparatus for generating and distributing music electrically | Misc (Historical) | Link | |||
| 1907 | Busoni, Ferruccio | Entwurf einer neuen Ästhetik der Tonkunst | Book (Historical) | Carl Schmidl, Trieste | Link | ||
| 1913 | Sachs, Curt | Real-Lexikon der Musikinstrumente | Book (Historical) | Julius Bard, Berlin | Link | ||
| 1914 | Hornbostel, Erich M. von and Sachs, Curt | Systematik der Musikinstrumente: Ein Versuch | Article (Historical) | Zeitschrift für Ethnologie | 553–590 | ||
| 1915 | Plummer, Harry Chapin | Color music: A new art created with the aid of science | Article (Historical) | Scientific American | 343–351 | Link | |
| 1915 | De Forest, Lee | Audion bulbs as producers of pure musical tones | Article (Historical) | The Electrical Experimenter | 394–395 | ||
| 1916 | Russolo, Luigi | L’arte dei rumori | Book (Historical) | Edizioni futuriste di Poesia, Milan | Link | ||
| 1923 | Moholy-Nagy, László | Neue Gestaltung in der Musik: Möglichkeiten des Grammophons | Article (Historical) | Der Sturm | |||
| 1924 | Mager, Jörg | Eine neue Epoche der Musik durch Radio | Book (Historical) | ||||
| 1928 | Theremin, Leon | Method of and apparatus for the generation of sounds | Misc (Historical) | Link | |||
| 1929 | Ortmann, Otto | The physiological mechanics of piano technique | Book (Historical) | E. P. Dutton, New York | Link | ||
| 1930 | Trautwein, Friedrich | Elektrische Musik | Book (Historical) | Weidmann, Berlin | Link | ||
| 1932 | Radio squeals turned to music for entire orchestra | Article (Historical) | Popular Science Monthly | 51 | |||
| 1933 | Blumlein, Alan Dower | Improvements in and relating to sound-transmission, sound-recording and sound-reproducing systems | Misc (Historical) | Link | |||
| 1934 | Hammond, Laurens | Electrical musical instrument | Misc (Historical) | Link | |||
| 1934 | Leichtentritt, Hugo | Mechanical music in olden times | Article (Historical) | The Musical Quarterly | 15–26 | Link | |
| 1936 | Schaeffner, André | Origine des instruments de musique | Book (Historical) | Payot, Paris | Link | ||
| 1936 | Mason, C. P. | Theremin "Terpsitone": A new electronic novelty | Article (Historical) | Radio-Craft | 365 | ||
| 1937 | Galpin, Francis W. | A textbook of European musical instruments | Book (Historical) | Williams and Norgate, London | Link | ||
| 1937 | Chávez, Carlos | Toward a new music: Music and electricity | Book (Historical) | W. W. Norton, New York | Link | ||
| 1938 | Seashore, Carl E. | Psychology of music | Book (Historical) | McGraw-Hill, New York | Link | ||
| 1939 | Dudley, Homer | The vocoder | Article (Historical) | Bell Laboratories Record | 122–126 | ||
| 1939 | Dudley, Homer and Riesz, R. R. and Watkins, S. S. A. | A synthetic speaker | Article (Historical) | Journal of the Franklin Institute | 739–764 | Link | |
| 1939 | Dudley, Homer W. | Signal transmission | Misc (Historical) | Link | |||
| 1940 | Dudley, Homer | The carrier nature of speech | Article (Historical) | Bell System Technical Journal | 495–515 | Link | |
| 1940 | Sachs, Curt | The history of musical instruments | Book (Historical) | W. W. Norton, New York | Link | ||
| 1941 | Hammond, Laurens and Hanert, John M. | Electrical musical instrument | Misc (Historical) | Link | |||
| 1942 | Arnold, Leo F. J. | Electrical clarinet | Misc (Historical) | Link | |||
| 1944 | Langer, Nicholas | Duophonic electrical musical instrument | Misc (Historical) | Link | |||
| 1946 | Gabor, Dennis | Theory of communication | Article (Historical) | Journal of the Institution of Electrical Engineers, Part III | 429–457 | Link | |
| 1946 | Schillinger, Joseph | The Schillinger system of musical composition | Book (Historical) | Carl Fischer, New York | Link | ||
| 1947 | Gabor, Dennis | Acoustical quanta and the theory of hearing | Article (Historical) | Nature | 591–594 | Link | |
| 1948 | Shannon, C. E. | A Mathematical Theory of Communication | Article (Background) | Bell System Technical Journal | 623–656 | Link | |
| 1948 | Dräger, Hans-Heinz | Prinzip einer Systematik der Musikinstrumente | Book (Historical) | Bärenreiter, Kassel | Link | ||
| 1948 | Blackwood, Beatrice and Balfour, Henry | Ritual and secular uses of vibrating membranes as voice-disguisers | Article (Historical) | Journal of the Royal Anthropological Institute of Great Britain and Ireland | 45–69 | Link | |
| 1948 | Miller, Paul E. | The Solovox | Article (Historical) | Radio and Television News | 61–63 | ||
| 1948 | Hartsough, Baron | Tone cabinet for electric organs | Misc (Historical) | Link | |||
| 1948 | Rhodes, Harold B. | Piano dampening mechanism | Misc (Historical) | Link | |||
| 1949 | Partch, Harry | Genesis of a music | Book (Historical) | University of Wisconsin Press, Madison | Link | ||
| 1949 | Meyer-Eppler, Werner | Elektronische Klangerzeugung: Elektronische Musik und synthetische Sprache | Book (Historical) | Ferd. Dümmlers, Bonn | |||
| 1949 | Sala, Oskar | Experimentelle und theoretische Grundlagen des Trautoniums | Article (Historical) | Frequenz | 13–19 | Link | |
| 1950 | Sala, Oskar | Das Mixtur-Trautonium | Article (Historical) | Physikalische Blätter | 390–398 | Link | |
| 1950 | Dunn, H. K. | The calculation of vowel resonances, and an electrical vocal tract | Article (Historical) | The Journal of the Acoustical Society of America | 740–753 | Link | |
| 1951 | Cooper, Franklin S. and Liberman, Alvin M. and Borst, John M. | The interconversion of audible and visible patterns as a basis for research in the perception of speech | Article (Historical) | Proceedings of the National Academy of Sciences | 318–325 | Link | |
| 1952 | Schaeffer, Pierre | À la recherche d’une musique concrète | Book (Historical) | Éditions du Seuil, Paris | Link | ||
| 1953 | Laposky, Ben F. | Oscillons: Electronic abstractions | Book (Historical) | Sanford Museum, Cherokee | |||
| 1953 | Eby, Robert L. | Electronic organs: A complete catalogue, textbook and manual | Book (Historical) | Van Kampen Press, Wheaton | Link | ||
| 1954 | Fitts, Paul M. | The information capacity of the human motor system in controlling the amplitude of movement. | Article (Background) | Journal of Experimental Psychology | 381–391 | Link | |
| 1955 | Le Caine, Hugh | Touch-Sensitive Organ Based on an Electrostatic Coupling Device | Article | Journal of the Acoustical Society of America | 781–786 | Link | |
| 1955 | Olson, Harry F. and Belar, Herbert | Electronic music synthesizer | Article (Historical) | The Journal of the Acoustical Society of America | 595–612 | Link | |
| 1956 | Le Caine, Hugh | Electronic Music | Article | Proceedings of the IRE | 457–478 | Link | |
| 1956 | Moog, Robert | Music From Electrons | Article | Audiocraft Magazine | 16–19, 33 | ||
| 1961 | Bode, Harald | New Tool for the Exploration of Unknown Sound Resources for Composers | Article | Journal of the Acoustical Society of America | 861–862 | Link | |
| 1963 | Miessner, Benjamin F. | Music—Science and Art | Article | Sound: Its Uses & Control | 5–7, 43 | Link | |
| 1963 | Mathews, Max V. | The Digital Computer as a Musical Instrument | Article | Science | 553–557 | Link | |
| 1964 | Moog, Robert A. | Voltage-Controlled Electronic Music Modules | Conference Proceedings | AES Convention 16 | |||
| 1964 | Macfadyen, K. A. | Electronic Melodic Instruments | Article | Radio and Electronic Engineer | 365–371 | Link | |
| 1965 | Lamb, Warren | Posture and Gesture | Book (Zotero) | Duckworth | |||
| 1966 | Howe, Hubert S. | Music and Electronics: A Report | Article | Perspectives of New Music | 68–75 | Link | |
| 1967 | Chadabe, Joel | New Approaches to Analog-Studio Design | Article | Perspectives of New Music | 107–113 | Link | |
| 1967 | Garner, L. | For that Different Sound, Music a la Theremin | Article | Popular Electronics | 29–33 | ||
| 1968 | Le Caine, Hugh | Commercial Keyboard Instruments | Article | Journal of the Acoustical Society of America | 373 | Link | |
| 1968 | Luening, Otto | An Unfinished History of Electronic Music | Article | Music Educators Journal | 43–145 | Link | |
| 1969 | Mathews, M. V. and Moore, R. | GROOVE, a Program for Realtime Control of a Sound Synthesizer by a Computer | Conference Proceedings | Proceedings of the 4th Annual Conference of the American Society of University Composers | 22–31 | ||
| 1970 | Mathews, M. and Moore, F. R. | GROOVE - a Program to Compose, Store, and Edit Functions of Time | Article | Communications of the ACM | 715–721 | Link | |
| 1972 | Bowers, Q. David | Encyclopedia of Automatic Musical Instruments | Book (Zotero) | Vestal Press | |||
| 1974 | Mathews, Max V. and Moore, F. Richard and Risset, Jean-Claude | Computers and Future Music | Article | Science | 263–268 | Link | |
| 1975 | Milano, Dominic | Bob Moog: From Theremin to Synthesizer | Article | Contemporary Keyboard | 14–15 | ||
| 1975 | McCarty, F. L. | Electronic Music Systems: Structure, Control, Product | Article | Perspectives of New Music | 98–125 | Link | |
| 1975 | Chadabe, Joel | System Composing | Conference Proceedings | Proceedings of the Second Annual Music Computation Conference | 7–10 | Link | |
| 1975 | Rosenboom, David | A Model for Detection and Analysis of Information Processing Modalities in the Nervous System Through an Adaptive, Interactive, Computerized, Electronic Music Instrument | Conference Proceedings | Proceedings of the Second Annual Music Computation Conference | 54–78 | Link | |
| 1976 | Arveiller, Jacques and Battier, Marc and Englert, Giuseppe | A computer Music Repertory | Book | Groupe art et informatique de Vincennes | |||
| 1976 | Davidson, Philip W | Haptic perception | Article | Journal of pediatric psychology | 21–25 | Link | |
| 1977 | Grey, John M. | Multidimensional perceptual scaling of musical timbres | Article (Background) | The Journal of the Acoustical Society of America | 1270–1277 | Link | |
| 1977 | Lawson, James and Mathews, Max | Computer Program to Control a Digital Real-Time Sound Synthesizer | Article | Computer Music Journal | 16–21 | Link | |
| 1977 | Alles, H. G. | A 256-Channel Performer Input Device | Article | Computer Music Journal | 14–15 | Link | |
| 1977 | Laske, Otto E. | Toward a Theory of Interfaces for Computer Music Systems | Article | Computer Music Journal | 53–60 | Link | |
| 1977 | Dworak, Paul E. and Parker, Alice C. | Envelope Control with an Optical Keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | 1–17 | Link | |
| 1977 | Yantis, Michael A. | A Microprocessor Based Live-Performance Instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 193–196 | Link | |
| 1977 | Buxton, W. | Computer Music 1976/77: a Directory to Current Work | Book | Canadian Commission for UNESCO | |||
| 1977 | Chadabe, J. | Some reflections on the Nature of the Landscape within which Computer Music Systems are Designed | Article | Computer Music Journal | 5–11 | Link | |
| 1978 | Andersen, Kurt H. | A Digital Sound Synthesizer Keyboard | Article | Computer Music Journal | 16–23 | Link | |
| 1978 | Buxton, William and Fogels, Allen and Fedorkow, Guy and Sasaki, Larry and Smith, Kenneth C. | An Introduction to the SSSP Digital Synthesizer | Article | Computer Music Journal | 28–38 | Link | |
| 1978 | Bischoff, John and Gold, Rich and Horton, Jim | Music for an Interactive Network of Microcomputers | Article (Cited) | Computer Music Journal | 24 | Link | |
| 1978 | Alles, H.G. | An Inexpensive Digital Sound Synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | 5–25 | Link | |
| 1978 | Buxton, William and Fogels, E.A. and Fedorkow, Guy and Sasaki, Lawrence and Smith, K.C. | An Introduction to the SSSP Digital Synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | 46–56 | Link | |
| 1978 | Bridwell, Nelson J. | Interactive Synthesis Without Obscure Diagnostics | Conference Proceedings | Proceedings of the International Computer Music Conference | 108–118 | Link | |
| 1978 | Buxton, W. and Fedorkow, G. and Baecker, R. and Reeves, W. and Smith, K.C. and Ciamaga, G. and Mezei, L. | An Overview of the Structured Sound Synthesis Project | Conference Proceedings | Proceedings of the International Computer Music Conference | 471–485 | Link | |
| 1978 | Boody, Charles G. | The Micro-computer as an Input Device for Music Analysis or Composition by Computer | Conference Proceedings | Proceedings of the International Computer Music Conference | 637–644 | Link | |
| 1978 | Card, S. K. and English, W. K. and Burr, B. J. | Evaluation of Mouse, Rate-controlled Isometric Joystick, Step keys, and Text keys for Text Selection on a CRT | Article | Ergonomics | 601–613 | Link | |
| 1978 | Florens, J.-L. | Coupleur gestuel rétroactif pour la commande et le contrôle de sons de synthèse | PhD Thesis | Institut National Polytechnique de Grenoble | |||
| 1978 | Mathews, M. V. and Bennet, G. | Real-Time Synthesizer Control | Technical Report | Ircam Centre Pompidou | |||
| 1978 | Kaegi, W. and Tempelaars, S. | Vosim-a new sound synthesis system | Article (Zotero) | Journal of the Audio Engineering Society | 418–24 | ||
| 1979 | Holtzman, S. R. | An Automated Digital Sound Synthesis Instrument | Article | Computer Music Journal | 53–61 | Link | |
| 1979 | Buxton, William and Sniderman, Ross and Reeves, William and Patel, Shobha and Baecker, Ronald | The Evolution of the SSSP Score Editing Tools | Article | Computer Music Journal | 14–25 | ||
| 1979 | Heet, Gregory S. | String instrument vibration initiator and sustainer | Article (Cited) | The Journal of the Acoustical Society of America | 1609–1609 | Link | |
| 1979 | Bielaswki, L. | Instrumentalmusik als Transformation der menschlichen Bewegung. Mensch - Instrument - Music | Article | Studia Instrumentorum Musicae Popularis VI | 27–33 | ||
| 1979 | Buxton, W. and others | A Computer-Based System for the Performance of Electroacoustic Music | Conference Proceedings | Proceedings of the 64th Annual Audio Engineering Society Convention | |||
| 1979 | Wessel, D. | Timbre Space as a Musical Control Structure | Article | Computer Music Journal | 45–52 | Link | |
| 1979 | Bartlett, Martin | A Microcomputer-Controlled Synthesis System for Live Performance | Article (Related) | Computer Music Journal | 25 | Link | |
| 1979 | Blacking, John and Kealiinohomoku, Joann W. | The Performing arts: music and dance | Book (Zotero) | Walter de Gruyter | Link | ||
| 1980 | Russell, James A. | A circumplex model of affect. | Article (Background) | Journal of Personality and Social Psychology | 1161–1178 | Link | |
| 1980 | Haynes, Stanley | The Musician-Machine Interface in Digital Sound Synthesis | Article | Computer Music Journal | 23–44 | Link | |
| 1980 | Mathews, Max V. and Abbott, Curtis | The Sequential Drum | Article | Computer Music Journal | 45–59 | Link | |
| 1980 | Buxton, William and Reeves, William and Fedorkow, Guy and Smith, Kenneth C. and Baecker, Ronald | A Microcomputer-Based Conducting System | Article | Computer Music Journal | 8–21 | Link | |
| 1980 | Federkow, G. and Buxton, W. and Patel, S. and Smith, K. C. | A microprocessor controlled clavier | Conference Proceedings | Proceedings of the International Computer Music Conference | 96-99 | Link | |
| 1980 | Reeves, W. and Buxton, W. and Federkow, G. and Smith, K. C. and Baecker, R. | A microprocessor- based conducting system | Conference Proceedings | Proceedings of the International Computer Music Conference | 100. | Link | |
| 1980 | Moore, F. Richard | Computer audio research laboratory report | Conference Proceedings | Proceedings of the International Computer Music Conference | 159-177 | Link | |
| 1980 | Levine, Steve and Mauchly, J. William | THE Fairlight computer musical instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 565-573 | Link | |
| 1980 | Yantis, Michael | SBASS-1 features | Conference Proceedings | Proceedings of the International Computer Music Conference | 574-576 | Link | |
| 1980 | McKay, Blair D. and Wills, Barry L. and Carr, David W. | Polyphonic velocity-sensitive keyboard interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 583-594 | Link | |
| 1980 | Steele, Douglas J. and Wills, Barry L. | A microcomputer-based keyboard music system | Conference Proceedings | Proceedings of the International Computer Music Conference | 595-606 | Link | |
| 1980 | Chadabe, J. | ’Solo’: a Specific Example of Realtime Performance | Book Section/Chapter | Computer Music - Composition musicale par ordinateur | 87–94 | ||
| 1980 | Englert, G. G. | « Musique: composition automatique - automation composée » | Article | Mathématiques et Sciences Humaines | 37–50 | ||
| 1980 | Anderton, Craig | Electronic projects for musicians | Book (Zotero) | Amsco Publ | |||
| 1980 | Laban, Rudolf | Mastery of Movement | Book (Zotero) | Plymouth: MacDonald & Evans Ltd. | |||
| 1981 | Banger, Colin and Pennycook, Bruce | GCOMP : graphic control of mixing and processing | Conference Proceedings | Proceedings of the International Computer Music Conference | 196-212 | Link | |
| 1981 | Snell, John | Real-time console for live performance of computer music and for recording studios | Conference Proceedings | Proceedings of the International Computer Music Conference | 246-263 | Link | |
| 1981 | McLean, Barton | The Fairlight CMI and its uses in advanced laser graphics | Conference Proceedings | Proceedings of the International Computer Music Conference | 283. | Link | |
| 1981 | Risberg, Jeffrey S. | Evolution of interactive control and rel-time synthesis in a digital music system | Conference Proceedings | Proceedings of the International Computer Music Conference | 285. | Link | |
| 1981 | Sasaki, L. and Fedorkow, G. and Buxton, W. and Retterath, C. and Smith, K. C. | A touch- sensitive input device | Conference Proceedings | Proceedings of the International Computer Music Conference | 293-297 | Link | |
| 1981 | Cadoz, C. and Luciani, A. and Florens, J. L. | Synthèse musicale par simulation des mécanismes instrumentaux. Transducteurs Gestuels Rétroactifs pour l’étude du jeu instrumental | Article | Revue d’Acoustique | 279–292 | ||
| 1981 | Battier, M. | Les musiques électroacoustiques et l’environnement informatique | PhD Thesis | University of Paris X | |||
| 1981 | McIntyre, M. E. and Schumacher, R. T. and Woodhouse, J. | Aperiodicity in bowed-string motion | Article (Zotero) | Acustica | 13–32 | ||
| 1982 | Papert, Seymour | Mindstorms | Book (Background) | Birkhäuser Basel | Link | ||
| 1982 | Buxton, William and Patel, Shobha and Reeves, William and Baecker, Ronald | Objed and the Design of Timbral Resources | Article | Computer Music Journal | 32–44 | Link | |
| 1982 | Sapir, S. and Kronland-Martinet, R. | Use of microprocessor in real-time synthesis of sounds | Conference Proceedings | Proceedings of the International Computer Music Conference | 66-72 | Link | |
| 1982 | Cadoz, C. and Luciani, A.L and Florens, J. L. and Berberyan, T. | The control channels of instrumental playing in computer music – real time in computer music incidence on the choice of the basic models | Conference Proceedings | Proceedings of the International Computer Music Conference | 73-91 | Link | |
| 1982 | Abbott, C. | Remembering performance gestures | Conference Proceedings | Proceedings of the International Computer Music Conference | 188-193 | Link | |
| 1982 | Allouis, J. F. and Bernier, J. Y. | The SYTER project : sound processor design and software overview | Conference Proceedings | Proceedings of the International Computer Music Conference | 232-240 | Link | |
| 1982 | Loye, M. De | Real-time control system for digital synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | 241-244 | Link | |
| 1982 | Swift, G. W. and Yunik, M. | A microprocessor based keyboard instrument for microtonal music | Conference Proceedings | Proceedings of the International Computer Music Conference | 588-600 | Link | |
| 1982 | Moog, R. | A multiply touch-sensitive clavier for computer music | Conference Proceedings | Proceedings of the International Computer Music Conference | 601-605 | Link | |
| 1982 | Moore, F. Richard | The Computer Audio Research Laboratory at UCSD | Article (Related) | Computer Music Journal | 18 | Link | |
| 1983 | Karplus, Kevin and Strong, Alex | Digital Synthesis of Plucked-String and Drum Timbres | Article (Cited) | Computer Music Journal | 43 | Link | |
| 1983 | Jaffe, David A. and Smith, Julius O. | Extensions of the Karplus-Strong Plucked-String Algorithm | Article (Cited) | Computer Music Journal | 56 | Link | |
| 1983 | Nelson, Gary and Talbert, John | The alles machine revisited | Conference Proceedings | Proceedings of the International Computer Music Conference | 104-110 | Link | |
| 1983 | Snell, John | Sensor for playing compute music with expression | Conference Proceedings | Proceedings of the International Computer Music Conference | 114-127 | Link | |
| 1983 | Yunik, M. and Borys, M. and SWift, G. W. | A microprocessor based digital flute | Conference Proceedings | Proceedings of the International Computer Music Conference | 128-137 | Link | |
| 1983 | Kaegi, Werner | The MIDIM system | Conference Proceedings | Proceedings of the International Computer Music Conference | 253-261 | Link | |
| 1983 | Chadabe, Joel | Interactive composing | Conference Proceedings | Proceedings of the International Computer Music Conference | 299-306 | Link | |
| 1983 | Haflich, S. and Burns, M. | Following a Conductor: the Engineering of an Input Device | Conference Proceedings | Proceedings of the International Computer Music Conference | |||
| 1983 | Gidney, E. | The Artist’s use of telecommunications: a review | Article | Leonardo | 311–315 | Link | |
| 1984 | Cadoz, C. and Luciani, A. and Florens, J. | Responsive Input Devices and Sound Synthesis by Stimulation of Instrumental Mechanisms: The Cordis System | Article | Computer Music Journal | 60–73 | Link | |
| 1984 | Chadabe, Joel | Interactive Composing: An Overview | Article (Cited) | Computer Music Journal | 22 | Link | |
| 1984 | Dannenberg, R. B. and Avinney, P. | A functional approach to real-time control | Conference Proceedings | Proceedings of the International Computer Music Conference | 5-16 | Link | |
| 1984 | Azzolini, F. and Sapir, S. | Score and/or gesture : The system RTI4I for real-time contyrol of the processor 4I | Conference Proceedings | Proceedings of the International Computer Music Conference | 25-34 | Link | |
| 1984 | Vercoe, B. | The synthetic performer in the context o live performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 199-200 | Link | |
| 1984 | Jaffrennou, P. and Jaubert, P. and Champenois, L. | SINFONIE : numerical process command with gestural input control | Conference Proceedings | Proceedings of the International Computer Music Conference | 201-202 | Link | |
| 1984 | Young, G. | Hugh Le Caine’s 1948 sackbut syntheziser : performance mode of electronic instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | 203-212 | Link | |
| 1984 | Teitelbaum, R. | The digital piano and the patch control language system | Conference Proceedings | Proceedings of the International Computer Music Conference | 213-216 | Link | |
| 1984 | Ascott, R. | Art and Telematics | Book Section/Chapter | Art Telecommunications | 25–58 | ||
| 1985 | Yunik, M. and Borys, M. and Swift, G. W. | A Digital Flute | Article | Computer Music Journal | 49–52 | Link | |
| 1985 | Lohner, Henning and Moog, Robert | Interview with Robert Moog | Article | Computer Music Journal | 62–65 | Link | |
| 1985 | Loy, Gareth | Musicians Make a Standard: The MIDI Phenomenon | Article (Cited) | Computer Music Journal | 8 | Link | |
| 1985 | Vercoe, Barry and Puckette, Miller | Synthetic Rehearsal : Training the Synthetic Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | 275-278 | Link | |
| 1985 | Bloch, Joshua J. and Dannenberg, Roger B. | Real-Time Computer Accompaniment of Keyboard Performances | Conference Proceedings | Proceedings of the International Computer Music Conference | 279-289 | Link | |
| 1985 | Johnstone, Eric | The ROLKY : A Poly-Touch Controller For Electronic Music | Conference Proceedings | Proceedings of the International Computer Music Conference | 291-295 | Link | |
| 1985 | Waisvisz, Michel | The HANDS, a Set of Remote MIDI-Controllers | Conference Proceedings | Proceedings of the International Computer Music Conference | 313-318 | Link | |
| 1985 | Arfib, Daniel | Man-Machine Dialog Using MIDI Files | Conference Proceedings | Proceedings of the International Computer Music Conference | 325-328 | Link | |
| 1985 | Gillett, Ross and Smith, Kenneth C. and Pritchard, Bob | MADDM | Conference Proceedings | Proceedings of the International Computer Music Conference | 329-330 | ||
| 1985 | Debiasi, Giovanni B. | M.I.N.I. (Musical Instruments Numerical Interface) | Conference Proceedings | Proceedings of the International Computer Music Conference | 331-335 | Link | |
| 1985 | Kuivila, Ron | Untitled : An Interactive Installation | Conference Proceedings | Proceedings of the International Computer Music Conference | 337-339 | Link | |
| 1985 | Gillett, K. and Pritchard, R. | Maddm - Dance Directed Music | Conference Proceedings | Proceedings of the International Computer Music Conference | 329–330 | Link | |
| 1985 | Pennycook, B. W. | Computer-Music Interfaces: A Survey | Article | ACM Computing Surveys | 267–289 | Link | |
| 1985 | Wechsler, R. | Symmetry in Dance | Article | Contact Quarterly | |||
| 1986 | Buxton, W. and Myers, B. | A study in two-handed input | Article (Background) | ACM SIGCHI Bulletin | 321–326 | Link | |
| 1986 | Roads, Curtis | The Second STEIM Symposium on Interactive Composition in Live Electronic Music | Article | Computer Music Journal | 44–50 | Link | |
| 1986 | Gualtieri, D. M. | MIDI Output Interface to a Parallel Printer Port | Article | Computer Music Journal | 79–82 | Link | |
| 1986 | Lohner, Henning | The UPIC System: A User’s Report | Article | Computer Music Journal | 42–49 | Link | |
| 1986 | Zimmerman, Thomas G. and Lanier, Jaron and Blanchard, Chuck and Bryson, Steve and Harvill, Young | A hand gesture interface device | Article (Cited) | ACM SIGCHI Bulletin | 189–192 | Link | |
| 1986 | Askenfelt, Anders | Measurement of bow motion and bow force in violin playing | Article (Cited) | The Journal of the Acoustical Society of America | 1007–1015 | Link | |
| 1986 | Florens, Jean-Loup and Razafindrakoto, Aime and Luciani, Annie and Cadoz, Claude | Optimized Real Time Simulation of Objects for Musical Synthesis and Animated Image Synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | 65-70 | Link | |
| 1986 | Prevot, Philippe | Tele-detection and Large Dimension Gestual Control | Conference Proceedings | Proceedings of the International Computer Music Conference | 95-97 | Link | |
| 1986 | Radier, J. C. and Deforeit, Ch. and Provost, D. | A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic Display | Conference Proceedings | Proceedings of the International Computer Music Conference | 99-100 | Link | |
| 1986 | Baisnee, P.-F. and Barriere, J.B. and Koechlin, O. and Rowe, R. | Real-Time Interaction between Musicians and Computer : Live Performance Utilisations of the 4X Musical Workstation | Conference Proceedings | Proceedings of the International Computer Music Conference | 237 239 | Link | |
| 1986 | Starkier, Michel and Prevot, Philippe | Real-Time Gestural Control | Conference Proceedings | Proceedings of the International Computer Music Conference | 423-426 | Link | |
| 1986 | Buxton, W. A. S. | Chuncking and Phrasing and the Design of Human-Computer Dialogues | Conference Proceedings | Information Processing ’86, Proceedings of the IFIP 10th World Computer Congress | 475–480 | ||
| 1986 | Buxton, W. A. S. | There’s More Interaction than Meets the Eye: Some Issues in Manual Input | Book Section/Chapter | User Centered System Design: New Perspectives on Human-Computer Interaction | 319–337 | Link | |
| 1986 | Camurri, A. and Morasso, P. and Tagliasco, V. and Zaccaria, R. | Dance and Movement Notation | Book Section/Chapter | Human Movement Understanding | 85–124 | ||
| 1986 | Maxwell, D. and Ginsberg, C. | Graphical marionette | Conference Proceedings | Motion: Representation and Perception, Proceedings ACM SIGGRAPH/SIGART Interdisciplinary Workshop on Motion | 303–310 | ||
| 1986 | Applebaum, Samuel and Lindsay, Thomas | The Art and Science of String Performance | Book (Zotero) | Alfred Music | |||
| 1987 | Guiard, Yves | Asymmetric Division of Labor in Human Skilled Bimanual Action: The Kinematic Chain as a Model | Article (Background) | Journal of Motor Behavior | 486–517 | Link | |
| 1987 | Reynolds, Craig W. | Flocks, herds and schools: A distributed behavioral model | Article (Background) | ACM SIGGRAPH Computer Graphics | 25–34 | Link | |
| 1987 | Johnson, Mark | The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason | Book (Background) | University of Chicago Press | Link | ||
| 1987 | Logemann, G. W. | Report on the Last STEIM Symposium on Interactive Composing in Live Electronic Music | Article | Computer Music Journal | 44–47 | Link | |
| 1987 | Keislar, Douglas | History and Principles of Microtonal Keyboards | Article (Cited) | Computer Music Journal | 18 | Link | |
| 1987 | Wessel, David and Bristow, David and Settel, Zack | Control of Phrasing and Articulation in Synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | 108-116 | Link | |
| 1987 | Grossman, Gary | Instruments, Cybernetics, and Computer Music | Conference Proceedings | Proceedings of the International Computer Music Conference | 212-219 | Link | |
| 1987 | Moore, F. R. | The Disfunctions of MIDI | Conference Proceedings | Proceedings of the International Computer Music Conference | 256–262 | Link | |
| 1987 | Camurri, A. and others | Interactions between music and movement: A system for music generation from 3D animations | Conference Proceedings | Proceedings of the 4th international conference on event perception and action | |||
| 1987 | Baecker, R. M. and Buxton, W. A. S. | Readings in Human-Computer Interaction: A Multidisciplinary Approach | Book | Morgan-Kauffmann Publishers, Inc. | |||
| 1987 | Buxton, W. A. S. | The Haptic Channel | Book Section/Chapter | Readings in Human-Computer Interaction: A Multidisciplinary Approach | 357–365 | ||
| 1987 | Downes, P. | Motion Sensing in Music and Dance Performance | Conference Proceedings | Proceedings of the AES 5th International Conference: Music and Digital Technology | 165–172 | ||
| 1987 | Moog, R. | Position and Force Sensors and their Application to Keyboards and Related Controllers | Conference Proceedings | Proceedings of the AES 5th International Conference: Music and Digital Technology | 179–181 | ||
| 1987 | Gibet, Sylvie | Coding, representation and compositional processing of instrumental gesture - application to sound-synthesis based on the simulation of mechanical instruments | PhD Thesis (Theses) | Grenoble INPG | Link | ||
| 1987 | Sapir, Sylviane | Real time digital audio processors and computer music: implementation of an operating system and applications for musical research, production and pedagogy | PhD Thesis (Theses) | Aix-Marseille 2 | Link | ||
| 1987 | Kronman, Ulf and Sundberg, Johan | Is the musical ritard an allusion to physical motion | Article (Zotero) | Action and perception in rhythm and music | 57–68 | Link | |
| 1988 | Truax, Barry | Real-Time Granular Synthesis with a Digital Signal Processor | Article (Cited) | Computer Music Journal | 14 | Link | |
| 1988 | Kvifte, T. | Instruments and the Electronic Age | Book | Solum Forlag | |||
| 1988 | Cadoz, Claude | Instrumental gesture and musical composition | Conference Proceedings | Proceedings of the International Computer Music Conference | 1-12 | Link | |
| 1988 | Collinge, D. J. and Parkinson, S. M. | The Oculus Ranae | Conference Proceedings | Proceedings of the International Computer Music Conference | 15-19 | Link | |
| 1988 | Gibet, Sylvie and Florens, Jean-Loup | Machine Recognition of Music Information Composition Systems and Techniques Instrumental Gesture Modeling by Identification with Time-Varying Mechanical Models | Conference Proceedings | Proceedings of the International Computer Music Conference | 28-40 | ||
| 1988 | Dean, Rubine and McAvinney, Paul | The VideoHarp | Conference Proceedings | Proceedings of the International Computer Music Conference | 49-55 | Link | |
| 1988 | Raczinski, Jean-Michel and Marino, Gerard | A Real-Time Synthesis Unit | Conference Proceedings | Proceedings of the International Computer Music Conference | 90-99 | Link | |
| 1988 | Boulez, P. and Gerzso, A. | Computers in music | Article | Scientific American | 26–32 | Link | |
| 1988 | Forest, Fred and Sugarman, David and Weston, Joanna | Communication esthetics, interactive participation and artistic systems of communication and expression | Article | Design Issues | 97–115 | Link | |
| 1988 | Herbison-Evans, D. | Dance, Video, Notation and Computers | Article | Leonardo | 45–50 | Link | |
| 1988 | Castine, P. | An Evaluation of the User Interface in Digital Audio Systems | Master's Thesis | Technical University Berlin | |||
| 1988 | Sundberg, J. | Computer synthesis of music performance | Book Section/Chapter (Zotero) | Generative Processes in Music | 52–69 | ||
| 1988 | Moog, Robert | The Musician: Alive and well in the world of electronics | Conference Proceedings (Zotero) | The Biology of music making: proceedings of the 1984 Denver conference | 214–220 | ||
| 1989 | Askenfelt, Anders | Measurement of the bowing parameters in violin playing. II: Bow–bridge distance, dynamic range, and limits of bow force | Article (Cited) | The Journal of the Acoustical Society of America | 503–516 | Link | |
| 1989 | Allik, Kristi | The Interactive Arts System: Introduction to a Real-Time Performance Tool | Conference Proceedings | Proceedings of the International Computer Music Conference | 1-4 | Link | |
| 1989 | Chabot, Xavier | Performance with Electronics: Gesture Interfaces and Software Toolkit | Conference Proceedings | Proceedings of the International Computer Music Conference | 65-68 | Link | |
| 1989 | Eigenfeldt, Arnie | Contour: A Real-Time MIDI System Based on Gestural Input | Conference Proceedings | Proceedings of the International Computer Music Conference | 101-104 | Link | |
| 1989 | Keane, David and Gross, Peter | The Midi Baton | Conference Proceedings | Proceedings of the International Computer Music Conference | 151-154 | Link | |
| 1989 | Kramer, Gregory and Moog, Robert and Peevers, Alan | The Hybrid: A Music Performance System | Conference Proceedings | Proceedings of the International Computer Music Conference | 155-159 | Link | |
| 1989 | Logemman, George W. | Experiments with a Gestural Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 184-185 | Link | |
| 1989 | Machover, Tod | Hyperinstruments: Musically Intelligent and Interactive Performance and Creativity Systems | Conference Proceedings | Proceedings of the International Computer Music Conference | 186-190 | Link | |
| 1989 | Matsushima, Toshiaki and andShuji Hashimoto, Sadamu Ohteru | An Integrated Music Information Processing System: PSB-er | Conference Proceedings | Proceedings of the International Computer Music Conference | 191-198 | Link | |
| 1989 | Morita, H. and Ohteru, S. and Hashimoto, S. | Computer Music System which Follows a Human Conductor | Conference Proceedings | Proceedings of the International Computer Music Conference | 207-210 | Link | |
| 1989 | Morrill, Dexter and Cook, Perry R. | Hardware, Software, and Compositional Tools for Real Time Improvised Solo Trumpet Work | Conference Proceedings | Proceedings of the International Computer Music Conference | 211-214 | Link | |
| 1989 | Boie, R. and Mathews, M. and Schloss, A. | The Radio Drum as a Synthesizer Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 42–45 | Link | |
| 1989 | Webster, J. | The Measurement, Instrumentation and Sensors Handbook | Book | CRC Press | |||
| 1989 | Appleton, J. | 21st-Century Musical Instruments: Hardware and Software | Book | Institute for Studies in American Music, Brooklyn College of the City University of New York | |||
| 1989 | Chafe, C. | Simulating Performance on a Bowed Instrument | Book Section/Chapter | Current Directions in Computer Music Research | 185–198 | ||
| 1989 | Mathews, M. V. and Pierce, J. R. | Current Directions in Computer Music Research | Book | The MIT Press | |||
| 1989 | Mathews, M. V. | The Conductor Program and the Mechanical Baton | Book Section/Chapter | Current Directions in Computer Music Research | 263–282 | ||
| 1989 | Gray, J. | Dance Technology: Current Applications and Future Trends | Book | National Dance Association | |||
| 1989 | Gray, J. | The Evolution of Dance Technology | Book Section/Chapter | Dance Technology: Current Applications and Future Trends | 1–5 | ||
| 1989 | Katayose, Haruhiro and Inokuchi, Seiji | The Kansei Music System | Article (Related) | Computer Music Journal | 72 | Link | |
| 1989 | Kun, Ting Fong | Sound affects body movement | PhD Thesis (Theses) | Link | |||
| 1989 | Boie, R.A. and Ruedisueli, L. W. and Wagner, E.R. | Gesture Sensing via Capacitive Moments | Technical Report (Zotero) | AT&T Bell Laboratories | |||
| 1989 | Palmer, Caroline | Mapping musical thought to musical performance. | Article (Zotero) | Journal of experimental psychology: human perception and performance | 331 | ||
| 1990 | RABINER, LAWRENCE R. | A Tutorial on Hidden Markov Models and Selected Applications in Speech Recognition | Book Section/Chapter (Background) | Readings in Speech Recognition | 267–296 | Link | |
| 1990 | Bregman, Albert S. | Auditory Scene Analysis: The Perceptual Organization of Sound | Book (Background) | The MIT Press | Link | ||
| 1990 | Ihde, Don | Technology and the Lifeworld: From Garden to Earth | Book (Background) | Indiana University Press | Link | ||
| 1990 | Pressing, Jeff | Cybernetic Issues in Interactive Performance Systems | Article | Computer Music Journal | 12–25 | Link | |
| 1990 | Rubine, Dean and McAvinney, Paul | Programmable Finger-tracking Instrument Controllers | Article | Computer Music Journal | 26–41 | Link | |
| 1990 | Knapp, R. Benjamin and Lusted, Hugh | A Bioelectric Controller for Computer Music Applications | Article | Computer Music Journal | 42–47 | Link | |
| 1990 | Chabot, Xavier | Gesture Interfaces and a Software Toolkit for Performance with Electronics | Article | Computer Music Journal | 15–27 | Link | |
| 1990 | Krefeld, Volker | The Hand in the Web: An Interview with Michel Waisvisz | Article | Computer Music Journal | 28–33 | Link | |
| 1990 | Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup | A Modular Feedback Keyboard Design | Article | Computer Music Journal | 47–51 | Link | |
| 1990 | Moog, Robert and Rhea, Thomas | Evolution of the Keyboard Interface: The Bösendorfer 290 SE Recording Piano and the Moog Multiply-Touch-Sensitive Keyboards | Article | Computer Music Journal | 52–60 | Link | |
| 1990 | Bosi, Marina | An Interactive Real-Time System for the Control of Sound Localization | Article | Computer Music Journal | 59–64 | Link | |
| 1990 | Lansky, Paul | A View from the Bus: When Machines Make Music | Article (Cited) | Perspectives of New Music | 102 | Link | |
| 1990 | Cadoz, Claude and Ramstein, Christophe | Capture, Representation, and "Composition" of the Instrumental Gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | 53-56 | Link | |
| 1990 | Florens, Jean-Loup and Cadoz, Claude | Modular Modelisation and Stimulation of the Instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 75-78 | Link | |
| 1990 | Bosi, Marina | An Interactive Real-time System for the Control of Sound Localization | Conference Proceedings | Proceedings of the International Computer Music Conference | 112-114 | Link | |
| 1990 | McNabb, Michael | Ensemble: An Extensible Real-time Music Performance Environment | Conference Proceedings | Proceedings of the International Computer Music Conference | 245-248 | Link | |
| 1990 | Marino, Gerard and Raczinski, Jean-Michel and Serra, Marie-Helene | The New UPIC System | Conference Proceedings | Proceedings of the International Computer Music Conference | 249-252 | Link | |
| 1990 | Morita, Hideyuki and Watanabe, Hiroshi and Harada, Tsumotu and Ohteru, Sadamu and Watanabe, Shuji | Knowledge Information Processing in Conducting Computer Music Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | 332-334 | Link | |
| 1990 | Cadoz, Claude and Lisowski, Leszek and Florens, Jean-Loup | Modular Feedback Keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | 379-382 | Link | |
| 1990 | Hunt, Andy and Kirk, Ross and Orton, Richard | MIDIGRID : An Innovative Computer- based and Composition System | Conference Proceedings | Proceedings of the International Computer Music Conference | 392-394 | Link | |
| 1990 | Riddell, Alistair M. | A Meta-Action for the Grand Piano | Conference Proceedings | Proceedings of the International Computer Music Conference | 395-397 | Link | |
| 1990 | Schloss, W. Andrew | Recent Advances in the Coupling of the Language MAX with the Matthew-Boie Radio Drum | Conference Proceedings | Proceedings of the International Computer Music Conference | 398-400 | Link | |
| 1990 | Gibet, S. and Marteau, P.-F. | Gestural control of sound synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | 387–391 | Link | |
| 1990 | Bowler, I. and Purvis, A. and Manning, P. and Bailey, N. | On Mapping N Articulation onto M Synthesiser-Control Parameters | Conference Proceedings | Proceedings of the International Computer Music Conference | 181–184 | Link | |
| 1990 | Minnick, M. | A Graphical Editor for Building Unit Generator Patches | Conference Proceedings | Proceedings of the International Computer Music Conference | 253–255 | Link | |
| 1990 | Appleton, Jon | Composer pour de nouveaux instruments | Article | Contrechamps | |||
| 1990 | Rosenboom, D. | Extended Musical Interface with the Human Nervous System | Book | International Society for the Arts, Sciences, and Technology | |||
| 1990 | Mackinlay, J. D. and Card, S. K. and Robertson, G. G. | A Semantic Analysis of the Design Space of Input Devices | Article | Human-Computer Interaction | 145–190 | Link | |
| 1990 | Brightman, P. | Computer Dancemakers | Article | Leonardo | 393–396 | Link | |
| 1990 | Politis, George | Computers and dance: a bibliography | Article | Leonardo | 87–90 | Link | |
| 1990 | Politis, G. | A survey of Computers in Dance | Technical Report | University of Sydney, Basser Department of Computer Science | |||
| 1990 | Greenspun, Philip and Watkinson, John | The Art of Digital Audio | Article (Related) | Computer Music Journal | 80 | Link | |
| 1990 | Strangio, Christopher E. | Roots of the Conductor Program | Article (Related) | Computer Music Journal | 10 | Link | |
| 1990 | Askenfelt, Anders and Jansson, Erik V. | From touch to string vibrations. I: Timing in the grand piano action | Article (Zotero) | The Journal of the Acoustical Society of America | 52–63 | Link | |
| 1990 | Teck, Katherine | Movement to Music: Musicians in the Dance Studio | Book (Zotero) | Greenwood Press | |||
| 1990 | Kendall, R. A. and Carterette, E. C. | The communication of musical expression | Article (Zotero) | Music Perception | 29–64 | ||
| 1991 | Lave, Jean and Wenger, Etienne | Situated Learning: Legitimate Peripheral Participation | Book (Background) | Cambridge University Press | Link | ||
| 1991 | Weiser, Mark | The Computer for the 21st Century | Article (Background) | Scientific American | 94–104 | Link | |
| 1991 | Varela, Francisco J. and Rosch, Eleanor and Thompson, Evan | The Embodied Mind: Cognitive Science and Human Experience | Book (Background) | The MIT Press | Link | ||
| 1991 | MacKenzie, I. Scott and Sellen, Abigail and Buxton, William A. S. | A comparison of input devices in element pointing and dragging tasks | Conference Proceedings (Background) | Proceedings of the SIGCHI conference on Human factors in computing systems Reaching through technology - CHI ’91 | 161–166 | Link | |
| 1991 | Tanaka, Atau | CyberArts International | Article | Computer Music Journal | 55-58 | Link | |
| 1991 | Pennycook, Bruce | Machine Songs II: The PRAESCIO Series - Composition-Driven Interactive Software | Article | Computer Music Journal | 16–26 | Link | |
| 1991 | Mathews, Max V. | The Radio Baton and Conductor Program, or: Pitch, the Most Important and Least Expressive Part of Music | Article | Computer Music Journal | 37–46 | Link | |
| 1991 | Wessel, David L. | Instruments That Learn, Refined Controllers, Source Model Loudspeakers | Article | Computer Music Journal | 82–86 | Link | |
| 1991 | Morita, H. and Hashimoto, S. and Ohteru, S. | A computer music system that follows a human conductor | Article (Cited) | Computer | 44–53 | Link | |
| 1991 | Puckette, Miller | Combining Event and Signal Processing in the MAX Graphical Programming Environment | Article (Cited) | Computer Music Journal | 68 | Link | |
| 1991 | Lindemann, Eric and Dechelle, Francois and Smith, Bennett and Starkier, Michel | The Architecture of the IRCAM Musical Workstation | Article (Cited) | Computer Music Journal | 41 | Link | |
| 1991 | Johnstone, Eric | A MIDI foot controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 123-126 | ||
| 1991 | Sato, Akio and Harada, Tsutomu and Hashimoto, Shuji and Ohteru, Sadamu | Singing and playing in musical virtual space | Conference Proceedings | Proceedings of the International Computer Music Conference | 289-292 | Link | |
| 1991 | Cook, Perry R. | Tbone : an interactive waveguide brass instrument synthesis workbench for the NeXT machine | Conference Proceedings | Proceedings of the International Computer Music Conference | 297-299 | Link | |
| 1991 | Oliveros, Pauline | The expanded instrument system (EIS) | Conference Proceedings | Proceedings of the International Computer Music Conference | 404-407 | Link | |
| 1991 | Demers, Louis-Philippe | A performance instrument for lighting | Conference Proceedings | Proceedings of the International Computer Music Conference | 471-474 | Link | |
| 1991 | Dannenberg, Roger B. and Bookstein, Kenneth | Practical aspects of a MIDI conducting system | Conference Proceedings | Proceedings of the International Computer Music Conference | 537-540 | Link | |
| 1991 | Keane, David and Wood, Kevin | The MIDI baton III | Conference Proceedings | Proceedings of the International Computer Music Conference | 541-544 | Link | |
| 1991 | Raczinski, J. M. | New UPIC system demonstration | Conference Proceedings | Proceedings of the International Computer Music Conference | 567-570 | Link | |
| 1991 | Lee, M. and Freed, A. and Wessel, D. | Real-Time Neural Network Processing of Gestural and Acoustic Signals | Conference Proceedings | Proceedings of the International Computer Music Conference | 277–280 | Link | |
| 1991 | Johnstone, E. | A MIDI Foot Controller - The PodoBoard | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 1991 | Cadoz, C. | Timbre et causalité | Book Section/Chapter | Le timbre: métaphore pour la composition | 17–46 | ||
| 1991 | Friberg, A. | Generative rules for music performance: A formal description of a rule system | Article | Computer Music Journal | 56–71 | Link | |
| 1991 | Friberg, A. and others | Performance Rules for Computer-Controlled Contemporary Keyboard Music | Article | Computer Music Journal | 49–55 | Link | |
| 1991 | Mulder, A. | Viewing dance as instrumental to music | Article | Interface | 15–17 | ||
| 1991 | Card, S. K. and Mackinlay, J. D. and Robertson, G. G. | A Morphological Analysis of the Design Space of Input Devices | Article | ACM Transactions on Information Systems | 99–122 | Link | |
| 1991 | Collins, N. | Low Brass: the Evolution of the Trombone Propelled Electronics | Article | Leonardo Music Journal | 41–44 | Link | |
| 1991 | Ellis, S. R. | Nature and Origins of Virtual Environments: A Bibliographical Essay | Book Section/Chapter | Human-Computer Interaction: Towards the Year 2000 | 913–932 | ||
| 1991 | Ryan, J. | Some Remarks on Musical Instrument Design at STEIM | Article | Contemporary Music Review | 3–17 | Link | |
| 1991 | Fadon, C. | StillLife/Alive | Article | Leonardo | |||
| 1991 | Kac, E. | Ornitorrinco: Exploring Telepresence and Remote Sensing | Article | Leonardo | |||
| 1991 | Ramstein, C. | Analyse, représentation et traitement du geste instrumental | PhD Thesis | Institut National Polytechnique de Grenoble | |||
| 1991 | Bernard, Pierre | The UPIC as a performance instrument | Article (Related) | Contemporary Music Review | 47–57 | Link | |
| 1991 | Behrman, David | Designing interactive computer-based music installations | Article (Related) | Contemporary Music Review | 139–142 | Link | |
| 1991 | Rubine, Dean and McAvinney, Paul | The videoharp: an optical scanning MIDI controller | Article (Related) | Contemporary Music Review | 31–46 | Link | |
| 1991 | Askenfelt, Anders and Jansson, Erik V. | From touch to string vibrations. II: The motion of the key and hammer | Article (Zotero) | The Journal of the Acoustical Society of America | 2383–2393 | Link | |
| 1991 | Winkler, Todd | Interactive signal processing for acoustic instruments | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 545–545 | Link | |
| 1992 | McAdams, Stephen and Cunible, Jean-christophe | Perception of timbral analogies | Article (Background) | Philosophical Transactions of the Royal Society of London. Series B: Biological Sciences | 383–389 | Link | |
| 1992 | Verrillo, Ronald T. | Vibration Sensation in Humans | Article (Background) | Music Perception | 281–302 | Link | |
| 1992 | MacKenzie, I. Scott | Fitts’ Law as a Research and Design Tool in Human-Computer Interaction | Article (Background) | Human–Computer Interaction | 91–139 | Link | |
| 1992 | Bauer, Will and Foss, Bruce | GAMS: An Integrated Media Controller System | Article | Computer Music Journal | 19–24 | Link | |
| 1992 | Czeiszperger, Michael and Tanaka, Atau | CyberArts International | Article | Computer Music Journal | 92–96 | Link | |
| 1992 | Lee, Michael and Freed, Adrian and Wessel, David | <title>Neural networks for simultaneous classification and parameter estimation in musical instrument control</title> | Conference Proceedings (Cited) | SPIE Proceedings | 244–255 | Link | |
| 1992 | Askenfelt, Anders and Jansson, Erik V. | On Vibration Sensation and Finger Touch in Stringed Instrument Playing | Article (Cited) | Music Perception | 311–349 | Link | |
| 1992 | Smith, Julius O. | Physical Modeling Using Digital Waveguides | Article (Cited) | Computer Music Journal | 74 | Link | |
| 1992 | Kvifte, Tellef | Musical Instruments and Man-Machine-Interaction or Why Play the Tin Whistle When You Got a Synthesizer | Article | Cybernetics & Human Knowing | 41-50 | ||
| 1992 | Mathews, Max | My view of the future of real-time computer music | Conference Proceedings | Proceedings of the International Computer Music Conference | 1. | Link | |
| 1992 | Bertini, Graziano and Carosi, Paolo | The light baton : a system for conducting computer music performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 73-76 | Link | |
| 1992 | Gillespie, Brent | Dynamical modeling of the grand piano action | Conference Proceedings | Proceedings of the International Computer Music Conference | 77-80 | Link | |
| 1992 | Haken, Lippold and Abdullah, Radi and Smart, Mark | The continuum : a continuous music keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | 81-84 | Link | |
| 1992 | Harada, Tsutomu and Sato, Akio and Hashimoto, Shuji and Ohteru, Sadamu | Real time control of 3D sound space by gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | 85-88 | Link | |
| 1992 | Marchany, Randy C. and Tront, Joseph G. | A programmable MIDI instrument controller emulating a hammer dulcimer | Conference Proceedings | Proceedings of the International Computer Music Conference | 89-92 | Link | |
| 1992 | Tobenfeld, Emile | A system for computer assisted gestural improvisation | Conference Proceedings | Proceedings of the International Computer Music Conference | 93-96 | Link | |
| 1992 | Kusu, Koji and Ino, Masaoki and Skin, Donguk and Hashimoto, Shuji and Ohteru, Sadama | Computer noh system | Conference Proceedings | Proceedings of the International Computer Music Conference | 198-201 | Link | |
| 1992 | Jaffe, David A. and Schloss, W. Andrew | The making of "Wildlife" : species of interaction | Conference Proceedings | Proceedings of the International Computer Music Conference | 269-272 | Link | |
| 1992 | Cook, Perry R. | A meta-wind-instrument physical model, and a meta-controller for real-time performance control | Conference Proceedings | Proceedings of the International Computer Music Conference | 273-276 | Link | |
| 1992 | Lee, Michael and Wessel, David | Connectionist models for real-time control of synthesis and compositional algorithms | Conference Proceedings | Proceedings of the International Computer Music Conference | 277-280 | Link | |
| 1992 | Ryan, Joel | The STEIM studio report | Conference Proceedings | Proceedings of the International Computer Music Conference | 325-328 | Link | |
| 1992 | Bolas, Mark and Stone, Phil | Virtual mutant Theremin | Conference Proceedings | Proceedings of the International Computer Music Conference | 360-361 | Link | |
| 1992 | Cariou, Brad | Designof an alternative controller from an industrial design perspective | Conference Proceedings | Proceedings of the International Computer Music Conference | 366-367 | ||
| 1992 | Farrett, Peter W. | A system for acquiring a composer’s actions | Conference Proceedings | Proceedings of the International Computer Music Conference | 379-380 | ||
| 1992 | Ryan, Joel | Effort and expression | Conference Proceedings | Proceedings of the International Computer Music Conference | 414-416 | ||
| 1992 | Gillespie, Brent | Touch back keyboard | Conference Proceedings | Proceedings of the International Computer Music Conference | 447-448 | ||
| 1992 | Lee, Michael and Garnett, Guy and Wessel, David | An adaptive conductor follower | Conference Proceedings | Proceedings of the International Computer Music Conference | 454-455 | ||
| 1992 | Pennycook, Bruce and Johnstone, Eric | A remote messaging device for interactive performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 459-460 | ||
| 1992 | Raczinski, Jean-Michel | UPIC demonstration | Conference Proceedings | Proceedings of the International Computer Music Conference | 461. | ||
| 1992 | Keane, David | SOUND LODGE : a touch-sensitive, interactive sound installation | Conference Proceedings | Proceedings of the International Computer Music Conference | 478-481 | ||
| 1992 | Foellmer, G. and Franck, Roland and Hein, Folmar | Dokumentation Elektroakustischer Musik in Europ | Book | Inventionen ’92 | |||
| 1992 | Pressing, J. | Synthesizer Performance and Real-Time Techniques | Book | A-R Editions | |||
| 1992 | Cook, P. R. and Morrill, D. and Smith, J. O. | An Automatic Pitch Detection and MIDI Control System for Brass Instruments | Conference Proceedings | Acoustical Society of America Conference | |||
| 1992 | Machover, T. | Hyperinstruments - a Composer’s Approach to the Evolution of Intelligent Musical Instruments | Book Section/Chapter | Cyberarts: Exploring Arts and Technology | 67–76 | ||
| 1992 | MacKenzie, I. S. | Movement Time Prediction in Human-Computer Interfaces | Conference Proceedings | Proceedings Graphics Interface ’92 | 140–150 | ||
| 1992 | MacKenzie, I. S. and Buxton, W. | Extending Fitts’ Law to Two Dimensional Tasks | Conference Proceedings | Proceedings of the 1992 ACM Conference on Human Factors in Computing Systems | 219–226 | Link | |
| 1992 | Bates, J. and Loyall, A. Bryan and Reilly, W. Scott | An architecture for action, emotion, and social behaviour | Conference Proceedings | Proceedings of the Fourth European Workshop on Modeling Autonomous Agents in a Multi-Agent World | |||
| 1992 | Held, R. and Durlach, N. | Telepresence | Article | Presence | 109–112 | Link | |
| 1992 | Kac, E. | Aspects of the Aesthetics of Telecomommunications | Conference Proceedings | Siggraph Visual Proceedings | Link | ||
| 1992 | Kahlich, L. | Dance Technology – Moving into the Future | Article | Dance Research Journal | 63–64 | Link | |
| 1992 | Smith, A. | Dance and Technology I: Moving Toward the Future. Proceedings of the First Annual Conference | Proceedings | University of Wisconsin | |||
| 1992 | Ungvary, T. and Waters, S. and Rajka, P. | Nuntius – A Computer System for the Interactive Composition and Analysis of Music and Dance | Article | Leonardo | 59–68 | Link | |
| 1992 | Machover, T. | Hyperinstruments - a Progress Report 1987 - 1991 | Technical Report | Massachusetts Institute of Technology | |||
| 1992 | Pousset, D. | La flûte-MIDI, l’histoire et quelques applications | Master's Thesis | Université Paris-Sorbonne | |||
| 1992 | Digital Audio and Compact Disc Technology | Book (Related) | Elsevier | Link | |||
| 1992 | Blades, James | Percussion Instruments and Their History | Book (Zotero) | Bold Strummer Ltd | |||
| 1992 | Hodgins, Paul | Relationships between score and choreography in twentieth-century dance: music, movement, and metaphor | Book (Zotero) | Edwin Mellen Pr | |||
| 1993 | Berkhout, A. J. and de Vries, D. and Vogel, P. | Acoustic control by wave field synthesis | Article (Cited) | The Journal of the Acoustical Society of America | 2764–2778 | Link | |
| 1993 | Cadoz, Claude and Luciani, Annie and Florens, Jean Loup | CORDIS-ANIMA: A Modeling and Simulation System for Sound and Image Synthesis: The General Formalism | Article (Cited) | Computer Music Journal | 19 | Link | |
| 1993 | Fels, S.S. and Hinton, G.E. | Glove-Talk: a neural network interface between a data-glove and a speech synthesizer | Article (Cited) | IEEE Transactions on Neural Networks | 2–8 | Link | |
| 1993 | Horner, Andrew and Beauchamp, James and Haken, Lippold | Machine Tongues XVI: Genetic Algorithms and Their Application to FM Matching Synthesis | Article (Cited) | Computer Music Journal | 17 | Link | |
| 1993 | Cook, Perry R. | SPASM, a Real-Time Vocal Tract Physical Model Controller; and Singer, the Companion Software Synthesis System | Article (Cited) | Computer Music Journal | 30 | Link | |
| 1993 | Marino, Gérard and Serra, Marie-Hélène and Raczinski, Jean-Michel and Marino, Gerard and Serra, Marie-Helene | The UPIC System: Origins and Innovations | Article (Cited) | Perspectives of New Music | 258 | Link | |
| 1993 | Davidson, Jane W. | Visual Perception of Performance Manner in the Movements of Solo Musicians | Article (Cited) | Psychology of Music | 103–113 | Link | |
| 1993 | Chafe, Chris | Tactile Audio Feedback | Conference Proceedings | Proceedings of the International Computer Music Conference | 76-79 | Link | |
| 1993 | Tanaka, Atau | Musical Technical Issues in Using Interactive Instrument Technology with Application to the BioMuse | Conference Proceedings | Proceedings of the International Computer Music Conference | 124-126 | Link | |
| 1993 | Kanamori, Tsutomu and Katayose, Haruhiro and Simura, Satosi and Inokuchi, Seiji | Gesture Sensor in Virtual Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | 127-129 | Link | |
| 1993 | Cook, Perry and Morrill, Dexter and Smith, Julius 0. | A MIDI Control and Performance System for Brass Instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | 130-133 | Link | |
| 1993 | Puckette, Miller and Settel, Zack | Non-obvious roles for electronics in performance enhancement | Conference Proceedings | Proceedings of the International Computer Music Conference | 134-137 | Link | |
| 1993 | Katayose, Haruhro and Kanamori, Tsutomu and Kamei, Katsuyuki and Nagashima, Yoichi and Sato, Kosuke and Inokuchi, Seiji and Simura, Satosi | Virtual Performer | Conference Proceedings | Proceedings of the International Computer Music Conference | 138-145 | Link | |
| 1993 | Inoue, Wataru and Hashimoto, Shuji and Ohteru, Sadamu | A Computer Music System for Human Singing | Conference Proceedings | Proceedings of the International Computer Music Conference | 150-153 | Link | |
| 1993 | Hayashi, Eiji and Ishikawa, Tatuya and Yamane, Masami | The Development of a Piano Player | Conference Proceedings | Proceedings of the International Computer Music Conference | 426-427 | Link | |
| 1993 | Sekiguchi, Koichi and Amemiya, Ryoji and Kubota, Hiroshi and Yamane, Masami | The Development of an Automatic Drum Playing Device | Conference Proceedings | Proceedings of the International Computer Music Conference | 428-429 | Link | |
| 1993 | Ohta, Hirohisa and Akita, Hiroshi and Ohtani, Motomu and Ishicado, Satosi and Yamane, Masami | The Development of an Automatic Bagpipe Playing Device | Conference Proceedings | Proceedings of the International Computer Music Conference | 430-431 | Link | |
| 1993 | Dannenberg, R. | Computer music at Carnegie Mellon University | Book Section/Chapter | Music Processing | 303–333 | ||
| 1993 | Rowe, R. | Interactive Music Systems - Machine Listening and Composing | Book | The MIT Press | |||
| 1993 | Katayose, H. and Inokuchi, S. | Learning Performance Rules in a Music Interpretation System | Article | Computers and the Humanities | 31–40 | Link | |
| 1993 | Pope, S. T. | Real-Time Performance via User Interfaces to Musical Structures | Article | Journal of Interface | 195–212 | Link | |
| 1993 | Carr, J. J. | Sensors and Circuits: Sensors, Transducers, and Supporting Circuits for Electronic Instrumentation, Measurement, and Control | Book | Prentice-Hall | |||
| 1993 | Smith, R. L. | Sensors | Book Section/Chapter | The Electrical Engineering Handbook | |||
| 1993 | Bailey, N. J. and Purvis, A. and Bowler, I. W. and Manning, P. D. | Applications of the Phase Vocoder Interface in the Control of Real-Time Electronic Musical Instruments | Article | Interface | 259–275 | ||
| 1993 | Chabot, X. | To Listen and to See: Making and Using Electronic Instruments | Article | Leonardo Music Journal | 11–16 | Link | |
| 1993 | Kabbash, P. and MacKenzie, I. S. and Buxton, W. | Human Performance Using Computer Input Devices in the Preferred and Non-Preferred Hands | Conference Proceedings | Proceedings of the ACM INTERCHI | 474–481 | Link | |
| 1993 | Moog, R. | Controller oddities | Article | Keyboard | 44–49 | ||
| 1993 | Waisvisz, M. and Ryan, J. and Collins, N. | STEIM - de zoetgevooisde Bliksem | Book | STEIM | |||
| 1993 | Barfield, W. and Weghorst, S. | The sense of presence within virtual environment: A conceptual framework | Conference Proceedings | Proceedings of the International Conference on Human-computer Interaction | 699–704 | ||
| 1993 | Kalawasky, R. S. | The science of virtual reality and virtual environments | Book | Addison-Wesley | |||
| 1993 | Laurel, B. | Computers as Theatre | Book | Addison-Wesley | |||
| 1993 | Pimentel, K. and Teixeira, K. | The science of virtual reality: through the new looking glass | Book | McGraw-Hill | |||
| 1993 | Putnam, W. | The Use of the Electromyogram for the Control of Musical Performance | Master's Thesis | San Jose State University, CA | |||
| 1993 | Dubost, G. | Technologies de capteurs et leurs applications musicales | Master's Thesis | Université Paris-Sud Orsay | |||
| 1993 | Hand, C. | A Survey of 3-D Input Devices | Technical Report | De Montfort University, Leicester, UK | Link | ||
| 1993 | Matsumoto, F. | Using Simple Controls to Manipulate Complex Objects: Application to the Drum-Boy Interactive Percussion System | Master's Thesis | Massachusetts Institute of Technology | |||
| 1993 | Schiphorst, Thecla | A case study of Merce Cunningham’s use of the LifeForms computer choreographic system in the making of Trackers | PhD Thesis (Theses) | Simon Fraser University | Link | ||
| 1993 | Boyer, Frédéric | Implementation of an instrumental control of digital sound and application of wavelet analysis to sound granular synthesis and musical processing | PhD Thesis (Theses) | Aix-Marseille 2 | Link | ||
| 1993 | Haury, Jean | The keyboard : the motion of its keys | PhD Thesis (Theses) | Paris 8 | Link | ||
| 1993 | Pope, S.T. | Machine Tongues XV: Three Packages for Software Sound Synthesis | Article (Zotero) | Computer Music Journal | 23–45 | ||
| 1993 | Hiller, Lejaren and Isaacson, Leonard | Musical composition with a high-speed digital computer | Article (Zotero) | Link | |||
| 1993 | Putnam, William and Knapp, R Benjamin | Real-time computer control using pattern recognition of the electromyogram | Conference Proceedings (Zotero) | Engineering in Medicine and Biology Society, 1993. Proceedings of the 15\textsuperscriptth Annual International Conference of the IEEE | 1236–1237 | ||
| 1993 | Todd, Neil P. McAngus | Vestibular Feedback in Musical Performance: Response to "Somatosensory Feedback in Musical Performance" (Edited by Sundberg and Verrillo) | Article (Zotero) | Music Perception: An Interdisciplinary Journal | 379–382 | Link | |
| 1994 | Hinckley, Ken and Pausch, Randy and Goble, John C. and Kassell, Neal F. | Passive real-world interface props for neurosurgical visualization | Conference Proceedings (Background) | Conference companion on Human factors in computing systems - CHI ’94 | 232 | Link | |
| 1994 | Kabbash, Paul and Buxton, William and Sellen, Abigail | Two-handed input in a compound task | Conference Proceedings (Background) | Conference companion on Human factors in computing systems - CHI ’94 | 230 | Link | |
| 1994 | Jaffe, David A. and Schloss, W. Andrew | The Computer-Extended Ensemble | Article | Computer Music Journal | 78–86 | Link | |
| 1994 | Wright, Matthew | A Comparison of MIDI and ZIPI | Article | Computer Music Journal | 86–91 | Link | |
| 1994 | Impett, Jonathan | A Meta-Trumpet(er) | Conference Proceedings | Proceedings of the International Computer Music Conference | 147-150 | Link | |
| 1994 | Hartono, Pitoyo and Asano, Kazumi and Inoue, Wataru and Hashimoto, Shuji | Adaptive Timbre Control Using Gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | 151-158 | Link | |
| 1994 | Vertegaal, Roel and Eaglestone, Barry and Michael, Clarke | An Evaluation of Input Devices for Use in the ISEE Human-Synthesizer Interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 159-162 | Link | |
| 1994 | Cariou, Brad | The aXi¯ MIDI Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 163-166 | Link | |
| 1994 | Gillespie, Brent | The Virtual Piano Action : Design and Implementation | Conference Proceedings | Proceedings of the International Computer Music Conference | 167-170 | Link | |
| 1994 | Bongers, Bert | The Use of Active Tactile and Force Feedback in Timbre Controlling Electronic Instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | 171-174 | Link | |
| 1994 | Favilla, Stuart | Live Performance and Virtuosic Pitch-Bend Technique for the Synthesizer | Conference Proceedings | Proceedings of the International Computer Music Conference | 175-176 | Link | |
| 1994 | Favilla, Stuart | The LDR controler | Conference Proceedings | Proceedings of the International Computer Music Conference | 177-180 | Link | |
| 1994 | Anderson, Tim and Hearn, Debbie | Using Hyper-Instruments for the re-distribution od the performance control interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 183-184 | Link | |
| 1994 | Jaffe, David A. and Schloss, W. Andrew | A Virtual Piano Concerto Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in “ The Seven Wonders of the Ancient World ” | Conference Proceedings | Proceedings of the International Computer Music Conference | 192-195 | Link | |
| 1994 | Katayose, Haruyose and Kanamori, Tsutomu and Simura, Satosi and Inokuchi, Seiji | Demonstration of Gesture Sensors for the Shakuhachi | Conference Proceedings | Proceedings of the International Computer Music Conference | 196-199 | Link | |
| 1994 | Curtin, Steven | The SoundLab : a wearable computer music instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 200-201 | Link | |
| 1994 | Mulder, A. | Virtual musical instruments: Accessing the Sound Synthesis Universe as a Performer | Conference Proceedings | Proceedings of the first Brazilian Symposium on Computer Music | 243–250 | ||
| 1994 | Garrett, P. H. | Advanced Instrumentation and Computer I/O Design: Real-time System Computer Interface Engineering | Book | IEEE Press | |||
| 1994 | Anderton, C. | STEIM: In the Land of Alternate Controllers | Article | Keyboard | 54–62 | ||
| 1994 | Jacob, R. J. K. and Sibert, L. and McFarlane, D. and Mullen, Jr., M. | Integrality and Separability of Input Devices | Article | ACM Transactions on Human-Computer Interaction | 3–26 | Link | |
| 1994 | Mulder, A. | How to Build an Instrumented Glove based on the Powerglove Flex Sensors | Article | PCVR Magazine | 10–14 | ||
| 1994 | Ramstein, C. and Hayward, V. | The Pantograph: a Large Workspace Haptic Device for a Multi-Modal Human-Computer Interaction | Conference Proceedings | Proceedings of the CHI’94 Conference on Human factors in Computing Systems | |||
| 1994 | Vertegaal, R. and Bonis, E. | ISEE: An Intuitive Sound Editing Environment | Article | Computer Music Journal | 21–29 | Link | |
| 1994 | Polana, R. and Nelson, R. | Low level recognition of human motion | Conference Proceedings | Proc. of IEEE Workshop on Motion of Non-Rigid and Articulated Objects | 77–82 | ||
| 1994 | Rohr, K. | Towards model-based recognition of human movements in image sequences | Article | CGVIP: Image Understanding | 94–115 | Link | |
| 1994 | Slater, M. and Usoh, M. and Steed, A. | Depth of presence in virtual environment | Article | Presence | 130–144 | Link | |
| 1994 | Fels, S. | Glove-Talk II: Mapping Hand Gestures to Speech Using Neural Networks - An Approach to Building Adaptive Interfaces | PhD Thesis | University of Toronto, Canada | |||
| 1994 | Giraudon, F. | Contrôle de paramètres de synthèse issus d’une analyse par une interface gestuelle | Master's Thesis | Centre National de la Recherche Scientifique | |||
| 1994 | Mulder, A. | Human Movement Tracking Technology | Technical Report | Simon Fraser University | |||
| 1994 | Vertegaal, R. | An Evaluation of Input Devices for Timbre Space Navigation | Master's Thesis | Department of Computing, University of Bradford | |||
| 1994 | Desainte-Catherine, Myriam | Journees d’Informatique Musicale (JIM ’94) | Article (Related) | Computer Music Journal | 97 | Link | |
| 1994 | Harley, Maria Anna | Spatial sound movement in the instrumental music of Iannis Xenakis | Article (Related) | Journal of New Music Research | 291–314 | Link | |
| 1994 | Davidson, Jane | Expressive Movements in Musical Performance | Conference Proceedings (Zotero) | Proceedings of the Third International Conference on Music Cognition (ESCOM) | 327–329 | ||
| 1994 | Bargar, R. and Choi, I. and Das, S. and Goudeseune, C. | Model-based interactive sound for an immersive virtual environment | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 471–474 | ||
| 1994 | Davies, S. | Musical Meaning and Expression | Book (Zotero) | Cornell University Press | |||
| 1994 | Burtner, M. | The Metasaxophone: Design of a New Computer Music Controller | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 530–533 | ||
| 1995 | Zimmerman, Thomas G. and Smith, Joshua R. and Paradiso, Joseph A. and Allport, David and Gershenfeld, Neil | Applying electric field sensing to human-computer interfaces | Conference Proceedings (Background) | Proceedings of the SIGCHI conference on Human factors in computing systems - CHI ’95 | 280–287 | Link | |
| 1995 | Van den Berghe, Guido and De Moor, Bart and Minten, Willem | Modeling a Grand Piano Key Action | Article | Computer Music Journal | 15–22 | Link | |
| 1995 | Lopez-Lezcano, Fernando | PadMaster : an improvisation environment for real-time performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 104-105 | Link | |
| 1995 | Aono, Yushi and Katayose, Haruhiro and Inokuchi, Seiji | An Improvisational Accompaniment System Observing Performer’s Musical Gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | 106-107 | Link | |
| 1995 | Cariou, Brad | Vidolin, Alvise A Demonstration of the aXiØ Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 183-184 | Link | |
| 1995 | Brecht, Bennett and Garnett, Guy E. | Conductor Follower | Conference Proceedings | Proceedings of the International Computer Music Conference | 185-186 | Link | |
| 1995 | Fortuin, Harold | The Clavette: A Generalized Microtonal MIDI Keyboard Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 223. | Link | |
| 1995 | Pinkston, Russell and Kerkhoff, Jim and McQuilken, Mark | A Touch Sensitive Dance Floor/MIDI Controller | Conference Proceedings | Proceedings of the International Computer Music Conference | 224-225 | Link | |
| 1995 | Camurri, Antonio | Interactive Dance/Music Systems | Conference Proceedings | Proceedings of the International Computer Music Conference | 245-252 | Link | |
| 1995 | Vertegaal, Roel and Ungvary, Tamas | The Sentograph: Input Devices and the Communication of Bodily Expression | Conference Proceedings | Proceedings of the International Computer Music Conference | 253-256 | Link | |
| 1995 | Sawada, Hideyuki and Ohkura, Shin’ya and Hashimoto, ShujiMaking | Gesture Analysis Using 3-D Acceleration Sensor for Music Control | Conference Proceedings | Proceedings of the International Computer Music Conference | 257-260 | Link | |
| 1995 | Winkler, Todd | Motion Musical: Gesture Mapping Strategies for Interactive Computer Music | Conference Proceedings | Proceedings of the International Computer Music Conference | 261-264 | Link | |
| 1995 | Kanamori, Tsutomu and Katayose, Haruhiro and Aono, Yushi and Inokuchi, Seiji and Sakaguchi, Takasi | Sensor Integration for Interactive Digital Art | Conference Proceedings | Proceedings of the International Computer Music Conference | 265-268 | Link | |
| 1995 | Todoroff, Todor | Real-Time Granular Morphing and Spatialisation of Sounds With Gestual Control Within MAX/FTS | Conference Proceedings | Proceedings of the International Computer Music Conference | 315-318 | Link | |
| 1995 | Bromwich, Mark A. | A Single Performer Controlled Interface for Electronic Fance/Music Theatre | Conference Proceedings | Proceedings of the International Computer Music Conference | 491-492 | Link | |
| 1995 | Cadoz, Claude and Florens, Jean-Loup and Luciani, Annie | Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal Interfaces | Conference Proceedings | Proceedings of the International Computer Music Conference | 531-532 | Link | |
| 1995 | Chadabe, Joel | Interactive Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 589. | Link | |
| 1995 | Kirk, Ross and Hunt, Andy and Orton, Richard | Audio-Visual Instruments in Live Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 595-596 | Link | |
| 1995 | Choi, I. and Bargar, R. and Goudeseune, C. | A Manifold Interface for a High Dimensional Control Space | Conference Proceedings | Proceedings of the International Computer Music Conference | 385–392 | Link | |
| 1995 | Polfreman, R. and Sapsford-Francis, J. | A Human Factors Approach to Computer Music Systems User-Interface Design | Conference Proceedings | Proceedings of the International Computer Music Conference | 381–384 | Link | |
| 1995 | Tobey, F. | The Ensemble Member and the Conducted Computer | Conference Proceedings | Proceedings of the International Computer Music Conference | 529–530 | Link | |
| 1995 | Battier, M. | Entre l’idée et l’œuvre. Parcours de l’informatique musicale | Book Section/Chapter | Esthétique des arts médiatiques, tome 1 | 319–334 | ||
| 1995 | Akamatsu, M. and MacKenzie, I. S. and Hasbrouc, T. | A Comparison of Tactile, Auditory and Visual Feedback in a Pointing Task using a Mouse-Type Device | Article | Ergonomics | 816–827 | Link | |
| 1995 | Baecker, R. M. and Grudin, J. and Buxton, W. A. S. and Greenberg, S. | Readings in Human-Computer Interaction: Toward the Year 2000 | Book | Morgan-Kauffmann Publishers, Inc. | |||
| 1995 | Hayward, V. | Toward a Seven Axis Haptic Interface | Conference Proceedings | Proceedings of the IROS’95, Int. Workshop on Intelligent Robots and Systems | 133–139 | ||
| 1995 | Barrass, S. | Personify: A Toolkit for Perceptually Meaningful Sonification | Conference Proceedings | Proceedings of the Australian Conference on Computer Music (ACCM-95) | |||
| 1995 | Biocca, F. and Delaney, B. | Immersive virtual reality technology | Book Section/Chapter | Communication in the age of virtual reality | |||
| 1995 | Biocca, F. and Kim, T. and Levy, M. | The vision of virtual reality | Book Section/Chapter | Communication in the age of virtual reality | 3–14 | ||
| 1995 | Gavrilla, D. M. and Davis, L. S. | 3-D model based tracking of human upper body movement: a multi-view approach | Conference Proceedings | Proc. of the IEEE-PAMI International Symposium on Computer Vision | 253–258 | ||
| 1995 | Hodges, M. | Computers and dance | Article | Technology Review | 20–21 | ||
| 1995 | Maes, P. and Darrell, T. and Blumberg, B. and Pentland, A. | The ALIVE system: Full-body interaction with autonomous agents | Conference Proceedings | Proc. of the Computer Animation ’95 Conference | |||
| 1995 | Mitchell, J. D. and Lovell, R. | Environment for the Interactive Design of Emergent Art | Conference Proceedings | International Symposium on Electronic Art | |||
| 1995 | Mitchell, J. D. and Lovell, R. | Using Human Movement to Control Activities in Theatrical Environments | Conference Proceedings | Third International Conference on Dance and Technology | |||
| 1995 | Pulfer, J. K. | Man-Machine Communication in Creative Applications | Article | International Journal of Man-Machine Studies | |||
| 1995 | Rogala, Miroslaw and Hovestadt, L and Oxaal, F | Lovers Leap | Article | The Complete artintact | |||
| 1995 | Smith, A. | Dance and Technology III: Transcending Boundaries. Proceedings of the Third Annual Conference | Proceedings | York University | |||
| 1995 | Wechsler, R. | Analysis of "reversals" in the Cunningham Dance Technique. Issues concerning the perception of symmetry in dance | Conference Proceedings | Proceedings of the first International Dance and Technology Conference | |||
| 1995 | Egozy, E. B. | Deriving Musical Control Features from a Real-Time Timbre Analysis of the Clarinet | Master's Thesis | Massachusetts Institute of Technology | |||
| 1995 | Mulder, A. | Human Movement Tracking Technology: Resources | Technical Report | Simon Fraser University | |||
| 1995 | Madole, Dave and Begault, Durand | 3-D Sound for Virtual Reality and Multimedia | Article (Related) | Computer Music Journal | 99 | Link | |
| 1995 | HOURDIN, CHRISTOPHE | A psychophysical study of timbre - application to sound coding and synthesis in music | PhD Thesis (Theses) | Paris 11 | Link | ||
| 1995 | Thomas, Geoffrey | A virtual musical instrument exhibit for a science centre. | PhD Thesis (Theses) | University of Canterbury | Link | ||
| 1995 | Markussen, Tom Hede | Et teoribaseret handlingsgrundlag for betjeningsdesign | Article (Zotero) | ||||
| 1995 | Experimental Musical Instruments | Book (Zotero) | Experimental Musical Instruments | ||||
| 1995 | Todd, Neil P. McAngus | The kinematics of musical expression | Article (Zotero) | The Journal of the Acoustical Society of America | 1940–1949 | Link | |
| 1996 | Green, T.R.G. and Petre, M. | Usability Analysis of Visual Programming Environments: A ‘Cognitive Dimensions’ Framework | Article (Background) | Journal of Visual Languages & Computing | 131–174 | Link | |
| 1996 | Blauert, Jens | Spatial Hearing: The Psychophysics of Human Sound Localization | Book (Background) | The MIT Press | Link | ||
| 1996 | Hirano, Karl | A Review of Electronic Musical Instruments | Article | Computer Music Journal | 28–30 | Link | |
| 1996 | Smith, Julius O. | Physical Modeling Synthesis Update | Article (Cited) | Computer Music Journal | 44 | Link | |
| 1996 | Chu, Lonny | Haptic feedback in a computer music performance interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 57-58 | Link | |
| 1996 | Favilla, Stuart | Non-linear controlled mapping for gestural control of gamaka | Conference Proceedings | Proceedings of the International Computer Music Conference | 89-92 | Link | |
| 1996 | Lippe, Cort | A look at performer/machine interaction using real-time systems | Conference Proceedings | Proceedings of the International Computer Music Conference | 116-117 | Link | |
| 1996 | Katayose, Haruhiro and Kanamori, Tsutomu and Inokushi, Seiji | An environment for interactive art- sensor integration and applications | Conference Proceedings | Proceedings of the International Computer Music Conference | 173-176 | Link | |
| 1996 | Tobey, Forrest and Fujinaga, Ichiro | Extraction of conducting gesture in 3D space | Conference Proceedings | Proceedings of the International Computer Music Conference | 305-307 | Link | |
| 1996 | Vertegaal, Roel and Ungary, Tamas and Kieslinger, Michael | Towards a musician’s cockpit : Transducers, feedback and musical function | Conference Proceedings | Proceedings of the International Computer Music Conference | 308-311 | Link | |
| 1996 | Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji | Acceleration sensor as an input device for musical environment | Conference Proceedings | Proceedings of the International Computer Music Conference | 421-424 | Link | |
| 1996 | Lopez-Lezcano, Fernando | PadMaster : Banging on algorithms with alternative controllers | Conference Proceedings | Proceedings of the International Computer Music Conference | 425-427 | Link | |
| 1996 | Chafe, Chris and O’Modhrain, Sile | Musical muscle memory and the Harpic display of performance nuance | Conference Proceedings | Proceedings of the International Computer Music Conference | 428-431 | Link | |
| 1996 | Sawada, Hideyuki and Hashimoto, Shuji | Adaptive control of a vocal chord and vocal tract for computerized mechanical singing instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | 444-447 | Link | |
| 1996 | Lusted, H. S. and Knapp, R. B. | Controlling Computers with Neural Signals | Article | Scientific American | 58–63 | Link | |
| 1996 | Risset, J. and van Duyne, S. | Real-time performance interaction with a computer-controlled acoustic piano | Article | Computer Music Journal | 62–75 | Link | |
| 1996 | Burdea, G. | Force and Touch Feedback for Virtual Reality | Book | John Wiley and Sons | |||
| 1996 | Fletcher, R. | Force Transduction Materials for Human-Technology Interfaces | Article | IBM Systems Journal | 630–638 | Link | |
| 1996 | Verplaetse, C. | Inertial Proprioceptive Devices: Self-Motion-Sensing Toys and Tools | Article | IBM Systems Journal | 639–650 | Link | |
| 1996 | Akamatsu, M. and MacKenzie, I. S. | Movement Characteristics Using a Mouse with Tactile and Force Feedback | Article | International Journal of Human-Computer Studies | 483–493 | Link | |
| 1996 | Almeida, A. G. | Methodologies for Design and Evaluation of Interactive Musical Interfaces | Conference Proceedings | Proceedings of the 3rd Brazilian Symposium on Computer Music | 68–73 | ||
| 1996 | Auer, V. and Maes, M. M. and Bonfim, M. C. and Wanderley, M. M. and Lamar, M. V. | 3D Position Signal Acquisition System with Application in Real-Time Processing | Conference Proceedings | Proceedings of the ICSPAT ’96 - International Congress on Signal Processing Applications Technology | 505–509 | ||
| 1996 | Jacob, R. J. K. | Human-Computer Interaction: Input Devices | Article | ACM Computing Surveys | 177–179 | ||
| 1996 | Lima, G. H. T. and Maes, M. and Bonfim, M. and Lamar, M. V. and Wanderley, M. M. | Dance-Music Interface based on Ultrasound Sensors and Computers | Conference Proceedings | Proceedings of the 3rd Brazilian Symposium on Computer Music | 12–16 | ||
| 1996 | Linz, R. | Towards the Design of a Real-Time Interactive Performance Sound System | Article | Leonardo Music Journal | 99–107 | Link | |
| 1996 | Liu, Fang and Picard, Rosalind W | Detecting and segmenting periodic motion | Article | Media Lab Vision and Modelling TR-400, MIT | |||
| 1996 | Mulder, A. | Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design | Article | Leonardo Music Journal | 33–40 | Link | |
| 1996 | Paradiso, J. A. | The Interactive Ballon: Sensing, Actuation, and Behavior in a Common Object | Article | IBM Systems Journal | 473–487 | Link | |
| 1996 | Putnam, William and Knapp, R Benjamin | Input/data acquisition system design for human computer interfacing | Article | Unpublished Lecture Notes, October | |||
| 1996 | Roads, C. | The Computer Music Tutorial | Book | The MIT Press | |||
| 1996 | Smith, J. R. | Field Mice: Extracting Hand Geometry from Electric Field Measurements | Article | IBM Systems Journal | 587–608 | Link | |
| 1996 | Vertegaal, R. and Eaglestone, B. | Comparison of Input Devices in an ISEE Direct Timbre Manipulation Task | Article | Interacting with Computers | 113–130 | Link | |
| 1996 | Zhai, S. and Milgram, P. and Buxton, W. | The Influence of Muscle Groups on Performance of Multiple Degree-of-Freedom Input | Conference Proceedings | Proceedings of the CHI’96 Conference on Human factors in Computing Systems | 308–315 | Link | |
| 1996 | Kramer, G. | Mapping a single data stream to multiple auditory variables: A subjective approach to creating a compelling design | Conference Proceedings | Proceedings of International Conference on Auditory Display - ICAD’96 | |||
| 1996 | Puckette, M. | Pure Data: Another Integrated Computer Music Environment | Conference Proceedings | Proceedings of the Second Intercollege Computer Music Concerts | 37–41 | ||
| 1996 | Essa, I. and Basu, S. and Darrell, T. and Pentland, A. | Modeling, tracking and interactive animation of faces and heads using input from video | Conference Proceedings | Proceedings of Computer Animation ’96 Conference | |||
| 1996 | Fassler, M. | Mediale Interaktion | Book | Fink Verlag | |||
| 1996 | Matuck, A. | Tele-transmissão no contexto artístico; Perspectivas da televisão interativa; Telemática e interatividade; Crítica ao futuro iminente | Book Section/Chapter | O potencial dialógico da televisão - Comunicação e arte na perspectiva do receptor | |||
| 1996 | Moser, M. and MacLeod, D. | Immersed in Technology: Art and Virtual Environments | Book | MIT Press | |||
| 1996 | Reaney, M. | Virtual scenography: The actor, audience, computer interface | Article | Theatre Design and Technology | 36–43 | ||
| 1996 | Mulder, A. | Hand Gestures for HCI | Technical Report | Simon Fraser University | |||
| 1996 | Keyson, D. V. | Touch in User Interface Navigation | PhD Thesis | Technische Universiteit Eindhoven | |||
| 1996 | Marrin, T. A. | Toward an Understanding of Musical Gesture: Mapping Expressive Intention with the Digital Baton | Master's Thesis | Massachusetts Institute of Technology | |||
| 1996 | Métois, E. | Musical Sound Information: Musical Gestures and Embedding Systems | PhD Thesis | MIT Media Lab | |||
| 1996 | Pachet, Francois | JIM’95: Journees d’Informatique Musicale | Article (Related) | Computer Music Journal | 102 | Link | |
| 1996 | BARRASS, STEPHEN | Sculpting a sound space with information properties | Article (Related) | Organised Sound | 125–136 | Link | |
| 1996 | Kimura, Mari | Computers for Performers: Crossing the Boundaries for the Future | Article (Related) | Computer Music Journal | 25 | Link | |
| 1996 | Incerti, Eric | Sound synthesis by means of physical modeling of vibrating structures. Applications to computer music | PhD Thesis (Theses) | Grenoble INPG | Link | ||
| 1996 | BRESCIANI, JEAN FRANCOIS | Study of the radiation of musical instruments in order to control reproduction with loudspeakers | PhD Thesis (Theses) | Le Mans | Link | ||
| 1996 | Coyle, Thomas Edward | The musical superhighway : the internet for the performing musician | PhD Thesis (Theses) | Griffith University | Link | ||
| 1996 | Steiglitz, Kenneth | A DSP primer: with applications to digital audio and computer music | Book (Zotero) | Addison-Wesley Pub | |||
| 1996 | Palmer, Caroline | Anatomy of a performance: Sources of musical expression | Article (Zotero) | Music Perception | 433–453 | ||
| 1996 | Wishart, Trevor and Emmerson, Simon | On Sonic Art | Book (Zotero) | Psychology Press | |||
| 1996 | McCartney, J. | SuperCollider: A new real-time synthesis language | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 1996 | Sloboda, JA and Davidson, J. | The young performing musician | Article (Zotero) | Musical beginnings: Origins and development of musical competence | 171–190 | ||
| 1997 | Juslin, Patrik N. | Emotional Communication in Music Performance: A Functionalist Perspective and Some Data | Article (Background) | Music Perception | 383–418 | Link | |
| 1997 | Wren, C.R. and Azarbayejani, A. and Darrell, T. and Pentland, A.P. | Pfinder: real-time tracking of the human body | Article (Background) | IEEE Transactions on Pattern Analysis and Machine Intelligence | 780–785 | Link | |
| 1997 | SMALLEY, DENIS | Spectromorphology: explaining sound-shapes | Article (Background) | Organised Sound | 107–126 | Link | |
| 1997 | Kroepfl, Francisco | Electronic Music: From Analog Control to Computers | Article | Computer Music Journal | 26–28 | Link | |
| 1997 | Paradiso, Joseph A. and Gershenfeld, Neil | Musical Applications of Electric Field Sensing | Article | Computer Music Journal | 69–89 | Link | |
| 1997 | Buxton, Bill | Artists and the art of the luthier | Article (Cited) | ACM SIGGRAPH Computer Graphics | 10–11 | Link | |
| 1997 | Cook, Perry R. | Physically Informed Sonic Modeling (PhISM): Synthesis of Percussive Sounds | Article (Cited) | Computer Music Journal | 38 | Link | |
| 1997 | Pressing, Jeff | Some Perspectives on Performed Sound and Music in Virtual Environments | Article (Cited) | Presence: Teleoperators and Virtual Environments | 482–503 | Link | |
| 1997 | Orio, Nicola | A gesture interface controlled by the oral cavity | Conference Proceedings | Proceedings of the International Computer Music Conference | 141-144 | Link | |
| 1997 | Sawada, Hideyuki and Onoe, Naoyuki and Hashimoto, Shuji | Sounds in hands | Conference Proceedings | Proceedings of the International Computer Music Conference | 309-312 | ||
| 1997 | Marrin, Teresa and Paradiso, Joseph | The digital baton : a versatile performance instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 313-316 | Link | |
| 1997 | O’Modhrain, Maura Sile | Feel the music : narration in touch and sound | Conference Proceedings | Proceedings of the International Computer Music Conference | 321-324 | Link | |
| 1997 | Haken, Lippold and Fitz, Kelly and Tellman, Ed and Wolfe, Patrick and Christensen, Paul | A continous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators | Conference Proceedings | Proceedings of the International Computer Music Conference | 375-378 | Link | |
| 1997 | Wright, Matthew and Wessel, David and Freed, Audrain | New musical control structures from standard gestual controllers | Conference Proceedings | Proceedings of the International Computer Music Conference | 387-390 | Link | |
| 1997 | Boulanger, Richard and Mathews, Max | The 1997 Mathews’ radio baton and improvisation modes | Conference Proceedings | Proceedings of the International Computer Music Conference | 395-398 | Link | |
| 1997 | Politis, Dionysios V. and Tsoukalas, Ioannis A. and Linardis, Panagiotis and Bakalakos, Alexandros | VIDI – a voice instrument digital interface of Byzantine music | Conference Proceedings | Proceedings of the International Computer Music Conference | 403-407 | Link | |
| 1997 | Bromwich, Marc Alexander | The metabone : an interactive sensory control mechanism for virtuoso trombone | Conference Proceedings | Proceedings of the International Computer Music Conference | 473-475 | Link | |
| 1997 | Katayose, Haruhiro and Shirakabe, Hirotsugu and Kanamori, Tsutomu and Inokuchi, Seiji | A toolkit for interactive digital art | Conference Proceedings | Proceedings of the International Computer Music Conference | 476-478 | Link | |
| 1997 | Sawada, H. and Onoe, N. and Hashimoto, S. | Sounds in Hands - a Sound Modifier using Datagloves and Twiddle Interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 309–312 | Link | |
| 1997 | Tarabella, L. | Studio Report of the Computer Music Lab of CNUCE/C.N.R. | Conference Proceedings | Proceedings of the International Computer Music Conference | 86–88 | ||
| 1997 | Chadabe, J. | Electric sound - the past and promise of electronic music | Book | Prentice Hall | |||
| 1997 | Zannos, I. and Modler, P. and Naoi, K. | Gesture Controlled Music Performance in a Real-Time Network | Conference Proceedings | Proceedings of KANSEI - The Technology of Emotion Workshop | 60–63 | ||
| 1997 | Carr, J. J. | Electronic Circuit Guidebook. Volume 1: Sensors | Book | Prompt Publications – Howard W. Sams & Company | |||
| 1997 | Paradiso, J. | Electronic Music: New Ways to play | Article | IEEE Spectrum | 18–30 | Link | |
| 1997 | Accot, J. and Zhai, S. | Beyond Fitts’ Law: Models for Trajectory-Based HCI Tasks | Conference Proceedings | Proceedings of the 1997 ACM Conference on Human Factors in Computing Systems | 295–302 | ||
| 1997 | Balakrishnan, R. and MacKenzie, I. S. | Performance Differences in the Fingers, Wrist and Forearm in Computer Input Control | Conference Proceedings | Proceedings of the CHI’97 Conference on Human factors in Computing Systems | 303–310 | Link | |
| 1997 | Borchers, J. O. | WorldBeat: Designing a Baton-Based Interface for an Interactive Music Exhibit | Conference Proceedings | Proceedings of the CHI’97 Conference on Human Factors in Computing Systems | 131–138 | ||
| 1997 | Camurri, A. | Network Models for Music and Motor Control | Book Section/Chapter | Self-Organization, Computational Maps and Motor Control | |||
| 1997 | Choi, I. and Ricii, C. | Foot-Mounted Gesture Detection and its Application in Virtual Environments | Conference Proceedings | Proceedings of the IEEE International Conference on Systems, Man and Cybernetics | |||
| 1997 | Favilla, S. | Real-time Control of Synthesis Parameters for LightHarp MIDI Controller | Conference Proceedings | Proceedings of the 1997 ACMA Conference | |||
| 1997 | Fitzmaurice, G. W. and Buxton, W. | An Empirical Evaluation of Graspable User Interfaces: towards specialized, space-multiplexed input | Conference Proceedings | Proceedings of the CHI’97 Conference on Human factors in Computing Systems | 43–50 | ||
| 1997 | Hinckley, K. and Pausch, R. and Proffitt, D. and Patten, J. and Kassell, N. | Cooperative Bimanual Action | Conference Proceedings | Proceedings of the CHI’97 Conference on Human Factors in Computing Systems | 27–34 | Link | |
| 1997 | Marrin, T. A. | Possibilities for the Digital Baton as a General-Purpose Gestural Interface | Conference Proceedings | Proceedings of the CHI’97 Conference on Human factors in Computing Systems | 311–312 | Link | |
| 1997 | Mulder, A. and Fels, S. and Mase, K. | Empty-Handed Gesture Analysis in Max/FTS | Conference Proceedings | Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop | 87–91 | ||
| 1997 | Mulder, A. and Fels, S. and Mase, K. | Mapping Virtual Object Manipulation to Sound Variation | Article | IPSJ SIG notes | 63–68 | ||
| 1997 | Rovan, J. and Wanderley, M. and Dubnov, S. and Depalle, P. | Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance | Conference Proceedings | Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop | 68–73 | ||
| 1997 | Tarabella, L. and Bertini, G. | Original Gesture Interfaces for Live Interactive Multimedia Performances | Conference Proceedings | Proceedings of the Journées d’Informatique Musicale | 41–45 | ||
| 1997 | Kieslinger, M. and Ungvary, T. | Aspects of Visualizing Information for a Realtime Hypermedia Musical Environment | Book Section/Chapter | Multimedia Technology and Applications | |||
| 1997 | Modler, P. and Zannos, I. | Emotional Aspects of Gesture Recognition by a Neural Network, using Dedicated Input Devices | Conference Proceedings | Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop | 79–86 | ||
| 1997 | Biocca, F. | Cyborg’s dilemma: Progressive embodiment in virtual environments | Article | Journal of Computer Mediated-Communication | |||
| 1997 | Biocca, F | Presence of mind in virtual environments," | Conference Proceedings | Second International Conference on Cognitive Technology, CT97 Humanising the Information Age | |||
| 1997 | Dinkla, S. | Pioniere interaktiver Kunst | Book | Cantz Verlag | |||
| 1997 | Domingues, D. | Arte no Séc. XXI: A Humanização das Tecnologias | Book | Ed. da Unesp | |||
| 1997 | Hünnekens, A. | Der bewegte Betrachter. Theorien der Interaktiven Medienkunst | Book | Wienand | |||
| 1997 | Levy, P. | Cyberculture: Rapport au Conseil de l’Europe dans le cadre du projet Nouvelles technologies: cooperation culturelle et communication | Book | Odile Jacob | |||
| 1997 | Morse, M. | Hardware, Software, Artware: Confluence of Art and Technology–Art Practice at the ZKM Institute for Visual Media | Book | ZKM | |||
| 1997 | Naugle, L. and Iris, G. | A University Dance Course in Cyberspace: The Telelearning Experience | Article | Journal of Distance Education | |||
| 1997 | Paradiso, J. and Hu, E. | Expressive Footwear for Computer-Augmented Dance Performance | Conference Proceedings | Proc. of the Int. Symp. on Wearable Computers | 165–166 | ||
| 1997 | Paradiso, J. and Abler, C. and Hsiao, K. and Reynolds, M. | The Magic Carpet: Physical Sensing for Immersive Environments | Conference Proceedings | CHI ’97 Extended Abstracts on Human Factors in Computing Systems | 277–278 | ||
| 1997 | Prado, G. | Cronologias de experiências artísticas nas redes de telecomunicações | Article | Trilhas | 77–103 | ||
| 1997 | Wechsler, R. | Computers and Art: a Dancer’s Perspective | Article | IEEE Technology and Society Magazine | Link | ||
| 1997 | Wechsler, R. | Computer im Tanz: Medium oder Werkzeug? | Article | Ballett International | |||
| 1997 | Wechsler, R. | O Body Swayed to Music… (and vise versa) | Article | Leonardo Magazine | |||
| 1997 | Winkler, T. | Creating Interactive Dance with the Very Nervous System | Conference Proceedings | Proceedings of the 1997 Connecticut College Symposium on Art and Technology | |||
| 1997 | Bobick, A. | Movement, Activity, and Action: The Role of Knowledge in the Perception of Motion | Technical Report | MIT Media Laboratory Perceptual Computing Section | |||
| 1997 | Fléty, E. | Sonars à ultrasons | Technical Report | Ircam Centre Pompidou | |||
| 1997 | Chemillier, Marc and Assayag, Gerard | JIM’96: Third Journees d’Informatique Musicale | Article (Related) | Computer Music Journal | 95 | Link | |
| 1997 | Faria, Regis Rossi Alves | Wavelets application on the analysis of musical gestures in timbres of traditional acoustic instruments. | PhD Thesis (Theses) | Link | |||
| 1997 | Engel, Kevin C. and Flanders, Martha and Soechting, John F. | Anticipatory and sequential motor control in piano playing | Article (Zotero) | Experimental brain research | 189–199 | Link | |
| 1997 | Dodge, Charles and Jerse, Thomas A. | Computer music: synthesis, composition, and performance | Book (Zotero) | Schirmer Books [u.a.] | |||
| 1997 | Dannenberg, Roger B. | Machine tongues XIX: Nyquist, a language for composition and sound synthesis | Article (Zotero) | Computer Music Journal | 50–60 | ||
| 1997 | Palmer, C. | Music performance. | Article (Zotero) | Annual Review of Psychology | |||
| 1997 | Roads, Curtis | Musical signal processing | Book (Zotero) | Swets & Zeitlinger | |||
| 1997 | Paradiso, Joseph and Sparacino, Flavia | Optical tracking for music and dance performance | Article (Zotero) | Optical 3-D Measurement Techniques IV | 11–18 | ||
| 1997 | Mott, I. and Sosnin, J. | Sound Mapping: An Assertion of Place, Interface ‘97 | Book (Zotero) | Link | |||
| 1997 | Fritts, Lawrence | The University of Iowa Musical Instrument Samples | Technical Report (Zotero) | University of Iowa | Link | ||
| 1997 | Pavlovic, Vladimir I. and Sharma, Rajeev and Huang, Thomas S. | Visual interpretation of hand gestures for human-computer interaction: A review | Article (Zotero) | Pattern Analysis and Machine Intelligence, IEEE Transactions on | 677–695 | Link | |
| 1997 | Cook, Perry R. | “Pico I,” for Seashells and Interactive Electronics | Conference Proceedings (Zotero) | International Mathematica Symposium | |||
| 1998 | Wenger, Etienne | Communities of Practice: Learning, Meaning, and Identity | Book (Background) | Cambridge University Press | Link | ||
| 1998 | Lucier, Alvin | Origins of a Form: Acoustical Exploration, Science and Incessancy | Article (Background) | Leonardo Music Journal | 5 | Link | |
| 1998 | Bongers, Bert | An Interview with Sensorband | Article | Computer Music Journal | 13–24 | Link | |
| 1998 | de Laubier, Serge | The Meta-Instrument | Article | Computer Music Journal | 25–29 | Link | |
| 1998 | Haken, Lippold and Tellman, Ed and Wolfe, Patrick | An Indiscrete Music Keyboard | Article | Computer Music Journal | 30–48 | Link | |
| 1998 | Siegel, Wayne and Jacobsen, Jens | The Challenges of Interactive Dance: An Overview and Case Study | Article | Computer Music Journal | 29–43 | Link | |
| 1998 | Fels, S.S. and Hinton, G.E. | Glove-TalkII-a neural-network interface which maps gestures to parallel formant speech synthesizer controls | Article (Cited) | IEEE Transactions on Neural Networks | 205–212 | Link | |
| 1998 | Gresham-Lancaster, Scot | The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music | Article (Cited) | Leonardo Music Journal | 39 | Link | |
| 1998 | Fletcher, Neville H. and Rossing, Thomas D. | The Physics of Musical Instruments | Book (Cited) | Springer New York | Link | ||
| 1998 | Karjalainen, Matti and Valimaki, Vesa and Tolonen, Tero | Plucked-String Models: From the Karplus-Strong Algorithm to Digital Waveguides and beyond | Article (Cited) | Computer Music Journal | 17 | Link | |
| 1998 | Usa, Satoshi and Mochida, Yasunori | A multi-modal conducting simulator | Conference Proceedings | Proceedings of the International Computer Music Conference | 25-32 | Link | |
| 1998 | Costantini, Giovanni and Giorgio, Nottoli | A new interactive performance system for real- time sound synthesis | Conference Proceedings | Proceedings of the International Computer Music Conference | 33-36 | Link | |
| 1998 | Nagashima, Yoichi | BioSensorFusion : new interfaces for interactive multimedia art | Conference Proceedings | Proceedings of the International Computer Music Conference | 129-132 | Link | |
| 1998 | Katayose, Haruhiro and Hirai, Shigeyuki and Kanamoni, Tsutomu | Physiological measurement of performer’s tension and its utilization for media control | Conference Proceedings | Proceedings of the International Computer Music Conference | 211-214 | Link | |
| 1998 | Marrin, Teresa and Picard, Rosalind | The "conductor’s Jacket" : a device for recording expressive musical gestures | Conference Proceedings | Proceedings of the International Computer Music Conference | 215-219 | Link | |
| 1998 | Freed, Adrian and Wessel, David | Communication of musical gesture using the AES/EBU digital audio standard | Conference Proceedings | Proceedings of the International Computer Music Conference | 220-223 | Link | |
| 1998 | Wright, Matthew | Implementation and performance issues with OpenSound control | Conference Proceedings | Proceedings of the International Computer Music Conference | 224-227 | Link | |
| 1998 | Tarabella, Leonello and Magrini, Massimo | A system for recognizing shape, position and rotation of the hands | Conference Proceedings | Proceedings of the International Computer Music Conference | 288-291 | Link | |
| 1998 | Bromwich, Mark and Wilson-Bokowiec, Julie | Bodycoder’s : a sensor suit and vocal performance mechanism for real-time performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 292-295 | Link | |
| 1998 | Takanishi, Atsuo and Maeda, Manabu | Development of an anthropomorphic flutist robot WF-3RIV | Conference Proceedings | Proceedings of the International Computer Music Conference | 328-331 | Link | |
| 1998 | Cook, Perry and Trueman, Daniel | NBody : interactive multidirectional musical instrument body radiation simulators, and a database of measured impulse resonses | Conference Proceedings | Proceedings of the International Computer Music Conference | 353-356 | Link | |
| 1998 | Gamper, David and Oliveros, Pauline | Expended instrument system : recent development | Conference Proceedings | Proceedings of the International Computer Music Conference | 357-360 | Link | |
| 1998 | Winkler, Todd | Motion-sensing music : artistic and technical challenges in two works for dance | Conference Proceedings | Proceedings of the International Computer Music Conference | 471-474 | Link | |
| 1998 | Griffith, Niall and Fernstrom, Mikael | LiveFoot | Conference Proceedings | Proceedings of the International Computer Music Conference | 475-481 | ||
| 1998 | Hirai, Shigeyuki and Katayose, Haruhiro and Kanamori, Tsutomu | Software sensors for interactive digital art | Conference Proceedings | Proceedings of the International Computer Music Conference | 514-517 | Link | |
| 1998 | Florens, Jean-Loup and Cadoz, Claude and Lucianni, Annie | A real-time workstation for complex physical models of multi-sensorial and gesturally controlled instrumants | Conference Proceedings | Proceedings of the International Computer Music Conference | 518-526 | Link | |
| 1998 | Griffith, N. and Fernstrom, M. | Litefoot - a Floor Space for Recording Dance and Controlling Media | Conference Proceedings | Proceedings of the International Computer Music Conference | 475–481 | Link | |
| 1998 | Zicarelli, D. | An Extensible Real-Time Signal Processing Environment for Max | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 1998 | Winkler, T. | Composing Interactive Music. Techniques and ideas using MAX | Book | MIT Press | |||
| 1998 | Choi, I. | From Motion to Emotion: Synthesis of Interactivity with Gestural Primitives | Conference Proceedings | Emotional and Intelligent: The Tangled Knot of Cognition, AAAI Fall Symposium | 22–25 | ||
| 1998 | Goldstein, M. | Gestural Coherence and Musical Interaction Design | Conference Proceedings | Proceedings of IEEE Systems, Man and Cybernetics Conference | |||
| 1998 | Bongers, B. | Tactual display of sound properties in electronic musical instruments | Article | Displays | 129–133 | Link | |
| 1998 | Artaud, A. | Big Briar Wavefront. Ethervox and Travel case theremins provide gestural MIDI control | Article | Electronic Musician | 120–128 | ||
| 1998 | Borchers, J. O. and Muhlheuser, M. | Design Patterns for Interactive Musical Systems | Article | IEEE Multimedia | 36–46 | Link | |
| 1998 | Fels, S. and Nishimoto, K. and Mase, K. | MusiKalscope: A Graphical Musical Instrument | Article | IEEE Multimedia | 26–35 | Link | |
| 1998 | Fléty, E. and Serra, M.-H. | Utilisations récentes de capteurs gestuels en création musicale à l’Ircam | Conference Proceedings | Proceedings of the Journées d’Informatique Musicale | D3-1–D3-4 | ||
| 1998 | Harrison, B. L. and Fishkin, K. P. and Gujar, A. and Mochon, C. and Want, R. | Squeeze Me, Hold Me, Tilt Me! An Exploration of Manipulative User Interfaces | Conference Proceedings | Proceedings of the CHI’98 Conference on Human Factors in Computing Systems | 17–24 | Link | |
| 1998 | Hashimoto, S. and Sawada, H. | Musical Performance Control Using Gesture: Toward Kansei Technology for Art | Book Section/Chapter | Controlling Creative Processes in Music | 93–106 | ||
| 1998 | Hinckley, K. and Czerwinski, M. and Sinclair, M. | Interaction and Modeling Techniques for Desktop Two-Handed Input | Conference Proceedings | Proceedings of the UIST’98 | 49–58 | Link | |
| 1998 | Hinckley, K. and Pausch, R. and Proffitt, D. and Kassell, N. | Two-Handed Virtual Manipulation | Article | ACM Transactions on Computer-Human Interaction | 260–302 | Link | |
| 1998 | Hummels, C. and Smets, G. and Overbeeke, K. | An Intuitive Two-Handed Gestural interface for Computer Supported Product Design | Conference Proceedings | Gesture and Sign Language in Human-Computer Interaction, Proceedings of the II Gesture Workshop | 197–208 | Link | |
| 1998 | Marrin, T. A. and Picard, R. | The Conductor’s Jacket: a Testbed for Research on Gestural and Affective Expression | Conference Proceedings | Proceedings of the XII Colloquium for Musical Informatics | |||
| 1998 | Menzies, D. and Howard, D. | The CyberWhistle: An Instrument For Live Performance | Conference Proceedings | Proceedings of the XII Colloquium for Musical Informatics | |||
| 1998 | Mihalic, A. | Pédalophone | Conference Proceedings | Proceedings of the Journées d’Informatique Musicale | D4-1–D4-13 | ||
| 1998 | Mulder, A. and Fels, S. | Sound Sculpting: Manipulating Sound through Virtual Sculpting | Conference Proceedings | Proceedings of the 1998 Western Computer Graphics Symposium | 15–23 | ||
| 1998 | Mulder, A. and Fels, S. | Sound Sculpting: Performing with Virtual Musical Instruments | Conference Proceedings | Proceedings of the Fifth Brazilian Symposium on Computer Music | 151–164 | ||
| 1998 | Naugle, L. | Digital Dancing | Article | IEEE Multimedia | 8–12 | Link | |
| 1998 | Ungvary, T. and Vertegaal, R. | The SensOrg: A Musical Cyberinstrument with a Cognitive Ergonomical Touch | Conference Proceedings | Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) | 1066–1071 | ||
| 1998 | Yokono, J. and Hashimoto, S. | Center of Gravity Sensing for Motion Interface | Conference Proceedings | Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) | 1113–1118 | ||
| 1998 | Modler, P. | Interactive Control of Musical Structures by Hand Gestures | Conference Proceedings | Proceedings of the Fifth Brazilian Symposium on Computer Music | 143–150 | ||
| 1998 | Ungvary, T. and Kieslinger, M. | Creative and Interpretative Process milieu for Live-Computer music with the Sentograph | Book Section/Chapter | Controlling Creative Processes in Music | 173–227 | ||
| 1998 | Wanderley, M. and Schnell, N. and Rovan, J. B. | Escher - Modeling and Performing Composed Instruments in Real-Time | Conference Proceedings | Proceedings of the 1998 IEEE International Conference on Systems, Man and Cybernetics (SMC’98) | 1080–1084 | ||
| 1998 | Porcaro, N. and Jaffe, D. and Scandalis, P. and Smith, J. and Stilson, T. and Duyne, S. V. | SynthBuilder: A Graphical Rapid-Prototyping Tool for the Development of Music Synthesis and Effects Patches on Multiple Platforms | Article | Computer Music Journal | 35–43 | Link | |
| 1998 | Ascott, R. | Art & Telematics: Toward the Construction of New Aesthetics | Book | NTT Publishing Co. | |||
| 1998 | Birringer, J. | Media and Performance: along the border | Book | Johns Hopkins | |||
| 1998 | Cunningham, H. | Digital Culture – the View from the Dance Floor | Book Section/Chapter | Digital Diversions: Youth Culture in the Age of Multimedia | |||
| 1998 | Naugle, L. | The Cassandra Project: In the Mediascape of the Internet | Conference Proceedings | Proceedings of the 31st Annual Conference Congress on Research in Dance | 101–108 | ||
| 1998 | Naugle, L. | Internet Performance: Reflections on Dancing in Cyberspace | Conference Proceedings | Proceedings of the Multimedia Technology and Applications Conference | 14–18 | ||
| 1998 | Paradiso, J. and Hu, E. and Hsiao, K. | Instrumented Footwear for Interactive Dance | Conference Proceedings | Proceedings of the XII Colloquium on Musical Informatics | 89–92 | ||
| 1998 | Wechsler, R. and Zwiauer, H. | Computer und Tanz | Article | Der Tanz der Dinge | |||
| 1998 | Wechsler, R. and Zwiauer, H. | Computers and Dance: Back to the Future? | Article | Dance Research Journal | Link | ||
| 1998 | Wechsler, R. | Symmetrie und Tanz | Article | Tanz Aktuell | |||
| 1998 | Wood, J. | The Virtual Embodied: Presence, Practice, Technology | Book | Routledge | |||
| 1998 | Mulder, A. | Design of Virtual Three-Dimensional Instruments for Sound Control | PhD Thesis | Simon Fraser University | |||
| 1998 | Orio, N. | Progetto di un controllore gestuale azionato dal cavo orale | Master's Thesis | Università di Padova, Italy | |||
| 1998 | Buescher, M. and O’Brien, J. and Hughes, J. | Interaction and Presence in Shared Electronic Environments (Fieldwork at ZKM) | Technical Report | Lancaster University | |||
| 1998 | Jordà, S. and Aguilar, T | A graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems | Conference Proceedings (Zotero) | Digital Audio Effects Workshop Proceedings | 207–210 | ||
| 1998 | Mulder, A. | Design of Gestural Constraints Using Virtual Musical Instruments | PhD Thesis (Zotero) | School of Kinesiology, Simon Fraser University, Canada | |||
| 1998 | Keller, D. and Truax, B. | Ecologically-based granular synthesis | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 1998 | Burk, P. | JSyn–a real-time synthesis API for Java | Conference Proceedings (Zotero) | Proceedings of the 1998 International Computer Music Conference | 252–255 | ||
| 1998 | Clarke, Eric F. and Davidson, Jane W. | The Body in Performance | Book Section/Chapter (Zotero) | Composition-performance reception | 74–92 | ||
| 1998 | Lopez, D. and Marti, F. and Resina, E. | Vocem: An Application for Real-Time Granular Synthesis | Conference Proceedings (Zotero) | Proceedings of COST G6 Conference on Digital Audio Effects 1998 | |||
| 1999 | Gaver, Bill and Dunne, Tony and Pacenti, Elena | Design: Cultural probes | Article (Background) | Interactions | 21–29 | Link | |
| 1999 | Hayles, N. Katherine | How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics | Book (Background) | University of Chicago Press | Link | ||
| 1999 | Schmuckler, Mark A. | Testing Models of Melodic Contour Similarity | Article (Background) | Music Perception | 295–326 | Link | |
| 1999 | Polli, Andrea | Active Vision: Controlling Sound with Eye Movements | Article (Cited) | Leonardo | 405–411 | Link | |
| 1999 | Théberge, Paul | Any Sound You Can Imagine: Making Music/Consuming Technology | Article (Cited) | Canadian Journal of Communication | Link | ||
| 1999 | Jordà, Sergi | Faust Music On Line: An Approach to Real-Time Collective Composition on the Internet | Article (Cited) | Leonardo Music Journal | 5–12 | Link | |
| 1999 | Fels, Sidney and Mase, Kenji | Iamascope: a graphical musical instrument | Article (Cited) | Computers & Graphics | 277–286 | Link | |
| 1999 | Wanderley, Marcelo M. | Non-obvious Performer Gestures in Instrumental Music | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 37–48 | Link | |
| 1999 | Goto, Suguru | The Aesthetics and Technological Aspects of Virtual Musical Instruments: The Case of the SuperPolm MIDI Violin | Article (Cited) | Leonardo Music Journal | 115–120 | Link | |
| 1999 | Kaneda, T. and Fujisawa, S. and Yoshida, T. and Yoshitani, Y. and Nishi, T. and Hiroguchi, K. | Subject of making music performance robots and their ensemble | Conference Proceedings (Cited) | FIE’99 Frontiers in Education. 29th Annual Frontiers in Education Conference. Designing the Future of Science and Engineering Education. Conference Proceedings (IEEE Cat. No.99CH37011 | 12B4/1–12B4/6 | Link | |
| 1999 | Assayag, Gérard and Rueda, Camilo and Laurson, Mikael and Agon, Carlos and Delerue, Olivier | Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic | Article (Cited) | Computer Music Journal | 59–72 | Link | |
| 1999 | Hsiao, Kai-yuh and Paradiso, Joseph | A new continuous multimodal musical controller using wireless magnetic tags | Conference Proceedings | Proceedings of the International Computer Music Conference | 24-27 | Link | |
| 1999 | Modler, Paul and Kirk, Ross | Evaluation of architecture for sound generation systems with respect to interactive gestural control and realtime performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 28-31 | Link | |
| 1999 | Yoichi, Nagashima and Tamami, Tono-Ito | "It’s SHO time" | Conference Proceedings | Proceedings of the International Computer Music Conference | 32-35 | ||
| 1999 | Ritis, Anthony De | Cathedral : an interactive work for the web | Conference Proceedings | Proceedings of the International Computer Music Conference | 224-227 | Link | |
| 1999 | Ystad, Solvi and Voinier, Thierry | Design of a flute interface to control synthesis models | Conference Proceedings | Proceedings of the International Computer Music Conference | 228-231 | Link | |
| 1999 | Trueman, Den and Cook, Perry | BoSSA : the deconstructed violin reconstructed | Conference Proceedings | Proceedings of the International Computer Music Conference | 232-239 | Link | |
| 1999 | Garnett, Guy and Goudeseume, Camille | Performance factors in control of hight- dimentional spaces | Conference Proceedings | Proceedings of the International Computer Music Conference | 268-271 | Link | |
| 1999 | Siegel, Wayne and Jacobsen, Jens | Composing for the digital dance interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 276-277 | Link | |
| 1999 | Ilmonen, Tommi and Takala, Tapio | Conductor following with artificial neural networks | Conference Proceedings | Proceedings of the International Computer Music Conference | 367-370 | Link | |
| 1999 | Garnett, Guy and Malvar-Ruiz, Fernando and Stoltzfus, Fred | Virtual conducting practice environment | Conference Proceedings | Proceedings of the International Computer Music Conference | 371-374 | Link | |
| 1999 | Serafin, Stefania and Rodet, Xavier and Dudas, Richard and Wanderley, Marcelo | Gestural control of a real-time physical model of a bowed string instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 375-378 | Link | |
| 1999 | Orio, Nicola | The timbre space of the classical guitar and its relationship with the plucking techniques | Conference Proceedings | Proceedings of the International Computer Music Conference | 391-394 | Link | |
| 1999 | Suzuki, Kenji and Ohashi, Takeshi and Hashimoto, Shuji | Interactive multimodal mobile robot for musical performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 407-410 | Link | |
| 1999 | Wanderley, Marcelo and Depalle, Philippe and Warufel, Olivier | Improving instrumental sound synthesis by modeling the effects of performer gesture | Conference Proceedings | Proceedings of the International Computer Music Conference | 418-421 | Link | |
| 1999 | Chu, Lonny | MusiCloth : a design methodology for the development of a performance interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 449-452 | Link | |
| 1999 | Paradiso, Joseph and Hu, Eric and Hsiao, Kai-Yuh | Interactive music for instrumented dancing shoes | Conference Proceedings | Proceedings of the International Computer Music Conference | 453-456 | Link | |
| 1999 | Tanaka, Atau | Network audio performance and installation | Conference Proceedings | Proceedings of the International Computer Music Conference | 519-522 | Link | |
| 1999 | Nagashima, Y. and Tanami, T.-I. | It’s SHO time - An Interactive Environment for SHO (Sheng) Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 32–35 | Link | |
| 1999 | Ungvary, T. and Vertegaal, R. | The SensOrg: Time-complexity and the Design of a Musical Cyberinstrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 363–366 | Link | |
| 1999 | Appleton, J. | Reflections of a former perfomer of electroacoustic music | Article | Contemporary Music Review | 5–8 | Link | |
| 1999 | Chadabe, J. | The performer is us | Article | Contemporary Music Review | 25–30 | Link | |
| 1999 | Chafe, C. | Interplay(er) machines | Article | Contemporary Music Review | 89–97 | Link | |
| 1999 | Chusid, I. | Beethoven-in-a-Box: Raymond Scott’s Electronium | Article | Contemporary Music Review | 9–14 | Link | |
| 1999 | Eaton, J. | This is an instrument! | Article | Contemporary Music Review | 21–24 | Link | |
| 1999 | Harvey, J. | The metaphysics of live electronics | Article | Contemporary Music Review | 79–82 | Link | |
| 1999 | Lewis, G. | Interacting with latter-day musical | Article | Contemporary Music Review | 99–112 | ||
| 1999 | Risset, J. C. | Composing in real-time? | Article | Contemporary Music Review | 31–39 | Link | |
| 1999 | Risset, J.-C. | Nouveaux gestes musicaux: quelques points de repère historiques | Book Section/Chapter | Les nouveaux gestes de la musique | 19–33 | ||
| 1999 | Rowe, R. | The aesthetics of interactive music systems | Article | Contemporary Music Review | 83–87 | Link | |
| 1999 | Stroppa, M. | Live electronics or… live music? Towards a critique of interaction | Article | Contemporary Music Review | 41–77 | Link | |
| 1999 | Subotnick, M. | The use of computer technology in an interactive or ’real-time’ performance environment | Article | Contemporary Music Review | 113–117 | Link | |
| 1999 | Theremin, L. | Recollections | Article | Contemporary Music Review | 15–19 | Link | |
| 1999 | Vinet, H. and Delalande, F. | Interfaces homme-machine et création musicale | Book | Hermes Science Publications | |||
| 1999 | Waisvisz, M. | Riding the Sphinx - lines about ’live’ | Article | Contemporary Music Review | 119–126 | Link | |
| 1999 | Camurri, A. | Music content processing and multimedia: Case studies and emerging applications of intelligent interactive systems | Article | Journal of New Music Research | 351–363 | Link | |
| 1999 | Paradiso, J. | The Brain Opera Technology: New Instruments and Gestural Sensors for Musical Interaction and Performance | Article | Journal of New Music Research | 130 | Link | |
| 1999 | Accot, J. and Zhai, S. | Performance Evaluation of Input Devices in Trajectory-based Tasks: An Application of The Steering Law | Conference Proceedings | Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems | 466–472 | ||
| 1999 | Bongers, B. | Exploring Novel Ways of Interaction in Musical Performance | Conference Proceedings | Proceedings of the Creativity & Cognition Conference | 76–81 | Link | |
| 1999 | Genevois, H. and de Vivo, R. | Les nouveaux gestes de la musique | Book | Editions Parenthèses | |||
| 1999 | Genevois, H. | Geste et pensée musicale: de l’outil à l’instrument | Book Section/Chapter | Les nouveaux gestes de la musique | 35–45 | ||
| 1999 | Guiard, Y. and Beaudouin-Lafon, M. and Mottet, D. | Navigation as a Multiscale Pointing: Extending Fitts’ Model to very high Precision Tasks | Conference Proceedings | Proceedings of the 1999 ACM Conference on Human Factors in Computing Systems | 450–457 | ||
| 1999 | Hunt, A. and Kirk, R. | Radical User Interfaces for Real-time Control | Conference Proceedings | Proceedings of the Euromicro Conference | Link | ||
| 1999 | de Laubier, S. | Le Méta-Instrument a-t-il un son? Emergence de lois ou de constantes dans le développement d’instruments virtuels | Book Section/Chapter | Les nouveaux gestes de la musique | 151–156 | ||
| 1999 | Orio, N. | A Model for Human-Computer Interaction Based on the Recognition of Musical Gestures | Conference Proceedings | Proceedings of the 1999 IEEE International Conference on Systems, Man and Cybernetics | 333–338 | ||
| 1999 | Pottier, L. | Contrôle interactif d’une voix chantée de synthèse | Book Section/Chapter | Les nouveaux gestes de la musique | 175–180 | ||
| 1999 | Toulemonde, O. and Möenne-Loccoz, P. and Donzel-Gargand, B. | Des nouvelles lutheries informatiques | Book Section/Chapter | Les nouveaux gestes de la musique | 169–174 | ||
| 1999 | Wanderley, M. M. and Depalle, P. | Contrôle Gestuel de la Synthèse Sonore | Book Section/Chapter | Interfaces Homme-Machine et Création Musicale | 145–163 | ||
| 1999 | Anderson, T. | Using Music Performance Software with Flexible Control Interfaces for Live Performance by Severely Disabled Musicians | Conference Proceedings | Proceedings of the 25th EUROMICRO Conference | 20–27 | Link | |
| 1999 | Déchelle, F. and Borghesi, R. and Cecco, M. D. and Maggi, E. and Rovan, B. and Schnell, N. | jMax: An Environment for Real-Time Musical Applications | Article | Computer Music Journal | 50–58 | Link | |
| 1999 | Manning, P. D. | The evolution of interactive graphical control interfaces for music applications | Article | Organised Sound | 45–59 | Link | |
| 1999 | Albertini, R. | Technological Rituals. Stories from the Annenberg Dialogues | Book | Annenberg Center for Communications | |||
| 1999 | Ascott, R. | Reframing Consciousness: Art, Mind and Technology | Book | Intellect Books | |||
| 1999 | Birringer, J. | Contemporary Performance/Technology | Article | Theatre Journal | 361–381 | Link | |
| 1999 | Bolter, J. D. and Grusin, R. | Remediation: Understanding New Media | Book | MIT Press | |||
| 1999 | Brickwood, C. and others | New Media Culture in Europe | Book | DeBalle and the Virtual Platform | |||
| 1999 | Camurri, A. and Hashimoto, S. and Suzuki, K. and Trocca, R. | KANSEI analysis of dance performance | Conference Proceedings | Proceedings of the 1999 IEEE Intl Conf on Systems Man and Cybernetics SMC’99, Tokyo | |||
| 1999 | Grau, O. | The history of telepresence: automata, illusion, and the rejection of the body | Book Section/Chapter | The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet | 94–99 | ||
| 1999 | Loveless, Richard and Goodman, Lizbeth | Utterance 6 Live and Media Performance—the Next Frontier | Article | Performance Research | 72–77 | Link | |
| 1999 | Lunenfeld, P. | The Digital Dialectic: New Essays on New Media | Book | MIT Press | |||
| 1999 | Naugle, L. and Claudia, G. | Reconstructing a Late Work of Hanya Holm: Stage Success and Electronic Heartache | Conference Proceedings | Proceedings of the Society of Dance History Scholars | 63–67 | ||
| 1999 | Paradiso, J. and Hu, E. and Hsiao, K. | The CyberShoe: A Wireless Multisensor Interface for a Dancer’s Feet | Conference Proceedings | Proc. Intl. Dance and Technology 99 | |||
| 1999 | Siegel, W. | The Digital Dance Interface | Conference Proceedings | Proceedings of the Interantional Music Conference | |||
| 1999 | Smith, A. | Dance and Technology IV. Proceedings of the Fourth Annual Conference | Proceedings | Arizona State University | |||
| 1999 | Wechsler, R. and Zwiauer, H. | Les ordinateurs et la danse: retour vers l’avenier? | Article | Nouvelles de Danse | 40–41 | ||
| 1999 | Battier, M. | Aesthetics of Live Electronic Music | Book | ||||
| 1999 | Hunt, A. | Radical User Interfaces for Real-time Musical Control | PhD Thesis | University of York UK | |||
| 1999 | Menzies, D. | New Performance Instruments for Electroacoustic Music | PhD Thesis | University of York UK | |||
| 1999 | Vigier, F. | Étude et réalisation de dispositifs de captation du jeu instrumental | Technical Report | Ircam - Centre Pompidou/ENSEA | |||
| 1999 | Viollet, J. P. | Étude de Dispositifs de Contrôle Gestuel de la Synthèse Sonore | Technical Report | École Nationale Supérieure des Télécommunications de Paris | |||
| 1999 | Siegel, W. | Two Compositions for Interactive Dance | Technical Report | The Danish Institute of Electroacoustic Music DIEM. Musikhuset. DK-8000 C, Aarhus, Denmark | |||
| 1999 | Weinberg, Gil | The Musical Playpen: An immersive digital musical instrument | Article (Related) | Personal Technologies | 132–136 | Link | |
| 1999 | Driscoll, Michael Thomas | A Machine Vision System for Capture and Interpretation of an Orchestra Conductor’s Gestures | PhD Thesis (Theses) | Worcester Polytechnic Institute | Link | ||
| 1999 | Rocha Iturbide, Manuel | The granular techniques in sound synthesis | PhD Thesis (Theses) | Paris 8 | Link | ||
| 1999 | Essl, Georg and Cook, Perry R.y R | Banded waveguides: Towards physical modeling of bowed bar percussion instruments | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 321–324 | ||
| 1999 | Weinberg, G. | Expressive Digital Musical Instruments for Children | PhD Thesis (Zotero) | MIT Media Laboratory | |||
| 1999 | Laeng, B. and Park, A. | Handedness effects on playing a reversed or normal keyboard | Article (Zotero) | Laterality: Asymmetries of Body, Brain and Cognition | 363–377 | ||
| 1999 | Gillespie, B. | Haptic Manipulation | Book Section/Chapter (Zotero) | Music Cognition and Computerized Sound: An Introduction to Psychoacoustics | 247–260 | ||
| 1999 | Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero | KANSEI analysis of movement in dance/music interactive systems | Conference Proceedings (Zotero) | Proc. of International Conference of HUmanoid and RObot (HURO99), Tokyo, Japan | 9–14 | Link | |
| 1999 | Cox, Arnie W. | The Metaphoric Logic of Musical Motion and Space | PhD Thesis (Zotero) | University of Oregon | |||
| 1999 | Resina, E. and Serra, X. | The Musiciansí Software Mall:A Set of Composition and Performance Oriented Applications for Sound Synthesis | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference 1999 | |||
| 1999 | Cook, P.R. and Scavone, G. | The Synthesis ToolKit (STK) | Conference Proceedings (Zotero) | Proceedings of the 1999 International Computer Music Conference | 164–166 | ||
| 2000 | Brower, Candace | A Cognitive Theory of Musical Meaning | Article (Background) | Journal of Music Theory | 323–379 | Link | |
| 2000 | Juslin, Patrik N. | Cue utilization in communication of emotion in music performance: Relating performance to perception. | Article (Background) | Journal of Experimental Psychology: Human Perception and Performance | 1797–1812 | Link | |
| 2000 | Post, E. R. and Orth, M. and Russo, P. R. and Gershenfeld, N. | E-broidery: Design and fabrication of textile-based computing | Article (Background) | IBM Systems Journal | 840–860 | Link | |
| 2000 | Ullmer, B. and Ishii, H. | Emerging frameworks for tangible user interfaces | Article (Background) | IBM Systems Journal | 915–931 | Link | |
| 2000 | DeNora, Tia | Music in Everyday Life | Book (Background) | Cambridge University Press | Link | ||
| 2000 | Myers, Brad and Hudson, Scott E. and Pausch, Randy | Past, present, and future of user interface software tools | Article (Background) | ACM Transactions on Computer-Human Interaction | 3–28 | Link | |
| 2000 | Camurri, Antonio and Hashimoto, Shuji and Ricchetti, Matteo and Ricci, Andrea and Suzuki, Kenji and Trocca, Riccardo and Volpe, Gualtiero | EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems | Article | Computer Music Journal | 57–69 | Link | |
| 2000 | Fels, Sidney | Intimacy and embodiment: implications for art and technology | Conference Proceedings (Cited) | Proceedings of the 2000 ACM workshops on Multimedia | 13–16 | Link | |
| 2000 | Paradiso, J. A. and Hsiao, K. and Strickon, J. and Lifton, J. and Adler, A. | Sensor systems for interactive surfaces | Article (Cited) | IBM Systems Journal | 892–914 | Link | |
| 2000 | Cascone, Kim | The Aesthetics of Failure: “Post-Digital” Tendencies in Contemporary Computer Music | Article (Cited) | Computer Music Journal | 12–18 | Link | |
| 2000 | Weinberg, Gili and Orth, Maggie and Russo, Peter | The embroidered musical ball: a squeezable instrument for expressive performance | Conference Proceedings (Cited) | CHI ’00 extended abstracts on Human factors in computer systems - CHI ’00 | Link | ||
| 2000 | Lewis, George E. | Too Many Notes: Computers, Complexity and Culture in Voyager | Article (Cited) | Leonardo Music Journal | 33–39 | Link | |
| 2000 | Battier, Marc | Electronic Music and Gesture | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Dudon, Jacques and Arfib, Daniel | Photosonic Disk: Interactions between Graphic Research and Gestural Controls | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Chadabe, Joel | Devices I Have Known and Loved | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Auzet, Roland | Gesture-following Devices for Percussionists | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Cadoz, Claude and Wanderley, Marcelo M. | Gesture – Music | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | de Laubier, Serge | The Méta-instrument: How the Project Started | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Serafin, Stefania and Dudas, Richard | An Alternative Controller for a Virtual Bowed String Instrument | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Goldstein, Michael | Playing Electronics with Mallets: Extending the Gestural Possibilities | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Goto, S. | Virtual Musical Instruments: Technological Aspects and Interactive Performance Issues | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Iazzetta, Fernando | Meaning in Musical Gesture | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Marrin Nakra, Teresa | Searching for Meaning in Gestural Data: Interpretive Feature Extraction and Signal Processing for Affective and Expressive Content | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Pottier, Laurent and Stalla, Olivier | Interpretation and Space | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Rovan, Joseph and Hayward, Vincent | Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Tarabella, Luca | Gestural and Visual Approaches to Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Ungvary, Tamas and Vertegaal, Roel | Cognition and Physicality in Musical CyberInstruments | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | O’Modhrain, M. Sile and Srafin, Stefania and Chafe, Chris and Smith, Julius O. | Qualitative and quantitative assessment of a virtual bowed string instrument | Conference Proceedings | Proceedings of the International Computer Music Conference | 66-69 | Link | |
| 2000 | Winkler, Todd | Participation and response in movement-sensing installations | Conference Proceedings | Proceedings of the International Computer Music Conference | 137-140 | Link | |
| 2000 | Choi, Insook and Zheng, Geoffrey and Cheng, Ken | Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound system | Conference Proceedings | Proceedings of the International Computer Music Conference | 141-144 | Link | |
| 2000 | O’Modhrain, M. Sile and Chafe, Chris | The performer-instrument interaction : a sensory motor perspective | Conference Proceedings | Proceedings of the International Computer Music Conference | 145-148 | Link | |
| 2000 | Wanderley, Marcelo M. and Isart, Jean-Philippe Viollet Fabrice and Rodet, Xavier | On the choice of transducer technologies for specific musical functions | Conference Proceedings | Proceedings of the International Computer Music Conference | 244-247 | Link | |
| 2000 | Trueman, Dan and Bahn, Curtis and Cook, Perry R. | Alternative voices for electronic sound : spherical speakers and sensor-speaker arrays (SenSAs) | Conference Proceedings | Proceedings of the International Computer Music Conference | 248-251 | Link | |
| 2000 | Camurri, Antonio and Coletta, Paolo and Peri, Massimiliano and Ricchetti, Matteo and Ricci, Andrea and Trocca, Riccardo and Volpe, Gualtiero | A real-time platform for interactive dance and music systems | Conference Proceedings | Proceedings of the International Computer Music Conference | 262-265 | Link | |
| 2000 | Nichols, Charles | The vBow : a haptic musical controller human-computer interface | Conference Proceedings | Proceedings of the International Computer Music Conference | 274-276 | Link | |
| 2000 | Paradiso, Joseph A. and Hsio, Kai-Yuh and Strickon, Joshua and Rice, Peter | New sensor and music systems for large interactive surfaces | Conference Proceedings | Proceedings of the International Computer Music Conference | 277-280 | Link | |
| 2000 | Ng, Kia and Popat, Sita and Ong, Bee and Stefani, Ewan and Ppat, Kris and Cooper, David | Trans- domain mapping : areal-time interactive system for motion acquisition and musical mapping | Conference Proceedings | Proceedings of the International Computer Music Conference | 485-488 | Link | |
| 2000 | Smirnov, Andrei | Music and gesture : sensor technologies in interactive music and the Theremin based space control systems | Conference Proceedings | Proceedings of the International Computer Music Conference | 511-514 | Link | |
| 2000 | Freed, Adrian and Avizienis, Rimas | A new music Keyboard with continous key-position sensing and high-speed communication | Conference Proceedings | Proceedings of the International Computer Music Conference | 515-516 | Link | |
| 2000 | Cook, Perry R. and Leider, Colby N. | SqueezeVox : a new controller for vocal synthesis models | Conference Proceedings | Proceedings of the International Computer Music Conference | 519-522 | Link | |
| 2000 | Suzuki, Kenji and Tabe, Keishiro and Hashimoto, Shuji | A mobile robot platform for music and dance performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 539-542 | Link | |
| 2000 | Freed, Adrian and Isvan, Osman | Musical applications of new, multi-axis guitar string sensors | Conference Proceedings | Proceedings of the International Computer Music Conference | 543-546 | Link | |
| 2000 | Yonezawa, Tomoko and Mase, Kenji | Tangible sound : musical instrument using fluid media | Conference Proceedings | Proceedings of the International Computer Music Conference | 551-554 | Link | |
| 2000 | Boulanger, R. and Choi, Y. J. and Castelli, L. | Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton System | Conference Proceedings | Proceedings of the International Computer Music Conference | 547–550 | Link | |
| 2000 | Hunt, A. and Wanderley, M. M. and Kirk, R. | Towards a Model for Instrumental Mapping for Expert Musical Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | 209–212 | Link | |
| 2000 | Kuivila, R. | Forests and Trees: Distinguishing Many from Few with a Video Camera | Conference Proceedings | Proceedings of the International Computer Music Conference | 281–283 | Link | |
| 2000 | Wasserman, K. C. and Blanchard, M. and Bernardet, U. and Manzolli, J. and Verschure, P. | Roboser - An Autonomous Interactive Musical Composition System | Conference Proceedings | Proceedings of the International Computer Music Conference | 535–538 | Link | |
| 2000 | Cerana, C. | Gesture Control of Musical processes: A MAX Environment for Buchla’s Lightning | Article | Organised Sound | 3–7 | Link | |
| 2000 | Cronkite, D. | Mediating Gesture: An Interactive Approach to Computer-Assisted Music | Article | Musicworks: Explorations in Sound | 20 | ||
| 2000 | Fléty, E. | 3D Gesture Acquisition Using Ultrasonic Sensors | Book Section/Chapter | Trends in Gestural Control of Music | 193–208 | Link | |
| 2000 | Mulder, A. | Toward a choice of gestural constraints for instrumental performers | Book Section/Chapter | Trends in Gestural Control of Music | 315–335 | ||
| 2000 | Tanaka, A. | Musical Performance Practice on Sensor-Based Instruments | Book Section/Chapter | Trends in Gestural Control of Music | 389–406 | Link | |
| 2000 | Ungvary, T. and Vertegaal, R. | Designing Musical Cyberinstruments with body and soul in mind | Article | Journal of New Music Research | 245–255 | Link | |
| 2000 | Bongers, B. | Physical Interfaces in the Electronic Arts. Interaction Theory and Interfacing Techniques for Real-time Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Vecchi, F. and Freschi, C. and Micera, S. and Sabatini, A. M. and Dario, P. and Sacchetti, R. | Experimental Evaluation of Two Commercial Force Sensors for Applications in Biomechanics and Motor Control | Conference Proceedings | Proceedings of the 5th Annual Conference of the International Functional Electrical Stimulation Society | |||
| 2000 | Blaine, T. and Perkis, T. | The Jam-O-Drum Interactive Music System: A Study in Interaction Design | Conference Proceedings | Proceedings of the ACM Symposium on Designing Interactive Systems | 165–173 | ||
| 2000 | Buchla, D. and Buxton, W. and Chafe, C. and Machover, T. and Matthews, M. V. and Moog, R. and Risset, J.-C. and Sonami, L. and Waisvisz, M. | Round Table | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Hunt, A. and Kirk, R. | Mapping Strategies for Musical Performance | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Wanderley, M. M. and Battier, M. | Trends in Gestural Control of Music | Book | Ircam - Centre Pompidou | |||
| 2000 | Choi, I. | A Manifold Interface for Kinesthetic Notation for High-Dimensional Systems | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Modler, P. | Neural Networks for Mapping Gestures to Sound Synthesis Parameters | Book Section/Chapter | Trends in Gestural Control of Music | Link | ||
| 2000 | Rovan, J. and Wechsler, R. | The Multi-Dimensional Mapping of Movement-to-Sound within an Integrated Eyecon and Max Environment. Performance of "Seine Hohle Form..." | Conference Proceedings | Proc. of the 10e Symposium International des Arts Electroniques, ISEA 2000 | |||
| 2000 | Bouwer, J. | Machine Times | Book | V2_ and NAI Publishers | |||
| 2000 | Brandstetter, G. and Voelkers, H. | ReMembering the Body | Book | Cantz | |||
| 2000 | Goldberg, K. | The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet | Book | MIT Press | |||
| 2000 | Menache, A. | Understanding Motion Capture for Computer Animation and Video Games | Book | Academic Press | |||
| 2000 | Paradiso, J. and others | Design and Implementation of Expressive Footwear | Article | IBM Systems Journal | 511–529 | Link | |
| 2000 | Suzuki, R. and Iwadate, Y. and Inoue, M. and Woo, W. | MIDAS: MIC Interactive Dance System | Conference Proceedings | Proc. IEEE Int’l Conf. Systems, Man, and Cybernetics | 751–756 | ||
| 2000 | Tanzi, Dante | Time, proximity and meaning on the net | Article | CTheory | 3–8 | ||
| 2000 | Arfib, D. and Kessous, L. | From ’Music V’ to ’creative gestures in computer music’ | Conference Proceedings | Proceedings of the VII Brazilian Symposium on Computer Music (SBCM 2000), Curitiba, Brazil | Link | ||
| 2000 | Marrin (Nakra), T. A. | Inside the Conductor’s Jacket: Analysis, Interpretation and Musical Synthesis of Expressive Gesture | PhD Thesis | Massachusetts Institute of Technology | |||
| 2000 | Vergez, C. | Trompette et trompettiste: un systeme dynamique non lineaire analyse, modelise et simule dans un contexte musical | PhD Thesis | Université de Paris VI | |||
| 2000 | Sapir, S. | Interactive digital audio environments: gesture as a musical parameter | Conference Proceedings (Related) | DAFx | Link | ||
| 2000 | Serafin, S. and Smith, J. O. | A multirate, finite-width, bow-string interaction model | Conference Proceedings (Related) | DAFx | Link | ||
| 2000 | Burtner, M. and Serafin, S. | Extended performance techniques for a virtual instrument | Conference Proceedings (Related) | DAFx | Link | ||
| 2000 | Hammond, Edward Vickers | Multi-modal mixing : gestural control for musical mixing systems | PhD Thesis (Theses) | Massachusetts Institute of Technology | Link | ||
| 2000 | Levin, Golan | Painterly interfaces for audiovisual performance | PhD Thesis (Theses) | Massachusetts Institute of Technology | Link | ||
| 2000 | O’Modhrain, Sile | Playing by Feel: Incorporating Haptic Feedback into Computer-Based Musical Instruments | PhD Thesis (Theses) | Stanford University | |||
| 2000 | McCartney, J. | A New, Flexible Framework for Audio and Image Synthesis | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 258–261 | Link | |
| 2000 | Camurri, A. and Coletta, P. and Peri, M. and Ricchetti, M. and Ricci, A. and Trocca, R. and G.Volpe | A Real-time Platform for Interactive Performance | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2000 | Choi, Insook | Gestural primitives and the context for computational processing in an interactive performance system | Article (Zotero) | Trends in Gestural Control of Music | 139–172 | Link | |
| 2000 | Lin, Ernie and Wu, Patrick | Jam Master, a Music Composing Interface | Conference Proceedings (Zotero) | Proceedings of Human Interface Technologies | 21–28 | Link | |
| 2000 | Hunt, A. and Wanderley, Marcelo M. | Mapping of Control Variables to Musical Variables. Interactive Systems and Instrument Design in Music Working Group | Book (Zotero) | Link | |||
| 2000 | Camurri, Antonio and Trocca, Riccardo | Movement and gesture in intelligent interactive music systems | Article (Zotero) | Trends in Gestural Control of Music, Ircam Publ | Link | ||
| 2000 | Avizienis, Rimas and Freed, Adrian and Suzuki, Takahiko and Wessel, David | Scalable connectivity processor for computer music performance systems | Conference Proceedings (Zotero) | International Computer Music Conference | 523–526 | Link | |
| 2000 | Rossing, Thomas D. | Science of percussion instruments | Book (Zotero) | World Scientific | |||
| 2000 | Gallo, D. A. and Finger, S. | The power of a musical instrument: Franklin, the Mozarts, Mesmer, and the glass armonica | Article (Zotero) | History of Psychology | 326–343 | ||
| 2000 | Neda, Z. and Ravasz, E. and Brechet, Y. and Vicsek, T. and Barabasi, AL | The sound of many hands clapping | Article (Zotero) | Arxiv preprint cond-mat/0003001 | |||
| 2001 | Borchers, Jan O. | A pattern approach to interaction design | Article (Background) | AI & Society | 359–376 | Link | |
| 2001 | Juslin, Patrik N and Sloboda, John A | Music And Emotion: Theory and research | Book (Background) | Oxford University Press | Link | ||
| 2001 | Dourish, Paul | Where the Action Is: The Foundations of Embodied Interaction | Book (Background) | The MIT Press | Link | ||
| 2001 | Gabrielsson, Alf and Lindström, Erik | The Influence Of Musical Structure On Emotional Expression | Book Section/Chapter (Background) | Music And Emotion | 223–248 | Link | |
| 2001 | Juslin, Patrik N | Communicating Emotion In Music Performance: A Review And Theoretical Framework | Book Section/Chapter (Background) | Music And Emotion | 309–338 | Link | |
| 2001 | Ystad, Sølvi and Voinier, Thierry | A Virtually Real Flute | Article | Computer Music Journal | 13–24 | Link | |
| 2001 | Morales-Manzanares, Roberto and Morales, Eduardo F. and Dannenberg, Roger and Berger, Jonathan | SICIB: An Interactive Music Composition System Using Body Movements | Article | Computer Music Journal | 25–36 | Link | |
| 2001 | Weinberg, Gil and Gan, Seum-Lim | The Squeezables: Toward an Expressive and Interdependent Multi-player Musical Instrument | Article | Computer Music Journal | 37–45 | Link | |
| 2001 | Laurson, Mikael and Erkut, Cumhur and Välimäki, Vesa and Kuuskankare, Mika | Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis | Article | Computer Music Journal | 38–49 | Link | |
| 2001 | Clozier, Christian | The Gmebaphone Concept and the Cybernéphone Instrument | Article | Computer Music Journal | 81–90 | Link | |
| 2001 | Lazzaro, John and Wawrzynek, John | A case for network musical performance | Conference Proceedings (Cited) | Proceedings of the 11th international workshop on Network and operating systems support for digital audio and video | 157–166 | Link | |
| 2001 | Yonezawa, Tomoko and Clarkson, Brian and Yasumura, Michiaki and Mase, Kenji | Context-aware sensor-doll as a music expression device | Conference Proceedings (Cited) | CHI ’01 extended abstracts on Human factors in computer systems - CHI ’01 | Link | ||
| 2001 | Poupyrev, Ivan and Lyons, Michael J. and Fels, Sidney and Blaine (Bean), Tina | New interfaces for musical expression | Conference Proceedings (Cited) | CHI ’01 extended abstracts on Human factors in computer systems - CHI ’01 | Link | ||
| 2001 | Bahn, C. and Hahn, T. and Trueman, D. | Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Florens, J.-L. and Henry, C. | Bowed String Synthesis with Force Feedback Gesture Interaction | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Gurevich, M. and von Muehlen, S. | The Accordiatron: A Gestural Interface for Interactive Music | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Jorda, S. | Improvising with Computers: A Personal Survey (1989-2001) | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Misdariis, N. and Nicolas, F. and Warusfel, O. and Causse, R. | Radiation Control on Multi-Loudspeaker Device: La Timee | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Overholt, D. | The MATRIX: A New Musical Instrument for Interactive Performance | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Schloss, W. A. and Driessen, P. | Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural Data | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Vergez, C. and Rodet, X. | Trumpet and Trumpet Player: Model and Simulation in a Musical Context | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Wright, M. and Freed, A. and Lee, A. and Madden, T. and Momeni, A. | Managing Complexity with Explicit Mapping of Gestures to Sound Control in OSC | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2001 | Garnett, G. E. | The Aesthetics of Interactive Computer Music | Article | Computer Music Journal | 21–33 | Link | |
| 2001 | Pallàs-Areny, R. and Webster, J. G. | Sensors and Signal Conditioning | Book | Wiley Interscience | |||
| 2001 | Accot, J. and Zhai, S. | Scale Effects in Steering Law Tasks | Conference Proceedings | Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems | 1–8 | Link | |
| 2001 | Guiard, Y. | Disentangling Relative from Absolute Amplitude in Fitts’ Law Experiments | Conference Proceedings | Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems | 315–316 | Link | |
| 2001 | Lyons, M. J. and Tetsutani, N. | Facing the Music. A Facial Action Controlled Musical Interface | Conference Proceedings | Proceedings of the 2001 ACM Conference on Human Factors in Computing Systems | 309–310 | ||
| 2001 | Rowe, R. | Machine Musicianship | Book | MIT Press | Link | ||
| 2001 | Baumgärtel, T. | net.art 2.0. new materials towards net art | Book | Verlag für moderne Kunst | |||
| 2001 | Bevilacqua, F. and Naugle, L. and Valverde, I. | Virtual dance and music environment using motion capture | Conference Proceedings | IEEE Multimedia Technology and Applications Conference Proceedings | |||
| 2001 | Birringer, J. | Dance and New Environments | Article | Newsletter, Congress of Research in Dance | |||
| 2001 | Birringer, J. | The intelligent stage | Article | Performance Research | 116–122 | ||
| 2001 | Dreyfus, H. | On the Internet | Book | Routledge | |||
| 2001 | Gendolla, P. and Schmitz, N. and Schneider, I. and Spangenberg, P. | Formen interaktiver Medienkunst | Book | Suhrkamp | |||
| 2001 | LaBelle, B. and Migone, C. | Writing Aloud: The Sonics of Language | Book | Errant Bodies Press | |||
| 2001 | Leeker, M. | Medien, Maschinen, Performances. Theater an der Schnittstelle zu digitalen Welten | Book | Alexander Verlag | |||
| 2001 | Manovich, L. | The Language of New Media | Book | MIT Press | |||
| 2001 | Menicacci, A. and Quinz, E. | La scena digital: Nuovi media per la danza | Book | Marsilio | |||
| 2001 | Oosterling, H. | Hypo-critical Theatre: Holandia’s Intermedial Multiverse | Article | Performance Research | 61–67 | ||
| 2001 | Paraguai, D. and Prado, L. Gilberto | Artistic Environments of Telepresence on the World Wide Web | Article | Leonardo | 437–442 | ||
| 2001 | Saltz, D. | The Collaborative Subject: Telerobotic Performance and Identity | Article | Performance Research | 70–83 | ||
| 2001 | Scholder, A. and Crandall, J. | Interaction: Artistic Practice in the Network | Book | D.A.P. | |||
| 2001 | Tholen, G. | In Between: Time, Space and Image in Cross-Media Performance | Article | Performance Research | 52–60 | ||
| 2001 | Valverde, I. and Naugle, L. and Bevilacqua, F. | Embodied Shifts: Towards an experiential approach to dance-technology interfaces | Conference Proceedings | MTAC Proceeding | |||
| 2001 | Wanderley, M. M. | Performer-instrument interaction: Applications to gestural control of sound synthesis | PhD Thesis | Université Pierre et Marie Curie—Paris VI | |||
| 2001 | Goudeseune, C. | Composing with Parameters for Synthetic Instruments | PhD Thesis | University of Illinois at Urbana-Champaign | |||
| 2001 | Piringer, J. | Elektronische Musik und Interaktivität. Prinzipien, Konzepte, Anwendungen | Master's Thesis | Technische Universität Wien | |||
| 2001 | Emmerson, Simon | From Dance! to “Dance”: Distance and Digits | Article (Related) | Computer Music Journal | 13–20 | Link | |
| 2001 | Bowers, J. | TONETABLE: A Multi-User, Mixed-Media, Interactive Installation | Conference Proceedings (Related) | DAFx | Link | ||
| 2001 | Serafin, S. and Burtner, M. and Nichols, C. and O’Modhrain, S. | Expressive Controllers For Bowed String Physical Models | Conference Proceedings (Related) | DAFx | Link | ||
| 2001 | Sethares, William A. and Staley, Thomas W. | Meter and Periodicity in Musical Performance | Article (Related) | Journal of New Music Research | 149–158 | Link | |
| 2001 | Waksman, Steve | Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience | Book (Related) | Harvard University Press | Link | ||
| 2001 | Cope, David | Virtual Music: Computer Synthesis of Musical Style | Book (Related) | The MIT Press | Link | ||
| 2001 | Mary, Mario | Control techniques of computer music programs | PhD Thesis (Theses) | Paris 8 | Link | ||
| 2001 | Jehan, Tristan | Perceptual Synthesis Engine: An Audio-Driven Timbre Generator | PhD Thesis (Theses) | Massachusetts Institute of Technology | Link | ||
| 2001 | Billingham, Lisa Adalade | The development of a gestural vocabulary for choral conductors based on the movement theory of Rudolf Laban | PhD Thesis (Theses) | The University of Arizona | Link | ||
| 2001 | Dahlstedt, Palle | A MutaSynth in parameter space: interactive composition through evolution | Article (Zotero) | Organised Sound | 121–124 | Link | |
| 2001 | Moeslund, Thomas B. and Granum, Erik | A Survey of Computer Vision-Based Human Motion Capture | Article (Zotero) | Computer Vision and Image Understanding | 231–268 | Link | |
| 2001 | Goudeseune, C. | A Violin Controller for real-time Audio Synthesis | Technical Report (Zotero) | Integrated Systems Laboratory, University of Illinois at Urbana-Champaign | |||
| 2001 | Poupyrev, I. and Berry, R. and Billinghurst, M. and Kato, H. and Nakao, K. and Baldwin, L. and Kurumisawa, J. | Augmented Reality Interface for Electronic Music Performance | Conference Proceedings (Zotero) | Proceedings of the International Conference on Human-Computer Interaction | 805–808 | ||
| 2001 | Chaigne, Antoine | Book review: Science of percussion instruments – Rossing, T. D. | Article (Zotero) | The Journal of the Acoustical Society of America | 15 | ||
| 2001 | Miranda, Eduardo Reck | Composing music with computers | Book (Zotero) | Focal Press | |||
| 2001 | Dahlstedt, Palle | Creating and exploring huge parameter spaces: Interactive evolution as a tool for sound generation | Conference Proceedings (Zotero) | Proceedings of the 2001 International Computer Music Conference | 235–242 | Link | |
| 2001 | Dahlstedt, Palle | Creating and exploring the huge space called sound: interactive evolution as a composition tool | Conference Proceedings (Zotero) | Proc. of Music without Walls, Music without Instruments Conf | Link | ||
| 2001 | Tanaka, Atau and Bongers, Bert | Global String: A Musical Instrument for Hybrid Space | Conference Proceedings (Zotero) | Proceedings: cast01 // Living in Mixed Realities | 177–181 | ||
| 2001 | Brown, Howard Mayer | Instrument | Article (Zotero) | Grove Music Online | Link | ||
| 2001 | Dahl, Sofia and Bresin, Roberto | Is the player more influenced by the auditory than the tactile feedback from the instrument | Conference Proceedings (Zotero) | Proceedings of the COST-G6 workshop on digital audio effects (dafx-01) | 194–197 | ||
| 2001 | Canazza, Sergio and De Poli, Giovanni and Rodà, Antonio and Vidolin, Alvise and Zanon, Patrick | Kinematics-energy space for expressive interaction in music performance | Conference Proceedings (Zotero) | Proceedings of MOSART, Workshop on current research directions in Computer Music | 35–40 | Link | |
| 2001 | Jensenius, Alexander Refsum | Laser Dance and the Sound of Naked Piano | Technical Report (Zotero) | University of Oslo | |||
| 2001 | Avanzini, Federico and Bank, Balázs and Borin, Gianpaolo and De Poli, Giovanni and Fontana, Federico and Rocchesso, Davide | Musical instrument modeling: the case of the piano | Article (Zotero) | Proc. of the worshop on current research directions in computer music. MOSART Research training network | Link | ||
| 2001 | Madden, Timothy and Smith, Ronald Bruce and Wright, Matthew and Wessel, David | Preparation for interactive live computer performance in collaboration with a symphony orchestra | Conference Proceedings (Zotero) | International Computer Music Conference,(Habana, Cuba, 2001), ICMA | Link | ||
| 2001 | RIMM The Real-time Interactive MultiMedia project | Book (Zotero) | Link | ||||
| 2001 | Garnett, G.E. and Jonnalagadda, M. and Elezovic, I. and Johnson, T. and Small, K | Technological Advances for Conducting a Virtual Ensemble | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2001 | Lyons, M. J. and Haehnel, M. and Tetsutani, N. | The Mouthesizer: A facial gesture musical interface | Conference Proceedings (Zotero) | Conference Abstracts | |||
| 2001 | Young, J.P | Using the Web for Live Interactive Music | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 302–305 | ||
| 2002 | Hajian, A.Z. and Sanchez, D.S. and Howe, R.D. | Drum roll: increasing bandwidth through passive impedance modulation | Conference Proceedings (Background) | Proceedings of International Conference on Robotics and Automation | 2294–2299 | Link | |
| 2002 | Bellotti, Victoria and Back, Maribeth and Edwards, W. Keith and Grinter, Rebecca E. and Henderson, Austin and Lopes, Cristina | Making sense of sensing systems: five questions for designers and researchers | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 415–422 | Link | |
| 2002 | MacLean, K.E. | Designing with haptic feedback | Conference Proceedings (Background) | Proceedings 2000 ICRA. Millennium Conference. IEEE International Conference on Robotics and Automation. Symposia Proceedings (Cat. No.00CH37065) | 783–788 | Link | |
| 2002 | Wessel, David and Wright, Matthew | Problems and Prospects for Intimate Musical Control of Computers | Article | Computer Music Journal | 11–22 | Link | |
| 2002 | Jorda, Sergi | FMOL: Toward User-Friendly, Sophisticated New Musical Instruments | Article | Computer Music Journal | 23–39 | Link | |
| 2002 | Ulyate, Ryan and Bianciardi, David | The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment | Article | Computer Music Journal | 40–49 | Link | |
| 2002 | Robson, Dominic | PLAY!: Sound Toys for Non-Musicians | Article | Computer Music Journal | 50–61 | Link | |
| 2002 | Wanderley, Marcelo Mortensen and Orio, Nicola | Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI | Article | Computer Music Journal | 62–76 | Link | |
| 2002 | Paine, Garth | Interactivity, where to from here? | Article (Cited) | Organised Sound | 295–304 | Link | |
| 2002 | Hunt, A. and Kirk, R. and Abbotson, M. and Abbotson, R. | Music therapy and electronic technology | Conference Proceedings (Cited) | Proceedings of the 26th Euromicro Conference. EUROMICRO 2000. Informatics: Inventing the Future | 362–367 | Link | |
| 2002 | Chafe and Wilson and Walling | Physical model synthesis with application to Internet acoustics | Conference Proceedings (Cited) | IIEEE International Conference on Acoustics Speech and Signal Processing | IV–IV | Link | |
| 2002 | Hahn, Tomie and Bahn, Curtis | Pikapika – the collaborative composition of an interactive sonic character | Article (Cited) | Organised Sound | 229–238 | Link | |
| 2002 | Wanderley, Marcelo M. | Quantitative Analysis of Non-obvious Performer Gestures | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 241–253 | Link | |
| 2002 | McCartney, James | Rethinking the Computer Music Language: SuperCollider | Article (Cited) | Computer Music Journal | 61–68 | Link | |
| 2002 | Maynes-Aminzade, Dan and Pausch, Randy and Seitz, Steve | Techniques for interactive audience participation | Conference Proceedings (Cited) | ACM SIGGRAPH 2002 conference abstracts and applications | 257–257 | Link | |
| 2002 | Zicarelli, David | How I Learned to Love a Program That Does Nothing | Article (Cited) | Computer Music Journal | 44–51 | Link | |
| 2002 | Barbosa, A. and Kaltenbrunner, M. | Public sound objects: A shared musical space on the web | Conference Proceedings | Second International Conference on Web Delivering of Music, Proceedings | |||
| 2002 | Goudeseune, C. | Interpolated Mappings for Musical Instruments | Article | Organised Sound | 85–96 | Link | |
| 2002 | Hunt, A. and Wanderley, M. | Mapping performer parameters to synthesis engines | Article | Organised Sound | 97–108 | Link | |
| 2002 | Sapir, S. | Gestural Control of Digital Audio Environments | Article | Journal of New Music Research | 119 | Link | |
| 2002 | Paradiso, J. and Leo, C. K. and Checka, N. and Hsiao, K. | Passive Acoustic Knock Tracking for Interactive Windows | Conference Proceedings | Proceedings of the CHI’02 Conference on Human Factors in Computing Systems | 732–733 | Link | |
| 2002 | Arfib, D. and Couturier, J. M. and Kessous, L. and Verfaille, V. | Strategies of Mapping between Gesture data and Synthesis Model Parameters using Perceptual Spaces | Article | Organised Sound | 127–144 | Link | |
| 2002 | Burtner, M. | The Metasaxophone: concept, implementation, and mapping strategies for a new computer music instrument | Article | Organised Sound | 201–213 | Link | |
| 2002 | Doornbusch, P. | Composers’ Views on Mapping in Algorithmic Composition | Article | Organised Sound | 145–156 | Link | |
| 2002 | Fels, S. and Gadd, A. and Mulder, A. | Mapping Transparency through Metaphor: towards more expressive musical instruments | Article | Organised Sound | 109–126 | Link | |
| 2002 | Levitin, D. and McAdams, S. and Adams, R. | Control Parameters for Musical Instruments: a foundation for new mappings of gesture to sound | Article | Organised Sound | 171–189 | Link | |
| 2002 | Myatt, T. | Strategies for Interaction in Construction 3 | Article | Organised Sound | 157–169 | Link | |
| 2002 | Ng, K. | Sensing and Mapping for Interactive Performance | Article | Organised Sound | 191–200 | Link | |
| 2002 | Nichols, C. | The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback | Article | Organised Sound | 215–220 | Link | |
| 2002 | Cook, P. R. | Real Sound Synthesis for Interactive Applications | Book | A K Peters | Link | ||
| 2002 | Huron, D. | Music Information Processing Using the Humdrum Toolkit: Concepts, Examples, and Lessons | Article | Computer Music Journal | 11–26 | Link | |
| 2002 | Barabási, A. | Linked: The New Science of Networks | Book | Perseus Publ. | |||
| 2002 | Birringer, J. | Dance and Digital Media | Article | Performing Arts Journal | 84–93 | ||
| 2002 | Birringer, J. | Experimentelle Tanzmedien, Interaktive Systeme | Book Section/Chapter | Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung 2002 | 477–498 | ||
| 2002 | Bromberg, E. and Birringer, J. | ADAPT: Telepresent Artistic Collaborations | Article | Center for High Performance Computing Newsletter | |||
| 2002 | De, M. and Beatriz, M. | Arte e tecnologia na cultura contemporânea | Book | Universidade de Brasilia | |||
| 2002 | Evers, F. and der Velden, L. and van der Wenden, J. P. | The Art of Programming (Sonic Acts 2001 conference on digital art) | Book | Sonic Arts | |||
| 2002 | Glesner, J. | Web Dance: Konvergenzen zwischen Tanz und Internet? | Book Section/Chapter | Tanz, Theorie, Text. Jahrbuch der Gesellschaft für Tanzforschung | 509–512 | ||
| 2002 | Grzinic, M. | Stelarc: Political Prosthesis and Knowledge of the Body | Book | Maska/MKC | |||
| 2002 | Lovink, G. | Dark Fibre: Tracking Critical Internet Culture | Book | MIT Press | |||
| 2002 | Lovink, G. | Uncanny Networks: Dialogues with the Virtual Intelligentsia | Book | MIT Press | |||
| 2002 | Mackenzie, A. | Transductions: Bodies and Machines at Speed | Book | Continuum | |||
| 2002 | Naugle, L. | Distributed Choreography in a Video-Conference Environment | Article | Performance Art Journal | 56–61 | ||
| 2002 | Popat, S. and Smith-Autard, J. | Dance-Making on the Internet: Can Online Choreographic Projects Foster Creativity in the User-Participant? | Article | Leonardo | 31–36 | Link | |
| 2002 | Preece, J. and Rogers, Y. and Sharp, H. | Interaction Design: Beyond Human-Computer Interaction | Book | John Wiley & Sons, Inc. | |||
| 2002 | Rieser, M. and Andrea, Z. | New Screen Media/Cinema/Art/Narrative | Book | BFI | |||
| 2002 | Santana, I. | Corpo Aberto: Cunningham, dança e novas tecnologias | Book | EDUC/FAPESC | |||
| 2002 | Seaman, B. | Recombinant Poetics: Emergent Explorations of Digital Video in Virtual Space | Book Section/Chapter | New Screen Media/Cinema/Art/Narrative | 237–255 | ||
| 2002 | Wilson, S. | Information Arts: A Survey of Art and Research at the Intersection of Art, Science, and Technology | Book | MIT Press | |||
| 2002 | Naugle, L. | A Study of On-line Collaborative Choreography Using Life Forms and Internet Communication | PhD Thesis | New York University, Department of Music and Performing Arts Professions, Dance Education Program | |||
| 2002 | Burtner, Matthew and Serafin, Stefania | The Exbow MetaSax: Compositional Applications of Bowed String Physical Models Using Instrument Controller Subsititution | Article (Related) | Journal of New Music Research | 131–140 | Link | |
| 2002 | Pachet, François | Playing with Virtual Musicians: the Continuator in Practice | Conference Proceedings (Related) | Journées d’Informatique Musicale | Link | ||
| 2002 | Kirschenmann, Mark Steven | Compositionimprovisation: Spiraling towards their confluence. Concerto for wind ensemble and MIDI/electric trumpet. | PhD Thesis (Theses) | University of Michigan | Link | ||
| 2002 | Badu, Zelma C. M. | Ewe culture as expressed in Ghana West Africa through Adzogbo dance ceremony : a foundation for the development of interactive multimedia educational materials | PhD Thesis (Theses) | Link | |||
| 2002 | Castagné, Nicolas | Genesis : a computer environment for creating music by means of mass-interaction physical modeling | PhD Thesis (Theses) | Grenoble INPG | Link | ||
| 2002 | Feldmeier, Mark and Paradiso, Joseph A. and Malinowski, Mateusz | Large Group Musical Interaction using Disposable Wireless motion sensors | PhD Thesis (Theses) | Massachusetts Institute of Technology | Link | ||
| 2002 | Pladott, Udi | Meaning, Motion and Gesture In Psychedelic Trance Music | PhD Thesis (Theses) | Tel Aviv University | |||
| 2002 | Aird, Marc-Laurent | Musical instrument modelling using digital waveguides | PhD Thesis (Theses) | Link | |||
| 2002 | Bevilacqua, Frédéric and Ridenour, Jeff and Cuccia, David J. | 3D motion capture data: motion analysis and mapping to music | Conference Proceedings (Zotero) | Proceedings of the workshop/symposium on sensing and input for media-centric systems | Link | ||
| 2002 | Serafin, Stefania and Huang, Patty and Ystad, Solvi and Chafe, Chris and Smith, JO | Analysis and synthesis unusual friction-driven musical instruments | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2002 | Friberg, Anders and Schoonderwaldt, Erwin and Juslin, Patrik N. and Bresin, Roberto | Automatic real-time extraction of musical expression | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 365–367 | Link | |
| 2002 | Castagne, Nicolas, Nicolas and Cadoz, Claude | Creating Music by Means of Physical Thinking: The Musician Oriented GENESIS Environment | Conference Proceedings (Zotero) | Proceedings of the 5th International Conference on Digital Audio Effects (DAFX-02), Hamburg, Germany, September 26-28, 2002 | 169–174 | ||
| 2002 | Opie, T. | Granular Synthesis: Experiments In Live Performance | Conference Proceedings (Zotero) | Proceedings of the Australasian Computer Music Conference | 97–102 | ||
| 2002 | Puckette, M. | Max at seventeen | Article (Zotero) | Computer Music Journal | 31–43 | Link | |
| 2002 | Gadd, Ashley and Fels, Sidney | MetaMuse: a novel control metaphor for granular synthesis | Conference Proceedings (Zotero) | CHI’02 Extended Abstracts on Human Factors in Computing Systems | 636–637 | Link | |
| 2002 | Overholt, Dan | Musical Mapping and Synthesis for the MATRIX Interface | Conference Proceedings (Zotero) | Symposium on Sensing and Input for Media-Centric Systems (SIMS) | 7–10 | ||
| 2002 | Hermann, T. and Krause, J. and Ritter, H. | Real-Time Control of Sonification Models with a Haptic Interface | Conference Proceedings (Zotero) | Proceedings of the International Conference on Auditory Display | 82–86 | ||
| 2002 | Jehan, T. and Machover, T. and Fabio, M. | Sparkler: An Audio-Driven Interactive Live Computer Performance for Symphony Orchestra | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2002 | Young, Diana | The Hyperbow: A Precision Violin Interface | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 489–492 | ||
| 2002 | Parncutt, Richard and McPherson, G.E. | The Science and Psychology of Music Performance: Creative Strategies for Teaching and Learning | Book (Zotero) | New York: Oxford University Press | |||
| 2002 | Guettler, Knut | The bowed string: on the development of Helmholtz motion and on the creation of anomalous low frequencies | PhD Thesis (Zotero) | KTH Royal Institute of Technology | |||
| 2002 | Dixon, Simon and Goebl, Werner and Widmer, Gerhard | The performance worm: Real time visualisation of expression based on langner’s tempo-loudness animation | Conference Proceedings (Zotero) | Proceedings of the international computer music conference (icmc 2002) | Link | ||
| 2002 | McElligott, Lisa and Dillon, Michelle and Leydon, Krispin and Richardson, Bruce and Fernström, Mikael and Paradiso, Joseph A. | ‘ForSe FIElds’-Force Sensors for Interactive Environments | Book Section/Chapter (Zotero) | UbiComp 2002: Ubiquitous Computing | 168–175 | Link | |
| 2003 | Gaver, William W. and Beaver, Jacob and Benford, Steve | Ambiguity as a resource for design | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 233–240 | Link | |
| 2003 | Godøy, Rolf Inge | Motor-Mimetic Music Cognition | Article (Background) | Leonardo | 317–319 | Link | |
| 2003 | Barad, Karen | Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter | Article (Background) | Signs: Journal of Women in Culture and Society | 801–831 | Link | |
| 2003 | Hutchinson, Hilary and Mackay, Wendy and Westerlund, Bo and Bederson, Benjamin B. and Druin, Allison and Plaisant, Catherine and Beaudouin-Lafon, Michel and Conversy, Stéphane and Evans, Helen and Hansen, Heiko and Roussel, Nicolas and Eiderbäck, Björn | Technology probes: inspiring design for and with families | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 17–24 | Link | |
| 2003 | Fails, Jerry Alan and Olsen, Dan R. | Interactive machine learning | Conference Proceedings (Background) | Proceedings of the 8th international conference on Intelligent user interfaces | 39–45 | Link | |
| 2003 | Juslin, Patrik N. and Laukka, Petri | Communication of emotions in vocal expression and music performance: Different channels, same code? | Article (Background) | Psychological Bulletin | 770–814 | Link | |
| 2003 | Giomi, Francesco and Meacci, Damiano and Schwoon, Kilian | Live Electronics in Luciano Berio’s Music | Article | Computer Music Journal | 30–46 | Link | |
| 2003 | Miranda, Eduardo Reck and Sharman, Ken and Kilborn, Kerry and Duncan, Alexander | On Harnessing the Electroencephalogram for the Musical Braincap | Article | Computer Music Journal | 80–102 | Link | |
| 2003 | Blaine, Tina and Fels, Sidney | Collaborative Musical Experiences for Novices | Article (Cited) | Journal of New Music Research | 411–428 | Link | |
| 2003 | Barbosa, Álvaro | Displaced Soundscapes: A Survey of Network Systems for Music and Sonic Art Creation | Article (Cited) | Leonardo Music Journal | 53–59 | Link | |
| 2003 | Holmes, Thom and Holmes, Thom | Electronic and Experimental Music | Book (Cited) | Routledge | Link | ||
| 2003 | Camurri, A. and Ricchetti, M. and Trocca, R. | EyesWeb-toward gesture and affect recognition in dance/music interactive systems | Conference Proceedings (Cited) | Proceedings IEEE International Conference on Multimedia Computing and Systems | 643–648 | Link | |
| 2003 | Sawchuk, A. A. and Chew, E. and Zimmermann, R. and Papadopoulos, C. and Kyriakakis, C. | From remote media immersion to Distributed Immersive Performance | Conference Proceedings (Cited) | Proceedings of the 2003 ACM SIGMM workshop on Experiential telepresence - ETP ’03 | 110 | Link | |
| 2003 | Collins, Nick | Generative Music and Laptop Performance | Article (Cited) | Contemporary Music Review | 67–79 | Link | |
| 2003 | COLLINS, NICK and McLEAN, ALEX and ROHRHUBER, JULIAN and WARD, ADRIAN | Live coding in laptop performance | Article (Cited) | Organised Sound | 321–330 | Link | |
| 2003 | Paradiso, J.A. and Leo, Che King and Checka, N. and Hsiao, Kaijen | Passive acoustic sensing for tracking knocks atop large interactive displays | Conference Proceedings (Cited) | Proceedings of IEEE Sensors | 521–527 | Link | |
| 2003 | Camurri, Antonio and Lagerlöf, Ingrid and Volpe, Gualtiero | Recognizing emotion from dance movement: comparison of spectator recognition and automated techniques | Article (Cited) | International Journal of Human-Computer Studies | 213–225 | Link | |
| 2003 | Pachet, Fran�ois | The Continuator: Musical Interaction With Style | Article (Cited) | Journal of New Music Research | 333–341 | Link | |
| 2003 | Stuart, Caleb | The Object of Performance: Aural Performativity in Contemporary Laptop Music | Article (Cited) | Contemporary Music Review | 59–65 | Link | |
| 2003 | Schloss, W. Andrew | Using Contemporary Technology in Live Performance: The Dilemma of the Performer | Article (Cited) | Journal of New Music Research | 239–242 | Link | |
| 2003 | Levin, Thomas Y. | “Tones from out of Nowhere”: Rudolph Pfenninger and the Archaeology of Synthetic Sound | Article (Cited) | Grey Room | 32–79 | Link | |
| 2003 | Essl, Georg | On gender in new music interface technology | Article (Cited) | Organised Sound | 19–30 | Link | |
| 2003 | Wang, G. and Cook, P. R. | ChucK: A Concurrent, On-the-fly Audio Programming Language | Conference Proceedings | Proceedings of the International Computer Music Conference | 219–226 | Link | |
| 2003 | Belet, B. | Live performance interaction for humans and machines in the early twenty-first century: One composer’s aesthetics for composition and performance practice | Article | Organised sound: An international journal of music technology | 305 | Link | |
| 2003 | Canazza, S. and others | An abstract control space for communication of sensory expressive intentions in music performance | Article | Journal of New Music Research | 281–294 | Link | |
| 2003 | Paradiso, J. and Ó Modhrain, M. | Current Trends in Electronic Music Interfaces | Article | Journal of New Music Research | 345 | ||
| 2003 | Burdea, G. and Coiffet, P. | Virtual Reality Technology | Book | John Wiley and Sons | |||
| 2003 | Arnold, A. | Deanimated | Book | Springer | |||
| 2003 | Ascott, R. | Telematic Embrace: Visionary Theories of Art, Technology and Consciousness | Book | Univ. of California | |||
| 2003 | Birringer, J. | Dance and Interactivity | Article | Dance Research Journal | 88–111 | ||
| 2003 | Birringer, J. | Performance Systems | Article | South African Theatre Journal | 79–113 | Link | |
| 2003 | Brouwer, J. and Mulder, A. and Charlton, S. | Information is Alive - Art and Theory on Archiving and Retrieving Data | Book | V2_Publishing/NAI Publishers | |||
| 2003 | Copier, M. and Raessens, J. | Level Up: Digital Games Research Conference | Book | Diagra/University of Utrecht | |||
| 2003 | Davcev, D. and Trajkovic, V. and Kalajdziski, S. and Celakoski, S. | Augmented Reality Environment for Dance Learning | Conference Proceedings | Proc. Int’l Conf. Information Technology: Research and Education | 189–193 | Link | |
| 2003 | Dinkla, S. and Leeker, M. | Dance and Technology / Tanz und Technologie: Moving towards Media Productions - Auf dem Weg zu medialen Inszenierungen | Book | Alexander Verlag | |||
| 2003 | Grau | Virtual Art: From Illusion to Immersion | Book | MIT Press | |||
| 2003 | Hromin, D. and Chladil, M. and Vanatta, N. and Naumann, D. and Wetzel, S. and Anjum, F. and Jain, R. | CodeBLUE: a bluetooth interactive dance club system | Conference Proceedings | GLOBECOM ’03. IEEE Global Telecommunications Conference | |||
| 2003 | Liestøl, G. and Morrison, A. and Rasmussen, T. | Digital Media Revisited | Book | MIT Press | |||
| 2003 | Malloy, J. | Women, Art & Technology | Book | MIT Press | |||
| 2003 | Sundén, J. | Material Virtualities: Approaching Online Textual Embodiment | Book | Peter Lang | |||
| 2003 | Wardrip-Fruin, N. and Montfort, N. | The New Media Reader | Book | MIT Press | |||
| 2003 | Isaacs, D. | Evaluating input devices for musical expression | Master's Thesis | University of Queensland | |||
| 2003 | Serafin, Stefania and Young, Diana | Investigation of the Playability of Virtual Bowed Strings | Conference Proceedings (Related) | CIM 2003 | |||
| 2003 | Fitz, Kelly and Haken, Lippold and Lefvert, Susanne and Champion, Corbin and O’Donnell, Mike | Cell-Utes and Flutter-Tongued Cats: Sound Morphing Using Loris and the Reassigned Bandwidth-Enhanced Model | Article (Related) | Computer Music Journal | 44–65 | Link | |
| 2003 | Carlton, William Geoffrey | A Guide for Conducting Teachers: Physical Movement Taught in Six Selected Instrumental Conducting Textbooks and an Annotated Bibliography | PhD Thesis (Theses) | University of Southern Mississippi | Link | ||
| 2003 | Rasamimanana, Nicolas | Gesture Analysis of Bow Strokes Using an Augmented Violin | PhD Thesis (Theses) | IRCAM | |||
| 2003 | Krstich, Vesna | Installation art and viewer participation : a video based study of The dark pool by Janet Cardiff and George Bures Miller | PhD Thesis (Theses) | Concordia University | Link | ||
| 2003 | Weinberg, Gil and Machover, Tod | Interconnected musical networks: bringing expression and thoughtfulness to collaborative group playing | PhD Thesis (Theses) | Massachusetts Institute of Technology | Link | ||
| 2003 | Bossis, Bruno | La vocalité artificielle : un nouvel espace pour l’imaginaire : Etude des modèles de simulation et de traitement vocaux dans les répetoires des musiques éléctroacoustique et informatique | PhD Thesis (Theses) | Link | |||
| 2003 | Järveläinen, Hanna | Perception of attributes in real and synthetic string instrument sounds | PhD Thesis (Theses) | Aalto University | Link | ||
| 2003 | Dahl, Sofia | Striking movements: Movement strategies and expression in percussive playing | PhD Thesis (Theses) | Royal Institute of Technology | |||
| 2003 | Nichols, C. | The Vbow: An Expressive Musical Controller Haptic Human-Computer Interface | PhD Thesis (Theses) | Stanford University | |||
| 2003 | Holmes, Douglas B. | jn4.gesture: An interactive composition for dance. | PhD Thesis (Theses) | Link | |||
| 2003 | Johnson, Mark L. and Larson, Steve | "Something in the Way She Moves"-Metaphors of Musical Motion | Article (Zotero) | Metaphor and Symbol | 63–84 | Link | |
| 2003 | Serafin, Stefania and Young, Diana | Bowed string physical model validation through use of a bow controller and examination of bow strokes | Conference Proceedings (Zotero) | Proceedings of the Stockholm Musical Acoustics Meeting | |||
| 2003 | Guedes, Carlos | Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2003 | Opie, T. | Creation of a Real-Time Granular Synthesis Instrument for Live Performance | PhD Thesis (Zotero) | QUT, Brisbane, Australia | |||
| 2003 | Ciufo, THOMAS | Design concepts and control strategies for interactive improvisational music systems | Conference Proceedings (Zotero) | Proceedings of the MAXIS International Festival/Symposium of Sound and Experimental Music | Link | ||
| 2003 | Juslin, Patrik N. | Five Facets of Musical Expression: A Psychologist’s Perspective on Music Performance | Article (Zotero) | Psychology of Music | 273–302 | ||
| 2003 | Dean, Roger T. | Hyperimprovisation: computer-interactive sound improvisation | Book (Zotero) | A-R Editions | |||
| 2003 | Lorenzo Jr, Levy Marcel Ingles | Intelligent MIDI Sequencing with Hamster Control | PhD Thesis (Zotero) | Cornell University | Link | ||
| 2003 | Jordà, Sergi | Interactive music systems for everyone: exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments | Conference Proceedings (Zotero) | Proceedings of SMAC | |||
| 2003 | Overholt, Dan and Roads, Curtis and Thompson, John | On Musical Gestures and New Performance Interfaces for Electronic Music | Conference Proceedings (Zotero) | International Gesture Workshop | Link | ||
| 2003 | Bach-y-Rita, Paul and Kercel, Stephen W | Sensory substitution and the human–machine interface | Article (Zotero) | Trends in cognitive sciences | 541–546 | ||
| 2003 | Di Scipio, Agostino | ‘Sound is the interface’: from interactive to ecosystemic signal processing | Article (Zotero) | Organised Sound | 269–277 | Link | |
| 2004 | Beaudouin-Lafon, Michel | Designing interaction, not interfaces | Conference Proceedings (Background) | Proceedings of the working conference on Advanced visual interfaces | 15–22 | Link | |
| 2004 | Boden, Margaret A. | The Creative Mind | Book (Background) | Routledge | Link | ||
| 2004 | Pinch, Trevor and Trocco, Frank | Analog Days: The Invention and Impact of the Moog Synthesizer | Book (Cited) | Harvard University Press | Link | ||
| 2004 | Fels, S. | Designing for Intimacy: Creating New Interfaces for Musical Expression | Article (Cited) | Proceedings of the IEEE | 672–685 | Link | |
| 2004 | Camurri, Antonio and Volpe, Gualtiero | Gesture-Based Communication in Human-Computer Interaction | Book (Cited) | Springer Berlin Heidelberg | Link | ||
| 2004 | Levin, Golan and Lieberman, Zachary | In-situ speech visualization in real-time interactive installation and performance | Conference Proceedings (Cited) | Proceedings of the 3rd international symposium on Non-photorealistic animation and rendering | 7–14 | Link | |
| 2004 | Jordà, Sergi | Instruments and Players: Some Thoughts on Digital Lutherie | Article (Cited) | Journal of New Music Research | 321–341 | Link | |
| 2004 | Borchers, Jan and Lee, Eric and Samminger, Wolfgang and M�hlh�user, Max | Personal orchestra: a real-time audio/video system for interactive conducting | Article (Cited) | Multimedia Systems | 458–465 | Link | |
| 2004 | Cook, Perry R. | Remutualizing the Musical Instrument: Co-Design of Synthesis Algorithms and Controllers | Article (Cited) | Journal of New Music Research | 315–320 | Link | |
| 2004 | Machover, T | Shaping Minds Musically | Article (Cited) | BT Technology Journal | 171–179 | Link | |
| 2004 | Berry, R. and Makino, M. and Hikawa, N. and Suzuki, M. | The augmented composer project: the music table | Conference Proceedings (Cited) | The Second IEEE and ACM International Symposium on Mixed and Augmented Reality, 2003. Proceedings. | 338–339 | Link | |
| 2004 | Assayag, G. and Dubnov, S. | Using Factor Oracles for Machine Improvisation | Article (Cited) | Soft Computing | Link | ||
| 2004 | Smith, Julius O. | Virtual Acoustic Musical Instruments: Review and Update | Article (Cited) | Journal of New Music Research | 283–304 | Link | |
| 2004 | Beamish, Timothy and Maclean, Karon and Fels, Sidney | Manipulating music: multimodal interaction for DJs | Conference Proceedings (Cited) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 327–334 | Link | |
| 2004 | Driscoll, John and Rogalsky, Matt | David Tudor’s Rainforest: An Evolving Exploration of Resonance | Article (Cited) | Leonardo Music Journal | 25–30 | Link | |
| 2004 | Farbood, M.M. and Pasztor, E. and Jennings, K. | Hyperscore: a graphical sketchpad for novice composers | Article (Cited) | IEEE Computer Graphics and Applications | 50–54 | Link | |
| 2004 | Ghazala, Qubais Reed | The Folk Music of Chance Electronics: Circuit-Bending the Modern Coconut | Article (Cited) | Leonardo Music Journal | 97–104 | Link | |
| 2004 | Schmeder, A. | Mapping Spectral Frames to Pitch with Support Vector Machine | Conference Proceedings | Proceedings of the International Computer Music Conference | Link | ||
| 2004 | Katayose, H. and Okudaira, K. | iFP: A Music Interface Using an Expressive Performance Template | Conference Proceedings | Entertainment Computing - ICEC 2004 | 529–540 | Link | |
| 2004 | Kirlik, A. and Maruyama, S. | Human-technology Interaction and Music Perception and Performance: Toward the Robust Design of Sociotechnical Systems | Article | Proceedings of the IEEE | 616–631 | Link | |
| 2004 | Ng, K. C. | Music via Motion: Transdomain Mapping of Motion and Sound for Interactive Performances | Article | Proceedings of the IEEE | 645–655 | ||
| 2004 | Suzuki, K. and Hashimoto, S. | Robotic Interface for Embodied Interaction Via Dance and Musical Performance | Article | Proceedings of the IEEE | 656–671 | Link | |
| 2004 | Fraden, J. | Handbook of Modern Sensors. Physics, Design and Applications | Book | Springer-Verlag | |||
| 2004 | Janocha, H. | Actuators: basics and applications | Book | Springer | |||
| 2004 | Nyce, D. S. | Linear Position Sensors: Theory and Application | Book | John Wiley and Sons | |||
| 2004 | O’Sullivan, D. and Igoe, T. | Physical computing: sensing and controlling the physical world with computers | Book | Thomson Course Technology | |||
| 2004 | Wanderley, M. and Depalle, P. | Gestural Control of Sound Synthesis | Article | Proceedings of the IEEE | Link | ||
| 2004 | Boulanger, R. | The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming | Book | MIT Press | |||
| 2004 | Camurri, A. and Mazzarino, B. and Volpe, G. | Analysis of Expressive Gesture: The Eyesweb Expressive Gesture Processing Library | Conference Proceedings | Gesture-based Communication in Human-Computer Interaction, LNAI 2915 | 460–467 | Link | |
| 2004 | Birringer, J. | Der transmediale Tanz | Book Section/Chapter | Tanz Anders Wo: Tanz intra- und interkulturell. Jahrbuch der Gesellschaft für Tanzforschung | |||
| 2004 | Birringer, J. | Wechselwirkung: Internationales Interaktionslabor | Book | SDV | |||
| 2004 | Birringer, J. | Transspacial Light and Virtual Choreography | Article | ballettanz | 30–32 | ||
| 2004 | Bromberg, E. and Birringer, J. | ADaPT: Telepresent Artistic Collaborations | Article | Interdisciplinary Humanities | 87–93 | ||
| 2004 | Buck, B. and Miller, G. and Niehaus, A. J. and Seech, A. | ADAPT (The Association for Dance and Performance Telematics): Multiple definitions of distributed performance | Conference Proceedings | Hawaii International Conference on Arts and Humanities | |||
| 2004 | Camurri, A. and Mazzarino, B. and Ricchetti, M. and Timmers, R. and Volpe, G. | Multimodal analysis of expressive gesture in music and dance performances | Book Section/Chapter | Gesture-based Communication in Human-Computer Interaction | Link | ||
| 2004 | Feldmeier, M. and Paradiso, J. | Giveaway wireless sensors for large-group interaction | Conference Proceedings | Proceedings of CHI 2004, CHI Extended Abstracts | 1291–1292 | Link | |
| 2004 | Hachimura, K. and Kato, H. and Tamura, H. | A Prototype Dance Training Support System with Motion Capture and Mixed Reality Technologies | Conference Proceedings | Proc. IEEE Int’l Workshop Robot and Human Interactive Comm. | 217–222 | ||
| 2004 | Hansen, M. | New Philosophy for New Media | Book | MIT Press | |||
| 2004 | Mitchell, R. and Phillip, T. | Data made Flesh: Embodying Information | Book | Routledge | |||
| 2004 | Newman, J. | Videogames | Book | Routledge | Link | ||
| 2004 | Qian, G. and Guo, F. and Ingalls, T. and Olson, L. and James, J. and Rikakis, T. | A Gesture-Driven Multimodal Interactive Dance System | Conference Proceedings | Proc. IEEE Int’l Conf. Multimedia and Expo (ICME ’04) | 1579–1582 | ||
| 2004 | Smith, J. | I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games | Article | Journal of Popular Music Studies | 58–84 | Link | |
| 2004 | Weschler, R. and Weiß, F. and Dowling, P. | EyeCon – A motion sensing tool for creating interactive dance, music and video projections | Conference Proceedings | Proceedings of the Society for the Study of Artificial Intelligence and the Simulation of Behavior (SSAISB)’s convention: Motion, Emotion and Cognition | |||
| 2004 | Wechsler, R. and Weiss, F. | Motion Sensing for Interactive Dance | Article | IEEE-Pervasive Computing, Mobile and Ubiquitous Systems | |||
| 2004 | Whitelaw, M. | Metacreation: Art and Artificial Life | Book | MIT Press | |||
| 2004 | Camurri, Antonio and Mazzarino, Barbara and Volpe, Gualtiero | Expressive Gestural Control of Sound and Visual Output in Multimodal Interactive Systems | Conference Proceedings (Related) | 1st Sound and Music Computing Conference | Link | ||
| 2004 | Hikichi, Takafumi and Osaka, Naotoshi and Itakura, Fumitada | Sho-So-In: Control of a Physical Model of the Sho by Means of Automatic Feature Extraction from Real Sounds | Article (Related) | Journal of New Music Research | 355–365 | Link | |
| 2004 | Wilde, Martin | Audio Programming for Interactive Games | Book (Related) | Routledge | Link | ||
| 2004 | Kessous, Loïc | Bi-manual gestural control of sound processes | PhD Thesis (Theses) | Paris 8 | Link | ||
| 2004 | Kolesnik, Paul | Conducting gesture recognition, analysis and performance system | PhD Thesis (Theses) | McGill University | Link | ||
| 2004 | Merrill, David J. | FlexiGesture : a sensor-rich real-time adaptive gesture and affordance learning platform for electronic music control | PhD Thesis (Theses) | Link | |||
| 2004 | Khorshed, Wail Mohamed Hosni | New technology for creative scenography | PhD Thesis (Theses) | Paris 8 | Link | ||
| 2004 | Schrader, Constance A. | A Sense of Dance: Exploring Your Movement Potential | Book (Zotero) | Human Kinetics | |||
| 2004 | Wang, Ge and Cook, Perry | ChucK: a programming language for on-the-fly, real-time audio synthesis and multimedia | Conference Proceedings (Zotero) | Proceedings of the 12th annual ACM international conference on Multimedia | 812–815 | Link | |
| 2004 | Miranda, Eduardo Reck | Computer sound design: synthesis techniques and programming | Book (Zotero) | Focal Press | |||
| 2004 | Arfib, Daniel and Couturier, Jean-Michel and Kessous, Loïc | Design and use of some new digital musical instruments | Article (Zotero) | Gesture-Based Communication in Human-Computer Interaction | 461–462 | Link | |
| 2004 | Paradiso, Joseph A. | Electronic Controllers for Musical Performance and Interaction | Article (Zotero) | Unpublished book chapter submitted for publication | Link | ||
| 2004 | Dahl, Sofia and Friberg, Anders | Expressiveness of musician’s body movements in performances on marimba | Book Section/Chapter (Zotero) | Gesture-based communication in human-computer interaction | 479–486 | Link | |
| 2004 | Juslin, Patrik N. | Five myths about expressivity in music performance and what to do about them | Article (Zotero) | ||||
| 2004 | Fernström, Mikael and Brazil, Eoin | Human-computer interaction design based on interactive sonification-hearing actions or instruments/agents | Conference Proceedings (Zotero) | Proceedings of the International Workshop on Interactive Sonification | |||
| 2004 | Henry, Cyrille | Physical modeling for pure data (PMPD) and real time interaction with an audio synthesis | Article (Zotero) | Proc. Sound and Music Computing (Paris, France, October 2004) | Link | ||
| 2004 | Kolesnik, Paul and Wanderley, Marcelo | Recognition, analysis and performance with expressive conducting gestures | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 572–575 | ||
| 2004 | Repp, Bruno H. and Penel, Amandine | Rhythmic movement is attracted more strongly to auditory than to visual rhythms | Article (Zotero) | Psychological Research | 252–270 | Link | |
| 2004 | Warusfel, O. and Misdariis, N. | Sound Source Radiation Synthesis: from Stage Performance to Domestic Rendering | Conference Proceedings (Zotero) | Audio Engineering Society Conventio | |||
| 2004 | Henry, Cyrille | Using Physical Modelling for Pure Data (pmpd) with an audio and video synthesis | Article (Zotero) | URL: http://puredata. info/community/projects/convention04/lectures/tkchenry/pmpd. pdf | Link | ||
| 2004 | Paradiso, Joe | Wearable wireless sensing for interactive media | Conference Proceedings (Zotero) | First International Workshop on Wearable and Implantable Body Sensor Networks | Link | ||
| 2004 | Pottier, Laurent | “GMU”–An Integrated Microsound Synthesis System | Book Section/Chapter (Zotero) | Computer Music Modeling and Retrieval | 82–88 | Link | |
| 2005 | Bello, J.P. and Daudet, L. and Abdallah, S. and Duxbury, C. and Davies, M. and Sandler, M.B. | A tutorial on onset detection in music signals | Article (Background) | IEEE Transactions on Speech and Audio Processing | 1035–1047 | Link | |
| 2005 | Latour, Bruno | Reassembling the Social: An Introduction to Actor-Network-Theory | Book (Background) | Oxford University Press | Link | ||
| 2005 | Repp, Bruno H. | Sensorimotor synchronization: A review of the tapping literature | Article (Background) | Psychonomic Bulletin & Review | 969–992 | Link | |
| 2005 | Resnick, Mitchel and Silverman, Brian | Some reflections on designing construction kits for kids | Conference Proceedings (Background) | Proceedings of the 2005 conference on Interaction design and children | 117–122 | Link | |
| 2005 | Gallagher, Shaun | How the Body Shapes the Mind | Book (Background) | Oxford University Press | Link | ||
| 2005 | Han, Jefferson Y. | Low-cost multi-touch sensing through frustrated total internal reflection | Conference Proceedings (Background) | Proceedings of the 18th annual ACM symposium on User interface software and technology | 115–118 | Link | |
| 2005 | Weinberg, Gil | Interconnected Musical Networks: Toward a Theoretical Framework | Article | Computer Music Journal | 23–39 | Link | |
| 2005 | Manzolli, Jonatas and Verschure, Paul F. M. J. | Roboser: A Real-World Composition System | Article | Computer Music Journal | 55–74 | Link | |
| 2005 | Dannenberg, Roger B. | Interactive Visual Music: A Personal Perspective | Article | Computer Music Journal | 25–35 | Link | |
| 2005 | Camurri, A. and Volpe, G. and De Poli, G. and Leman, M. | Communicating expressiveness and affect in multimodal interactive systems | Article (Cited) | IEEE Multimedia | 43–53 | Link | |
| 2005 | Reeves, Stuart and Benford, Steve and O’Malley, Claire and Fraser, Mike | Designing the spectator experience | Conference Proceedings (Cited) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 741–750 | Link | |
| 2005 | Arfib, Daniel and Couturier, Jean-Michel and Kessous, Loïc | Expressiveness and Digital Musical Instrument Design | Article (Cited) | Journal of New Music Research | 125–136 | Link | |
| 2005 | Tanaka, Atau and Tokui, Nao and Momeni, Ali | Facilitating collective musical creativity | Conference Proceedings (Cited) | Proceedings of the 13th annual ACM international conference on Multimedia | 191–198 | Link | |
| 2005 | KAPUR, AJAY and WANG, GE and DAVIDSON, PHILIP and COOK, PERRY R. | Interactive Network Performance: a dream worth dreaming? | Article (Cited) | Organised Sound | 209–219 | Link | |
| 2005 | Avanzini, F. and Serafin, S. and Rocchesso, D. | Interactive Simulation of rigid body interaction with friction-induced sound generation | Article (Cited) | IEEE Transactions on Speech and Audio Processing | 1073–1081 | Link | |
| 2005 | Miranda, Eduardo Reck and Brouse, Andrew | Interfacing the Brain Directly with Musical Systems: On Developing Systems for Making Music with Brain Signals | Article (Cited) | Leonardo | 331–336 | Link | |
| 2005 | WRIGHT, MATTHEW | Open Sound Control: an enabling technology for musical networking | Article (Cited) | Organised Sound | 193–200 | Link | |
| 2005 | Hajdu, Georg | Quintet.net: An Environment for Composing and Performing Music on the Internet | Article (Cited) | Leonardo | 23–30 | Link | |
| 2005 | Camurri, Antonio and De Poli, Giovanni and Friberg, Anders and Leman, Marc and Volpe, Gualtiero | The MEGA Project: Analysis and Synthesis of Multisensory Expressive Gesture in Performing Art Applications | Article (Cited) | Journal of New Music Research | 5–21 | Link | |
| 2005 | Wanderley, Marcelo M and Vines, Bradley W and Middleton, Neil and McKay, Cory and Hatch, Wesley | The Musical Significance of Clarinetists’ Ancillary Gestures: An Exploration of the Field | Article (Cited) | Journal of New Music Research | 97–113 | Link | |
| 2005 | Magnusson, T. | ixi software: Open Controllers for Open Source Audio Software | Conference Proceedings | Proceedings of the International Computer Music Conference | |||
| 2005 | Gluck, R. J. | Sounds of a community: Cultural identity and interactive art | Article | Leonardo Music Journal | 37–43 | Link | |
| 2005 | Hashimoto, S. and Sawada, H. | A Grasping Device to Sense Hand Gesture for Expressive Sound Generation | Article | Journal of New Music Research | 115 | Link | |
| 2005 | Kapur, A. and others | Wearable sensors for real-time musical signal processing | Conference Proceedings | 2005 IEEE Pacific Rim Conference on Communications, Computers and Signal Processing | |||
| 2005 | Leman, M. and Camurri, A. | Understanding Musical Expressiveness using Interactive Multimedia Platforms | Article | Journal of Musicae Scientiae | 209–233 | ||
| 2005 | Obrenovic, Z. | A flexible system for creating music while interacting with the computer | Conference Proceedings | 13th Annual ACM International Conference on Multimedia | 996–1004 | Link | |
| 2005 | Tindale, A. R. and Kapur, A. and Tzanetakis, G. and Schloss, W. A. | Indirect Acquisition of Percussion Gestures Using Timbre Recognition | Conference Proceedings | Proceedings of the Conference on Interdisciplinary Musicology | |||
| 2005 | Weinberg, G. | Voice Networks: The Human Voice as a Creative Medium for Musical Collaboration | Article | Leonardo Music Journal | 23–26 | Link | |
| 2005 | Wilson, J. S. | Sensor Technology Handbook | Book | Newnes (Elsevier) | |||
| 2005 | Sorensen, A. | Impromptu: An Interactive Programming Environment for Composition and Performance | Conference Proceedings | Proceedings of the Australasian Computer Music Conference | 149–153 | ||
| 2005 | Alankus, G. and Bayazit, A. A. and Bayazit, O. B. | Automated Motion Synthesis for Dancing Characters: Motion Capture and Retrieval | Article | Computer Animation and Virtual Worlds | 259–271 | ||
| 2005 | Bayliss, A. and Sheridan, J. and Villar, N. | New shapes on the dance floor: influencing ambient sound and vision with computationally augmented poi | Article | International Journal of Performance Arts and Digital Media | 67–82 | Link | |
| 2005 | Ebeweuter, N. | Dance movement: a focus on the technology | Article | Computer Graphics and Applications, IEEE | 80–83 | ||
| 2005 | Hachimura, K. and Takashina, K. and Yoshimura, M. | Analysis and Evaluation of Dancing Movement Based on LMA | Conference Proceedings | Proc. IEEE Int’l Workshop Robots and Human Interactive Comm. | 294–299 | ||
| 2005 | Kwon, D. Y. and Cross, M. | Combining Body Sensors and Visual Sensors for Motion Training | Conference Proceedings | Proc. ACM SIGCHI | 94–101 | Link | |
| 2005 | Nakamura, A. and Tabata, S. and Ueda, T. and Kiyofuji, S. and Kuno, Y. | Dance Training System with Active Vibro-Devices and a Mobile Image Display | Conference Proceedings | Proc. IEEE/RSJ Int’l Conf. Intelligent Robots and Systems (IROS ’05) | 3075–3080 | Link | |
| 2005 | Srinivasan, P. and Birchfield, D. and Qian, G. and Kidane, A. | A pressure sensing floor for interactive media applications | Conference Proceedings | ACE ’05: Proceedings of the 2005 ACM SIGCHI International Conference on Advances in computer entertainment technology | 265 | Link | |
| 2005 | Birringer, Johannes | New environments for interactive dance | Technical Report | Nottingham Trent University | |||
| 2005 | Mountain, Rosemary | The internet: The untended garden | Article (Related) | Contemporary Music Review | 551–559 | Link | |
| 2005 | Eagle, Douglas Spotted | Instant Digital Audio | Book (Related) | Routledge | Link | ||
| 2005 | Kang, Angela | Chinoiserie as musical gesture | PhD Thesis (Theses) | Link | |||
| 2005 | Gambetta, Charles L. | Conducting Outside the Box: Creating a Fresh Approach to Conducting Gesture Through the Principles of Laban Movement Analysis | PhD Thesis (Theses) | The University of North Carolina at Greensboro | |||
| 2005 | Gentry, Sommer Elizabeth | Dancing cheek to cheek: Haptic communication between partner dancers and swing as a flnite state machine | PhD Thesis (Theses) | Link | |||
| 2005 | Puig, Sergi Jordà | Digital Lutherie Crafting musical computers for new musics’ performance and improvisation | PhD Thesis (Theses) | Link | |||
| 2005 | Gallops, Ronald Wayne | The Effect of Conducting Gesture on Expressive-Interpretive Performance of College Music Majors | PhD Thesis (Theses) | University of South Florida | Link | ||
| 2005 | Pladott, Udi | Meaning, Motion and Gesture in Psychedelic Trance Music | Article (Zotero) | Link | |||
| 2005 | Benbasat, A. Y. and Paradiso, J. A. | A Compact Modular Wireless Sensor Platform | Conference Proceedings (Zotero) | Proceedings of the Symposium on Information Processing in Sensor Networks | 410–415 | ||
| 2005 | Bevilacqua, Frédéric and Muller, Remy | A gesture follower for performing arts | Conference Proceedings (Zotero) | Proceedings of the International Gesture Workshop | Link | ||
| 2005 | Musil, Thomas and Noisternig, Markus and Höldrich, Robert | A library for realtime 3d binaural sound reproduction in pure data (pd) | Conference Proceedings (Zotero) | Proc. Int. Conf. on Digital Audio Effects (DAFX-05), Madrid, Spain | Link | ||
| 2005 | Grierson, Mick | Audiovisual Composition | PhD Thesis (Zotero) | ||||
| 2005 | Freeman, Jason and Varnik, Kristjan and Ramakrishnan, C. and Neuhaus, Max and Burk, Phil and Birchfield, David | Auracle: a voice-controlled, networked sound instrument | Article (Zotero) | Organised Sound | 221 | Link | |
| 2005 | Marshall, Mark T. | Building a USB sensor interface using the ATMEL ATmega16 and the Human Interface Device standard | Technical Report (Zotero) | McGill University. http://www.music.mcgill.ca/ marshall/projects/avr-hidhttp://www.music.mcgill.ca/\simmarshall/projects/avr-hid | |||
| 2005 | Steiner, H. C. | Building your own instrument with Pd | Conference Proceedings (Zotero) | Proceedings of the 1\textsuperscriptst International Pd Conference, Graz, Austria | |||
| 2005 | Ghazala, Reed | Circuit-bending: build your own alien instruments | Book (Zotero) | Wiley Publishing | |||
| 2005 | Momeni, Ali | Composing Instruments: Inventing and Performing with Generative Computer-based Instruments | PhD Thesis (Zotero) | University of California, Berkeley | |||
| 2005 | Miranda, Eduardo Reck and Zhang, Qijun | Composition as Game Strategy: Making Music by Playing Board Games Against Evolved Artificial Neural Networks | Conference Proceedings (Zotero) | Proc. Int’l Computer Music Conf.(ICMC 2005), Barcelona | Link | ||
| 2005 | Zbyszynski, Michael and Freed, Adrian | Control of VST Plug-Ins Using OSC | Conference Proceedings (Zotero) | Proceedings of the 2005 International Computer Music Conference | 263–266 | ||
| 2005 | Baader, Andreas P. and Kazennikov, Oleg and Wiesendanger, Mario | Coordination of bowing and fingering in violin playing | Article (Zotero) | Cognitive Brain Research | 436–443 | ||
| 2005 | Seitz, J. A. | Dalcroze, the body, movement and musicality | Article (Zotero) | Psychology of Music | 419–435 | Link | |
| 2005 | Jensenius, Alexander Refsum and Godøy, Rolf Inge and Wanderley, Marcelo M. | Developing tools for studying musical gestures within the Max/MSP/Jitter environment | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 282–285 | Link | |
| 2005 | Brooks, Anthony L. | Enhanced gesture capture in virtual interactive space (VIS) | Article (Zotero) | Digital Creativity | 43–53 | ||
| 2005 | Volpe, Gualtiero | Expressive Gesture in Performing Arts and New Media: The Present and the Future | Article (Zotero) | Journal of New Music Research | 1–3 | Link | |
| 2005 | Wei, Sha Xin and Gill, Satinder | Gesture and response in field-based performance | Conference Proceedings (Zotero) | Proceedings of the 5th conference on Creativity & cognition - C&C ’05 | 205 | Link | |
| 2005 | Friberg, Anders | Home conducting: Control the overall musical expression with gestures | Conference Proceedings (Zotero) | Proceedings of the 2005 international computer music conference | 479–482 | ||
| 2005 | Guedes, Carlos | Mapping Movement to Musical Rhythm: A Study in Interactive Dance | PhD Thesis (Zotero) | New York University | |||
| 2005 | Dykstra-Erickson, Elizabeth and Arnowitz, Jonathan | Michel Waisvisz: the man and the hands. | Article (Zotero) | interactions | 63–67 | ||
| 2005 | Fenza, Diego and Mion, Luca and Canazza, Sergio and Roda, Antonio | Physical movement and musical gestures: a multilevel mapping strategy | Conference Proceedings (Zotero) | Proceedings of Sound and Music Computing | 24–26 | ||
| 2005 | Yuille, Jeremy | Sonic Interaction Design: frameworks for designing interactive sound environments | PhD Thesis (Zotero) | RMIT | |||
| 2005 | Kabisch, E. and Kuester, F. and Penny, S. | Sonic panoramas: experiments with interactive landscape image sonification | Conference Proceedings (Zotero) | Proceedings of the 2005 international conference on Augmented tele-existence | 156–163 | ||
| 2005 | Livingstone, Dan and O’Shea, Chris | TACTILE COMPOSITION SYSTEMS FOR COLLABORATIVE FREE SOUND | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | Link | ||
| 2005 | Knapp, R. Benjamin and Cook, Perry R. | The integral Music controller: Introducing a Direct Emotional Interface to gestural control of sound synthesis. | Conference Proceedings (Zotero) | ICMC | Link | ||
| 2005 | Overholt, Dan | The overtone violin: A new computer music instrument | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 604–607 | ||
| 2006 | Hornecker, Eva and Buur, Jacob | Getting a grip on tangible interaction: a framework on physical space and social interaction | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 437–446 | Link | |
| 2006 | Klemmer, Scott R. and Hartmann, Björn and Takayama, Leila | How bodies matter: five themes for interaction design | Conference Proceedings (Background) | Proceedings of the 6th conference on Designing Interactive systems | 140–149 | Link | |
| 2006 | Barad, Karen | Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning | Book (Background) | Duke University Press | Link | ||
| 2006 | Sengers, Phoebe and Gaver, Bill | Staying open to interpretation: engaging multiple meanings in design and evaluation | Conference Proceedings (Background) | Proceedings of the 6th conference on Designing Interactive systems | 99–108 | Link | |
| 2006 | Huron, David | Sweet Anticipation: Music and the Psychology of Expectation | Book (Background) | The MIT Press | Link | ||
| 2006 | Braun, Virginia and Clarke, Victoria | Using thematic analysis in psychology | Article (Background) | Qualitative Research in Psychology | 77–101 | Link | |
| 2006 | Lee, Eric and Karrer, Thorsten and Borchers, Jan | Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams | Article | Computer Music Journal | 21–36 | Link | |
| 2006 | Momeni, Ali and Henry, Cyrille | Dynamic Independent Mapping Layers for Concurrent Control of Audio and Video Synthesis | Article | Computer Music Journal | 49–66 | Link | |
| 2006 | Oboe, Roberto | A Multi-Instrument, Force-Feedback Keyboard | Article | Computer Music Journal | 38–52 | Link | |
| 2006 | Solis, Jorge and Chida, Keisuke and Taniguchi, Koichi and Hashimoto, Shinichiro Michael and Suefuji, Kei and Takanishi, Atsuo | The Waseda Flutist Robot WF-4RII in Comparison with a Professional Flutist | Article | Computer Music Journal | 12–27 | Link | |
| 2006 | Weinberg, Gil and Driscoll, Scott | Toward Robotic Musicianship | Article | Computer Music Journal | 28–45 | Link | |
| 2006 | Aylward, R. and Lovell, S.D. and Paradiso, J.A. | A Compact, Wireless, Wearable Sensor Network for Interactive Dance Ensembles | Conference Proceedings (Cited) | International Workshop on Wearable and Implantable Body Sensor Networks (BSN’06) | 65–70 | Link | |
| 2006 | ESSL, GEORG and O’MODHRAIN, SILE | An enactive approach to the design of new tangible musical instruments | Article (Cited) | Organised Sound | 285–296 | Link | |
| 2006 | Jensenius, Alexander Refsum and Koehly, Rodolphe and Wanderley, Marcelo M. | Building Low-Cost Music Controllers | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 123–129 | Link | |
| 2006 | Schwarz, Diemo | Concatenative sound synthesis: The early years | Article (Cited) | Journal of New Music Research | 3–22 | Link | |
| 2006 | VINES, B and KRUMHANSL, C and WANDERLEY, M and LEVITIN, D | Cross-modal interactions in the perception of musical performance | Article (Cited) | Cognition | 80–113 | Link | |
| 2006 | Bartlette, Christopher and Headlam, Dave and Bocko, Mark and Velikic, Gordana | Effect of Network Latency on Interactive Musical Performance | Article (Cited) | Music Perception | 49–62 | Link | |
| 2006 | GODØY, ROLF INGE | Gestural-Sonorous Objects: embodied extensions of Schaeffer’s conceptual apparatus | Article (Cited) | Organised Sound | 149–157 | Link | |
| 2006 | Rasamimanana, Nicolas H. and Fléty, Emmanuel and Bevilacqua, Frédéric | Gesture Analysis of Violin Bow Strokes | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 145–155 | Link | |
| 2006 | Lupone, Michelangelo and Seno, Lorenzo | Gran Cassa and the Adaptive Instrument Feed-Drum | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 149–163 | Link | |
| 2006 | Sawyer, R. Keith | Group creativity: musical performance and collaboration | Article (Cited) | Psychology of Music | 148–165 | Link | |
| 2006 | Rebelo, Pedro | Haptic sensation and instrumental transgression | Article (Cited) | Contemporary Music Review | 27–35 | Link | |
| 2006 | Patten, James and Recht, Ben and Ishii, Hiroshi | Interaction techniques for musical performance with tabletop tangible interfaces | Conference Proceedings (Cited) | Proceedings of the 2006 ACM SIGCHI international conference on Advances in computer entertainment technology | 27 | Link | |
| 2006 | Verfaille, Vincent and Wanderley, Marcelo M. and Depalle, Philippe | Mapping strategies for gestural and adaptive control of digital audio effects | Article (Cited) | Journal of New Music Research | 71–93 | Link | |
| 2006 | Friberg, Anders and Bresin, Roberto and Sundberg, Johan | Overview of the KTH rule system for musical performance | Article (Cited) | Advances in Cognitive Psychology | 145–161 | Link | |
| 2006 | Godøy, Rolf Inge and Haga, Egil and Jensenius, Alexander Refsum | Playing “Air Instruments”: Mimicry of Sound-Producing Gestures by Novices and Experts | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 256–267 | Link | |
| 2006 | Kaltenbrunner, Martin and Jorda, Sergi and Geiger, Gunter and Alonso, Marcos | The reacTable*: A Collaborative Musical Instrument | Conference Proceedings (Cited) | 15th IEEE International Workshops on Enabling Technologies: Infrastructure for Collaborative Enterprises (WETICE’06) | 406–411 | Link | |
| 2006 | Tanaka, Atau | Interaction, Experience and the Future of Music | Book Section/Chapter (Cited) | Computer Supported Cooperative Work | 267–288 | Link | |
| 2006 | Overholt, D. | Musical Interaction Design with the CREATE USB Interface: Teaching HCI with CUIs instead of GUIs | Conference Proceedings | Proceedings of the International Computer Music Conference | 6–11 | Link | |
| 2006 | Zadel, M. and Scavone, G. | Laptop Performance: Techniques, Tools, and a New Interface Design | Conference Proceedings | Proceedings of the International Computer Music Conference | 643–648 | Link | |
| 2006 | Karjalainen, M. and Maki-patola, T. and Kanerva, A. and Huovilainen, A. | Virtual Air Guitar | Article | Journal of Audio Engineering Society | 964–980 | ||
| 2006 | Malloch, J. and Birnbaum, D. and Sinyor, E. and Wanerley, M. M. | Towards a New Conceptual Framework for Digital Musical Instruments | Conference Proceedings | Proceedings of the 9th International Conference on Digital Audio Effects | 49–52 | ||
| 2006 | Weinberg, G. and Thatcher, T. | Interactive Sonification: Aesthetics, Functionality and Performance | Article | Leonardo Music Journal | 9–12 | Link | |
| 2006 | Marshall, M. T. and Wanderley, M. M. | Evaluation of Sensors as Input Devices for Computer Music Interfaces | Book Section/Chapter | Computer Music Modeling and Retrieval | 130–139 | Link | |
| 2006 | Miranda, E. R. and Wanderley, M. M. | New digital musical instruments: control and interaction beyond the keyboard | Book | A-R Editions Inc. | |||
| 2006 | Pendharkar, C. and Gurevich, M. and Wyse, L. | Parameterized Morphing as a Mapping Technique for Sound Synthesis | Conference Proceedings | Proceedings of the 9th International Conference on Digital Audio Effects - DAFx-06 | |||
| 2006 | Guedes, C. | Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch Tracking Techniques to a Video Signal | Conference Proceedings | Proceedings of the 2006 Sound and Music Computing Conference | |||
| 2006 | Shiratori, T. and Nakazawa, A. and Ikeuchi, K. | Dancing-To-Music Character Animation | Article | Computer Graphics Forum | 449–458 | Link | |
| 2006 | Yang, Z. and Yu, B. and Diankov, R. and Wu, W. and Bajscy, R. | Collaborative Dancing in Tele-Immersive Environment | Conference Proceedings | Proc. Ann. ACM Int’l Conf. Multimedia | 723–726 | Link | |
| 2006 | Zadel, M. | A Software System for Laptop Performance and Improvisation | Master's Thesis | McGill University | |||
| 2006 | Enke, U. | DanSense: Rhythmic Analysis of Dance Movements Using Acceleration-Onset Times | Master's Thesis | RWTH Aachen University | |||
| 2006 | Graugaard, Lars | Unifying Performer and Accompaniment | Conference Proceedings (Related) | Lecture Notes in Computer Science Computer Music Modeling and Retrieval | Link | ||
| 2006 | Guillaume, Philippe | Music and Acoustics: From Instrument to Computer | Book (Related) | Wiley | Link | ||
| 2006 | Maestre, Esteban | Coding Instrumental Gestures. Towards a quantitative description of instrumental gestures in excitation-continuous musical instruments | PhD Thesis (Theses) | Link | |||
| 2006 | Burns, Anne-Marie | Computer Vision Methods for Guitarist Left-Hand Fingering Recognition | PhD Thesis (Theses) | McGill University | Link | ||
| 2006 | Sinyor, Elliot | Digital musical instruments : a design approach based on moving mechanical systems | PhD Thesis (Theses) | McGill University | Link | ||
| 2006 | Aramburu, Roberto Horacio | Expanding guitar production techniques : building the guitar application toolkit (GATK) | PhD Thesis (Theses) | Florida International University | Link | ||
| 2006 | Le Groux, Sylvain | From Sense to Sound Mapping High-Level Sonic Percepts to Sound Generation | PhD Thesis (Theses) | Link | |||
| 2006 | Nevile, Ben | Gesture analysis through a computer’s audio interface: The Audio-Input Drum | PhD Thesis (Theses) | University of Victoria | Link | ||
| 2006 | Roetenberg, Daniel | Inertial and Magnetic Sensing of Human Motion | PhD Thesis (Theses) | Universiteit Twente | |||
| 2006 | Penttinen, Henri | Loudness and timbre issues in plucked stringed instruments - analysis, synthesis, and design | PhD Thesis (Theses) | Aalto University | Link | ||
| 2006 | Marlière, Sylvain | Study and design of a new tool with mixed realities and force feedback to touch and manipulate nanoworlds : Multisensory NanoManipulator | PhD Thesis (Theses) | Grenoble INPG | Link | ||
| 2006 | Mustard, Jonathan | The integrated sound, space and movement environment : The uses of analogue and digital technologies to correlate topographical and gestural movement with sound | PhD Thesis (Theses) | Edith Cowan University | Link | ||
| 2006 | Luciani, Annie and Evrard, Matthieu and Castagné, Nicolas and Couroussé, Damien and Florens, Jean-Loup and Cadoz, Claude | A Basic Gesture and Motion Format for Virtual Reality Multisensory Applications | Conference Proceedings (Zotero) | Proceedings of the 1st international Conference on Computer Graphics Theory and Applications, Setubal, Portugal, March 2006 | |||
| 2006 | Couturier, Jean-Michel | A model for graphical interaction applied to gestural control of sound | Conference Proceedings (Zotero) | Proceedings of Sound and Music Computing, 18-20 May 2006, Marseille, France | |||
| 2006 | Hermann, Thomas and Höner, Oliver and Ritter, Helge | AcouMotion – An Interactive Sonification System for Acoustic Motion Control | Book Section/Chapter (Zotero) | Gesture in Human-Computer Interaction and Simulation, 6th International Gesture Workshop | 312–323 | Link | |
| 2006 | Wessel, David | An enactive approach to computer music performance | Article (Zotero) | Le Feedback dans la Creation Musical, Lyon, France | 93–98 | Link | |
| 2006 | Malloch, Joseph and Birnbaum, David and Sinyor, Elliot and Wanderley, Marcelo M. | Examining Design Goals of Digital Musical Instruments | Conference Proceedings (Zotero) | Proceedings of the International Conference on Digital Audio Effects (DAFx-06) | 49–52 | Link | |
| 2006 | Lepecki, Andre | Exhausting Dance: Performance and the Politics of Movement | Book (Zotero) | Routledge | Link | ||
| 2006 | van Nort, Doug and Wanderley, Marcelo M. | Exploring the effect of mapping trajectories on musical performance | Conference Proceedings (Zotero) | Proceedings of Sound and Music Computing | |||
| 2006 | Wiesendanger, M. and Baader, A. and Kazennikov, O. | Fingering and Bowing in Violinists: A Motor Control Approach | Book Section/Chapter (Zotero) | Music, Motor Control and the Brain | 109–123 | ||
| 2006 | Graugaard, Lars | Gesture and Emotion in Interactive Music: Artistic and Technological Challenges | PhD Thesis (Zotero) | Oxford Brookes University | |||
| 2006 | Jerde, T. E. and Santello, M. and Flanders, M. and Soechting, J. F. | Hand Movements and Musical Performance | Book Section/Chapter (Zotero) | Music, Motor Control and the Brain | 79–90 | ||
| 2006 | Jackson, Myles W. | Harmonious triads: physicists, musicians, and instrument makers in nineteenth-century Germany | Book (Zotero) | MIT Press | |||
| 2006 | Abrashev, Bozhidar and Gadjev, Vladimir | Illustrated encyclopedia of musical instruments: From all eras and regions of the world | Book (Zotero) | Tandem Verlag GmbH | |||
| 2006 | Eikenes, Jon Olav | Interface for arranging sound in space | Master's Thesis (Zotero) | ||||
| 2006 | Place, Tim and Lossius, Trond | Jamoma - A modular standard for structuring patches in Max | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 143–146 | Link | |
| 2006 | Moen, Jin | KinAesthetic Movement Interaction: Designing for the Pleasure of Motion | PhD Thesis (Zotero) | KTH | |||
| 2006 | Dahl, Sofia | Looking at movement gesture: Examples from drumming and percussion | Technical Report (Zotero) | Ohio State University | |||
| 2006 | Blom, Jan Petter | Making the music dance: dance connotations in Norwegian fiddling | Book Section/Chapter (Zotero) | ||||
| 2006 | James, Jodi and Ingalls, Todd and Qian, Gang and Olsen, Loren and Whiteley, Daniel and Wong, Siew and Rikakis, Thanassis | Movement-based interactive dance performance | Conference Proceedings (Zotero) | Proceedings of the 14th annual ACM international conference on Multimedia | 470–480 | Link | |
| 2006 | London, Justin | Musical Rhythm: Motion, Pace and Gesture | Book Section/Chapter (Zotero) | Music and Gesture | 126–41 | ||
| 2006 | Marshall, Mark and Peters, Nils and Jensenius, Alexander Refsum and Boissinot, Julien and Wanderley, Marcelo M. and Braasch, Jonas | On the development of a system for gesture control of spatialization | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 360–366 | Link | |
| 2006 | Lossius, Trond | Sound Installations and Other Cross-Diciplinary Projects Project Summary-Research Fellowship in the Arts | Article (Zotero) | Link | |||
| 2006 | Yeo, W.S. | The bluetooth radio ball interface (BRBI): a wireless interface for music/sound control and motion sonification | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 270–273 | ||
| 2006 | Levin, Golan | The table is the score: An augmented-reality interface for real-time, tangible, spectrographic performance | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 151–154 | ||
| 2006 | Collins, Nick | Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems | PhD Thesis (Zotero) | University of Cambridge | |||
| 2006 | Gómez, Esteban Maestre | Towards a quantitative description of instrumental gestures in excitation-continuous musical instruments | PhD Thesis (Zotero) | Citeseer | Link | ||
| 2007 | Shneiderman, Ben | Creativity support tools: accelerating discovery and innovation | Article (Background) | Communications of the ACM | 20–32 | Link | |
| 2007 | Leman, Marc | Embodied Music Cognition and Mediation Technology | Book (Background) | The MIT Press | Link | ||
| 2007 | Zimmerman, John and Forlizzi, Jodi and Evenson, Shelley | Research through design as a method for interaction design research in HCI | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 493–502 | Link | |
| 2007 | Blevis, Eli | Sustainable interaction design: invention & disposal, renewal & reuse | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 503–512 | Link | |
| 2007 | Johnson, Mark | The Meaning of the Body: Aesthetics of Human Understanding | Book (Background) | University of Chicago Press | Link | ||
| 2007 | Djajadiningrat, Tom and Matthews, Ben and Stienstra, Marcelle | Easy doesn’t do it: skill and expression in tangible aesthetics | Article (Background) | Personal and Ubiquitous Computing | 657–676 | Link | |
| 2007 | Sears, Andrew and Jacko, Julie A. and Jacko, Julie A. | The Human-Computer Interaction Handbook: Fundamentals, Evolving Technologies and Emerging Applications, Second Edition | Book (Background) | CRC Press | Link | ||
| 2007 | Zatorre, Robert J. and Chen, Joyce L. and Penhune, Virginia B. | When the brain plays music: auditory–motor interactions in music perception and production | Article (Background) | Nature Reviews Neuroscience | 547–558 | Link | |
| 2007 | Feldmeier, Mark and Paradiso, Joseph A. | An Interactive Music Environment for Large Groups with Giveaway Wireless Motion Sensors | Article | Computer Music Journal | 50–67 | Link | |
| 2007 | Gorman, Mikhail and Lahav, Amir and Saltzman, Elliot and Betke, Margrit | A Camera-Based Music-Making Tool for Physical Rehabilitation | Article | Computer Music Journal | 39–53 | Link | |
| 2007 | Milne, Andrew and Sethares, William and Plamondon, James | Isomorphic Controllers and Dynamic Tuning: Invariant Fingering over a Tuning Continuum | Article | Computer Music Journal | 15–32 | Link | |
| 2007 | Schwarz, D. | Corpus-Based Concatenative Synthesis | Article (Cited) | IEEE Signal Processing Magazine | 92–104 | Link | |
| 2007 | DAHLSTEDT, PALLE | Evolution in Creative Sound Design | Book Section/Chapter (Cited) | Evolutionary Computer Music | 79–99 | Link | |
| 2007 | Collins, Nick and d’Escrivan, Julio | The Cambridge Companion to Electronic Music | Book (Cited) | Cambridge University Press | Link | ||
| 2007 | Shibuya, Koji and Matsuda, Shoji and Takahara, Akira | Toward Developing a Violin Playing Robot - Bowing by Anthropomorphic Robot Arm and Sound Analysis | Conference Proceedings (Cited) | RO-MAN 2007 - The 16th IEEE International Symposium on Robot and Human Interactive Communication | 763–768 | Link | |
| 2007 | Dahl, Sofia and Friberg, Anders | Visual Perception of Expressiveness in Musicians’ Body Movements | Article (Cited) | Music Perception | 433–454 | Link | |
| 2007 | Trueman, Dan | Why a laptop orchestra? | Article (Cited) | Organised Sound | 171–179 | Link | |
| 2007 | Maestre, E. and others | Acquisition of Violin Instrumental Gestures Using a Commercial EMF Tracking Device | Conference Proceedings | Proceedings of the International Computer Music Conference | 386–393 | ||
| 2007 | Malloch, J. and Sinclair, S. and Wanderley, M. M. | From controller to sound: Tools for collaborative development of digital musical instruments | Conference Proceedings | Proceedings of the International Computer Music Conference | 65–72 | ||
| 2007 | Bayreuther, R. | Contemporary composition as musical disciplina - The example of sound installations of Robin Minard | Article | Musiktheorie | 357–364 | ||
| 2007 | Lovischach, J. | Music at Your Fingertips: An Electrotactile Fader | Conference Proceedings | Proceedings of the 123rd Audio Engineering Society Convention | |||
| 2007 | Hayward, V. and MacLean, K. E. | Do it yourself haptics: Part I | Article | IEEE Robotics & Automation Magazine | Link | ||
| 2007 | Vlasic, D. and Adelsberger, R. and Vannucci, G. and Barnwell, J. and G., Markus | Practical Motion Capture in Everyday Surroundings | Conference Proceedings | Proceedings of the International Conference and Exhibition on Computer Graphics and Interactive Technologies (SIGGRAPH) | Link | ||
| 2007 | Amatriain, X. | CLAM: A Framework for Audio and Music Application Development | Article | Software, IEEE | 82–85 | Link | |
| 2007 | Kaltenbrunner, M. and Bencina, R. | reacTIVision: a computer-vision framework for table-based tangible interaction | Conference Proceedings | Proceedings of the 1st International Conference on Tangible and Embedded Interaction (TEI ’07) | 69–74 | ||
| 2007 | Sànchez, A. and Pantrigo, J. J. and Virseda, J. and Pérez, G. | Spieldose: An Interactive Genetic Software for Assisting to Music Composition Tasks | Conference Proceedings | Proceedings of the 2nd International work-conference on The Interplay Between Natural and Artificial Computation (IWINAC-2007) | 617–626 | ||
| 2007 | Sinclair, S. and Wanderley, M. | Using PureData to Control a Haptically-enabled Virtual Environment | Conference Proceedings | PureData Convention 2007 | |||
| 2007 | Sinclair, S. and Wanderley, M. | Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound | Conference Proceedings | Proceedings of the the 4th International Conference on Enactive Interfaces (ENACTIVE’07) | |||
| 2007 | Aylward, R. and Paradiso, J. | A compact, high-speed, wearable sensor network for biomotion capture and interactive media | Conference Proceedings | Proceedings of the 6th international conference on Information processing in sensor networks | 380–389 | Link | |
| 2007 | Bakogianni, J. S. and Kavakli, E. and Karkou, V. and Tsakogianni, M. | Teaching Traditional Dance Using E-Learning Tools: Experience from the WebDANCE Project | Conference Proceedings | Proc. 21st World Congress on Dance Research: Dancers without Frontiers | |||
| 2007 | Crampton, N. and Fox, K. and Johnston, H. and Whitehead, A. | Dance, Dance Evolution: Accelerometer Sensor Networks as Input to Video Games | Conference Proceedings | 2007 IEEE International Workshop on Haptic, Audio and Visual Environments and Games | 107–112 | Link | |
| 2007 | Dixon, S. | Digital Performance – A History of New Media in Theater, Dance, Performance, Art, and Installation | Book | The MIT Press | |||
| 2007 | Magnenat-Thalmann, N. and Joslin, C. | Learning How to Dance on the Internet | Conference Proceedings | Proc. Sixth Int’l Conf. Web-Based Learning (ICWL ’07) | |||
| 2007 | Magnenat-Thalmann, N. and Protopsaltou, D. and Kavakli, E. | Learning How to Dance Using a Web 3D Platform | Conference Proceedings | Proc. Sixth Int’l Conf. Web-Based Learning | 1–12 | ||
| 2007 | Birnbaum, D. | Musical vibrotactile feedback | Master's Thesis | McGill University | |||
| 2007 | Fremerey, Christian and Kurth, Frank and Müller, Meinard and Clausen, Michael | A Demonstration of the SyncPlayer System. | Conference Proceedings (Related) | ISMIR | Link | ||
| 2007 | Sexton, Jamie | Music, Sound and Multimedia: From the Live to the Virtual | Book (Related) | Edinburgh University Press | Link | ||
| 2007 | Wozniewski, Michael | A framework for interactive three-dimensional sound and spatial audio processing in a virtual environment | PhD Thesis (Theses) | McGill University | Link | ||
| 2007 | Young, Diana S. | A methodology for investigation of bowed string performance through measurement of violin bowing technique | PhD Thesis (Theses) | MIT | |||
| 2007 | Jensenius, Alexander Refsum | Action–Sound: Developing Methods and Tools to Study Music-Related Body Movement | PhD Thesis (Theses) | University of Oslo | Link | ||
| 2007 | Shang, Xinhuai | Combination Timogun Murut dance movement and modern dance technique in modern dance choreography | PhD Thesis (Theses) | Link | |||
| 2007 | O’Sullivan, Liam | Development of a Graphical Sound Synthesis Controller Exploring Cross-Modal Perceptual Analogies | PhD Thesis (Theses) | Link | |||
| 2007 | Sinclair, Stephen | Force-Feedback Hand Controllers for Musical Interaction | PhD Thesis (Theses) | McGill University | |||
| 2007 | Marosek, Scott | Jon Christopher Nelson’s Fantasies and Flourishes: An Interactive Concerto for Disklavier and Orchestra: A Performance Analysis | PhD Thesis (Theses) | Link | |||
| 2007 | Lozada, José | Modeling, haptic control and novel concepts for musical keyboards | PhD Thesis (Theses) | Palaiseau, Ecole polytechnique | Link | ||
| 2007 | Rauhala, Jukka | PHYSICSBASED PARAMETRIC SYNTHESIS OF INHARMONIC PIANO TONES | PhD Thesis (Theses) | Aalto University | Link | ||
| 2007 | McDonald, Iain | Playing with technology - an approach to composition | PhD Thesis (Theses) | The University of Glasgow | Link | ||
| 2007 | Mamou-Mani, Adrien | Prestresses and vibration of a soundboard : towards the modelling of the know-how of the musical instruments makers | PhD Thesis (Theses) | Paris 6 | Link | ||
| 2007 | Shiratori, Takaaki | Synthesis of Dance Performance Based on Analyses of Human Motion and Music | PhD Thesis (Theses) | Link | |||
| 2007 | Liu, Jie (author) | User-centered computing and design in ESP: a driving interface for musical expression synthesis | PhD Thesis (Theses) | University of Southern California | Link | ||
| 2007 | Jørgensen, Kristine | What are Those Grunts and Growls Over There?’ Computer Game Audio and Player Action | PhD Thesis (Theses) | University of Copenhagen | Link | ||
| 2007 | Ng, Kia C. and Weyde, Tillman and Larkin, Oliver and Neubarth, Kerstin and Koerselman, Thijs and Ong, Bee | 3d augmented mirror: a multimodal interface for string instrument learning and teaching with gesture support | Conference Proceedings (Zotero) | Proceedings of the 9th international conference on Multimodal interfaces | 339–345 | Link | |
| 2007 | TOPLAP | A Prehistory of Live Coding | Book (Zotero) | ||||
| 2007 | Burger, Birgitta and Bresin, Roberto | Displaying expression in musical performance by means of a mobile robot | Book Section/Chapter (Zotero) | Affective Computing and Intelligent Interaction | 753–754 | Link | |
| 2007 | Martins, J. and Miranda, Eduardo R. | Emergent rhythmic phrases in an A-Life environment | Conference Proceedings (Zotero) | Proceedings of ECAL 2007 Workshop on Music and Artificial Life (MusicAL 2007) | 10–14 | Link | |
| 2007 | Miranda, Eduardo Reck and Biles, Al | Evolutionary computer music | Book (Zotero) | Springer | |||
| 2007 | Zhang, Qijun and Miranda, Eduardo R. | Evolving expressive music performance through interaction of artificial agent performers | Conference Proceedings (Zotero) | Proceedings of ECAL 2007 Workshop on Music and Artificial Life | Link | ||
| 2007 | Thompson, Marc R. | Expressive Gestures in Piano Performance | PhD Thesis (Zotero) | University of Jyv\askyl\a | |||
| 2007 | Maestre, Esteban and Janer, Jordi and Jensenius, Alexander R and Malloch, Joseph | Extending GDIF for instrumental gestures: the case of violin performance | Article (Zotero) | 6 | |||
| 2007 | Van Nort, Doug and Gauthier, David and Wei, Sha Xin and Wanderley, Marcelo M. | Extraction of Gestural Meaning from a Fabric-Based Instrument | Conference Proceedings (Zotero) | Proceedings of the 2007 International Computer Music Conference (ICMC2007) | Link | ||
| 2007 | Marshall, Mark T. and Malloch, Joseph and Wanderley, Marcelo M. | Gesture Control of Spatialization | Conference Proceedings (Zotero) | 7th International Workshop on Gesture in Human-Computer Interaction and Simulation | |||
| 2007 | Marschall, Olav-Andreas | Machine Composition - Between Lisp and Max | PhD Thesis (Zotero) | University of Oslo | |||
| 2007 | Carôt, Alexander and Rebelo, Pedro and Renaud, Alain | Networked music performance: State of the art | Conference Proceedings (Zotero) | Audio Engineering Society Conference: 30th International Conference: Intelligent Audio Environments | Link | ||
| 2007 | Waters, Simon | Performance Ecosystems: Ecological approaches to musical interaction | Article (Zotero) | EMS: Electroacoustic Music Studies Network | 1–20 | ||
| 2007 | Steiner, Hans-Christoph and Henry, Cyrille | Progress report on the Mapping Library for Pd | Conference Proceedings (Zotero) | Proceedings of PD Convention, Montreal | |||
| 2007 | Tsuruta, S. and Kawauchi, Y. and Choi, W. and Hachimura, K. | Real-Time Recognition of Body Motion for Virtual Dance Collaboration System | Conference Proceedings (Zotero) | Artificial Reality and Telexistence, 17th International Conference on | 23–30 | ||
| 2007 | Hermann, Thomas and Bunte, Kerstin and Ritter, Helge | Relevance-based interactive optimization of sonification | Conference Proceedings (Zotero) | Georgia Institute of Technology | |||
| 2007 | Lossius, Trond | Sound - Space - Body : Reflections on Artistic Practice | PhD Thesis (Zotero) | Bergen National Academy of the Arts | |||
| 2007 | Pulkki, V. | Spatial sound reproduction with directional audio coding | Article (Zotero) | JOURNAL-AUDIO ENGINEERING SOCIETY | 503 | ||
| 2007 | Rasamimanana, Nicolas and Bernardin, Delphine and Wanderley, Marcelo and Bevilacqua, Frédéric | String bowing gestures at varying bow stroke frequencies: A case study | Conference Proceedings (Zotero) | International Gesture Workshop | 216–226 | ||
| 2007 | Essl, Georg and Rohs, Michael | The Design Space of Sensing-Based Interaction for Mobile Music Performance | Conference Proceedings (Zotero) | Proceedings of the 3rd International Workshop on Pervasive Mobile Interaction | Link | ||
| 2007 | Nymoen, Kristian | The Nymophone2 – a study of a new multidimensionally controllable musical instrument | PhD Thesis (Zotero) | University of Oslo | Link | ||
| 2007 | Dannenberg, Roger B. and Cavaco, Sofia and Ang, Eugene and Avramovic, Igor and Aygun, Barkin and Baek, Jinwook and Barndollar, Erik and Duterte, Daniel and Grafton, Jeffrey and Hunter, Robert | The carnegie mellon laptop orchestra | Article (Zotero) | ||||
| 2007 | Jordà, Sergi and Geiger, Günter and Alonso, Marcos and Kaltenbrunner, Martin | The reacTable: Exploring the Synergy Between Live Music Performance and Tabletop Tangible Interfaces | Conference Proceedings (Zotero) | Proceedings of the 1st International Conference on Tangible and Embedded Interaction | 139–146 | Link | |
| 2007 | Peters, Nils and Evans, Megan and Britton, Eliot | Trakhue - Intuitive Gestural Control of Live Electronics | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2007 | Castellano, Ginevra and Bresin, Roberto and Camurri, Antonio and Volpe, Gualtiero | User-centered control of audio and visual expressive feedback by full-body movements | Conference Proceedings (Zotero) | Affective computing and intelligent interaction | 501–510 | ||
| 2007 | Brown, Andrew R. and Sorensen, Andrew C. | aa-cell in practice: An approach to musical live coding | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 292–299 | ||
| 2007 | Bukvic, Ivica Ico and Kim, J. and Trueman, D. and Grill, T. | munger1: Towards a cross-platform swiss-army knife of real-time granular synthesis | Conference Proceedings (Zotero) | Proc. ICMC | Link | ||
| 2008 | Verbeek, Peter-Paul | Cyborg intentionality: Rethinking the phenomenology of human–technology relations | Article (Background) | Phenomenology and the Cognitive Sciences | 387–395 | Link | |
| 2008 | Jacob, Robert J.K. and Girouard, Audrey and Hirshfield, Leanne M. and Horn, Michael S. and Shaer, Orit and Solovey, Erin Treacy and Zigelbaum, Jamie | Reality-based interaction: a framework for post-WIMP interfaces | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 201–210 | Link | |
| 2008 | Buechley, Leah and Eisenberg, Mike and Catchen, Jaime and Crockett, Ali | The LilyPad Arduino: using computational textiles to investigate engagement, aesthetics, and diversity in computer science education | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 423–432 | Link | |
| 2008 | Smallwood, Scott and Trueman, Dan and Cook, Perry R. and Wang, Ge | Composing for Laptop Orchestra | Article | Computer Music Journal | 9–25 | Link | |
| 2008 | Wang, Ge and Trueman, Dan and Smallwood, Scott and Cook, Perry R. | The Laptop Orchestra as Classroom | Article | Computer Music Journal | 26–37 | Link | |
| 2008 | Pakarinen, Jyri and Puputti, Tapio and Valimaki, Vesa | Virtual Slide Guitar | Article | Computer Music Journal | 42–54 | Link | |
| 2008 | Berdahl, Edgar and Niemeyer, Guenter and Smith, Julius O. | Active control of a vibrating string | Article (Cited) | The Journal of the Acoustical Society of America | 3666–3666 | Link | |
| 2008 | Hashida, Tomoko and Naemura, Takeshi and Sato, Takao | Creativity with Learning:Approaches for Improvisational Musical Expression Supports | Article (Cited) | The Journal of the Society for Art and Science | 75–84 | Link | |
| 2008 | Freeman, Jason | Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance | Article (Cited) | Computer Music Journal | 25–41 | Link | |
| 2008 | Jorda, Sergi | On stage: the reactable and other musical tangibles go real | Article (Cited) | International Journal of Arts and Technology | 268 | Link | |
| 2008 | Huang, Kevin and Do, Ellen Yi-Luen and Starner, Thad | PianoTouch: A wearable haptic piano instruction system for passive learning of piano skills | Conference Proceedings (Cited) | 2008 12th IEEE International Symposium on Wearable Computers | 41–44 | Link | |
| 2008 | Seifert, Uwe and Kim, Jin Hyun and Moore, Anthony | The Co-Evolution of Humans and Machines: A Paradox of Interactivity | Book Section/Chapter (Cited) | Kultur- und Medientheorie | 8–23 | Link | |
| 2008 | Kusuda, Yoshihiro | Toyota’s violin‐playing robot | Article (Cited) | Industrial Robot: An International Journal | 504–506 | Link | |
| 2008 | Grindlay, Graham | Haptic Guidance Benefits Musical Motor Learning | Conference Proceedings (Cited) | 2008 Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems | 397–404 | Link | |
| 2008 | Kvifte, Tellef | What is a Musical Instrument? | Article | Swedish Journal of Music Research | 45-56 | Link | |
| 2008 | Kvifte, Tellef | On the Description of Mapping Structures | Article | Journal of New Music Research | 353-362 | Link | |
| 2008 | Anderson, S. | Microsound in public space: compositional methods to enhance site-specific sound | Article | Organised Sound | 51–60 | Link | |
| 2008 | Cascella, D. | Carl Michael von Hausswolff | Article | Organised Sound | 21–29 | Link | |
| 2008 | Grossmann, R. | The tip of the iceberg: laptop music and the information-technological transformation of music | Article | Organised Sound | 5–11 | Link | |
| 2008 | Jean, F. and Albu, A. B. | The Visual Keyboard: Real-Time Feet Tracking for the Control of Musical Meta-Instruments | Article | Signal Processing: Image Communication | 505–515 | Link | |
| 2008 | Johnston, A. and Candy, L. and Edmonds, E. | Designing and evaluating virtual musical instruments: facilitating conversational user interaction | Article | Design Studies | 556–571 | Link | |
| 2008 | Merrill, D. and Raffle, H. and Aimi, R. | The Sound of Touch: Physical Manipulation of Digital Sound | Conference Proceedings | Proceedings of CHI (2008) | 739–742 | ||
| 2008 | Petersen, K. and Solis, J. and Takanishi, A. | Development of a Real-Time Instrument Tracking System for Enabling the Musical Interaction with the Waseda Flutist Robot | Conference Proceedings | IEEE/RSJ International Conference on Intelligent Robots and Systems | 313–318 | Link | |
| 2008 | Richards, J. | Getting the Hands Dirty | Article | Leonardo Music Journal | 25–31 | Link | |
| 2008 | Grunwald, Martin and Verlag, Birkhauser | Human haptic perception: Basics and applications | Book | Birkhauser Basel | |||
| 2008 | Hayward, V. and MacLean, K. E. | Do it yourself haptics: Part II [Tutorial] | Article | IEEE Robotics & Automation Magazine | Link | ||
| 2008 | Dahlstedt, P. | Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation | Conference Proceedings | Proceedings of the 2008 Computer Music Modeling and Retrieval conference - CMMR08 | Link | ||
| 2008 | Malloch, J. and Sinclair, S. and Wanderley, M. M. | A Network-based Framework for Collaborative Development and Performance of Digital Musical Instruments | Conference Proceedings | Computer Music Modeling and Retrieval. Sense of Sounds: 4th International Symposium, CMMR 2007, Revised Papers | 401–425 | ||
| 2008 | Fujimoto, M. and Fujita, N. and Takegawa, Y. and Terada, T. and Tsukamoto, M. | Musical B-boying: A Wearable Musical Instrument by Dancing | Article | Lecture Notes In Computer Science | |||
| 2008 | Kim, Y. and Jung, D. and Park, S. and Chi, J. and Kim, T. and Lee, S. | The Shadow Dancer: A New Dance Interface with Interactive Shoes | Conference Proceedings | International Conference on Cyberworlds | Link | ||
| 2008 | Latulipe, C. and Huskey, S. | Dance. Draw: exquisite interaction | Conference Proceedings | Proceedings of the 22nd British CHI Group Annual Conferenc on HCI 2008: People and Computers XXII: Culture, Creativity, Interaction | 47–51 | Link | |
| 2008 | Naveda, L. and Leman, M. | Representation of Samba dance gestures, using a multi-modal analysis approach | Conference Proceedings | 5th International Conference on Enactive Interfaces | |||
| 2008 | Marshall, M. T. | Physical Interface Design for Digital Musical Instruments | PhD Thesis | McGill University | |||
| 2008 | Sinnott, Laura | Mapping Strategies for the Augmented Tango Shoe | Master's Thesis | New York University, USA | |||
| 2008 | Gutknecht, J. and Kulka, I. and Lukowicz, P. and Strieker, T. | Advances in Expressive Animation in the Interactive Performance of a Butoh Dance | Conference Proceedings | Transdisciplinary Digital Art. Sound, Vision and the New Screen. Communications in Computer and Information Science | 418–433 | Link | |
| 2008 | Fiebrink, Rebecca and Wang, Ge and Cook, Perry R. | Support for MIR Prototyping and Real-Time Applications in the ChucK Programming Language. | Conference Proceedings (Related) | ISMIR | Link | ||
| 2008 | Ng, Kia and Nesi, Paolo | Interactive Multimedia Music Technologies | Book (Related) | IGI Global | Link | ||
| 2008 | Zölzer, Udo | Digital Audio Signal Processing | Book (Related) | Wiley | Link | ||
| 2008 | Malloch, Joseph W. | A consort of gestural musical controllers : design, construction, and performance | PhD Thesis (Theses) | McGill University | Link | ||
| 2008 | Peng, Lijuan | A gestural interface in a computer-based conducting system. | PhD Thesis (Theses) | Link | |||
| 2008 | Gimenes, Marcelo | AN APPROACH TO MACHINE DEVELOPMENT OF MUSICAL ONTOGENY | PhD Thesis (Theses) | University of Plymouth | Link | ||
| 2008 | Konttinen, Anu | Conducting Gestures : Institutional and Educational Construction of Conductorship in Finland, 1973-1993 | PhD Thesis (Theses) | University of Helsinki | Link | ||
| 2008 | Rasamimanana, Nicolas H. | Geste instrumental du violoniste en situation de jeu : analyse et modélisation | PhD Thesis (Theses) | Sciences et Technologies de la Musique et du Son | Link | ||
| 2008 | Jones, Randall | Intimate Control for Physical Modeling Synthesis | PhD Thesis (Theses) | University of Victoria | |||
| 2008 | Hosale, Mark-David | Nonlinear Media as Interactive Narrative | PhD Thesis (Theses) | University of California | |||
| 2008 | Demoucron, Matthias | On the Control of Virtual Violins: Physical Modelling and Control of Bowed String Instruments | PhD Thesis (Theses) | Université Pierre et Marie Curie (UPMC), Paris & Royal Institute of Technology (KTH), Stockholm | |||
| 2008 | Casciato, Carmine | On the choice of gestural controllers for musical applications : an evaluation of the Lightning II and the Radio Baton | PhD Thesis (Theses) | McGill University | Link | ||
| 2008 | Janer, Jordi | Singing-Driven Interfaces for Sound Synthesizers | PhD Thesis (Theses) | Universitat Pompeu Fabra | |||
| 2008 | Wang, Ge | The ChucK Audio Programming Language: An Strongly-timed and On-the-fly Environ/mentality | PhD Thesis (Theses) | Princeton University | |||
| 2008 | Steiner, Hans-Christoph | The [hid] Toolkit for Pd | PhD Thesis (Theses) | Masters thesis. New York: New York University | Link | ||
| 2008 | Lee, Ki-Sun | Towards an Improved Baton Technique: The Application and Modification of Conducting Gestures Drawn from the Methods of Rudolf, Green and Saitō for Enhanced Performance of Orchestral Interpretations | PhD Thesis (Theses) | The University of Arizona | Link | ||
| 2008 | Diaz-Marino, Roberto Arturo | A visual programming language for live video sonification | PhD Thesis (Zotero) | University of Calgary | |||
| 2008 | Costalonga, Leandro L. and Vicari, Rosa M. and Miletto, Evandro M. | Agent-based guitar performance simulation | Article (Zotero) | Journal of the Brazilian Computer Society | 19–29 | Link | |
| 2008 | Mitchell, Daniel R. | BasicSynth: creating a music synthesizer in software | Book (Zotero) | Daniel R. Mitchell | |||
| 2008 | Lossius, Trond | Controlling Spatial Sound Within an Installation Art Context | Conference Proceedings (Zotero) | Proceedings of the 2008 International Computer Music Conference | |||
| 2008 | Kirisits, N. and Behrendt, F. and Gaye, L. and Tanaka, A | Creative Interactions—The Mobile Music Workshops 2004–2008 | Conference Proceedings (Zotero) | University of Applied Arts | Link | ||
| 2008 | Hollinger, Avrum | Design of fMRI-compatible electronic musical interfaces | PhD Thesis (Zotero) | McGill University | |||
| 2008 | Miranda, Eduardo R. | Digital Sound Synthesis for Multimedia Audio | Article (Zotero) | Wiley Encyclopedia of Computer Science and Engineering | Link | ||
| 2008 | Varni, Giovanna and Camurri, Antonio and Coletta, Paolo and Volpe, Gualtiero | Emotional entrainment in music performance | Conference Proceedings (Zotero) | Automatic Face & Gesture Recognition, 2008. FG’08. 8th IEEE International Conference on | 1–5 | Link | |
| 2008 | Place, Timothy and Lossius, Trond and Jensenius, Alexander Refsum and Peters, Nils | Flexible Control of Composite Parameters in Max/Msp | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 233–236 | Link | |
| 2008 | Dahlstedt, Palle and Nilsson, Per Anders | Free flight in parameter space: A dynamic mapping strategy for expressive free impro | Book Section/Chapter (Zotero) | Applications of Evolutionary Computing | 479–484 | Link | |
| 2008 | Peters, Deniz and Eckel, Gerhard | Haptic Illusions in Sonic Interaction | Conference Proceedings (Zotero) | Submitted to SID CHI | |||
| 2008 | Schmeder, A. and Freed, A. | Implementation and applications of open sound control timestamps | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 655–658 | ||
| 2008 | Frisk, Henrik | Improvisation, Computers and Interaction Rethinking Human-Computer Interaction Through Music | PhD Thesis (Zotero) | Malmö Academy of Music | |||
| 2008 | Dahl, Sofia and Altenmüller, Eckart | Motor control in drumming: Influence of movement pattern on contact force and sound characteristics | Conference Proceedings (Zotero) | Acoustics | |||
| 2008 | Overholt, Dan | Musical Interface Technology: Multimodal Control of Multidimensional Parameter Spaces for Electroacoustic Music Performance | PhD Thesis (Zotero) | University of California, Santa Barbara | |||
| 2008 | Nymoen, Kristian | SMA Technical Report The Nymophone2 - a study of a new multidimensionally controllable musical instrument | Technical Report (Zotero) | Universitetet i Oslo | |||
| 2008 | Peters, N. and Matthews, T. and Braasch, J. and McAdams, S. | Spatial sound rendering in Max/MSP with ViMiC | Conference Proceedings (Zotero) | Proceedings of the 2008 International Computer Music Conference | |||
| 2008 | Brown, Steven and Parsons, Lawrence M. | The Neuroscience of Dance | Article (Zotero) | Scientific American | |||
| 2009 | Wobbrock, Jacob O. and Morris, Meredith Ringel and Wilson, Andrew D. | User-defined gestures for surface computing | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 1083–1092 | Link | |
| 2009 | Park, Tae Hong | An Interview with Max Mathews | Article | Computer Music Journal | 9–22 | Link | |
| 2009 | Overholt, Dan and Thompson, John and Putnam, Lance and Bell, Bo and Kleban, Jim and Sturm, Bob and Kuchera-Morin, JoAnn | A Multimodal System for Gesture Recognition in Interactive Music Performance | Article | Computer Music Journal | 69–82 | Link | |
| 2009 | Sinclair, Stephen and Wanderley, Marcelo M. | A run-time programmable simulator to enable multi-modal interaction with rigid-body systems | Article (Cited) | Interacting with Computers | 54–63 | Link | |
| 2009 | Nanayakkara, Suranga and Taylor, Elizabeth and Wyse, Lonce and Ong, S H. | An enhanced musical experience for the deaf: design and evaluation of a music display and a haptic chair | Conference Proceedings (Cited) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 337–346 | Link | |
| 2009 | Fels, Sidney and Lyons, Michael | Creating new interfaces for musical expression: introduction to NIME | Conference Proceedings (Cited) | ACM SIGGRAPH 2009 Courses | 1–158 | Link | |
| 2009 | Luciani, Annie and Florens, Jean-Loup and Couroussé, Damien and Castet, Julien | Ergotic Sounds: A New Way to Improve Playability, Believability and Presence of Virtual Musical Instruments | Article (Cited) | Journal of New Music Research | 309–323 | Link | |
| 2009 | Stowell, D. and Robertson, A. and Bryan-Kinns, N. and Plumbley, M.D. | Evaluation of live human–computer music-making: Quantitative and qualitative approaches | Article (Cited) | International Journal of Human-Computer Studies | 960–975 | Link | |
| 2009 | Schoonderwaldt, E. and Demoucron, M. | Extraction of bowing parameters from violin performance combining motion capture and sensors | Article (Cited) | The Journal of the Acoustical Society of America | 2695–2708 | Link | |
| 2009 | Marshall, Mark T. and Malloch, Joseph and Wanderley, Marcelo M. | Gesture Control of Sound Spatialization for Live Musical Performance | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 227–238 | Link | |
| 2009 | Bilbao, Stefan | Numerical Sound Synthesis: Finite Difference Schemes and Simulation in Musical Acoustics | Book (Cited) | Wiley | Link | ||
| 2009 | Fyans, A. Cavan and Gurevich, Michael and Stapleton, Paul | Spectator understanding of error in performance | Conference Proceedings (Cited) | CHI ’09 Extended Abstracts on Human Factors in Computing Systems | 3955–3960 | Link | |
| 2009 | Cadoz, Claude | Supra-Instrumental Interactions and Gestures | Article (Cited) | Journal of New Music Research | 215–230 | Link | |
| 2009 | Hordijk, Rob | The Blippoo Box: A Chaotic Electronic Music Instrument, Bent by Design | Article (Cited) | Leonardo Music Journal | 35–43 | Link | |
| 2009 | Paine, Garth | Towards Unified Design Guidelines for New Interfaces for Musical Expression | Article (Cited) | Organised Sound | 142–155 | Link | |
| 2009 | Sethares, William A. and Milne, Andrew J. and Tiedje, Stefan and Prechtl, Anthony and Plamondon, James | Spectral Tools for Dynamic Tonality and Audio Morphing | Article (Cited) | Computer Music Journal | 71–84 | Link | |
| 2009 | Fiebrink, Rebecca and Cook, Perry and Trueman, Dan | Play-Along Mapping of Musical Controllers | Article | Proceedings of the International Computer Music Conference | 61–64 | Link | |
| 2009 | Boltz, M. G. and Ebendorf, B. and Field, B. | Audiovisual Interactions: The Impact of Visual Information on Music Perception and Memory | Article | Music Perception | 43–59 | Link | |
| 2009 | Bown, O. and Eldridge, A. and McCormack, J. | Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects | Article | Organised Sound | 188–196 | Link | |
| 2009 | Brown, A. R. and Sorensen, A. | Interacting with Generative Music through Live Coding | Article | Contemporary Music Review | 17–29 | Link | |
| 2009 | Cseres, J. | In Between as a Permanent Status: Milan Adamciak’s Version of Intermedia | Article | Leonardo Music Journal | 31–34 | Link | |
| 2009 | Dipper, G. | Interactive Interfaces: Installations produced at the ZKMIMA | Article | Organised Sound | 286–298 | Link | |
| 2009 | Drummond, J. | Understanding Interactive Systems | Article | Organised Sound | 124–133 | Link | |
| 2009 | Essl, G. and Rohs, M. | Interactivity for Mobile Music-Making | Article | Organised Sound | 197–207 | Link | |
| 2009 | Jordanous, A. and Smaill, A. | Investigating the Role of Score Following in Automatic Musical Accompaniment | Article | Journal of New Music Research | 197–209 | Link | |
| 2009 | Kim-Boyle, D. | Network Musics: Play, Engagement and the Democratization of Performance | Article | Contemporary Music Review | 363–375 | Link | |
| 2009 | Lehrman, P. D. | The Wii Remote as a Musical Instrument: Technology and Case Studies | Conference Proceedings | Proceedings of the 127th Audio Engineering Society Convention | |||
| 2009 | Magnusson, T. | Of Epistemic Tools: Musical Instruments as Cognitive Extensions | Article | Jounal of Organised Sound | 168–176 | Link | |
| 2009 | McAlpine, K. and Bett, M. and Scanlan, J. | Approaches to Creating Real-Time Adaptive Music in Interactive Entertainment: A Musical Perspective | Conference Proceedings | Proceedings of the AES 35th International Conference: Audio for Games | |||
| 2009 | Paine, G. | Gesture and Morphology in Laptop Music Performance | Book Section/Chapter | The Oxford Handbook of Computer Music and Digital Sound Culture | 299–329 | ||
| 2009 | Petersen, K. and Solis, J. and Takanishi, A. | Development of a Aural Real-Time Rhythmical and Harmonic Tracking to Enable the Musical Interaction with the Waseda Flutist Robot | Conference Proceedings | IEEE/RSJ International Conference on Intelligent Robots and Systems | 2303–2308 | Link | |
| 2009 | Shedel, M. and Rootberg, A. | Generative Techniques in Hypermedia Performance | Article | Contemporary Music Review | 57–73 | ||
| 2009 | Whalley, I. | Software Agents in Music and Sound Art Research/Creative Work: Current State adn a Possible Direction | Article | Journal of Organised Sound | 156–167 | Link | |
| 2009 | Yamaguchi, T. and Hashimoto, S. | Grasping Interface with Photo Sensor for a Musical Instrument | Conference Proceedings | Proceedings of the 13th International Conference on Human-Computer Interaction. Part II: Novel Interaction Methods and Techniques | 542–547 | Link | |
| 2009 | Marshall, M. T. and Hartshorn, M. and Wanderley, M. M. and Levitin, D. J. | Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation | Article | Journal of New Music Research | 241–253 | Link | |
| 2009 | Overholt, D. | The Musical Interface Technology Design Space | Article | Organised Sound | 217–226 | Link | |
| 2009 | Assayag, G. and Gerzso, A. | New Computational Paradigms for Computer Music | Book | Delatour | |||
| 2009 | Fujimoto, M. and Fujita, N. and Takegawa, Y. and Terada, T. and Tsukamoto, M. | A Motion Recognition Method for a Wearable Dancing Musical Instrument | Conference Proceedings | 2009 International Symposium on Wearable Computers | Link | ||
| 2009 | Liang, X. and Li, Q. and Zhang, X. and Zhang, S. and Geng, W. | Performance-driven motion choreographing with accelerometers | Article | Computer Animation and Virtual Worlds | 89–99 | Link | |
| 2009 | Majoe, D. and Kulka, I. and Schacher, J. C. | Towards An Interactive Multimedia Experience For Club Music And Dance | Conference Proceedings | Proceedings, International Conference on Mobile Computing and Multimedia MOMM | Link | ||
| 2009 | Siegel, W. | Dancing the Music: Interactive Dance and Music | Book Section/Chapter | The Oxford Handbook of Computer Music | 191–213 | ||
| 2009 | Soga, A. and Umino, B. and Hirayama, M. | Automatic Composition for Contemporary Dance Using 3D Motion Clips: Experiment on Dance Training and System Evaluation | Conference Proceedings | Proc. Int’l Conf. CyberWorlds | 171–176 | Link | |
| 2009 | Brandenburg, Karl Heinz | Wave Field Synthesis: Basics and Applications | Conference Proceedings (Related) | DAFx | Link | ||
| 2009 | Haag, John Christopher | A brush with the real world : the future of inertial motion capture in live performance | PhD Thesis (Theses) | Link | |||
| 2009 | Seago, Allan | A new user interface for musical timbre design | PhD Thesis (Theses) | The Open University | Link | ||
| 2009 | Costalonga, Leandro | Biomechanical Modelling of Musical Performance: A Case Study of the Guitar | PhD Thesis (Theses) | University of Plymouth | Link | ||
| 2009 | Pérez, Alfonso | Enhancing spectral synthesis techniques with performance gestures using the violin as a case study | PhD Thesis (Theses) | Link | |||
| 2009 | Magnusson, Thor | Epistemic tools : the phenomenology of digital musical instruments | PhD Thesis (Theses) | Link | |||
| 2009 | Bosi, Mathieu | Extending Physical Computing On The Reactable | PhD Thesis (Theses) | Link | |||
| 2009 | Le Beux, Sylvain | Gestural control of prosody and voice quality | PhD Thesis (Theses) | Paris 11 | Link | ||
| 2009 | Lai, Chi-Hsia | Hands on stage : a performance media space | PhD Thesis (Theses) | The Australian National University | Link | ||
| 2009 | Hall, Joanna Louise | Heterocorporealities: Popular Dance and Cultural Hybridity in UK Drum ’N’ Bass Club Culture. | PhD Thesis (Theses) | The University of Surrey | Link | ||
| 2009 | Robertson, Andrew J. | Interactive real-time musical systems | PhD Thesis (Theses) | Link | |||
| 2009 | Johnston, Andrew | Interfaces for musical expression based on simulated physical models | PhD Thesis (Theses) | University of Technology, Sydney | Link | ||
| 2009 | Schoonderwaldt, Erwin | Mechanics and acoustics of violin bowing : Freedom, constraints and control in performance | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2009 | Gadd, Ashley | MetaMuse : using metaphor to design and play expressive instruments | PhD Thesis (Theses) | University of British Columbia | Link | ||
| 2009 | Bouënard, Alexandre | Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis | PhD Thesis (Theses) | Link | |||
| 2009 | Riedenklau, Eckard | TAOs - Tangible Active Objects for table-top interaction | PhD Thesis (Theses) | Bielefeld University | Link | ||
| 2009 | Penny, Margaret Jean | The Extended Flautist: Techniques, Technologies and Performer Perceptions in Music for Flute and Electronics | PhD Thesis (Theses) | Griffith University | Link | ||
| 2009 | Leupold, John K. | The Interloping Beguiler: for Bass Clarinet and Orchestra | PhD Thesis (Theses) | University of Maryland | Link | ||
| 2009 | Miskalo, Vitor Kisil | The performance as a compositional element in electroacoustic interactive music | PhD Thesis (Theses) | Link | |||
| 2009 | Wilmers, Hans | Bowsense – an Open Wireless Motion Sensing Platform | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 287–290 | Link | |
| 2009 | Cottle, David Michael | Computer Music with examples in SuperCollider 3 | Book (Zotero) | ||||
| 2009 | Miranda, Eduardo R. and Bull, Larry and Gueguen, François and Uroukov, Ivan S. | Computer music meets unconventional computing: towards sound synthesis with in vitro neuronal networks | Article (Zotero) | Computer Music Journal | 9–18 | Link | |
| 2009 | Rocchesso, Davide and Polotti, Pietro and Delle Monache, Stefano | Designing continuous sonic interaction | Article (Zotero) | International Journal of Design | 13–25 | Link | |
| 2009 | Saffer, Dan | Designing gestural interfaces | Book (Zotero) | O’Reilly | |||
| 2009 | Robertson, Robert | Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema | Book (Zotero) | I. B. Tauris | |||
| 2009 | Godøy, Rolf Inge | Geometry and Effort in Gestural Renderings of Musical Sound | Book Section/Chapter (Zotero) | GW 2007 | 205–215 | ||
| 2009 | Pauletto, Sandra and Hunt, Andy | Interactive sonification of complex data | Article (Zotero) | International Journal of Human-Computer Studies | 923–933 | Link | |
| 2009 | Kotz, Liz | Max Neuhaus: Sound into Space | Article (Zotero) | Max Neuhaus: Times Square, Time Piece Beacon | 92–111 | Link | |
| 2009 | Knapp, R.B. and Jaimovich, J. and Coghlan, N. | Measurement of Motion and Emotion during Musical Performance | Conference Proceedings (Zotero) | Proceedings of the IEEE International Conferece on Affective Computing and Intelligent Interaction | |||
| 2009 | Demoucron, M. and Askenfelt, A. and Caussé, R. | Measuring bow force in bowed string performance: Theory and implementation of a bow force sensor | Article (Zotero) | Acta Acustica united with Acustica | 718–732 | ||
| 2009 | Jensenius, Alexander Refsum | Motion capture studies of action-sound couplings in sonic interaction | Technical Report (Zotero) | Short Term Scientific Mission Report, EU COST Action Sonic Interaction Design (SID) | Link | ||
| 2009 | Freed, Adrian and McCutchen, Devin and Schmeder, Andy and Skriver, Anne-Marie and Hansen, Dan Overholt and Burleson, Winslow and Nørgaard, Camilla and Mesker, Alex | Musical applications and design techniques for the gametrak tethered spatial position controller | Conference Proceedings (Zotero) | Proceedings of the 6th Sound and Music Computing Conference | 23–25 | Link | |
| 2009 | d’Alessandro, Nicolas | Realtime and Accurate Musical Control of Expression in Voice Synthesis | PhD Thesis (Zotero) | University of Mons | Link | ||
| 2009 | Jensenius, Alexander Refsum and Skogstad, Ståle and Nymoen, Kristian and Torresen, Jim and Høvin, Mats Erling | Reduced displays of multidimensional motion capture data sets of musical performance | Conference Proceedings (Zotero) | Proceedings of the Conference of the European Society for the Cognitive Sciences of Music | |||
| 2009 | Miller, K. | Schizophonic Performance: Guitar Hero, Rock Band, and Virtual Virtuosity | Article (Zotero) | Journal of the Society for American Music | 395–429 | ||
| 2009 | Leman, Marc and Desmet, Frank and Styns, Frederik and Van Noorden, Leon and Moelants, Dirk | Sharing Musical Expression Through Embodied Listening: A Case Study Based on Chinese Guqin Music | Article (Zotero) | Music Perception: An Interdisciplinary Journal | 263–278 | Link | |
| 2009 | Schoon, Andi and Dombois, Florian | Sonification in Music | Conference Proceedings (Zotero) | Proceedings of the International Conference on Auditory Display | |||
| 2009 | Palmer, Caroline and Koopmans, Erik and Carter, Christine and Loehr, Janeen D. and Wanderley, Marcelo | Synchronization of motion and timing in clarinet performance | Conference Proceedings (Zotero) | International symposium on performance science | 1–6 | ||
| 2009 | Goebl, Werner and Palmer, Caroline | Synchronization of timing and motion among performing musicians | Article (Zotero) | Music Perception | 427–438 | ||
| 2009 | Watson, Alan H. D. | The Biology of Musical Performance and Performance-Related Injury | Book (Zotero) | Scarecrow press | |||
| 2009 | The eBoy instrument | Master's Thesis (Zotero) | Link | ||||
| 2009 | Schoonderwaldt, Erwin | The player and the bowed string: Coordination and control of bowing parameters in violin and viola performance | Article (Zotero) | J. Acoust. Soc. Am. | 2709–2720 | Link | |
| 2009 | Tremblay, Pierre Alexandre and McLaughlin, Scott | Thinking Inside the Box: A New Integrated Approach to Mixed Music Composition and Performance | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference (ICMC 2009), Montréal, Canada, August 16–21, 2009 | 379–386 | Link | |
| 2009 | Peters, Nils | ViMiC - Virtual Microphone Control for Max/MSP | Book (Zotero) | ||||
| 2009 | Leslie, Grace and Schwarz, Diemo and Warusfel, Olivier and Bevilacqua, Frederic and Jodlowski, Pierre | Wavefield synthesis for interactive sound installations | Article (Zotero) | 4 | |||
| 2009 | Savard, Alexandre | When gestures are perceived through sounds: A framework for sonification of musicians’ ancillary gestures | PhD Thesis (Zotero) | Citeseer | |||
| 2010 | Born, Georgina | For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn: The 2007 Dent Medal Address | Article (Background) | Journal of the Royal Musical Association | 205–243 | Link | |
| 2010 | Hansen, Kjetil Falkenberg and Bresin, Roberto | The Skipproof Virtual Turntable for High-Level Control of Scratching | Article | Computer Music Journal | 39–50 | Link | |
| 2010 | Gelineck, Steven and Serafin, Stefania | A Practical Approach towards an Exploratory Framework for Physical Modeling | Article | Computer Music Journal | 51–65 | Link | |
| 2010 | Caceres, Juan-Pablo and Chafe, Chris | JackTrip/SoundWIRE Meets Server Farm | Article | Computer Music Journal | 29–34 | Link | |
| 2010 | Duignan, Matthew and Noble, James and Biddle, Robert | Abstraction and Activity in Computer-Mediated Music Production | Article | Computer Music Journal | 22–33 | Link | |
| 2010 | Wilkie, Katie and Holland, Simon and Mulholland, Paul | What Can the Language of Musicians Tell Us about Music Interaction Design? | Article | Computer Music Journal | 34–48 | Link | |
| 2010 | Benford, Steve | Performing Musical Interaction: Lessons from the Study of Extended Theatrical Performances | Article | Computer Music Journal | 49–61 | Link | |
| 2010 | Magnusson, Thor | Designing Constraints: Composing and Performing with Digital Musical Systems | Article | Computer Music Journal | 62–73 | Link | |
| 2010 | Monache, Stefano Delle and Polotti, Pietro and Rocchesso, Davide | A toolkit for explorations in sonic interaction design | Conference Proceedings (Cited) | Proceedings of the 5th Audio Mostly Conference: A Conference on Interaction with Sound | 1–7 | Link | |
| 2010 | Bevilacqua, Frédéric and Zamborlin, Bruno and Sypniewski, Anthony and Schnell, Norbert and Guédy, Fabrice and Rasamimanana, Nicolas | Continuous Realtime Gesture Following and Recognition | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 73–84 | Link | |
| 2010 | Freeman, Jason and Godfrey, Mark | Creative collaboration between audiences and musicians inFlock | Article (Cited) | Digital Creativity | 85–99 | Link | |
| 2010 | Maes, Pieter-Jan and Leman, Marc and Lesaffre, Micheline and Demey, Michiel and Moelants, Dirk | From expressive gesture to sound: The development of an embodied mapping trajectory inside a musical interface | Article (Cited) | Journal on Multimodal User Interfaces | 67–78 | Link | |
| 2010 | Perner-Wilson, Hannah and Buechley, Leah and Satomi, Mika | Handcrafting textile interfaces from a kit-of-no-parts | Conference Proceedings (Cited) | Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction | 61–68 | Link | |
| 2010 | Cáceres, Juan-Pablo and Chafe, Chris | JackTrip: Under the Hood of an Engine for Network Audio | Article (Cited) | Journal of New Music Research | 183–187 | Link | |
| 2010 | Godøy, Rolf Inge and Leman, Marc | Musical Gestures | Book (Cited) | Routledge | Link | ||
| 2010 | Rodgers, Tara | Pink Noises: Women on Electronic Music and Sound | Book (Cited) | Duke University Press | Link | ||
| 2010 | Wilson, Scott and Harrison, Jonty | Rethinking the BEAST: Recent developments in multichannel composition at Birmingham ElectroAcoustic Sound Theatre | Article (Cited) | Organised Sound | 239–250 | Link | |
| 2010 | McPherson, Andrew | The Magnetic Resonator Piano: Electronic Augmentation of an Acoustic Grand Piano | Article (Cited) | Journal of New Music Research | 189–202 | Link | |
| 2010 | McLean, Alex and Griffiths, Dave and Collins, Nick and Wiggins, Geraint | Visualisation of live code | Conference Proceedings (Cited) | Electronic Workshops in Computing | Link | ||
| 2010 | Alexandraki, C. and Akoumanakis, D. | Exploring New Perspectives in Network Music Performance: The DIAMOUSES Framework | Article | Computer Music Journal | 66–83 | Link | |
| 2010 | Black, D. and Gohlke, K. and Lovischach, J. | Foley Sonic: Placing Sounds on a Timeline Through Gestures | Conference Proceedings | Proceedings of the 128th Audio Engineering Society Convention | |||
| 2010 | Coulter, J. | Electroacoustic Music with Moving Images: the art of media pairing | Article | Organised Sound | 26–34 | Link | |
| 2010 | Frank, M. and Mehr, L. and Sontacchi, A. and Zotter, F. | Flexible and Intuitive Pointing Method for 3D Auditory Localization Experiments | Conference Proceedings | Proceedings of the AES 38th International Conference: Sound Quality Evaluation | |||
| 2010 | Frengel, M. | A Multidimensional Approach to Relationships between Live and Non-live Sound Sources in Mixed Works | Article | Organised Sound | 96–106 | Link | |
| 2010 | Hoadley, R. | Implementation and Developments of Interfaces for Music Performance Through Analysis of Improvised Dance Movements | Conference Proceedings | Proceedings of the 128th Audio Engineering Society Convention | |||
| 2010 | Mion, L. and D’Inca, G. and de Gotzen, A. and Rapana, E. | Modeling Expression with Perceptual Audio Features to Enhance User Interaction | Article | Computer Music Journal | 65–79 | Link | |
| 2010 | Murray-Browne, T. and others | The Serendiptichord: A Wearable Instrument for Contemporary Dance Performance | Conference Proceedings | Proceedings of the 128th Audio Engineering Society Convention | |||
| 2010 | Petersen, K. and Solis, J. and Takanishi, A. | Musical-based interaction system for the Waseda Flutist Robot | Article | Autonomous Robots | 471–488 | Link | |
| 2010 | Dunn, P. F. | Measurement and Data Analysis for Engineering and Science | Book | CRC Press, Taylor & Francis Group | Link | ||
| 2010 | Baalman, M. A. and d Belleval, V. and Salter, C. L. and Malloch, J. and Thibodeau, J. and Wanderley, M. | Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure for Liver Performance and Interactive, Real-Time Environments | Conference Proceedings | Proceedings of Linux Audio Conference (LAC 2010) | 242–249 | ||
| 2010 | Bresson, J. and Agon, C. and Schumacher, M. | Représentation des données de contrôle pour la spatialisation dans OpenMusic | Conference Proceedings | Actes des Journées d’Informatique Musicale | |||
| 2010 | Schumacher, M. and Bresson, J. | Compositional Control of Periphonic Sound Spatialization | Conference Proceedings | Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics | |||
| 2010 | Schumacher, M. and Bresson, J. | Spatial Sound Synthesis in Computer-Aided Composition | Article | Organised Sound | 271–289 | Link | |
| 2010 | Henning, Pohl | Motion Pattern Recognition For Interactive Dance | Master's Thesis | Darmstadt, Germany | |||
| 2010 | Branje, Carmen and Maksimouski, Michael and Karam, Maria and Fels, Deborah I. and Russo, Frank | Vibrotactile Display of Music on the Human Back | Conference Proceedings (Related) | 2010 Third International Conference on Advances in Computer-Human Interactions | 154–159 | Link | |
| 2010 | Kim-Boyle, David | Real-time Score Generation for Extensible Open Forms | Article (Related) | Contemporary Music Review | 3–15 | Link | |
| 2010 | Flossmann, Sebastian and Goebl, Werner and Grachten, Maarten and Niedermayer, Bernhard and Widmer, Gerhard | The Magaloff Project: An Interim Report | Article (Related) | Journal of New Music Research | 363–377 | Link | |
| 2010 | Jessop, Elena Naomi | A gestural media framework : tools for expressive gesture recognition and mapping in rehearsal and performance | PhD Thesis (Theses) | Link | |||
| 2010 | Mungan, Remzi Yagiz | Algorithmic Composition with Virtual Instrument in MATLAB and on FPGA | PhD Thesis (Theses) | Link | |||
| 2010 | Lähdeoja, Otso | An approach to instrument augmentation | PhD Thesis (Theses) | Paris 8 | Link | ||
| 2010 | Mitchell, Thomas J. | An exploration of evolutionary computation applied to frequency modulation audio synthesis parameter optimisation | PhD Thesis (Theses) | University of the West of England | Link | ||
| 2010 | Williams, Valerie | Creating a responsive, real-time, malleable environment for dancers | PhD Thesis (Theses) | Iowa State University | Link | ||
| 2010 | Mealla, Sebastián | Effects of Physiology-Based Interaction on Collaborative Performance | PhD Thesis (Theses) | Link | |||
| 2010 | Bachratá, Petra | Gesture interaction in music for instruments and electroacoustic sounds | PhD Thesis (Theses) | Link | |||
| 2010 | Aspiazu, Laura Marianella Zapata and Samaniego, Diego Andres Herrera | Implementación de un prototipo de una batería musical virtual | PhD Thesis (Theses) | Escuela Superior Politecnica del Litoral | Link | ||
| 2010 | Booth, Graham | Inclusive Interconnections: Towards Open-Ended Parameter-Sharing for Laptop Ensemble | PhD Thesis (Theses) | University of Huddersfield | Link | ||
| 2010 | Stowell, Dan | Making music through real-time voice timbre analysis: machine learning and timbral control | PhD Thesis (Theses) | Link | |||
| 2010 | Thelle, Notto J. W. | Making sensors make sense : challenges in the development of digital musical instruments | PhD Thesis (Theses) | Link | |||
| 2010 | Van Nort, Douglas | Modular and adaptive control of sound processing | PhD Thesis (Theses) | McGill University | Link | ||
| 2010 | Wilcott, Justin David and Finamore, Troy | Music in motion | PhD Thesis (Theses) | University of Dhaka | Link | ||
| 2010 | Dahlen, Tommy Alfred | OSCController: En ny musikkapplikasjon med Open Sound Control | PhD Thesis (Theses) | NTNU | |||
| 2010 | Yoder, Rachel M. | Performance Practice of Interactive Music for Clarinet and Computer with an Examination of Five Works by American Composers | PhD Thesis (Theses) | Link | |||
| 2010 | Baudouin, Olivier | Problématiques musicales du recours aux techniques de synthèse sonore numérique aux États-Unis et en France de 1957 à 1977 | PhD Thesis (Theses) | Paris-Sorbonne University | Link | ||
| 2010 | Puputti, Tapio | Real-time Implementation of the Virtual Air Slide Guitar | PhD Thesis (Theses) | Aalto University | Link | ||
| 2010 | Ma, Xiaonan | Scalable Live Video in MAX/MSP/Jitter | PhD Thesis (Theses) | Simon Fraser University | Link | ||
| 2010 | Wijnans, Hortense | The body as a spatial sound generating instrument: defining the three dimensional data interpreting methodology (3DIM) | PhD Thesis (Theses) | Bath Spa University | Link | ||
| 2010 | Jensenius, Alexander Refsum and Johnson, Victoria | A video based analysis system for realtime control of concatenative sound synthesis and spatialisation | Conference Proceedings (Zotero) | Proceedings of Norwegian Artificial Intelligence Symposium | 85–88 | Link | |
| 2010 | Dannenberg, Roger and Kotcher, Robert | AuraFX: a Simple and Flexible Approach to Interactive Audio Effect-Based Composition and Performance | Conference Proceedings (Zotero) | Proceedings of the 2010 International Computer Music Conference | 147–152 | ||
| 2010 | Bresin, Roberto and de Witt, Anna and Papetti, Stefano and Civolani, Marco and Fontana, Federico | Expressive Sonification of Footstep Sounds | Conference Proceedings (Zotero) | Proceedings of ISon 2010, 3rd Interactive Sonification Workshop, KTH, Stockholm, Sweden, April 7, 2010 | |||
| 2010 | Godøy, Rolf Inge | Gesture Affordances of Musical Sound | Book Section/Chapter (Zotero) | Musical Gestures - Sound, Movement, and Meaning | |||
| 2010 | Bouënard, Alexandre and Wanderley, Marcelo M. M. and Gibet, Sylvie | Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures | Article (Zotero) | Acta Acustica united with Acustica | 668–677 | Link | |
| 2010 | Dahl, S. and Bevilacqua, F. and Bresin, R. and Clayton, M. and Leante, L. and Poggi, I. and Rasamimanana, N. | Gestures in Performance | Book Section/Chapter (Zotero) | Musical Gestures: Sound, Movement and Meaning | 36–68 | ||
| 2010 | Leslie, Grace and Zamborlin, Bruno and Jodlowski, Pierre and Schnell, Norbert | Grainstick: A collaborative, interactive sound installation | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2010 | Yang, Yu-Chen and Wang, Sheng-Tien and Tseng, Yi-Jen and Lin, Hao-Chiang Koong | Light up! Creating an interactive digital artwork based on Arduino and Max/MSP design | Conference Proceedings (Zotero) | Computer Symposium (ICS), 2010 International | 258–263 | Link | |
| 2010 | Godøy, Rolf Inge and Leman, Marc | Musical Gestures: Sound, Movement, and Meaning | Book (Zotero) | Routledge | Link | ||
| 2010 | Jacucci, Giulio and Wagner, Mira and Wagner, Ina and Giaccardi, Elisa and Annunziato, Mauro and Breyer, Nell and Hansen, Jonas and Jo, Kazuhiro and Ossevoort, Stijn and Perini, Alessandro and Roussel, Natacha and Schuricht, Susanne | ParticipArt: Exploring participation in interactive art installations | Conference Proceedings (Zotero) | 2010 IEEE International Symposium on Mixed and Augmented Reality - Arts, Media, and Humanities | 3–10 | Link | |
| 2010 | Smith III, Julius O. | Physical audio signal processing: For virtual musical instruments and audio effects | Book (Zotero) | W3K Publishing | Link | ||
| 2010 | Rothenberg, David and Neill, Ben | Playing into the Machine: Improvising across the Electronic Abyss | Article (Zotero) | Leonardo Music Journal | 19–20 | Link | |
| 2010 | Welch, Chapman | Programming Machines and People: Techniques for Live Improvisation with Electronics | Article (Zotero) | Leonardo Music Journal | 25–28 | Link | |
| 2010 | Nicolls, Sarah | Seeking out the spaces between: Using improvisation in collaborative composition with interactive technology | Article (Zotero) | Leonardo Music Journal | 47–55 | Link | |
| 2010 | Ferguson, Sean and Wanderley, Marcelo M. | The McGill Digital Orchestra: An interdisciplinary project on digital musical instruments | Article (Zotero) | Journal of Interdisciplinary Music Studies | 17–35 | Link | |
| 2010 | Van Dyck, Edith and Moelants, Dirk and Demey, Michiel and Coussement, Pieter and Deweppe, Alexander and Leman, Marc | The impact of the bass drum on body movement in spontaneous dance | Conference Proceedings (Zotero) | Proceedings of the 11th international conference in music perception and cognition | 429–434 | ||
| 2010 | McPherson, A. and Kim, Y. | Toward a Computationally-Enhanced Acoustic Grand Piano | Conference Proceedings (Zotero) | Proceedings of the ACM Conference on Human Factors in Computing Systems (CHI) | |||
| 2010 | Essl, Georg | UrMus-an environment for mobile instrument design and performance | Book (Zotero) | Ann Arbor, MI: MPublishing, University of Michigan Library | Link | ||
| 2010 | Leman, Marc and Godøy, Rolf Inge | Why study musical gestures | Book Section/Chapter (Zotero) | Musical gestures: Sound, movement, and meaning | 3–11 | Link | |
| 2011 | Fiebrink, Rebecca and Cook, Perry R. and Trueman, Dan | Human model evaluation in interactive supervised learning | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 147–156 | Link | |
| 2011 | Peeters, Geoffroy and Giordano, Bruno L. and Susini, Patrick and Misdariis, Nicolas and McAdams, Stephen | The Timbre Toolbox: Extracting audio descriptors from musical signals | Article (Background) | The Journal of the Acoustical Society of America | 2902–2916 | Link | |
| 2011 | Peters, Nils and Marentakis, Georgios and McAdams, Stephen | Current Technologies and Compositional Practices for Spatialization: A Qualitative and Quantitative Analysis | Article | Computer Music Journal | 10–27 | Link | |
| 2011 | O’Modhrain, Sile | A Framework for the Evaluation of Digital Musical Instruments | Article | Computer Music Journal | 28–42 | Link | |
| 2011 | Gillespie, R. Brent and Yu, Bo and Grijalva, Robert and Awtar, Shorya | Characterizing the Feel of the Piano Action | Article | Computer Music Journal | 43–57 | Link | |
| 2011 | Freeman, Jason and Van Troyer, Akito | Collaborative Textual Improvisation in a Laptop Ensemble | Article | Computer Music Journal | 8–21 | Link | |
| 2011 | Maes, Pieter-Jan and Leman, Marc and Kochman, Katty and Lesaffre, Micheline and Demey, Michiel | The "One-Person Choir": A Multidisciplinary Approach to the Development of an Embodied Human–Computer Interface | Article | Computer Music Journal | 22–35 | Link | |
| 2011 | Jylha, Antti and Ekman, Inger and Erkut, Cumhur and Tahirouglu, Koray | Design and Evaluation of Human–Computer Rhythmic Interaction in a Tutoring System | Article | Computer Music Journal | 36–48 | Link | |
| 2011 | Bouenard, Alexandre and Wanderley, Marcelo M. and Gibet, Sylvie and Marandola, Fabrice | Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises | Article | Computer Music Journal | 57–72 | Link | |
| 2011 | Bown, Oliver | Experiments in Modular Design for the Creative Composition of Live Algorithms | Article | Computer Music Journal | 73–85 | Link | |
| 2011 | Leitman, Sasha | Trimpin: An Interview | Article | Computer Music Journal | 12–27 | Link | |
| 2011 | Maes, Laura and Raes, Godfried-Willem and Rogers, Troy | The Man and Machine Robot Orchestra at Logos | Article | Computer Music Journal | 28–48 | Link | |
| 2011 | Kapur, Ajay and Darling, Michael and Diakopoulos, Dimitri and Murphy, Jim W. and Hochenbaum, Jordan and Vallis, Owen and Bahn, Curtis | The Machine Orchestra: An Ensemble of Human Laptop Performers and Robotic Musical Instruments | Article | Computer Music Journal | 49–63 | Link | |
| 2011 | Lyons, Michael and Fels, Sidney | Advances in new interfaces for musical expression | Conference Proceedings (Cited) | SIGGRAPH Asia 2011 Courses | 1–155 | Link | |
| 2011 | Magnusson, Thor | Algorithms as Scores: Coding Live Music | Article (Cited) | Leonardo Music Journal | 19–23 | Link | |
| 2011 | Merer, Adrien | Caractérisation acoustique et perceptive du mouvement évoqué par les sons pour le contrôle de la synthèse | PhD Thesis (Cited) | Aix-Marseille 1 | Link | ||
| 2011 | Vallis, Owen and Kapur, Ajay | Community-Based Design: The Democratization of Musical Interface Construction | Article (Cited) | Leonardo Music Journal | 29–34 | Link | |
| 2011 | Roberts, Charles and Hollerer, Tobias | Composition for conductor and audience: new uses for mobile devices in the concert hall | Conference Proceedings (Cited) | Proceedings of the 24th annual ACM symposium adjunct on User interface software and technology | 65–66 | Link | |
| 2011 | Mooney, James | Frameworks and affordances: Understanding the tools of music-making | Article (Cited) | Journal of Music, Technology & Education | 141–154 | Link | |
| 2011 | Malloch, Joseph and Sinclair, Stephen and Hollinger, Avrum and Wanderley, Marcelo M. | Input Devices and Music Interaction | Book Section/Chapter (Cited) | Springer Tracts in Advanced Robotics | 67–83 | Link | |
| 2011 | Berthaut, Florent and Desainte-Catherine, Myriam and Hachet, Martin | Interacting with 3D Reactive Widgets for Musical Performance | Article (Cited) | Journal of New Music Research | 253–263 | Link | |
| 2011 | Hoffman, Guy and Weinberg, Gil | Interactive improvisation with a robotic marimba player | Article (Cited) | Autonomous Robots | 133–153 | Link | |
| 2011 | Bevilacqua, Frédéric and Schnell, Norbert and Rasamimanana, Nicolas and Zamborlin, Bruno and Guédy, Fabrice | Online Gesture Analysis and Control of Audio Processing | Book Section/Chapter (Cited) | Springer Tracts in Advanced Robotics | 127–142 | Link | |
| 2011 | Odowichuk, Gabrielle and Trail, Shawn and Driessen, Peter and Nie, Wendy and Page, Wyatt | Sensor fusion: Towards a fully expressive 3D music control interface | Conference Proceedings (Cited) | Proceedings of 2011 IEEE Pacific Rim Conference on Communications, Computers and Signal Processing | 836–841 | Link | |
| 2011 | Tanaka, Atau | Sensor-Based Musical Instruments and Interactive Music | Book (Cited) | Oxford University Press | Link | ||
| 2011 | Zoran, Amit and Paradiso, Joseph A. | The Chameleon Guitar—Guitar with a Replaceable Resonator | Article (Cited) | Journal of New Music Research | 59–74 | Link | |
| 2011 | Magnusson, T. | ixi lang: A SuperCollider Parasite for Live Coding | Conference Proceedings | Proceedings of the International Computer Music Conference | 198–200 | Link | |
| 2011 | Andean, J. | Ecological Psychology and the Electroacoustic Concert Context | Article | Organised Sound | 125–133 | Link | |
| 2011 | Balin, W. and Lovischach, J. | Gestures to Operate DAW software | Conference Proceedings | Proceeding of the 130th Audio Engineering Society Convention | |||
| 2011 | Brown, N. G. | Being Among the Living: On the interrelations between performers, witnesses and environment in As I Have Now Memoyre | Article | Organised Sound | 176–183 | Link | |
| 2011 | Eigenfeldt, A. | Real-time Composition as Performance Ecosystem | Article | Organised Sound | 145–153 | Link | |
| 2011 | Green, O. | Agility and Playfulness: Technology and skill in the performance ecosystem | Article | Organised Sound | 134–144 | Link | |
| 2011 | Grollmisch, S. and Cano Ceron, E. and Dittmar, C. | Songs 2 See: Learn to Play by Playing | Conference Proceedings | Proceedings of the AES 41st International Conference: Audio for Games | |||
| 2011 | Gurevich, M. and Fyans, A. C. | Digital Musical Interactions: Performer-system relationships and their perception by spectators | Article | Organised Sound | 166–175 | Link | |
| 2011 | Iaird, I. and Murphy, D. and Capman, R. and Jouan, S. | Development of a Virtual Performance Studio with Application of Virtual Acoustic Recording Methods | Conference Proceedings | Proceedings of the 130th Audio Engineering Society Convention | |||
| 2011 | Newton, D. and Marshall, M. T. | The Augmentalist: Enabling Musicians to Develop Augmented Musical Instruments | Conference Proceedings | Proceedings of the 5th International Conference on Tangible, Embedded and Embodied Interaction | 249–252 | ||
| 2011 | O’Sullivan, L. and Boland, F. | Visualizing and Controlling Sound with Graphical Interfaces | Conference Proceedings | Proceedings of the AES 41st International Conference: Audio for Games | |||
| 2011 | Overholt, D. and Berdahl, E. and Hamilton, R. | Advancements in Actuated Musical Instruments | Article | Journal of Organised Sound | 154–165 | Link | |
| 2011 | Rasamimanana, N. and others | Modular Musical Objects Towards Embodied Control of Digital Music | Conference Proceedings | Proceedings of Tangible and Embedded Interaction | 9–12 | Link | |
| 2011 | Selfridge, R. and Reiss, J. D. | Interactive Mixing Using Wii Controller | Conference Proceedings | Proceedings of the 130th Audio Engineering Society Convention | |||
| 2011 | Spasov, M. | Music Composition as an Act of Cognition: ENACTIV - Interactive Multi-modal Composing System | Article | Journal of Organised Sound | 69–86 | Link | |
| 2011 | Brum Medeiros, C. and Wanderley, M. M. | Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument | Conference Proceedings | Proceedings of the Sound and Music Computing Conference (SMC-2011) | |||
| 2011 | Giordano, M. and Wanderley, M. M. | A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation | Conference Proceedings | Proceedings of the Sound and Music Computing Conference (SMC-2011) | |||
| 2011 | McGlynn, P. | Towards for Effective Mapping Strategies for Digital Musical Instruments | Conference Proceedings | Proceedings from the 2011 Linux Audio Conference - LAC11 | |||
| 2011 | Boulanger, R. C. and Lazzarini, V. | The Audio Programming Book | Book | MIT Press | |||
| 2011 | Wilson, S. and Collins, N. and Cottle, D. | The SuperCollider Book | Book | MIT Press | |||
| 2011 | Birringer, J. | Connected Dance: Distributed Performance across Time Zones | Conference Proceedings | Transmigratory Moves/Dance in Global Circulation. Congress On Research in Dance Conference Proceedings | 51–77 | ||
| 2011 | Deng, L. Q. and Leung, H. and Gu, N. J. and Yang, Y. | Real-time mocap dance recognition for an interactive dancing game | Article | Computer Animation and Virtual Worlds | 229–237 | Link | |
| 2011 | Emmerson, Simon | Combining the Acoustic and the Digital: Music for Instruments and Computers or Prerecorded Sound | Book Section/Chapter (Related) | The Oxford Handbook of Computer Music | Link | ||
| 2011 | Manzo, V. J | Max/MSP/Jitter for Music: A Practical Guide to Developing Interactive Music Systems for Education and More | Book (Related) | Oxford University Press | Link | ||
| 2011 | Whittington, William | The Sonic Playpen: Sound Design and Technology in Pixar’s Animated Shorts | Book (Related) | Oxford University Press | Link | ||
| 2011 | Wishart, Trevor | Computer Music: Some Reflections | Book Section/Chapter (Related) | The Oxford Handbook of Computer Music | Link | ||
| 2011 | Lennox, Peter | Spatialization and Computer Music | Book Section/Chapter (Related) | The Oxford Handbook of Computer Music | Link | ||
| 2011 | Dean, Roger T. | The Oxford Handbook of Computer Music | Book (Related) | Oxford University Press | Link | ||
| 2011 | Dean, Roger T. | Envisaging Improvisation in Future Computer Music | Book Section/Chapter (Related) | The Oxford Handbook of Computer Music | Link | ||
| 2011 | Keislar, Douglas | A Historical View of Computer Music Technology | Book Section/Chapter (Related) | The Oxford Handbook of Computer Music | Link | ||
| 2011 | Solis, Jorge and Ng, Kia | Musical Robots and Interactive Multimodal Systems | Book (Related) | Springer Berlin Heidelberg | Link | ||
| 2011 | Torres, Herber Manuel Pérez | An Analysis to the Guitar Lab’s gesture acquisition prototype with the aim of improving it | PhD Thesis (Theses) | Universitat Pompeu Fabra | Link | ||
| 2011 | Cobb, J. E. | An accelerometer based gestural capture system for performer based music composition | PhD Thesis (Theses) | University of Leeds, The University of Sheffield, University of York | Link | ||
| 2011 | Poepel, Cornelius | An investigation of audio signal-driven sound synthesis with a focus on its use for bowed stringed synthesisers | PhD Thesis (Theses) | University of Birmingham | Link | ||
| 2011 | Casey, Brian M. | Art, Technology And The Future Of Musicianship: Questions Of Balance Between Live Performance And The Recorded Medium In Popular Music | PhD Thesis (Theses) | Link | |||
| 2011 | Palacio-Quintin, Cléo | Composition d’oeuvres pour hyper-flûtes et traitement audionumérique interactif | PhD Thesis (Theses) | Université de Montréal | Link | ||
| 2011 | Cronje, Mario | Designing a hyperinstrument with gesture interface for musical performance | PhD Thesis (Theses) | Stellenbosch University | Link | ||
| 2011 | Katsaprakakis, Alexandros | Extending the control of a musical tangible tabletop with mobile phones | PhD Thesis (Theses) | Universitat Pompeu Fabra | Link | ||
| 2011 | Koehly, Rodolphe | Fabrication of sustainable resistive-based paper touch sensors: Application to music technology | PhD Thesis (Theses) | McGill University | Link | ||
| 2011 | Alsop, P | Mapping gestures in the creation of intangible artworks | PhD Thesis (Theses) | RMIT University | Link | ||
| 2011 | Boutin, Henri | Methods of active control of musical instruments : cases of the xilophone bar and the violon | PhD Thesis (Theses) | Paris 6 | Link | ||
| 2011 | Rodolfo, Guilherme Weffort | Mosaic Musical Artmediatic: The sound interface enabling creativity beyond the Black Box. | PhD Thesis (Theses) | Link | |||
| 2011 | Scott, Calum Collinson | Musical applications of physical computing | PhD Thesis (Theses) | The University of Glasgow | Link | ||
| 2011 | Pedrosa, Ricardo | Perception-based design, including haptic feedback in expressive music interfaces | PhD Thesis (Theses) | University of British Columbia | Link | ||
| 2011 | Merer, Adrien and YSTAD, Sølvi and KRONLAND-MARTINET, Richard | Perceptual and acoustic characterization of movement evoked by sound for synthesis control | PhD Thesis (Theses) | theses.fr (ABES) | Link | ||
| 2011 | Cook, Perry R. and Fiebrink, Rebecca | Real-time human interaction with supervised learning algorithms for music composition and performance | PhD Thesis (Theses) | Princeton University | Link | ||
| 2011 | Vasconcelos, Francisco de Assis Guedes de | Refrains, mantras and chaos: compossibility and contemplation in interactive art | PhD Thesis (Theses) | Link | |||
| 2011 | Bergstrom, Ivy R. | Soma : live performance where congruent musical, visual, and proprioceptive stimuli fuse to form a combined aesthetic narrative | PhD Thesis (Theses) | University College London | Link | ||
| 2011 | Räisänen, Juhani | Sormina - a new musical instrument | PhD Thesis (Theses) | Aalto University | Link | ||
| 2011 | Peters, Nils | Sweet [re]production: developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception | PhD Thesis (Theses) | McGill University | Link | ||
| 2011 | Vamvakousis, Zacharias | The EyeHarp: A Gaze-Controlled Musical Instrument | PhD Thesis (Theses) | Universitat Pompeu Fabra | Link | ||
| 2011 | Adeney, Roland | The HarmonyGrid : music, space and performance in grid music systems | PhD Thesis (Theses) | Creative Industries Faculty | Link | ||
| 2011 | Wilkins, Caroline | The Instrument in Space: the Embodiment of Music in the Machine Age | PhD Thesis (Theses) | Brunel University London | Link | ||
| 2011 | Murphy, Ben | The electronic sensor bow: a new gestural control interface | PhD Thesis (Theses) | University of Wollongong | Link | ||
| 2011 | Vigliensoni Martin, Augusto | Touchless gestural control of concatenative sound synthesis | PhD Thesis (Theses) | McGill University | Link | ||
| 2011 | Chan, Jacky CP and Leung, Howard and Tang, Jeff KT and Komura, Taku | A virtual reality dance training system using motion capture technology | Article (Zotero) | Learning Technologies, IEEE Transactions on | 187–195 | Link | |
| 2011 | Magnusson, Thor | Confessions of a live coder | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2011 | Roberts, Charles | Control: Software for End-User Interface Programming and Interactive Performance | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2011 | de Quay, Yago and Skogstad, Ståle and Jensenius, Alexander Refsum | Dance Jockey: Performing Electronic Music by Dancing | Article (Zotero) | Leonardo Music Journal | 11–12 | Link | |
| 2011 | McPherson, A. and Kim, Y. | Design and Applications of a Multi-Touch Musical Keyboard | Conference Proceedings (Zotero) | Proceedings of the Sound & Music Computing Conference | |||
| 2011 | Morin, Rudy | Espace de conception et modèle d’interaction multi-tactile gestuel : un environnement de développement pour enrichir le modèle. (Design space and multi-touch gestural interaction model : a framework to enhance the model) | Article (Zotero) | ||||
| 2011 | Roberts, C. and Kuchera-Morin, J.A. | Gibber: Live Coding Audio In The Browser | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | |||
| 2011 | Collins, Nick | Live Coding of Consequence | Article (Zotero) | Leonardo | 207–211 | ||
| 2011 | McPherson, A. and Kim, Y. | Multidimensional Gesture Sensing at the Piano Keyboard | Conference Proceedings (Zotero) | Proceedings of the ACM Conference on Human Factors in Computing Systems (CHI) | |||
| 2011 | Mazzola, Guerino | Musical Performance | Book (Zotero) | Springer Berlin Heidelberg | Link | ||
| 2011 | Overholt, Dan | NIME Education : Using the CUI32 for Musical Interaction Design | Article (Zotero) | 4 | |||
| 2011 | Jensenius, Alexander Refsum and Tveit, Anders and Godøy, Rolf Inge and Overholt, Dan | Proceedings of the International Conference on New Interfaces for Musical Expression | Book (Zotero) | University of Oslo | Link | ||
| 2011 | Program book of the International Conference on New Interfaces for Musical Expression | Book (Zotero) | Universitetet i Oslo og Norges musikkhøgskole | ||||
| 2011 | Knapp, R. Benjamin and Lyon, Eric | The Measurement of Performer and Audience Emotional State as a New Means of Computer Music Interaction: A Performance Case Study | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 415–420 | ||
| 2011 | Sheets-Johnstone, Maxine | The Primacy of Movement | Book (Zotero) | John Benjamins Publishing | |||
| 2011 | Hermann, Thomas and Hunt, Andy and Neuhoff, John G. | The Sonification Handbook | Book (Zotero) | Logos Verlag | |||
| 2011 | Fiebrink, Rebecca and Trueman, Dan and Cook, Perry R. | The Wekinator: Software for using machine learning to build real-time interactive systems | Article (Zotero) | ||||
| 2011 | Bianchini, Riccardo | Virtual sound: sound synthesis and signal processing : theory and practice with csound | Book (Zotero) | Contempo | |||
| 2012 | Gaver, Bill and Bowers, John | Annotated portfolios | Article (Background) | Interactions | 40–49 | Link | |
| 2012 | Neustaedter, Carman and Sengers, Phoebe | Autobiographical design in HCI research: designing and learning through use-it-yourself | Conference Proceedings (Background) | Proceedings of the Designing Interactive Systems Conference | 514–523 | Link | |
| 2012 | Bryan-Kinns, Nick and Hamilton, Fraser | Identifying mutual engagement | Article (Background) | Behaviour & Information Technology | 101–125 | Link | |
| 2012 | Bowers, John | The logic of annotated portfolios: communicating the value of ’research through design’ | Conference Proceedings (Background) | Proceedings of the Designing Interactive Systems Conference | 68–77 | Link | |
| 2012 | Gaver, William | What should we expect from research through design? | Conference Proceedings (Background) | Proceedings of the SIGCHI Conference on Human Factors in Computing Systems | 937–946 | Link | |
| 2012 | Hinckley, Ken and Wigdor, Daniel | Input Technologies and Techniques | Book Section/Chapter (Background) | The Human–Computer Interaction Handbook | 95–132 | Link | |
| 2012 | Simonsen, Jesper and Robertson, Toni | Routledge International Handbook of Participatory Design | Book (Background) | Routledge | Link | ||
| 2012 | Gurevich, Michael and Marquez-Borbon, Adnan and Stapleton, Paul | Playing with Constraints: Stylistic Variation with a Simple Electronic Instrument | Article | Computer Music Journal | 23–41 | Link | |
| 2012 | Maezawa, Akira and Itoyama, Katsutoshi and Komatani, Kazunori and Ogata, Tetsuya and Okuno, Hiroshi G. | Automated Violin Fingering Transcription Through Analysis of an Audio Recording | Article | Computer Music Journal | 57–72 | Link | |
| 2012 | McPherson, Andrew P. and Kim, Youngmoo E. | The Problem of the Second Performer: Building a Community Around an Augmented Piano | Article | Computer Music Journal | 10–27 | Link | |
| 2012 | Jensenius, Alexander Refsum and Johnson, Victoria | Performing the Electric Violin in a Sonic Space | Article | Computer Music Journal | 28–39 | Link | |
| 2012 | Lyons, Michael and Fels, Sidney | Advances in new interfaces for musical expression | Conference Proceedings (Cited) | SIGGRAPH Asia 2012 Courses | 1–159 | Link | |
| 2012 | Tanaka, Atau | BioMuse to Bondage: Corporeal Interaction in Performance and Exhibition | Book Section/Chapter (Cited) | Intimacy Across Visceral and Digital Performance | 159–169 | Link | |
| 2012 | Ghomi, Emilien | Designing expressive interaction techniques for novices inspired by expert activities : the case of musical practice | PhD Thesis (Cited) | Paris 11 | Link | ||
| 2012 | Jensenius, Alexander Refsum and Bjerkestrand, Kari Anne Vadstensvik | Exploring Micromovements with Motion Capture and Sonification | Book Section/Chapter (Cited) | Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering | 100–107 | Link | |
| 2012 | Berdahl, Edgar and Smith, Julius O. and Niemeyer, Günter | Feedback control of acoustic musical instruments: Collocated control using physical analogs | Article (Cited) | The Journal of the Acoustical Society of America | 963–973 | Link | |
| 2012 | Havryliv, Mark and Naghdy, Fazel and Schiemer, Greg | Implementation of a haptic musical instrument using multi-signal fusion for force sensing without additional force sensors | Conference Proceedings (Cited) | 2012 IEEE/RSJ International Conference on Intelligent Robots and Systems | 3949–3954 | Link | |
| 2012 | Hayes, Lauren and Michalakos, Christos | Imposing a Networked Vibrotactile Communication System for Improvisational Suggestion | Article (Cited) | Organised Sound | 36–44 | Link | |
| 2012 | Gelineck, Steven and Serafin, Stefania | Longitudinal Evaluation of the Integration of Digital Musical Instruments into Existing Compositional Work Processes | Article (Cited) | Journal of New Music Research | 259–276 | Link | |
| 2012 | Zappi, Victor and Pistillo, Antonio and Calinon, Sylvain and Brogni, Andrea and Caldwell, Darwin | Music expression with a robot manipulator used as a bidirectional tangible interface | Article (Cited) | EURASIP Journal on Audio, Speech, and Music Processing | Link | ||
| 2012 | Murphy, Jim and Kapur, Ajay and Carnegie, Dale | Musical Robotics in a Loudspeaker World: Developments in Alternative Approaches to Localization and Spatialization | Article (Cited) | Leonardo Music Journal | 41–48 | Link | |
| 2012 | Caramiaux, Baptiste and Wanderley, Marcelo M. and Bevilacqua, Frédéric | Segmenting and Parsing Instrumentalists’ Gestures | Article (Cited) | Journal of New Music Research | 13–29 | Link | |
| 2012 | Bates, Eliot | The Social Life of Musical Instruments | Article (Cited) | Ethnomusicology | 363–395 | Link | |
| 2012 | Rasamimanana, Nicolas | Towards a Conceptual Framework for Exploring and Modelling Expressive Musical Gestures | Article (Cited) | Journal of New Music Research | 3–12 | Link | |
| 2012 | Overholt, Dan | Violin-Related HCI: A Taxonomy Elicited by the Musical Interface Technology Design Space | Book Section/Chapter (Cited) | Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering | 80–89 | Link | |
| 2012 | Hertz, Garnet and Parikka, Jussi | Zombie Media: Circuit Bending Media Archaeology into an Art Method | Article (Cited) | Leonardo | 424–430 | Link | |
| 2012 | Li, T. and Ogihara, M. and Tzanetakis, G. | Music Data Mining | Book | CRC Press | |||
| 2012 | Piana, Stefano and Camurri, Antonio | The EyesWeb Human Movement Analysis Library | Conference Proceedings (Related) | CIM 2012 | |||
| 2012 | McKinney, Chad and Collins, Nick | Yig, the Father of Serpents: A Real-time Network Music Performance Environment | Conference Proceedings (Related) | 9th Sound and Music Computing Conference | Link | ||
| 2012 | Baba, Takashi and Hashida, Mitsuyo and Katayose, Haruhiro | A Multi-timelines Scheduler and a Rehearsal Function for Improving Users’ Sensation of Orchestral Conducting With a Conducting System | Conference Proceedings (Related) | 9th Sound and Music Computing Conference | Link | ||
| 2012 | Peters, Deniz and Eckel, Gerhard and Dorschel, Andreas | Bodily Expression in Electronic Music | Book (Related) | Routledge | Link | ||
| 2012 | Russ, Martin | Sound Synthesis and Sampling | Book (Related) | Routledge | Link | ||
| 2012 | Lee, Sang Won | Audience participation using mobile phones as musical instruments | PhD Thesis (Theses) | Georgia Institute of Technology | Link | ||
| 2012 | Callear, Stephen | Audiovisual particles: parameter mapping as a framework for audiovisual composition | PhD Thesis (Theses) | Bath Spa University | Link | ||
| 2012 | Fencott, Robin | Computer musicking : designing for collaborative digital musical interaction | PhD Thesis (Theses) | Link | |||
| 2012 | Fdili Alaoui, Sarah | Dance Gesture Analysis and Visual Feedback based on Physical Models : Contributions of Movement Qualities in Whole Body Interaction | PhD Thesis (Theses) | Paris 11 | Link | ||
| 2012 | Lympouridis, Evangelos | Design strategies for whole body interactive performance systems | PhD Thesis (Theses) | Link | |||
| 2012 | Taylor, Robyn L | Designing from Within: Exploring Experience through Interactive Performance | PhD Thesis (Theses) | University of Alberta | Link | ||
| 2012 | Odowichuk, Gabrielle | Free-space gesture mappings for music and sound | PhD Thesis (Theses) | University of Victoria | Link | ||
| 2012 | Bianco, Tommaso | Gestural control in trumpet performance : experiments and modeling | PhD Thesis (Theses) | Paris 6 | Link | ||
| 2012 | Wang, Yizhong Johnty | Investigation of gesture control for articulatory speech synthesis with a bio-mechanical mapping layer | PhD Thesis (Theses) | University of British Columbia | Link | ||
| 2012 | Lexer, Sebastian | Live Electronics in Live Performance: A Performance Practice Emerging from the piano+ used in Free Improvisation. | PhD Thesis (Theses) | University of London | Link | ||
| 2012 | Martin, Charles Patrick | Mobile Computer Music for Percussionists | PhD Thesis (Theses) | Dalarna University | Link | ||
| 2012 | Willcock, Ian | Multimedia and live performance | PhD Thesis (Theses) | De Montfort University | Link | ||
| 2012 | Kiefer, Chris | Multiparametric interfaces for fine-grained control of digital music | PhD Thesis (Theses) | University of Sussex | Link | ||
| 2012 | Bekkedal, Even | Music Kinection : Musical Sound and Motion in Interactive Systems | PhD Thesis (Theses) | Link | |||
| 2012 | Ângelo, Tiago | Open Instruments: Framework para Desenvolvimento e Performance de Instrumentos Musicais Digitais em MaxMSP. | PhD Thesis (Theses) | University of Porto | Link | ||
| 2012 | Ferreira, Inês Vale | Real-time audiovisual and interactive applications for desktop and mobile platforms | PhD Thesis (Theses) | University of Porto | Link | ||
| 2012 | Jylhä, Antti | Sonic gestures and rhythmic interaction between the human and the computer | PhD Thesis (Theses) | Aalto University | Link | ||
| 2012 | Cerkvenik, Mitja | Sound synthesizer and drum sequencer with midi interface | PhD Thesis (Theses) | Link | |||
| 2012 | Lynch, Sean George | Tabletop interfaces for composing and playing music | PhD Thesis (Theses) | University of Calgary | Link | ||
| 2012 | Martínez, Cristina Zamorano | The effect of acoustic screens on orchestra musicians | PhD Thesis (Theses) | Link | |||
| 2012 | Hertz, G. | Art After New Media: Exploring Black Boxes, Tactics and Archaeologies | Article (Zotero) | Leonardo Electronic Almanac | |||
| 2012 | Ben-Tal, Oded | Characterising musical gestures | Article (Zotero) | Musicae Scientiae | 247–261 | Link | |
| 2012 | Ogborn, David | Composing for a networked, pulse-based, laptop orchestra | Article (Zotero) | Organised Sound | 56–61 | ||
| 2012 | Lyon, Eric | Designing audio objects for Max/MSP and Pd | Book (Zotero) | A-R Editions | |||
| 2012 | Tanaka, Atau and Altavilla, Alessandro and Spowage, Neal | Gestural Musical Affordances | Conference Proceedings (Zotero) | Sound and Music Computing | |||
| 2012 | Brinkmann, Peter | Making Musical Apps: Real-time Audio Synthesis on Android and iOS | Book (Zotero) | O’Reilly Media, Inc. | |||
| 2012 | Miller, Kiri | Playing along: digital games, YouTube, and virtual performance | Book (Zotero) | Oxford University Press | |||
| 2012 | Wakefield, Graham | Real-Time Meta-Programming for Interactive Computational Arts | PhD Thesis (Zotero) | University of California Santa Barbara | |||
| 2012 | Holopainen, Risto | Self-organised Sound with Autonomous Instruments: Aesthetics and experiments | PhD Thesis (Zotero) | University of Oslo | |||
| 2012 | Knees, Peter and Pohle, Tim and Widmer, Gerhard | Sound/tracks: artistic real-time sonification of train journeys | Article (Zotero) | Journal on Multimodal User Interfaces | 87–93 | Link | |
| 2012 | Polli, Andrea | Soundscape, sonification, and sound activism | Article (Zotero) | AI & SOCIETY | 257–268 | Link | |
| 2012 | Kronlachner, Matthias and m Zmoelnig, I. | THE KINECT SENSOR AS HUMAN-MACHINE-INTERFACE IN AUDIO-VISUAL ART PROJECTS | Article (Zotero) | Live Interfaces: Performance, Art, Music | Link | ||
| 2012 | Schacher, Jan | The Body in Electronic Music Performance | Conference Proceedings (Zotero) | Proceedings of the 9th Sound and Music Computing Conference | 194–200 | ||
| 2012 | Hugill, Andrew | The digital musician | Book (Zotero) | Routledge | |||
| 2013 | Bryan-Kinns, Nick | Mutual engagement and collocation with shared representations | Article (Background) | International Journal of Human-Computer Studies | 76–90 | Link | |
| 2013 | Benford, Steve and Greenhalgh, Chris and Crabtree, Andy and Flintham, Martin and Walker, Brendan and Marshall, Joe and Koleva, Boriana and Rennick Egglestone, Stefan and Giannachi, Gabriella and Adams, Matt and Tandavanitj, Nick and Row Farr, Ju | Performance-Led Research in the Wild | Article (Background) | ACM Transactions on Computer-Human Interaction | 1–22 | Link | |
| 2013 | Horn, Michael S. | The role of cultural forms in tangible interaction design | Conference Proceedings (Background) | Proceedings of the 7th International Conference on Tangible, Embedded and Embodied Interaction | 117–124 | Link | |
| 2013 | Peters, Nils and Lossius, Trond and Schacher, Jan C. | The Spatial Sound Description Interchange Format: Principles, Specification, and Examples | Article | Computer Music Journal | 11–22 | Link | |
| 2013 | Fischman, Rajmil | A Manual Actions Expressive System (MAES) | Article (Cited) | Organised Sound | 328–345 | Link | |
| 2013 | Dubus, Gaël and Bresin, Roberto | A Systematic Review of Mapping Strategies for the Sonification of Physical Quantities | Article (Cited) | PLoS ONE | e82491 | Link | |
| 2013 | Françoise, Jules and Schnell, Norbert and Bevilacqua, Frédéric | A multimodal probabilistic model for gesture–based control of sound synthesis | Conference Proceedings (Cited) | Proceedings of the 21st ACM international conference on Multimedia | 705–708 | Link | |
| 2013 | Vallis, Owen Skipper | Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer | PhD Thesis (Cited) | Open Access Te Herenga Waka-Victoria University of Wellington | Link | ||
| 2013 | Lyons, Michael and Fels, Sidney | Creating new interfaces for musical expression | Conference Proceedings (Cited) | SIGGRAPH Asia 2013 Courses | 1–164 | Link | |
| 2013 | Bengler, Ben and Bryan-Kinns, Nick | Designing collaborative musical experiences for broad audiences | Conference Proceedings (Cited) | Proceedings of the 9th ACM Conference on Creativity & Cognition | 234–242 | Link | |
| 2013 | Manning, Peter | Electronic and Computer Music | Book (Cited) | Oxford University Press | Link | ||
| 2013 | Nanayakkara, Suranga Chandima and Wyse, Lonce and Ong, S. H. and Taylor, Elizabeth A. | Enhancing Musical Experience for the Hearing-Impaired Using Visual and Haptic Displays | Article (Cited) | Human–Computer Interaction | 115–160 | Link | |
| 2013 | Sawyer, Blake and Forsyth, Jason and O’Connor, Taylor and Bortz, Brennon and Finn, Teri and Baum, Liesl and Bukvic, Ivica Ico and Knapp, Benjamin and Webster, Dane | Form, function and performances in a musical instrument MAKErs camp | Conference Proceedings (Cited) | Proceeding of the 44th ACM technical symposium on Computer science education | 669–674 | Link | |
| 2013 | Font, Frederic and Roma, Gerard and Serra, Xavier | Freesound technical demo | Conference Proceedings (Cited) | Proceedings of the 21st ACM international conference on Multimedia | 411–412 | Link | |
| 2013 | Françoise, Jules | Gesture–sound mapping by demonstration in interactive music systems | Conference Proceedings (Cited) | Proceedings of the 21st ACM international conference on Multimedia | 1051–1054 | Link | |
| 2013 | Holland, Simon and Wilkie, Katie and Mulholland, Paul and Seago, Allan | Music Interaction: Understanding Music and Human-Computer Interaction | Book Section/Chapter (Cited) | Springer Series on Cultural Computing | 1–28 | Link | |
| 2013 | Holland, Simon and Wilkie, Katie and Mulholland, Paul and Seago, Allan | Music and Human-Computer Interaction | Book (Cited) | Springer London | Link | ||
| 2013 | Lee, Sang Won and Freeman, Jason | Real-Time Music Notation in Mixed Laptop–Acoustic Ensembles | Article (Cited) | Computer Music Journal | 24–36 | Link | |
| 2013 | Franinović, Karmen and Serafin, Stefania | Sonic Interaction Design | Book (Cited) | The MIT Press | Link | ||
| 2013 | Fabiani, Marco and Friberg, Anders and Bresin, Roberto | Systems for Interactive Control of Computer Generated Music Performance | Book Section/Chapter (Cited) | Guide to Computing for Expressive Music Performance | 49–73 | Link | |
| 2013 | Berdahl, Edgar and Kontogeorgakopoulos, Alexandros | The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians | Article (Cited) | Computer Music Journal | 23–34 | Link | |
| 2013 | Wyse, Lonce and Subramanian, Srikumar | The Viability of the Web Browser as a Computer Music Platform | Article (Cited) | Computer Music Journal | 10–23 | Link | |
| 2013 | Tresch, John and Dolan, Emily I. | Toward a New Organology: Instruments of Music and Science | Article (Cited) | Osiris | 278–298 | Link | |
| 2013 | Gelineck, Steven and Büchert, Morten and Andersen, Jesper | Towards a more flexible and creative music mixing interface | Conference Proceedings (Cited) | CHI ’13 Extended Abstracts on Human Factors in Computing Systems | 733–738 | Link | |
| 2013 | Thibodeau, Joseph and Wanderley, Marcelo M. | Trumpet Augmentation and Technological Symbiosis | Article (Cited) | Computer Music Journal | 12–25 | Link | |
| 2013 | Weitzner, Nathan and Freeman, Jason and Chen, Yan-Ling and Garrett, Stephen | massMobile: towards a flexible framework for large-scale participatory collaborations in live performances | Article (Cited) | Organised Sound | 30–42 | Link | |
| 2013 | Sanfilippo, Dario and Valle, Andrea | Feedback Systems: An Analytical Framework | Article (Cited) | Computer Music Journal | 12–27 | Link | |
| 2013 | Wallis, Isaac and Ingalls, Todd and Campana, Ellen and Vuong, Catherine | Amateur Musicians, Long-Term Engagement, and HCI | Book Section/Chapter (Cited) | Springer Series on Cultural Computing | 49–66 | Link | |
| 2013 | Sanden, Paul | Liveness in Modern Music: Musicians, Technology, and the Perception of Performance | Book (Related) | Routledge | Link | ||
| 2013 | Duckworth, William | Virtual Music: How the Web Got Wired for Sound | Book (Related) | Routledge | Link | ||
| 2013 | Holman, Tomlinson | Sound for Digital Video | Book (Related) | Routledge | Link | ||
| 2013 | Bailey, Andy | Network Technology for Digital Audio | Book (Related) | Routledge | Link | ||
| 2013 | Hu, Ning | Automatic Construction of Synthetic Musical Instruments and Performers | PhD Thesis (Theses) | Carnegie Mellon University | Link | ||
| 2013 | Angeles, Bruno | Conceptual integration and user interface metaphor for the multi-touch control of recorded audio | PhD Thesis (Theses) | McGill University | Link | ||
| 2013 | Vallis, Owen | Contemporary Approaches to Live Computer Music: The Evolution of the Performer Composer | PhD Thesis (Theses) | Link | |||
| 2013 | Rynešová, Magdalena | Correlation of personality traits with gait and dance movement using data produced by Motion Capture technology. | PhD Thesis (Theses) | Link | |||
| 2013 | Baldeep, No given name | Dance training and feedback system using wearable wireless sensors. | PhD Thesis (Theses) | Link | |||
| 2013 | Johnson, Bridget | Diffusion Evolved: New Musical Interfaces Applied to Diffusion Performance | PhD Thesis (Theses) | Link | |||
| 2013 | Feugère, Lionel and d’Alessandro, Christophe R. | Gestural control of singing voice synthesis by rules and musical applications | PhD Thesis (Theses) | Link | |||
| 2013 | Llorach, Gerard | Gesture Recognition and Interaction with a Glove Controller. BSc Thesis | PhD Thesis (Theses) | Link | |||
| 2013 | Zadel, Mark | Graphical performance software in contexts: explorations with different strokes | PhD Thesis (Theses) | McGill University | Link | ||
| 2013 | Knutzen, Håkon | Haptics in the Air - Exploring Vibrotactile Feedback for Digital Musical Instruments with Open Air Controllers | PhD Thesis (Theses) | Link | |||
| 2013 | Correia, Nuno N. | Interactive audiovisual objects | PhD Thesis (Theses) | Aalto University | Link | ||
| 2013 | Perkins, Rhys | Interactive sonification of a physics engine | PhD Thesis (Theses) | Anglia Ruskin University | Link | ||
| 2013 | Fernandes de Oliveira-Weiss, Ledice | Jeu instrumental et théâtre musical : le cas de la guitare dans quelques compositions scéniques de la fin du XXème siècle | PhD Thesis (Theses) | Dijon | Link | ||
| 2013 | Hochenbaum, Jordan | L’Arte Di Interazione Musicale: New Musical Possibilities Through Multimodal Techniques | PhD Thesis (Theses) | Victoria University of Wellington | Link | ||
| 2013 | Nymoen, Kristian | Methods and Technologies for Analysing Links Between Musical Sound and Body Motion | PhD Thesis (Theses) | Link | |||
| 2013 | Tomiyoshi, Marcio Masaki | Network music performance over the residential Internet | PhD Thesis (Theses) | Link | |||
| 2013 | Kleimola, Jari | Nonlinear Abstract Sound Synthesis Algorithms | PhD Thesis (Theses) | Aalto University | Link | ||
| 2013 | Percival, Graham | Physical modelling meets machine learning : performing music with a virtual string ensemble | PhD Thesis (Theses) | The University of Glasgow | Link | ||
| 2013 | Marley, William | Processing an Instrumental Gesture in the Reactable as a Method of Computer Improvisation | PhD Thesis (Theses) | Universitat Pompeu Fabra | Link | ||
| 2013 | Holmes, Aaron David | THE EVOLUTION OF INSTRUMENT DESIGN AND ITS INFLUENCE ON TRUMPET REPERTOIRE | PhD Thesis (Theses) | University of Maryland | Link | ||
| 2013 | Torre, Giuseppe La | The design of a new musical glove: a live performance approach | PhD Thesis (Theses) | University of Limerick | Link | ||
| 2013 | Fick, Jason | Transfantasies for Flauto Traverso, Computer Music, and Dance | PhD Thesis (Theses) | Link | |||
| 2013 | Dalgleish, Mathew and Spencer, Steve and Foster, Chris | A Contemporary Approach to Expressiveness in the Design of Digital Musical Instruments | Article (Zotero) | ||||
| 2013 | Jensenius, Alexander Refsum | An Action-Sound Approach to Teaching Interactive Music | Article (Zotero) | Organised Sound | 178–189 | Link | |
| 2013 | Tzanetakis, George and Fels, Sidney and Lyons, Michael | Blending the physical and the virtual in music technology: from interface design to multi-modal signal processing | Conference Proceedings (Zotero) | Proceedings of the 21\textsuperscriptst ACM International Conference on Multimedia | 1119–1120 | ||
| 2013 | Basanta, Adam | Compositional Strategies in Light and Sound Installations | Master's Thesis (Zotero) | Link | |||
| 2013 | Hall, Joshua M. | Core Aspects of Dance: Condillac and Mead on Gesture | Article (Zotero) | Dance Chronicle | 352–371 | Link | |
| 2013 | Linn, Roger | LinnStrument and other new expressive musical controllers | Article (Zotero) | The Journal of the Acoustical Society of America | 4053–4053 | Link | |
| 2013 | Chandra, Arjun and Nymoen, Kristian and Voldsund, Arve and Jensenius, Alexander Refsum and Glette, Kyrre and Torresen, Jim | Market-based Control in Interactive Music Environments | Book Section/Chapter (Zotero) | From Sounds to Music and Emotions | 439–458 | Link | |
| 2013 | Palmer, Caroline and Deutsch, Diana | Music performance: Movement and coordination | Article (Zotero) | The psychology of music | 405–422 | Link | |
| 2013 | De Souza, Jonathan Gregory | Musical Instruments, Bodies, and Instruments | PhD Thesis (Zotero) | University of Chicago | |||
| 2013 | Jensenius, Alexander Refsum | Non-Realtime Sonification of Motiongrams | Conference Proceedings (Zotero) | Proceedings of Sound and Music Computing | 500–505 | Link | |
| 2013 | Bevilacqua, Frédéric and Fels, Sidney S. and Jensenius, Alexander Refsum and Lyons, Michael and Schnell, Norbert and Tanaka, Atau | SIG NIME: Music, Technology, and Human-Computer Interaction | Conference Proceedings (Zotero) | CHI 2013 | 2529–2532 | Link | |
| 2013 | Tsay, Chia-Jung | Sight over sound in the judgment of music performance | Article (Zotero) | Proceedings of the National Academy of Sciences | 14580–14585 | Link | |
| 2013 | Rossing, Thomas D. and Moore, Richard F. and Wheeler, Paul A. | The Science of Sound: Pearson New International Edition | Book (Zotero) | Pearson Higher Ed | Link | ||
| 2013 | Jenkins, Mark | iPad music: in the studio and on stage | Book (Zotero) | Focal Press | |||
| 2014 | Wigdor, Daniel | Input/Output Devices and Interaction Techniques | Book Section/Chapter (Background) | Computing Handbook, Third Edition | 1–54 | Link | |
| 2014 | Medeiros, Carolina and Wanderley, Marcelo | A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression | Article (Cited) | Sensors | 13556–13591 | Link | |
| 2014 | Leonard, James and Cadoz, Claude and Castagne, Nicolas and Florens, Jean-Loup and Luciani, Annie | A Virtual Reality Platform for Musical Creation: GENESIS-RT | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 346–371 | Link | |
| 2014 | Straebel, Volker and Thoben, Wilm | Alvin Lucier’sMusic for Solo Performer: Experimental music beyond sonification | Article (Cited) | Organised Sound | 17–29 | Link | |
| 2014 | Veytizou, Julien | Caractérisation des spécificités motrices d’utilisateurs en situation de handicap : application à la conception de systèmes personnalisables pour la pratique musicale instrumentale | PhD Thesis (Cited) | Grenoble | Link | ||
| 2014 | Medeiros, Rodrigo and Calegario, Filipe and Cabral, Giordano and Ramalho, Geber | Challenges in Designing New Interfaces for Musical Expression | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 643–652 | Link | |
| 2014 | He, Jingyin and Kapur, Ajay and Carnegie, Dale A. | Contemporary Practices of Extending Traditional Asian Instruments Using Technology | Article (Cited) | Organised Sound | 136–145 | Link | |
| 2014 | Yang, Qi and Essl, Georg | Evaluating Gesture-Augmented Keyboard Performance | Article (Cited) | Computer Music Journal | 68–79 | Link | |
| 2014 | Murphy, Jim | Expressive Musical Robots: Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments | PhD Thesis (Cited) | Open Access Te Herenga Waka-Victoria University of Wellington | Link | ||
| 2014 | Magnusson, Thor | Herding Cats: Observing Live Coding in the Wild | Article (Cited) | Computer Music Journal | 8–16 | Link | |
| 2014 | Lyons, Michael | How to design and build musical interfaces | Conference Proceedings (Cited) | SIGGRAPH Asia 2014 Courses | 1–157 | Link | |
| 2014 | Koehly, Rodolphe and Wanderley, Marcelo M. and van de Ven, Theodorus and Curtil, Denis | In-House Development of Paper Force Sensors for Musical Applications | Article (Cited) | Computer Music Journal | 22–35 | Link | |
| 2014 | McLean, Alex | Making programming languages to dance to: live coding with tidal | Conference Proceedings (Cited) | Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art, music, modeling & design | 63–70 | Link | |
| 2014 | Van Nort, Doug and Wanderley, Marcelo M. and Depalle, Philippe | Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives | Article (Cited) | Computer Music Journal | 6–22 | Link | |
| 2014 | Caramiaux, Baptiste and Françoise, Jules and Schnell, Norbert and Bevilacqua, Frédéric | Mapping Through Listening | Article (Cited) | Computer Music Journal | 34–48 | Link | |
| 2014 | Reidsma, Dennis and Radha, Mustafa and Nijholt, Anton | Mediated Interactions and Musical Expression—A Survey | Book Section/Chapter (Cited) | Digital Da Vinci | 79–98 | Link | |
| 2014 | Wang, Ge | Ocarina: Designing the iPhone’s Magic Flute | Article (Cited) | Computer Music Journal | 8–21 | Link | |
| 2014 | Berthaut, Florent and Zappi, Victor and Mazzanti, Dario | Scenography of immersive virtual musical instruments | Conference Proceedings (Cited) | 2014 IEEE VR Workshop: Sonic Interaction in Virtual Environments (SIVE) | 19–24 | Link | |
| 2014 | Knutzen, Håkon and Kvifte, Tellef and Wanderley, Marcelo M. | Vibrotactile Feedback for an Open Air Music Controller | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 41–57 | Link | |
| 2014 | Mainsbridge, Mary | Non-tactile Gestural Control in Musical Performance | Conference Proceedings (Related) | Proceedings of the 2014 International Workshop on Movement and Computing | 146–149 | Link | |
| 2014 | Hamilton, Robert | Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture | Conference Proceedings (Related) | Lecture Notes in Computer Science Sound, Music, and Motion | Link | ||
| 2014 | Maestre, Esteban and Spa, Carlos and III, Julius O. Smith | A Bowed String Physical Model Including Finite-width Thermal Friction and Hair Dynamics | Conference Proceedings (Related) | 11th Sound and Music Computing Conference and 40th International Computer Music Conference | Link | ||
| 2014 | Hantrakul, Lamtharn and Kaczmarek, Konrad | Implementations of the Leap Motion device in sound synthesis and interactive live performance | Conference Proceedings (Related) | Proceedings of the 2014 International Workshop on Movement and Computing | 142–145 | Link | |
| 2014 | Kocher, Philippe | Polytempo Network: A System for Technology-assisted Conducting | Conference Proceedings (Related) | 11th Sound and Music Computing Conference and 40th International Computer Music Conference | Link | ||
| 2014 | Fontana, Federico and Avanzini, Federico and Järveläinen, Hanna and Papetti, Stefano and Zanini, Francesco and Zanini, Valerio | Perception of Interactive Vibrotactilecues on the Acoustic Grand and Upright Piano | Conference Proceedings (Related) | 11th Sound and Music Computing Conference and 40th International Computer Music Conference | Link | ||
| 2014 | Ikoniadou, Eleni | The Rhythmic Event: Art, Media, and the Sonic | Book (Related) | The MIT Press | Link | ||
| 2014 | Jacobs, Lea | Film Rhythm after Sound: Technology, Music, and Performance | Book (Related) | University of California Press | Link | ||
| 2014 | Greher, Gena R. and Heines, Jesse M. | Computational Thinking in Sound: Teaching the Art and Science of Music and Technology | Book (Related) | Oxford University Press | Link | ||
| 2014 | Butler, Mark J. | Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance | Book (Related) | Oxford University Press | Link | ||
| 2014 | Krajeski, Aaron | A flexible tool for the visualization and manipulation of musical mapping networks | PhD Thesis (Theses) | McGill University | Link | ||
| 2014 | Malloch, Joseph W. | A framework and tools for mapping of digital musical instruments | PhD Thesis (Theses) | McGill University | Link | ||
| 2014 | Wilansky, Jonathan | A software tool for creating and visualizing mappings in digital musical instruments | PhD Thesis (Theses) | McGill University | Link | ||
| 2014 | Thoret, Etienne | Acoustic characterisation of relations between biological movements and auditory perception : applications to the control of sound synthesis and gesture learning | PhD Thesis (Theses) | theses.fr (ABES) | Link | ||
| 2014 | McKinney, Curtis | Aesthetically driven design of network based multi-user instruments. | PhD Thesis (Theses) | Bournemouth University | Link | ||
| 2014 | Ghamsari-Esfahani, Mahtab | An evaluation of the role of mapping in skill acquisition on digital musical instruments | PhD Thesis (Theses) | McGill University | Link | ||
| 2014 | Peltokoski, Jere | Background for Designing an Improved Digital Musical Keyboard Instrument | PhD Thesis (Theses) | LUT University | Link | ||
| 2014 | Araújo, Katarine de Sousa | Choice of gestures and its implications on performance as applied to conducting João Guilherme Ripper’s Psalmus | PhD Thesis (Theses) | Link | |||
| 2014 | Allik, Alo | Computational composition strategies in audiovisual laptop performance | PhD Thesis (Theses) | University of Hull | Link | ||
| 2014 | Knoll, Jonathan | Concerto for Laptop Ensemble and Orchestra: The Ship of Theseus and Problems of Performance for Electronics With Orchestra: Taxonomy and Nomenclature | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2014 | Laurenzo, Tomás | Decoupling and context in new media art | PhD Thesis (Theses) | Link | |||
| 2014 | Madden, Adriana | Developing spaceJam: The New Sound Spatialization Tool for an Artist and Novice | PhD Thesis (Theses) | Link | |||
| 2014 | Murphy, Jim W. | Expressive musical robots : building, evaluating, and interfacing with an ensemble of mechatronic instruments : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy | PhD Thesis (Theses) | Massey University | Link | ||
| 2014 | Conan, Simon | Intuitive control of solid-interaction sound synthesis : toward sonic metaphors | PhD Thesis (Theses) | Laboratoire de Mécanique et d’Acoustique | Link | ||
| 2014 | Skogstad, Ståle | Methods and Technologies for Using Body Motion for Real-Time Musical Interaction | PhD Thesis (Theses) | University of Oslo | Link | ||
| 2014 | Arango, Julián Jaramillo | Network Music: criação e performance musical colaborativa no âmbito das redes de informação | PhD Thesis (Theses) | Link | |||
| 2014 | Hewitt, Scott | Notational approaches for composing and directing a non-homogeneous laptop orchestra | PhD Thesis (Theses) | University of Huddersfield | Link | ||
| 2014 | Hollinger, Avrum D. | Optical sensing, embedded systems, and musical interfaces for functional neuroimaging | PhD Thesis (Theses) | McGill University | Link | ||
| 2014 | Webb, Craig J. | Parallel computation techniques for virtual acoustics and physical modelling synthesis | PhD Thesis (Theses) | Link | |||
| 2014 | Seye, Elina | Performing a Tradition in Music and Dance - Embodiment and Interaction in Sabar Dance Events | PhD Thesis (Theses) | Tampere University | Link | ||
| 2014 | Pérez-López, Andrés | Real-Time 3D Audio Spatialization Tools for Interactive Performance | PhD Thesis (Theses) | Link | |||
| 2014 | Valencia, Julián Esteban Pérez and Lareo, Santiago Eduardo Mendoza | Sonia: interfaz para la producción musical en tiempo real integrando dispositivos de entrada | PhD Thesis (Theses) | Link | |||
| 2014 | Misdariis, Nicolas | Synthèse - Reproduction - Perception des Sons Instrumentaux et Environnementaux : Application au Design Sonore | PhD Thesis (Theses) | Conservatoire National des Arts et Métiers | Link | ||
| 2014 | Baltazar, André | ZATLAB : recognizing gestures for artistic performance interaction | PhD Thesis (Theses) | Link | |||
| 2014 | Garcia, Denise and Fornari, José and Manzolli, Jonatas and others | Abstrações: an audiovisual installation based on motion recognizing | Article (Zotero) | NICS Reports | 01–04 | Link | |
| 2014 | Wanderley, Marcelo M. and Malloch, J. | Advances in the Design of Mapping for Computer Music | Article (Zotero) | Computer Music Journal | 4–5 | ||
| 2014 | Schacher, Jan C. | Corporeality, Actions and Perceptions in Gestural Performance of Digital Music | Article (Zotero) | International Conference on Mathematics and Computing | |||
| 2014 | Bluff, Andrew and Johnston, Andrew | Creative Control of Granular Synthesis Using Fluid Simulation & Motion Tracking | Conference Proceedings (Zotero) | ACM Press | 150–153 | Link | |
| 2014 | Deweppe, Alexander and Diniz, Nuno and Coussement, Pieter and Leman, Marc | Engaging Audiences through a Participatory Design Approach with the Interactive Music Installation’SoundField’ | Conference Proceedings (Zotero) | Proceedings of the EVA London 2014 on Electronic Visualisation and the Arts | 1–8 | Link | |
| 2014 | Keller, Peter | Ensemble Performance: Interpersonal Alignment of Musical Expression | Book Section/Chapter (Zotero) | Expressiveness in music performance: Empirical approaches across styles and cultures | 260–282 | Link | |
| 2014 | Visi, Federico and Schramm, Rodrigo and Miranda, Eduardo | Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies | Conference Proceedings (Zotero) | Proceedings of the International Workshop on Movement and Computing | 100–105 | Link | |
| 2014 | Mota, Davi and Loureiro, Maurício and Laboissière, Rafael | Influence of Expressive Coupling in Ensemble Performance on Musicians’ Body Movement | Article (Zotero) | Link | |||
| 2014 | Ogborn, David | Live coding in a scalable, participatory laptop orchestra | Article (Zotero) | Computer Music Journal | 17–30 | ||
| 2014 | Parkinson, Adam and Tanaka, Atau | Making Data Sing: Embodied Approaches to Sonification | Book Section/Chapter (Zotero) | Sound, Music, and Motion | 151–160 | Link | |
| 2014 | Lyon, E. and Knapp, R. B. and Ouzounian, G. | Mapping in Computer Chamber Music: A Case Study | Article (Zotero) | Computer Music Journal | 64–75 | ||
| 2014 | Alemi, Omid and Pasquier, Philippe and Shaw, Chris | Mova: Interactive Movement Analytics Platform | Conference Proceedings (Zotero) | ACM Press | 37–42 | Link | |
| 2014 | Küssner, Mats B. and Tidhar, Dan and Prior, Helen M. and Leech-Wilkinson, Daniel | Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time | Article (Zotero) | Frontiers in Psychology | Link | ||
| 2014 | Donnarumma, Marco | Notes on Bimodal Muscle Sensing for the Sonification of Indeterminate Motion | Conference Proceedings (Zotero) | ACM Press | 170–171 | Link | |
| 2014 | Gopinath, Sumanth and Stanyek, Jason | Oxford Handbook of Mobile Music | Book (Zotero) | Oxford University Press | |||
| 2014 | Branje, Carmen and Fels, Deborah I. | Playing vibrotactile music: A comparison between the Vibrochord and a piano keyboard | Article (Zotero) | International journal of human-computer studies | 431–439 | Link | |
| 2014 | Attenberger, Andreas and Buchenrieder, Klaus | RemoteHand: A wireless myoelectric interface | Conference Proceedings (Zotero) | International Conference on Human-Computer Interaction | 3–11 | ||
| 2014 | Boem, Alberto | SCULPTON: A MALLEABLE TANGIBLE INTERFACE FOR SOUND SCULPTING | Article (Zotero) | Link | |||
| 2014 | Cox, Trevor | Sonic Wonderland: A Scientific Odyssey of Sound | Book (Zotero) | Random House | |||
| 2014 | Collins, Karen and Kapralos, Bill and Tessler, Holly | The Oxford handbook of interactive audio | Book (Zotero) | Oxford University Press | |||
| 2014 | Vail, Mark | The synthesizer: a comprehensive guide to understanding, programming, playing, and recording the ultimate electronic music instrument | Book (Zotero) | Link | |||
| 2014 | Schacher, Jan C. and Bisig, Daniel | Watch This! Expressive Movement in Electronic Music Performance | Conference Proceedings (Zotero) | ACM Press | 106–111 | Link | |
| 2014 | Naveda, Luiz and Santana, Ivani | “Topos” toolkit for Pure Data: exploring the spatial features of dance gestures for interactive musical applications | Conference Proceedings (Zotero) | ICMC | Link | ||
| 2015 | Caramiaux, Baptiste and Montecchio, Nicola and Tanaka, Atau and Bevilacqua, Frédéric | Adaptive Gesture Recognition with Variation Estimation for Interactive Systems | Article (Background) | ACM Transactions on Interactive Intelligent Systems | 1–34 | Link | |
| 2015 | Pardue, Laurel S. and Harte, Christopher and McPherson, Andrew P. | A Low-Cost Real-Time Tracking System for Violin | Article (Cited) | Journal of New Music Research | 305–323 | Link | |
| 2015 | Long, J. and Murphy, J.W. and Kapur, A. and Carnegie, D.A. | A comparative evaluation of percussion mechanisms for musical robotics applications | Conference Proceedings (Cited) | 2015 6th International Conference on Automation, Robotics and Applications (ICARA) | 173–178 | Link | |
| 2015 | Tubb, Robert and Dixon, Simon | An Evaluation of Multidimensional Controllers for Sound Design Tasks | Conference Proceedings (Cited) | Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems | 47–56 | Link | |
| 2015 | McPherson, Andrew | Buttons, Handles, and Keys: Advances in Continuous-Control Keyboard Instruments | Article (Cited) | Computer Music Journal | 28–46 | Link | |
| 2015 | Fillwalk, John | ChromaChord: A virtual musical instrument | Conference Proceedings (Cited) | 2015 IEEE Symposium on 3D User Interfaces (3DUI) | 201–202 | Link | |
| 2015 | Wang, Ge and Cook, Perry R. and Salazar, Spencer | ChucK: A Strongly Timed Computer Music Language | Article (Cited) | Computer Music Journal | 10–29 | Link | |
| 2015 | Roads, Curtis | Composing Electronic Music: A New Aesthetic | Book (Cited) | Oxford University Press | Link | ||
| 2015 | Boyer, Eric | Continuous auditory feedback for sensorimotor learning | PhD Thesis (Cited) | Paris 6 | Link | ||
| 2015 | Troiano, Giovanni Maria and Pedersen, Esben Warming and Hornbæk, Kasper | Deformable Interfaces for Performing Music | Conference Proceedings (Cited) | Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems | 377–386 | Link | |
| 2015 | Roberts, Charles and Wakefield, Graham and Wright, Matthew and Kuchera-Morin, JoAnn | Designing Musical Instruments for the Browser | Article (Cited) | Computer Music Journal | 27–40 | Link | |
| 2015 | Malloch, Joseph and Sinclair, Stephen and Wanderley, Marcelo M. | Distributed tools for interactive design of heterogeneous signal networks | Article (Cited) | Multimedia Tools and Applications | 5683–5707 | Link | |
| 2015 | Murphy, Jim and McVay, James and Mathews, Paul and Carnegie, Dale A. and Kapur, Ajay | Expressive Robotic Guitars: Developments in Musical Robotics for Chordophones | Article (Cited) | Computer Music Journal | 59–73 | Link | |
| 2015 | Robinson, Frederic and Spindler, Cedric and Böhm, Volker and Oña, Erik | Gestural control in electronic music performance: sound design based on the ‘striking’ and ‘bowing’ movement metaphors | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2015 on Interaction With Sound | 1–6 | Link | |
| 2015 | Gelineck, Steven and Overholt, Dan | Haptic and Visual feedback in 3D Audio Mixing Interfaces | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2015 on Interaction With Sound | 1–6 | Link | |
| 2015 | Fels, Sidney and Lyons, Michael | How to design and build new musical interfaces | Conference Proceedings (Cited) | ACM SIGGRAPH 2015 Courses | 1–125 | Link | |
| 2015 | Tanaka, Atau | Intention, Effort, and Restraint: The EMG in Musical Performance | Article (Cited) | Leonardo | 298–299 | Link | |
| 2015 | Berthaut, Florent and Desainte-Catherine, Myriam | Interaction musicale mumérique. Recréer les signaux du contrôle | Article (Cited) | Traitement du signal | 345–363 | Link | |
| 2015 | Caramiaux, Baptiste and Donnarumma, Marco and Tanaka, Atau | Understanding Gesture Expressivity through Muscle Sensing | Article (Cited) | ACM Transactions on Computer-Human Interaction | 1–26 | Link | |
| 2015 | Freeman, Jason and Xie, Shaoduo and Tsuchiya, Takahiko and Shen, Weibin and Chen, Yan-Ling and Weitzner, Nathan | Using massMobile, a flexible, scalable, rapid prototyping audience participation framework, in large-scale live musical performances | Article (Cited) | Digital Creativity | 228–244 | Link | |
| 2015 | Wang, Ge and Salazar, Spencer and Oh, Jieun and Hamilton, Robert | World Stage: Crowdsourcing Paradigm for Expressive Social Mobile Music | Article (Cited) | Journal of New Music Research | 112–128 | Link | |
| 2015 | Fehr, Jonas and Erkut, Cumhur | Indirection between movement and sound in an interactive sound installation | Conference Proceedings (Related) | Proceedings of the 2nd International Workshop on Movement and Computing | 160–163 | Link | |
| 2015 | Roberts, Charlie and Yerkes, Karl and Bazo, Danny and Wright, Matthew and Kuchera-Morin, JoAnn | Sharing Time and Code in a Browser-Based Live Coding Environment | Conference Proceedings (Related) | First International Conference on Live Coding | Link | ||
| 2015 | Magnusson, Thor | Code scores in Live Coding | Conference Proceedings (Related) | International Conference on Technologies for Music Notation and Representation | Link | ||
| 2015 | Grimshaw, Mark and Garner, Tom | Sonic Virtuality: Sound as Emergent Perception | Book (Related) | Oxford University Press | Link | ||
| 2015 | Kennedy, Stephen | Chaos Media: A Sonic Economy of Digital Space | Book (Related) | Bloomsbury Publishing Inc | Link | ||
| 2015 | The Digital Evolution of Live Music | Book (Related) | Elsevier | Link | |||
| 2015 | Nelson, Andrew J. | The Sound of Innovation: Stanford and the Computer Music Revolution | Book (Related) | The MIT Press | Link | ||
| 2015 | Medeiros, Carolina Brum | Advanced instrumentation and sensor fusion methods in input devices for musical expression | PhD Thesis (Theses) | McGill University | Link | ||
| 2015 | Peck, Chris | Composition in an Expanded field of Performance: Experimental Music in Collaboration with Contemporary Dance. | PhD Thesis (Theses) | University of Virginia | Link | ||
| 2015 | Boyer, Eric | Continuous auditory feedback for sensorimotor learning | PhD Thesis (Theses) | Université Pierre-et-Marie-Curie | Link | ||
| 2015 | Pugliese, Roberto | Creating and evaluating embodied interactive experiences: case studies of full-body, sonic and tactile enaction. | PhD Thesis (Theses) | Aalto University | Link | ||
| 2015 | Morreale, Fabio | Designing New Experiences of Music Making | PhD Thesis (Theses) | University of Trento | Link | ||
| 2015 | Ekroll, Lars Kinn | Designing and Evaluating a Tablet Application for Guitar Effect Control | PhD Thesis (Theses) | BIBSYS Brage (BIBSYS (Norway)) | Link | ||
| 2015 | Lekena, Mohato Karabo | Designing mobile multi-touch drum sequencing applications | PhD Thesis (Theses) | University of Cape Town | Link | ||
| 2015 | Roy, Alexandre | Development of a robotic plateform for the study of plucked strings instruments | PhD Thesis (Theses) | theses.fr (ABES) | Link | ||
| 2015 | Gabrielli, Leonardo | Digital Signal Processing and Embedded Systems for Wireless Networked Music Performance | PhD Thesis (Theses) | Università Politecnica delle Marche | Link | ||
| 2015 | Hahn, Henrik | Expressive sampling synthesis. Learning extended source-filter models from instrument sound databases for expressive sample manipulations | PhD Thesis (Theses) | Université Pierre-et-Marie-Curie | Link | ||
| 2015 | Vogels, Julian | Harmonica-inspired digital musical instrument design based on an existing gestural performance repertoire | PhD Thesis (Theses) | McGill University | Link | ||
| 2015 | Hu, Hanlin | Hexagonal Cylindrical Lattices: A Unified Helical Structure in 3D Pitch Space for Mapping Flat Musical Isomorphism | PhD Thesis (Theses) | University of Regina | Link | ||
| 2015 | Barraclough, Timothy | Iterative Design for Approachable, Mobile-Based Collaborative Electronic Music Instruments | PhD Thesis (Theses) | Victoria University of Wellington | Link | ||
| 2015 | Rouš, Jiří | Live Coding - method, art and ideology | PhD Thesis (Theses) | Link | |||
| 2015 | Françoise, Jules | Motion-sound Mapping By Demonstration | PhD Thesis (Theses) | Paris 6 | Link | ||
| 2015 | Dick, Christopher S. | Movement and music - it is not a dance, but capoeira | PhD Thesis (Theses) | University of Vienna | Link | ||
| 2015 | McGee, Ryan | Scanning Spaces: Paradigms for Spatial Sonification and Synthesis | PhD Thesis (Theses) | University of California | Link | ||
| 2015 | Perrotin, Olivier | Singing with hands : chironomic interfaces for digital musical instruments | PhD Thesis (Theses) | Laboratoire d’Informatique pour la Mécanique et les Sciences de l’Ingénieur | Link | ||
| 2015 | Zamborlin, Bruno | Studies on customisation-driven digital music instruments | PhD Thesis (Theses) | Goldsmiths, University of London | Link | ||
| 2015 | Xambó Sedó, Anna | Tabletop Tangible Interfaces for Music Performance: Design and Evaluation | PhD Thesis (Theses) | The Open University | Link | ||
| 2015 | Wilson, Thomas R | The Gestural Control of Audio Processing | PhD Thesis (Theses) | University of Huddersfield | Link | ||
| 2015 | Leonard, James | The MSCI Platform : towards a Tool for the Creation of Force Feedback Virtual Instruments. Application to Musical Creation | PhD Thesis (Theses) | Université Grenoble Alpes (ComUE) | Link | ||
| 2015 | Verwaerde, Clotilde | The accompaniment practice in France (1750-1800) : from improvised continuo to written keyboard parts in sonatas with violin | PhD Thesis (Theses) | Paris 4 | Link | ||
| 2015 | Martins, André Lopes | The electric guitar on experimental music: composition, improvisation and new technologies | PhD Thesis (Theses) | Link | |||
| 2015 | Ângelo, Jackes Douglas Nunes | The musical gesture in the interpretation of tree works for trombone Estércio Marquez Cunha | PhD Thesis (Theses) | Link | |||
| 2015 | Rataj, Jakub | Transmission of human body’s movement into sound using sensors | PhD Thesis (Theses) | Link | |||
| 2015 | Lähdeoja, Otso | An Augmented Guitar With Active Acoustics | Conference Proceedings (Zotero) | Proceedings of the Sound and Music Computing Conference | Link | ||
| 2015 | Bachrach, Asaf and Fontbonne, Yann and Joufflineau, Coline and Ulloa, José Luis | Audience entrainment during live contemporary dance performance: Physiological and cognitive measures | Article (Zotero) | Frontiers in human neuroscience | 179 | ||
| 2015 | Taylor, Benjamin and Allison, Jesse | BRAID: A Web Instrument Builder with Embedded Code Blocks | Conference Proceedings (Zotero) | Proceedings of the 1\textsuperscriptst Annual Web Audio Conference | |||
| 2015 | Martínez Padró, Enoc and others | Development of a FM/Granular Synthesizer with Non-Standard control Interface | Article (Zotero) | Link | |||
| 2015 | Lee, Kyungho and Cox, Donna J. and Garnett, Guy E. and Junokas, Michael J. | Express It!: An Interactive System for Visualizing Expressiveness of Conductor’s Gestures | Conference Proceedings (Zotero) | Proceedings of the 2015 ACM SIGCHI Conference on Creativity and Cognition | 141–150 | Link | |
| 2015 | Di Donato, Balandino and Bullock, Jamie | GSPAT: Live sound spatialisation using gestural control | Conference Proceedings (Zotero) | Student Think Tank at the 21st International Conference on Auditory Display | 7 | ||
| 2015 | Taylor, Benjamin and Allison, Jesse | Gesture Capture, Processing, and Asynchronous Playback within Web Audio Instruments. | Article (Zotero) | Link | |||
| 2015 | Visi, Federico and Coorevits, Esther and Schramm, Rodrigo and Miranda, Eduardo | Instrumental Movements of Neophytes: Analysis of Movement Periodicities, Commonalities and Individualities in Mimed Violin Performance | Conference Proceedings (Zotero) | Proceedings of the 11\textsuperscriptth International Symposium on Computer Music Multidisciplinary Research (CMMR) | |||
| 2015 | Manzo, V. J. and Kuhn, Will | Interactive composition: strategies using Ableton Live and Max for Live | Book (Zotero) | Oxford University Press | |||
| 2015 | Novak, David and Sakakeeny, Matt | Keywords in sound | Book (Zotero) | Duke University Press | |||
| 2015 | Green, O. | Leonardo Special Section: Practice-Based Research and New Interfaces for Musical Expression: The Situation of Practice-Led Research around NIME, and Two Methodological Suggestions for Improved Communication | Article (Zotero) | Leonardo | |||
| 2015 | MacLennan, Donald Scott | Mapping how students conceptualize ancillary movements in instrumental music performance | Article (Zotero) | Link | |||
| 2015 | Bertrand, Thibault and Kaczmarek, Konrad and Wilen, Larry | Musical Acoustics & Instrument Design: When Engineering Meets Music | Conference Proceedings (Zotero) | ICMC | |||
| 2015 | Cook, Perry R. and Salazar, Spencer and Kapur, Ajay and Wang, Ge and Reas, Casey | Programming for musicians and digital artists: creating music with ChucK | Book (Zotero) | Manning | |||
| 2015 | Ferguson, Paul and Waterman–Trumpet, Steve | Real-time teaching of musicianship and audio engineering using LOLA–LOw LAtency audio/video streaming | Conference Proceedings (Zotero) | 26th United Kingdom Audio Engineering Society Conference on Audio Education | |||
| 2015 | Napoli, Donna Jo and Kraus, L. | Suggestions For A Parametric Typology Of Dance | Article (Zotero) | Leonardo | Link | ||
| 2015 | Seibert, Gabriela and Hug, Daniel and Cslovjecsek, Markus | Towards an Enactive Swimming Sonification: Exploring Multisensory Design and Musical Interpretation | Conference Proceedings (Zotero) | Proceedings of the Audio Mostly 2015 on Interaction With Sound | 27 | Link | |
| 2016 | Blythe, Mark and Andersen, Kristina and Clarke, Rachel and Wright, Peter | Anti-Solutionist Strategies: Seriously Silly Design Fiction | Conference Proceedings (Background) | Proceedings of the 2016 CHI Conference on Human Factors in Computing Systems | 4968–4978 | Link | |
| 2016 | Haraway, Donna J. | Staying with the Trouble: Making Kin in the Chthulucene | Book (Background) | Duke University Press | Link | ||
| 2016 | Norman, Don | The Design of Everyday Things | Book (Background) | Vahlen | Link | ||
| 2016 | Bretan, Mason and Weinberg, Gil | A survey of robotic musicianship | Article (Cited) | Communications of the ACM | 100–109 | Link | |
| 2016 | Hemery, Edgar and Manitsaris, Sotiris and Moutarde, Fabien | A tabletop instrument for manipulation of sound morphologies with hands, fingertips and upper-body | Conference Proceedings (Cited) | Proceedings of the 3rd International Symposium on Movement and Computing | 1–8 | Link | |
| 2016 | Hwang, Nick | AEMI: The Actuated Embedded Musical Instrument | PhD Thesis (Cited) | Louisiana State University and Agricultural and Mechanical College | Link | ||
| 2016 | Rottondi, Cristina and Chafe, Chris and Allocchio, Claudio and Sarti, Augusto | An Overview on Networked Music Performance Technologies | Article (Cited) | IEEE Access | 8823–8843 | Link | |
| 2016 | Dahl, Luke | Designing New Musical Interfaces as Research: What’s the Problem? | Article (Cited) | Leonardo | 76–77 | Link | |
| 2016 | McPherson, Andrew P. and Chamberlain, Alan and Hazzard, Adrian and McGrath, Sean and Benford, Steve | Designing for Exploratory Play with a Hackable Digital Musical Instrument | Conference Proceedings (Cited) | Proceedings of the 2016 ACM Conference on Designing Interactive Systems | 1233–1245 | Link | |
| 2016 | Gurevich, Michael | Diversity in NIME Research Practices | Article (Cited) | Leonardo | 80–81 | Link | |
| 2016 | Jack, Robert H. and Stockman, Tony and McPherson, Andrew | Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2016 | 116–123 | Link | |
| 2016 | Jack, Robert and Stockman, Tony and McPherson, Andrew | Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback | Conference Proceedings (Cited) | Proceedings of the TEI ’16: Tenth International Conference on Tangible, Embedded, and Embodied Interaction | 3–11 | Link | |
| 2016 | Schlienger, Dominik | Requirements on Kinaesthetic Interfaces for Spatially Interactive Sonic Art | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2016 | 162–169 | Link | |
| 2016 | Torre, Giuseppe and Andersen, Kristina and Baldé, Frank | The Hands: The Making of a Digital Musical Instrument | Article (Cited) | Computer Music Journal | 22–34 | Link | |
| 2016 | Green, Owen | The Situation of Practice-Led Research Around NIME, and Two Methodological Suggestions for Improved Communication | Article (Cited) | Leonardo | 78–79 | Link | |
| 2016 | Aaron, Samuel and Blackwell, Alan F. and Burnard, Pamela | The development of Sonic Pi and its use in educational partnerships: Co-creating pedagogies for learning computer programming | Article (Cited) | Journal of Music, Technology & Education | 75–94 | Link | |
| 2016 | El-Shimy, Dalia and Cooperstock, Jeremy R. | User-Driven Techniques for the Design and Evaluation of New Musical Interfaces | Article (Cited) | Computer Music Journal | 35–46 | Link | |
| 2016 | Serafin, Stefania and Erkut, Cumhur and Kojs, Juraj and Nilsson, Niels C. and Nordahl, Rolf | Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions | Article (Cited) | Computer Music Journal | 22–40 | Link | |
| 2016 | Gabrielli, Leonardo and Squartini, Stefano | Wireless Networked Music Performance | Book Section/Chapter (Cited) | SpringerBriefs in Electrical and Computer Engineering | 53–92 | Link | |
| 2016 | Solberg, Ragnhild Torvanger and Jensenius, Alexander Refsum | Optical or Inertial? Evaluation of Two Motion Capture Systems for Studies of Dancing to Electronic Dance Music | Conference Proceedings (Related) | 13th Sound and Music Computing Conference | Link | ||
| 2016 | Haugen, Mari Romarheim and Nymoen, Kristian | Evaluating Input Devices for Dance Research | Conference Proceedings (Related) | Lecture Notes in Computer Science Music, Mind, and Embodiment | Link | ||
| 2016 | Bacot, Baptiste and Féron, François-Xavier | The Creative Process of Sculpting the Air by Jesper Nordin: Conceiving and Performing a Concerto for Conductor with Live Electronics | Article (Related) | Contemporary Music Review | 450–474 | Link | |
| 2016 | Brandstätter, Ulrich and Brandstätter, Marlene and Sommerer, Christa | Gears for audio-visual composition | Conference Proceedings (Related) | Proceedings of the Audio Mostly 2016 | 170–177 | Link | |
| 2016 | Grani, Francesco and Carlo, Diego Di and Portillo, Jorge Madrid and Girardi, Matteo and Paisa, Razvan and Banas, Jian Stian and Vogiatzoglou, Iakovos and Overholt, Dan and Serafin, Stefania | Gestural Control of Wavefield Synthesis | Conference Proceedings (Related) | 13th Sound and Music Computing Conference | Link | ||
| 2016 | Schramm, Rodrigo and de Souza Nunes, Helena and de Assis Nunes, Leonardo and Visi, Federico and Miranda, Eduardo R. | 3CMS: An Interactive Decision System for Live Performance | Conference Proceedings (Related) | Lecture Notes in Computer Science Music, Mind, and Embodiment | Link | ||
| 2016 | King, Elaine and Gritten, Anthony | New Perspectives on Music and Gesture | Book (Related) | Routledge | Link | ||
| 2016 | Politis, Dionysios and Tsalighopoulos, Miltiadis and Iglezakis, Ioannis | Digital Tools for Computer Music Production and Distribution | Book (Related) | IGI Global | Link | ||
| 2016 | Rowe, Victoria and Triantafyllaki, Angeliki and Pachet, Francois | Children’s Creative Music-Making with Reflexive Interactive Technology | Book (Related) | Routledge | Link | ||
| 2016 | Riis, Morten | Machine Music: A Media Archaeological Excavation | Book (Related) | Aarhus University Press | Link | ||
| 2016 | Thorley, Mark | Virtual Music, Virtual Money | Book (Related) | Oxford University Press | Link | ||
| 2016 | Tsiros, Augoustinos | A Multidimensional Sketching Interface for Visual Interaction with Corpus-Based Concatenative Sound Synthesis | PhD Thesis (Theses) | Edinburgh Napier University | Link | ||
| 2016 | Hwang, Nick | AEMI: The Actuated Embedded Musical Instrument | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2016 | Pearse, Stephen | Agent-Based Graphic Sound Synthesis and Acousmatic Composition | PhD Thesis (Theses) | University of Leeds, The University of Sheffield, University of York | Link | ||
| 2016 | Adi, Fransiskus | Aplikasi Pembelajaran Piano Menggunakan Virtual Button Berbasis Augmented Reality Pada Android | PhD Thesis (Theses) | Musi Charitas Catholic University | Link | ||
| 2016 | Martin, Charles Patrick | Apps, Agents, and Improvisation: Ensemble Interaction with Touch-Screen Digital Musical Instruments | PhD Thesis (Theses) | Australian National University | Link | ||
| 2016 | Barretto, Francisco de Paula | Artelligent : arte, inteligência artificial e criatividade computacional | PhD Thesis (Theses) | Link | |||
| 2016 | Eaton, Joel | BRAIN-COMPUTER MUSIC INTERFACING: DESIGNING PRACTICAL SYSTEMS FOR CREATIVE APPLICATIONS | PhD Thesis (Theses) | University of Plymouth | Link | ||
| 2016 | Kritsis, Kosmas | Capturing Violin Performance Gestures with a Single Camera System | PhD Thesis (Theses) | Link | |||
| 2016 | Zareei, Mo H. | Channelisation of Noise through a Rhythmic Grid: Brutalist Mechatronic Sound-sculpture | PhD Thesis (Theses) | Link | |||
| 2016 | Oliveiro, Mark | Compositional approaches within new media paradigms | PhD Thesis (Theses) | Link | |||
| 2016 | Loor, Añasco and Emmanuel, José | Desarrollo de aplicación web con integración de sistema de control versiones y librerías de edición musical, para la creación de pistas musicales de forma grupal | PhD Thesis (Theses) | Link | |||
| 2016 | Kuivanen, Ilkka | Experiencing mappings on a music controller: case Ableton Push | PhD Thesis (Theses) | Tampere University | Link | ||
| 2016 | Xia, Guangyu | Expressive Collaborative Music Performance via Machine Learning | PhD Thesis (Theses) | Carnegie Mellon University | Link | ||
| 2016 | Evans, Eleri Ann | Extending techniques: developing the saxophone’s capacity for lower-end dynamics and microtonal playing | PhD Thesis (Theses) | University of Huddersfield | Link | ||
| 2016 | Nika, Jérôme | Guiding Human-Computer Music Improvisation : introducing Authoring and Control with Temporal Scenarios | PhD Thesis (Theses) | Université Pierre-et-Marie-Curie | Link | ||
| 2016 | Paloranta, Jimmie and Lundström, Anders and Elblaus, Ludvig and Bresin, Roberto and Frid, Emma | Interaction With A Large Sized Augmented String Instrument Intended For A Public Setting | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2016 | Jeras, Matija | Interactive system for music visualisation on the web | PhD Thesis (Theses) | Link | |||
| 2016 | Giadrosich, Rosario Etcheverry | La question de la participation dans les arts sonores en réseau : approche généalogique et organologique au regard de la notion de transindividuation | PhD Thesis (Theses) | Charles de Gaulle Université de Lille III | Link | ||
| 2016 | Taylor, Benjamin | McLuhan.js: Live Net Art Performance with Remote Web Browsers | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2016 | Michailidis, Tychonas | On the hunt for feedback: Vibrotactile feedback in interactive electronic music performances | PhD Thesis (Theses) | Birmingham City University | Link | ||
| 2016 | Tandirerung, Rayneldis Richard | Sonifikasi pemetaan parameter dari data original tweet dengan #ebolaberbasis pure data = Parameter mapping sonification from original tweet data with #ebola made by using pure data | PhD Thesis (Theses) | Link | |||
| 2016 | Stein, Peter J. | Task variables in violin bowing: Influence on variability of bow and bowing limb movement | PhD Thesis (Theses) | Boston University | Link | ||
| 2016 | Avram, Horea | The visual regime of augmented reality art: space, body, technology, and the real-virtual convergence | PhD Thesis (Theses) | McGill University | Link | ||
| 2016 | Ko, Doyuen | Virtual acoustics for musicians: Exploring the influence of an electronic acoustic enhancement system on music performance | PhD Thesis (Theses) | Link | |||
| 2016 | Chaigne, Antoine and Kergomard, Jean | Acoustics of Musical Instruments | Book (Zotero) | Springer | |||
| 2016 | Donnarumma, Marco | Configuring Corporeality: Performing bodies, vibrations and new musical instruments. | PhD Thesis (Zotero) | Goldsmiths, University of London | Link | ||
| 2016 | Faria, Bruno and og Fin, Malmö Faculty and Performing Arts, Lund University | Exercising musicianship anew through soundpainting: speaking music through sound gestures | PhD Thesis (Zotero) | Malmö Faculty og Fin and Performing Arts : Malmö Academy of Music : Lund University | |||
| 2016 | Frid, Emma and Bresin, Roberto and Alborno, Paolo and Elblaus, Ludvig | Interactive Sonification of Spontaneous Movement of Children—Cross-Modal Mapping and the Perception of Body Movement Qualities through Sound | Article (Zotero) | Frontiers in Neuroscience | Link | ||
| 2016 | Barrett, Natasha | Interactive Spatial Sonification of Multidimensional Data for Composition and Auditory Display | Article (Zotero) | Computer Music Journal | 47–69 | Link | |
| 2016 | D’Errico, Michael | Interface Aesthetics. Sound, Software, and the Ecology of Digital Audio Production | PhD Thesis (Zotero) | LA: University of California. | |||
| 2016 | Nelson, David Erik | Junkyard jam band: DIY musical instruments and noisemakers | Book (Zotero) | No Starch Press | |||
| 2016 | Collins, Nick | Live coding and teaching SuperCollider. | Article (Zotero) | Journal of music, technology and education. | 5–16 | Link | |
| 2016 | Dannenberg, Roger B and Chi, Zhang | O2: Rethinking Open Sound Control | Conference Proceedings (Zotero) | Proceedings of the International Computer Music Conference | 4 | ||
| 2016 | Johnston, Andrew | Opportunities for Practice-Based Research in Musical Instrument Design | Article (Zotero) | Leonardo | |||
| 2016 | Lepecki, Andre | Singularities: Dance in the Age of Performance | Book (Zotero) | Routledge | Link | ||
| 2016 | Coop, Allan D. | Sonification, Musification, and Synthesis of Absolute Program Music | Conference Proceedings (Zotero) | Proceedings of the 22nd International Conference on Auditory Display - ICAD 2016 | 177–183 | Link | |
| 2016 | Chabot, Samuel RV | Spatialized sound reproduction for telematic music performances in an immersive virtual environment | PhD Thesis (Zotero) | Rensselaer Polytechnic Institute | |||
| 2016 | Laland, Kevin and Wilkins, Clive and Clayton, Nicky | The evolution of dance | Article (Zotero) | Current Biology | R5–R9 | Link | |
| 2016 | Aho, Marko | The tangible in music: the tactile learning of a musical instrument | Book (Zotero) | Routledge | |||
| 2016 | Olsen, Kirk N. and Dean, Roger T. and Leung, Yvonne | What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics | Article (Zotero) | PLOS ONE | e0167643 | Link | |
| 2016 | Grau, Andrée | Why people dance – evolution, sociality and dance | Article (Zotero) | Dance, Movement & Spiritualities | 233–254 | Link | |
| 2017 | Wilde, Danielle and Vallgårda, Anna and Tomico, Oscar | Embodied Design Ideation Methods: Analysing the Power of Estrangement | Conference Proceedings (Background) | Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems | 5158–5170 | Link | |
| 2017 | Cook, Perry | 2001: Principles for Designing Computer Music Controllers | Book Section/Chapter (Cited) | Current Research in Systematic Musicology | 1–13 | Link | |
| 2017 | Blaine, Tina and Fels, Sidney | 2003: Contexts of Collaborative Musical Experiences | Book Section/Chapter (Cited) | Current Research in Systematic Musicology | 71–87 | Link | |
| 2017 | Birnbaum, David and Fiebrink, Rebecca and Malloch, Joseph and Wanderley, Marcelo M. | 2005: Towards a Dimension Space for Musical Devices | Book Section/Chapter (Cited) | Current Research in Systematic Musicology | 211–222 | Link | |
| 2017 | Calegario, Filipe and Wanderley, Marcelo M. and Huot, Stephane and Cabral, Giordano and Ramalho, Geber | A Method and Toolkit for Digital Musical Instruments: Generating Ideas and Prototypes | Article (Cited) | IEEE MultiMedia | 63–71 | Link | |
| 2017 | Jensenius, Alexander Refsum and Lyons, Michael J. | A NIME Reader | Book (Cited) | Springer International Publishing | Link | ||
| 2017 | Rodrigues, André Montes and Zuffo, Marcelo Knorich and da Rosa Belloc, Olavo and Faria, Regis Rossi Alves | A Virtual Musical Instrument for 3D Performance with Short Gestures: Exploring Mapping Strategies with Virtual Reality | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 301–315 | Link | |
| 2017 | Harrison, Jacob and McPherson, Andrew P. | Adapting the Bass Guitar for One-Handed Playing | Article (Cited) | Journal of New Music Research | 270–285 | Link | |
| 2017 | McPherson, Andrew | Bela: An embedded platform for low-latency feedback control of sound | Article (Cited) | The Journal of the Acoustical Society of America | 3618–3618 | Link | |
| 2017 | Eck, Cathy van | Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments | Book (Cited) | Bloomsbury Publishing Inc | Link | ||
| 2017 | Morreale, Fabio and Moro, Giulio and Chamberlain, Alan and Benford, Steve and McPherson, Andrew P. | Building a Maker Community Around an Open Hardware Platform | Conference Proceedings (Cited) | Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems | 6948–6959 | Link | |
| 2017 | Rimoldi, Gabriel and Manzolli, Jônatas | Dynamic Mapping Strategies Using Content-Based Classification: A Proposed Method for an Augmented Instrument | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 347–356 | Link | |
| 2017 | Lyons, Michael and Fels, Sidney | How to design, build, and perform with new musical interfaces | Conference Proceedings (Cited) | SIGGRAPH Asia 2017 Courses | 1–143 | Link | |
| 2017 | Astrid Bin, S. M. and Morreale, Fabio and Bryan-Kinns, Nick and McPherson, Andrew P. | In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 263–281 | Link | |
| 2017 | Hardjowirogo, Sarah-Indriyati | Instrumentality. On the Construction of Instrumental Identity | Book Section/Chapter (Cited) | Musical Instruments in the 21st Century | 9–24 | Link | |
| 2017 | Pysiewicz, Andreas and Weinzierl, Stefan | Instruments for Spatial Sound Control in Real Time Music Performances. A Review | Book Section/Chapter (Cited) | Musical Instruments in the 21st Century | 273–296 | Link | |
| 2017 | Fiebrink, Rebecca | Machine Learning as Meta-Instrument: Human-Machine Partnerships Shaping Expressive Instrumental Creation | Book Section/Chapter (Cited) | Musical Instruments in the 21st Century | 137–151 | Link | |
| 2017 | Michon, Romain and Smith, Julius and Wright, Matthew and Chafe, Chris and Granzow, John and Wang, Ge | Mobile Music, Sensors, Physical Modeling, and Digital Fabrication: Articulating the Augmented Mobile Instrument | Article (Cited) | Applied Sciences | 1311 | Link | |
| 2017 | Hemery, Edgar | Modeling, recognition of finger gestures and upper-body movements for musical interaction design | PhD Thesis (Cited) | Paris Sciences et Lettres (ComUE) | Link | ||
| 2017 | Magnusson, Thor | Musical Organics: A Heterarchical Approach to Digital Organology | Article (Cited) | Journal of New Music Research | 286–303 | Link | |
| 2017 | Vets, Tim and Degrave, Jonas and Nijs, Luc and Bressan, Federica and Leman, Marc | PLXTRM: Prediction-Led eXtended-guitar Tool for Real-time Music applications and live performance | Article (Cited) | Journal of New Music Research | 187–200 | Link | |
| 2017 | Martin, Charles P. | Percussionist-Centred Design for Touchscreen Digital Musical Instruments | Article (Cited) | Contemporary Music Review | 64–85 | Link | |
| 2017 | Franco, Ivan and Wanderley, Marcelo M. | Prynth: A Framework for Self-contained Digital Music Instruments | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 357–370 | Link | |
| 2017 | Jathal, Kunal | Real-Time Timbre Classification for Tabletop Hand Drumming | Article (Cited) | Computer Music Journal | 38–51 | Link | |
| 2017 | Jack, Robert H. and Stockman, Tony and McPherson, Andrew | Rich gesture, reduced control: the influence of constrained mappings on performance technique | Conference Proceedings (Cited) | Proceedings of the 4th International Conference on Movement Computing | 1–8 | Link | |
| 2017 | Jensenius, Alexander Refsum | Sonic Microinteraction in “the Air” | Book Section/Chapter (Cited) | The Routledge Companion to Embodied Music Interaction | 429–437 | Link | |
| 2017 | Gregorio, Jeff and English, Peter and Kim, Youngmoo E. | Sound and Interaction Design of an Augmented Drum System | Conference Proceedings (Cited) | Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences | 1–4 | Link | |
| 2017 | Wu, Yongmeng and Bryan-Kinns, Nick | Supporting Non-Musicians? Creative Engagement with Musical Interfaces | Conference Proceedings (Cited) | Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition | 275–286 | Link | |
| 2017 | Andersen, Kristina and Gibson, Dan | The Instrument as the Source of New in New Music | Article (Cited) | Design Issues | 37–55 | Link | |
| 2017 | Nijs, Luc | The Merging of Musician and Musical Instrument | Book Section/Chapter (Cited) | The Routledge Companion to Embodied Music Interaction | 49–57 | Link | |
| 2017 | Donovan, Liam and McPherson, Andrew | Traveling wave control of stringed musical instruments | Article (Cited) | The Journal of the Acoustical Society of America | 3619–3619 | Link | |
| 2017 | Xambó, Anna and Shah, Pratik and Roma, Gerard and Freeman, Jason and Magerko, Brian | Turn-Taking and Chatting in Collaborative Music Live Coding | Conference Proceedings (Cited) | Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences | 1–5 | Link | |
| 2017 | Deacon, Thomas and Stockman, Tony and Barthet, Mathieu | User Experience in an Interactive Music Virtual Reality System: An Exploratory Study | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 192–216 | Link | |
| 2017 | Tuuri, Kai and Parviainen, Jaana and Pirhonen, Antti | Who Controls Who? Embodied Control Within Human–Technology Choreographies | Article (Cited) | Interacting with Computers | Link | ||
| 2017 | Hattwick, Ian and Franco, Ivan and Wanderley, Marcelo M. | The Vibropixels: A Scalable Wireless Tactile Display System | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 517–528 | Link | |
| 2017 | Lunhani, Guilherme Martins and Schiavoni, Flávio Luiz | Live Coding Console with Remote Audience into the Web | Conference Proceedings (Related) | SBCM 2017 | |||
| 2017 | Burloiu, Grigore and Damian, Ştefan and Golumbeanu, Bogdan and Mihai, Valentin | Structured interaction in the SoundThimble real-time gesture sonification framework | Conference Proceedings (Related) | Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences | 1–4 | Link | |
| 2017 | Deacon, Thomas and Stockman, Tony and Barthet, Mathieu | User Experience in an Interactive Music Virtual Reality System: An Exploratory Study | Conference Proceedings (Related) | Lecture Notes in Computer Science Bridging People and Sound | Link | ||
| 2017 | Leng, Hoo Yong and Norowi, Noris Mohd and Jantan, Azrul Hazri | A User-Defined Gesture Set for Music Interaction in Immersive Virtual Environment | Conference Proceedings (Related) | Proceedings of the 3rd International Conference on Human-Computer Interaction and User Experience in Indonesia | 44–51 | Link | |
| 2017 | Korsgaard, Mathias Bonde | Music Video after MTV: Audiovisual Studies, New Media, and Popular Music | Book (Related) | Routledge | Link | ||
| 2017 | Bloustien, Gerry and Peters, Margaret and Luckman, Susan | Sonic Synergies: Music, Technology, Community, Identity | Book (Related) | Routledge | Link | ||
| 2017 | Sallis, Friedemann and Bertolani, Valentina and Burle, Jan and Zattra, Laura | Live Electronic Music: Composition, Performance, Study | Book (Related) | Routledge | Link | ||
| 2017 | Tenney, James | Computer Music Experiences, 1961–1964 | Book Section/Chapter (Related) | From Scratch: Writings in Music Theory | Link | ||
| 2017 | Lazzarini, Victor | Computer Music Instruments | Book (Related) | Springer International Publishing | Link | ||
| 2017 | Collins, Karen | From Pac-Man to Pop Music: Interactive Audio in Games and New Media | Book (Related) | Routledge | Link | ||
| 2017 | Fagundes, Diego Macedo de | AudioVisual Collage: A computational Framework For Audiovisual Composition and Computational Art | PhD Thesis (Theses) | Goldsmiths, University of London | Link | ||
| 2017 | Waghorn, Daniel | Controlling emergence in an interactive multi-agent musical system | PhD Thesis (Theses) | Monash University | Link | ||
| 2017 | Rodríguez, Juan Sebastián González | Gen Sonolum Virtual Instrument for Generating Electronic Music and Controlling Live Video | PhD Thesis (Theses) | Repositorio Universidad Distrital | Link | ||
| 2017 | Perez, Mauricio | Gesto musical e o uso de interfaces físicas digitais na performance do livre electronics | PhD Thesis (Theses) | Link | |||
| 2017 | Gärdin, Björn and Back, Mattias | Live coding : The livecoders practise: complicated but simple | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2017 | Visi, Federico | Methods and Technologies for the Analysis and Interactive Use of Body Movements in Instrumental Music Performance | PhD Thesis (Theses) | University of Plymouth | Link | ||
| 2017 | Hemery, Edgar | Modeling, recognition of finger gestures and upper-body movements for musical interaction design | PhD Thesis (Theses) | Université Paris Sciences et Lettres | Link | ||
| 2017 | Berodia, Sarasúa and Álvaro | Musical interaction based on the conductor metaphor | PhD Thesis (Theses) | Link | |||
| 2017 | Marier, Martin | Musiques pour éponge : la composition pour un nouvel instrument de musique numérique | PhD Thesis (Theses) | Link | |||
| 2017 | Mudd, Tom | Nonlinear Dynamics In Musical Interactions | PhD Thesis (Theses) | The Open University | Link | ||
| 2017 | He, Jingyin | Re-Visioning Guqin Performance through Interface Design, Digital Measurement, and Signal Processing | PhD Thesis (Theses) | Link | |||
| 2017 | Magee, Andrew James | The Modernized Keyboard: Improving the Musician’s Experience Through User-Centered Design | PhD Thesis (Theses) | Rochester Institute of Technology | Link | ||
| 2017 | Giomi, Andrea | The auditory thought of the body : For an ecological approach to mediation technology, movement and sound interaction | PhD Thesis (Theses) | Centre Transdisciplinaire d’Épistémologie de la Littérature et des Arts vivants | Link | ||
| 2017 | Lucas, Stephen | Virtual Stage: Merging Virtual Reality Technologies and Interactive Audio/Video | PhD Thesis (Theses) | Link | |||
| 2017 | Delalez, Samuel | Vokinesis : an instrument for suprasegmental control of voice synthesis | PhD Thesis (Theses) | Laboratoire d’Informatique pour la Mécanique et les Sciences de l’Ingénieur | Link | ||
| 2017 | Labadie, Colin M. | an interlude between two nothings: A Musical Composition for Flute, Clarinet, Violin, Cello, Piano, Augmented Electric Guitar, and Fixed Electronics, with Accompanying Document | PhD Thesis (Theses) | University of Alberta | Link | ||
| 2017 | Jensenius, Alexander Refsum and Lyons, Michael J. | A NIME Reader: Fifteen Years of New Interfaces | Book (Zotero) | Springer | Link | ||
| 2017 | Young, Thomas S. and Teather, Robert J. and MacKenzie, I. Scott | An arm-mounted inertial controller for 6DOF input: Design and evaluation | Conference Proceedings (Zotero) | 3D User Interfaces (3DUI), 2017 IEEE Symposium on | 26–35 | Link | |
| 2017 | Rostami, Asreen and McMillan, Donald and Márquez Segura, Elena and Rossito, Chiara and Barkhuus, Louise | Bio-Sensed and Embodied Participation in Interactive Performance | Conference Proceedings (Zotero) | Proceedings of the Tenth International Conference on Tangible, Embedded, and Embodied Interaction | 197–208 | Link | |
| 2017 | Hug, Daniel | CLTKTY? CLACK! Exploring Design and Interpretation of Sound for Interactive Commodities | PhD Thesis (Zotero) | University of Linz | Link | ||
| 2017 | Parkinson, Adam and Zbyszynski, Michael and Bernardo, Francisco | Demonstrating Interactive Machine Learning Tools for Rapid Prototyping of Gestural Instruments in the Browser | Article (Zotero) | ||||
| 2017 | Bellona, Jon and Bai, Lin and Dahl, Luke and LaViers, Amy | Empirically Informed Sound Synthesis Application for Enhancing the Perception of Expressive Robotic Movement | Conference Proceedings (Zotero) | The International Community for Auditory Display | 73–80 | Link | |
| 2017 | Himberg, Tommi | Entrainment and Mutual Adaptation in Musical Movement and Dance | Book Section/Chapter (Zotero) | The Routledge Companion to Embodied Music Interaction | 141–149 | Link | |
| 2017 | Jakubowski, Kelly and Eerola, Tuomas and Alborno, Paolo and Volpe, Gualtiero and Camurri, Antonio and Clayton, Martin | Extracting Coarse Body Movements from Video in Music Performance: A Comparison of Automated Computer Vision Techniques with Motion Capture Data | Article (Zotero) | Frontiers in Digital Humanities | 9 | Link | |
| 2017 | Enders, Bernd | From Idiophone to Touchpad. The Technological Development to the Virtual Musical Instrument | Book Section/Chapter (Zotero) | Musical Instruments in the 21st Century | 45–58 | ||
| 2017 | Dyer, John F. and Stapleton, Paul and Rodger, Matthew | Mapping sonification for perception and action in motor skill learning | Article (Zotero) | Frontiers in neuroscience | 463 | Link | |
| 2017 | Bovermann, Till and de Campo, Alberto and Egermann, Hauke and Hardjowirogo, Sarah-Indriyati and Weinzierl, Stefan | Musical Instruments in the 21st Century | Book (Zotero) | Springer | Link | ||
| 2017 | Visi, Federico and Coorevits, Esther and Schramm, Rodrigo and Miranda, Eduardo Reck | Musical instruments, body movement, space, and motion data: music as an emergent multimodal choreography | Article (Zotero) | Human technology | 58 | ||
| 2017 | Wang, Ge | The Laptop Orchestra | Book Section/Chapter (Zotero) | The Routledge Companion to Music, Technology, and Education | |||
| 2017 | Cupellini, Enrico and Cooperstock, Jeremy R. and Belardinelli, Marta Olivetti | The Sound Motion Controller: A Distributed System for Interactive Music Performance | Article (Zotero) | Link | |||
| 2018 | Candy, Linda and Edmonds, Ernest | Practice-Based Research in the Creative Arts: Foundations and Futures from the Front Line | Article (Background) | Leonardo | 63–69 | Link | |
| 2018 | Höök, Kristina | Designing with the Body: Somaesthetic Interaction Design | Book (Background) | MIT Press | Link | ||
| 2018 | Zlatintsi, Athanasia and Filntisis, Panagiotis P. and Garoufis, Christos and Tsiami, Antigoni and Kritsis, Kosmas and Kaliakatsos-Papakostas, M. A. and Gkiokas, Aggelos and Katsouros, Vassilis and Maragos, Petros | A Web-based Real-Time Kinect Application for Gestural Interaction with Virtual Musical Instruments | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion | 1–6 | Link | |
| 2018 | Jack, Robert H. and Mehrabi, Adib and Stockman, Tony and McPherson, Andrew | Action-sound Latency and the Perceived Quality of Digital Musical Instruments | Article (Cited) | Music Perception | 109–128 | Link | |
| 2018 | Zappi, Victor and Allen, Andrew and Fels, Sidney | Extended Playing Techniques on an Augmented Virtual Percussion Instrument | Article (Cited) | Computer Music Journal | 8–21 | Link | |
| 2018 | Berdahl, Edgar and Pfalz, Andrew and Blandino, Michael and Beck, Stephen David | Force-Feedback Instruments for the Laptop Orchestra of Louisiana | Book Section/Chapter (Cited) | Springer Series on Touch and Haptic Systems | 171–191 | Link | |
| 2018 | Emerson, Gina and Egermann, Hauke | Gesture-sound causality from the audience’s perspective: Investigating the aesthetic experience of performances with digital musical instruments. | Article (Cited) | Psychology of Aesthetics, Creativity, and the Arts | 96–109 | Link | |
| 2018 | Zappi, Victor and McPherson, Andrew | Hackable Instruments: Supporting Appropriation and Modification in Digital Musical Interaction | Article (Cited) | Frontiers in ICT | Link | ||
| 2018 | Siwiak, Diana | MetaFlute: Developing Tools to Observe Micro-Timing and Physical Movements in Flute Playing | PhD Thesis (Cited) | Open Access Te Herenga Waka-Victoria University of Wellington | Link | ||
| 2018 | Jensenius, Alexander Refsum | Methods for Studying Music-Related Body Motion | Book Section/Chapter (Cited) | Springer Handbooks | 805–818 | Link | |
| 2018 | Essl, Georg and Lee, Sang Won | Mobile Devices as Musical Instruments - State of the Art and Future Prospects | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 525–539 | Link | |
| 2018 | Françoise, Jules and Bevilacqua, Frédéric | Motion-Sound Mapping through Interaction: An Approach to User-Centered Design of Auditory Feedback Using Machine Learning | Article (Cited) | ACM Transactions on Interactive Intelligent Systems | 1–30 | Link | |
| 2018 | Brown, Dom and Nash, Chris and Mitchell, Tom | Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians | Article (Cited) | Digital Creativity | 129–148 | Link | |
| 2018 | Turchet, Luca | Some reflections on the relation between augmented and smart musical instruments | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion | 1–7 | Link | |
| 2018 | Roddy, Stephen and Bridges, Brian | Sound, Ecological Affordances and Embodied Mappings in Auditory Display | Book Section/Chapter (Cited) | Human–Computer Interaction Series | 231–258 | Link | |
| 2018 | Chamberlain, Alan | Surfing with Sound: An Ethnography of the Art of No-Input Mixing: Starting to Understand Risk, Control and Feedback in Musical Performance | Conference Proceedings (Cited) | Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion | 1–5 | Link | |
| 2018 | Arbel, Lior and Schechner, Yoav Y. and Amir, Noam | Symbaline: An electromagnetically actuated wine glass instrument | Article (Cited) | Journal of New Music Research | 476–491 | Link | |
| 2018 | Roberts, Charlie and Wakefield, Graham | Tensions and Techniques in Live Coding Performance | Book (Cited) | Oxford University Press | Link | ||
| 2018 | Fiebrink, Rebecca A. and Caramiaux, Baptiste | The Machine Learning Algorithm as Creative Musical Tool | Book (Cited) | Oxford University Press | Link | ||
| 2018 | Capra, Olivier and Berthaut, Florent and Grisoni, Laurent | Toward Augmented Familiarity of the Audience with Digital Musical Instruments | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 558–573 | Link | |
| 2018 | Brown, Dom and Nash, Chris and Mitchell, Tom | Understanding User-Defined Mapping Design in Mid-Air Musical Performance | Conference Proceedings (Cited) | Proceedings of the 5th International Conference on Movement and Computing | 1–8 | Link | |
| 2018 | Fasciani, Stefano and Wyse, Lonce | Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning | Article (Cited) | Computer Music Journal | 37–59 | Link | |
| 2018 | Turchet, Luca and Fischione, Carlo and Essl, Georg and Keller, Damian and Barthet, Mathieu | Internet of Musical Things: Vision and Challenges | Article (Cited) | IEEE Access | 61994–62017 | Link | |
| 2018 | Andreasen, Anastassia and Zovnercuka, Jelisaveta and Konovalovs, Kristians and Geronazzo, Michele and Serafin, Stefania and Paisa, Razvan | Navigate as a Bat. Real-Time Echolocation System in Virtual Reality | Conference Proceedings (Related) | 15th Sound and Music Computing Conference | Link | ||
| 2018 | Shimizu, Hayato and Iwaki, Satoshi and Ikeda, Tetsushi | A Dancing Robot Controlled by a Guitar Sound | Conference Proceedings (Related) | 2018 11th International Conference on Human System Interaction (HSI) | 465–470 | Link | |
| 2018 | Fontana, Federico and Avanzini, Federico and Papetti, Stefano | Evidence of Lateralization Cues in Grand and Upright Piano Sounds | Conference Proceedings (Related) | 15th Sound and Music Computing Conference | Link | ||
| 2018 | Bullock, Jamie | Designing Interfaces for Musical Algorithms | Book Section/Chapter (Related) | The Oxford Handbook of Algorithmic Music | Link | ||
| 2018 | Weinel, Jonathan | Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media | Book (Related) | Oxford University Press | Link | ||
| 2018 | Dean, Roger T. and McLean, Alex | The Oxford Handbook of Algorithmic Music | Book (Related) | Oxford University Press | Link | ||
| 2018 | Ogborn, David | Network Music and the Algorithmic Ensemble | Book Section/Chapter (Related) | The Oxford Handbook of Algorithmic Music | Link | ||
| 2018 | Simoni, Mary | The Audience Reception of Algorithmic Music | Book Section/Chapter (Related) | The Oxford Handbook of Algorithmic Music | Link | ||
| 2018 | Hart, AM | A constructivist approach to developing interactive digital technology for musical learning | PhD Thesis (Theses) | University of Salford | Link | ||
| 2018 | Jablonskis, Evaldas | Adaptive gesture recognition system, transforming dance performance into music | PhD Thesis (Theses) | University of Vienna | Link | ||
| 2018 | Kaltenbrunner, Martin | An Abstraction Framework for Tangible Interactive Surfaces | PhD Thesis (Theses) | Link | |||
| 2018 | Long, Jason | Closing the Loop: Implementing Real-time Audio Feedback Systems in Musical Robots | PhD Thesis (Theses) | Victoria University of Wellington | Link | ||
| 2018 | Behseresht, Sarah and Juenke, Hannah and Taft, Kali | Dancing in Virtual Reality | PhD Thesis (Theses) | Texas A&M University Libraries | Link | ||
| 2018 | Choo, Chee Wee | Design and development of high sensitivity sensor for finger tracking in piano playing | PhD Thesis (Theses) | Universiti Malaysia Sabah | Link | ||
| 2018 | Buys, Kurijn | Development and Evaluation of a Hybrid Wind Instrument | PhD Thesis (Theses) | The Open University | Link | ||
| 2018 | Antoniadis, Pavlos | Embodied navigation of complex piano notation : rethinking musical interaction from a performer’s perspective | PhD Thesis (Theses) | Link | |||
| 2018 | Aestas, Michaela Anna | Experimental Hardware Musical Instrument Combining Electronic and Electromechanical Sound Source | PhD Thesis (Theses) | Brno University of Technology | Link | ||
| 2018 | Bressolette, Benjamin | Gestural manipulations of a sonified virtual object for interface control in driving situations | PhD Thesis (Theses) | Perception, Représentations, Image, Son, Musique | Link | ||
| 2018 | Dias, Rui | Interfacing Jazz: A Study in Computer-Mediated Jazz Music Creation And Performance | PhD Thesis (Theses) | University of Porto | Link | ||
| 2018 | Lee, Sunjung | Music in Motion: A Study of How the Knowledge of Dance Movements Affects the Interpretation of Music. | PhD Thesis (Theses) | The University of Kansas | Link | ||
| 2018 | Wang, Chi | Narrative to Action in the Creation and Performance of Music with Data-driven Instruments | PhD Thesis (Theses) | University of Oregon | Link | ||
| 2018 | Waite, Simon | Networks of Liveness in Singer-Songwriting: A practice-based enquiry into developing audio-visual interactive systems and creative strategies for composition and performance. | PhD Thesis (Theses) | De Montfort University | Link | ||
| 2018 | Ottavi, Julien | New forms of networked sound practices : collaborative practice, shared creation, the Internet as a non-space, extended listening and permanent installations | PhD Thesis (Theses) | Université de Lorraine | Link | ||
| 2018 | Trail, Shawn | Non-invasive gesture sensing, physical modeling, machine learning and acoustic actuation for pitched percussion | PhD Thesis (Theses) | University of Victoria | Link | ||
| 2018 | Ransun, Kevin Agustinus | Pembuatan Aplikasi Music Grid Instrument | PhD Thesis (Theses) | University of Surabaya | Link | ||
| 2018 | Desvages, Charlotte | Physical modelling of the bowed string and applications to sound synthesis | PhD Thesis (Theses) | Link | |||
| 2018 | Akkaya, Uğur Can | Sound Morphing Using Auditory P300 Based Attentional Brain-computer Musical Interface | PhD Thesis (Theses) | Link | |||
| 2018 | Tilbian, Joseph | Stride: A Language for Sound Synthesis, Processing, and Interaction Design | PhD Thesis (Theses) | University of California | Link | ||
| 2018 | Wofford, Timothy | Study of the interaction between the musician and the instrument. Application to the playability of the cello | PhD Thesis (Theses) | Sorbonne Université | Link | ||
| 2018 | Ilsar, Alon | The AirSticks: a new instrument for live electronic percussion within an ensemble | PhD Thesis (Theses) | University of Technology Sydney | Link | ||
| 2018 | Wilson, Rebekah | The constraints, aesthetic implications, and creative strategies of composing for networked music performance | PhD Thesis (Theses) | Link | |||
| 2018 | Murray-Leslie, Alexandra | The liberation of the feet : computer enhanced footwear for theatrical audiovisual expression | PhD Thesis (Theses) | University of Technology Sydney | Link | ||
| 2018 | Bodo, Roberto Piassi Passos | Técnicas determinísticas para acompanhamento musical automatizado | PhD Thesis (Theses) | Universidade de São Paulo | Link | ||
| 2018 | Morciano, Lara | Writing of sound, time and space in the interaction between instruments and synchronous digital devices | PhD Thesis (Theses) | Paris Sciences et Lettres (ComUE) | Link | ||
| 2018 | Marković, Dimitrije and Malešević, Nebojša | Adaptive Interface for Mapping Body Movements to Sounds | Conference Proceedings (Zotero) | Springer, Cham | 194–205 | Link | |
| 2018 | Robertson, Robert | Audiovisual Rhythm: Eisenstein’s Laboratory of Music, Image and Sound | Book (Zotero) | CreateSpace Independent Publishing Platform | |||
| 2018 | Bressan, Federica and Finbow, Acatia and Vets, Tim and Lesaffre, Micheline and Leman, Marc | Between artistic creativity and documentation: An experiment on interaction with an installation for music-making | Conference Proceedings (Zotero) | Interactivity, game creation, design, learning, and innovation | 3–12 | ||
| 2018 | Bryant, David | Cori spezzati in Composition and Sound | Book Section/Chapter (Zotero) | A Companion to Music in Sixteenth-Century Venice | 371–394 | ||
| 2018 | Bell, Adam Patrick | Dawn of the DAW: The Studio as Musical Instrument | Book (Zotero) | Oxford University Press | |||
| 2018 | Morreale, Fabio and Armitage, Jack and McPherson, Andrew | Effect of Instrument Structure Alterations on Violin Performance | Article (Zotero) | Frontiers in Psychology | Link | ||
| 2018 | Malloch, Joseph and Sinclair, Stephen and Wanderley, Marcelo M. | Generalized Multi-Instance Control Mapping for Interactive Media Systems | Article (Zotero) | IEEE MultiMedia | 39–50 | Link | |
| 2018 | Kinoshita, Yuichiro and Nishio, Masato and Shiraga, Shota and Go, Kentaro | INVESTIGATION OF PLEASANTNESS IN THE MANIPULATION OF DEFORMABLE INTERFACES FOR MUSICAL EXPRESSION | Article (Zotero) | 10 | |||
| 2018 | Ahmed, Salah Uddin | Interaction and Interactivity: In the Context of Digital Interactive Art Installation | Conference Proceedings (Zotero) | Human-Computer Interaction. Interaction in Context | 241–257 | Link | |
| 2018 | Dannenberg, Roger B. | Languages for Computer Music | Article (Zotero) | Frontiers in Digital Humanities | Link | ||
| 2018 | Bye, Mads | MIDI Polyphonic Expression: A Bridge Between Acoustic and Electronic Instrument Experience? | Master's Thesis (Zotero) | Link | |||
| 2018 | Dahl, Luke and Visi, Federico | Modosc: a library of real-time movement descriptors for marker-based motion capture | Conference Proceedings (Zotero) | Proceedings of the 5th international conference on movement and computing | Link | ||
| 2018 | Puttke, Martin and Volchenkov, Dimitri | Motion Analysis as Pedagogic Tool in Dance | Book Section/Chapter (Zotero) | Handbook of Human Motion | 1889–1909 | Link | |
| 2018 | Weiss, Anna E. and Nusseck, Manfred and Spahn, Claudia | Motion types of ancillary gestures in clarinet playing and their influence on the perception of musical performance | Article (Zotero) | Journal of New Music Research | 129–142 | Link | |
| 2018 | Goebl, Werner | Movement and Touch in Piano Performance | Book Section/Chapter (Zotero) | Handbook of Human Motion | 1821–1838 | Link | |
| 2018 | Silverthorne, Diane V. | Music, Art and Performance from Liszt to Riot Grrrl: The Musicalization of Art | Book (Zotero) | Bloomsbury Publishing USA | |||
| 2018 | Papetti, Stefano and Saitis, Charalampos | Musical Haptics | Book (Zotero) | Springer | Link | ||
| 2018 | Demos, Alexander P. and Chaffin, Roger and Logan, Topher | Musicians body sway embodies musical structure and expression: A recurrence-based approach | Article (Zotero) | Musicae Scientiae | 244–263 | Link | |
| 2018 | Tveit, Anders | On using the laptop in improvisation. - Constrained interfaces, engaging instruments | Master's Thesis (Zotero) | Link | |||
| 2018 | Bjørn, Kim and Meyer, Chris | Patch & Tweak - Exploring Modular Synthesis | Book (Zotero) | Bjooks | Link | ||
| 2018 | Bachmann, Daniel and Weichert, Frank and Rinkenauer, Gerhard | Review of Three-Dimensional Human-Computer Interaction with Focus on the Leap Motion Controller | Article (Zotero) | Sensors | 2194 | Link | |
| 2018 | Aristidou, Andreas and Stavrakis, Efstathios and Papaefthimiou, Margarita and Papagiannakis, George and Chrysanthou, Yiorgos | Style-based motion analysis for dance composition | Article (Zotero) | The Visual Computer | 1725–1737 | Link | |
| 2018 | Bin, Astrid S. | The Show Must Go Wrong: Towards an understanding of audience perception of error in digital musical instrument performance | PhD Thesis (Zotero) | Queen Mary University of London | |||
| 2019 | Sturm, Bob L. T. and Iglesias, Maria and Ben-Tal, Oded and Miron, Marius and Gómez, Emilia | Artificial Intelligence and Music: Open Questions of Copyright Law and Engineering Praxis | Article (Background) | Arts | 115 | Link | |
| 2019 | Hayes, Lauren | Beyond Skill Acquisition: Improvisation, Interdisciplinarity, and Enactive Music Cognition | Article (Background) | Contemporary Music Review | 446–462 | Link | |
| 2019 | Rossmy, Beat and Wiethoff, Alexander | COMB – Shape as a Meaningful Element of Interaction | Conference Proceedings (Background) | Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction | 287–295 | Link | |
| 2019 | Devine, Kyle | Decomposed: The Political Ecology of Music | Book (Background) | The MIT Press | Link | ||
| 2019 | Braun, Virginia and Clarke, Victoria | Reflecting on reflexive thematic analysis | Article (Background) | Qualitative Research in Sport, Exercise and Health | 589–597 | Link | |
| 2019 | Andersen, Kristina and Wakkary, Ron | The Magic Machine Workshops: Making Personal Design Knowledge | Conference Proceedings (Background) | Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems | 1–13 | Link | |
| 2019 | Malloch, Joseph and Garcia, Jérémie and Wanderley, Marcelo M. and Mackay, Wendy E. and Beaudouin-Lafon, Michel and Huot, Stéphane | A Design Workbench for Interactive Music Systems | Book Section/Chapter (Cited) | Springer Series on Cultural Computing | 23–40 | Link | |
| 2019 | Araújo, João and De Paulo, Avner and Silva Junior, Igino and Schiavoni, Flávio Luiz and Canito, Mauro César Fachina and Costa, Rômulo Augusto | A technical approach of the audience participation in the performance ’O Chaos das 5’ | Conference Proceedings (Cited) | Anais do Simpósio Brasileiro de Computação Musical (SBCM 2019) | 28–34 | Link | |
| 2019 | Frid, Emma | Accessible Digital Musical Instruments—A Review of Musical Interfaces in Inclusive Music Practice | Article (Cited) | Multimodal Technologies and Interaction | 57 | Link | |
| 2019 | Harrison, Jacob and Chamberlain, Alan and McPherson, Andrew P. | Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians | Conference Proceedings (Cited) | Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems | 1–6 | Link | |
| 2019 | Avila, Juan Pablo Martinez and Hazzard, Adrian and Greenhalgh, Chris and Benford, Steve | Augmenting Guitars for Performance Preparation | Conference Proceedings (Cited) | Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound | 69–75 | Link | |
| 2019 | Calegario, Filipe | Challenges in Designing DMIs | Book Section/Chapter (Cited) | Computational Synthesis and Creative Systems | 5–17 | Link | |
| 2019 | Calegario, Filipe | Designing Digital Musical Instruments Using Probatio: A Physical Prototyping Toolkit | Book (Cited) | Springer International Publishing | Link | ||
| 2019 | Sheffield, Eric | Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments | PhD Thesis (Cited) | Louisiana State University and Agricultural and Mechanical College | Link | ||
| 2019 | Çamcı, Anıl and Granzow, John | Hyperreal Instruments: Bridging VR and Digital Fabrication to Facilitate New Forms of Musical Expression | Article (Cited) | Leonardo Music Journal | 14–18 | Link | |
| 2019 | Nordmoen, Charlotte and Armitage, Jack and Morreale, Fabio and Stewart, Rebecca and McPherson, Andrew | Making Sense of Sensors: Discovery Through Craft Practice With an Open-Ended Sensor Material | Conference Proceedings (Cited) | Proceedings of the 2019 on Designing Interactive Systems Conference | 135–146 | Link | |
| 2019 | Lepri, Giacomo and McPherson, Andrew | Making Up Instruments: Design Fiction for Value Discovery in Communities of Musical Practice | Conference Proceedings (Cited) | Proceedings of the 2019 on Designing Interactive Systems Conference | 113–126 | Link | |
| 2019 | Sarasúa, Álvaro and Urbano, Julián and Gómez, Emilia | Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements | Article (Cited) | Frontiers in Digital Humanities | Link | ||
| 2019 | Mudd, Tom | Material-Oriented Musical Interactions | Book Section/Chapter (Cited) | Springer Series on Cultural Computing | 123–133 | Link | |
| 2019 | Ward, Asha and Davis, Tom and Bevan, Ann | Music Technology and Alternate Controllers for Clients with Complex Needs | Article (Cited) | Music Therapy Perspectives | 151–168 | Link | |
| 2019 | McPherson, Andrew and Morreale, Fabio and Harrison, Jacob | Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches | Book Section/Chapter (Cited) | Springer Series on Cultural Computing | 179–212 | Link | |
| 2019 | Tatar, Kıvanç and Pasquier, Philippe | Musical agents: A typology and state of the art towards Musical Metacreation | Article (Cited) | Journal of New Music Research | 56–105 | Link | |
| 2019 | Wu, Yongmeng and Bryan-Kinns, Nick | Musicking with an interactive musical system: The effects of task motivation and user interface mode on non-musicians’ creative engagement | Article (Cited) | International Journal of Human-Computer Studies | 61–77 | Link | |
| 2019 | Holland, Simon and Mudd, Tom and Wilkie-McKenna, Katie and McPherson, Andrew and Wanderley, Marcelo M. | New Directions in Music and Human-Computer Interaction | Book (Cited) | Springer International Publishing | Link | ||
| 2019 | Mudd, Tom and Holland, Simon and Mulholland, Paul | Nonlinear dynamical processes in musical interactions: Investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments | Article (Cited) | International Journal of Human-Computer Studies | 27–40 | Link | |
| 2019 | Placencia, Juan Pablo Yepez and Murphy, Jim and Carnegie, Dale | Survey of Hardware and Software Design Approaches for Mechatronic Chordophones | Article (Cited) | Computer Music Journal | 38–58 | Link | |
| 2019 | Tanaka, Atau and Donnarumma, Marco | The Body as Musical Instrument | Misc (Cited) | 78–96 | Link | ||
| 2019 | Lee, Sang Won and Willette, Aaron and Koutra, Danai and Lasecki, Walter S. | The Effect of Social Interaction on Facilitating Audience Participation in a Live Music Performance | Conference Proceedings (Cited) | Proceedings of the 2019 on Creativity and Cognition | 108–120 | Link | |
| 2019 | Mudd, Tom and Holland, Simon and Mulholland, Paul | The Role of Nonlinear Dynamics in Musicians’ Interactions with Digital and Acoustic Musical Instruments | Article (Cited) | Computer Music Journal | 25–40 | Link | |
| 2019 | Magnusson, Thor | ERGODYNAMICS AND A SEMIOTICS OF INSTRUMENTAL COMPOSITION | Article (Cited) | Tempo | 41–51 | Link | |
| 2019 | Magnusson, Thor | Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions | Book (Cited) | Bloomsbury Publishing Inc | Link | ||
| 2019 | Stewart, Rebecca | Cords and Chords: Exploring the Role of E-Textiles in Computational Audio | Article (Cited) | Frontiers in ICT | Link | ||
| 2019 | Moore, Rosanna | Choreography in R. Murray Schafer’s The Crown of Ariadne—Technical or Theatrical? | Article (Related) | Contemporary Music Review | 624–644 | Link | |
| 2019 | Turchet, Luca | Interactive sonification and the IoT | Conference Proceedings (Related) | Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound | 252–255 | Link | |
| 2019 | Passalenti, Andrea and Paisa, Razvan and Nilsson, Niels C. and Andersson, Nikolaj S. and Fontana, Federico and Nordahl, Rolf and Serafin, Stefania | No Strings Attached: Force and Vibrotactile Feedback in a Guitar Simulation | Conference Proceedings (Related) | 16th Sound and Music Computing Conference | Link | ||
| 2019 | Jap, Lilian and Holzapfel, Andre | Real-time Mapping of Periodic Dance Movements to Control Tempo in Electronic Dance Music | Conference Proceedings (Related) | 16th Sound and Music Computing Conference | Link | ||
| 2019 | Bergsland, Andreas and Saue, Sigurd and Stokke, Pekka | VIBRA - Technical and Artistic Issues in an Interactive Dance Project | Conference Proceedings (Related) | 16th Sound and Music Computing Conference | Link | ||
| 2019 | Magãlhaes, Eduardo and Høeg, Emil Rosenlund and Bernardes, Gilberto and Bruun-Pedersen, Jon Ram and Serafin, Stefania and Nordahl, Rolf | Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering | Conference Proceedings (Related) | 16th Sound and Music Computing Conference | Link | ||
| 2019 | Dobrian, Christopher | Expressive Gesture: A Technique for the Use of Gesture Descriptors in Algorithmic Improvisation | Conference Proceedings (Related) | JIM 2019 Journées d’Informatique Musicale | Link | ||
| 2019 | Réveillac, Jean‐Michel | Electronic Music Machines: The New Musical Instruments | Book (Related) | Wiley | Link | ||
| 2019 | Hagood, Mack | Hush: Media and Sonic Self-Control | Book (Related) | Duke University Press | Link | ||
| 2019 | Hepworth-Sawyer, Russ and Hodgson, Jay and Paterson, Justin and Toulson, Rob | Innovation in Music : Performance, Production, Technology and Business | Book (Related) | Taylor & Francis | Link | ||
| 2019 | Lazzarini, Victor | Computer Music Instruments II: Realtime and Object-Oriented Audio | Book (Related) | Springer International Publishing | Link | ||
| 2019 | Filimowicz, Michael | Foundations in Sound Design for Interactive Media: A Multidisciplinary Approach | Book (Related) | Routledge | Link | ||
| 2019 | Navarro, Cécile | "Ce n’est pas le hip-hop qui nous fait voyager, c’est nous qui faisons voyager le hip-hop": Représentations et pratiques d’(im)mobilités au sein d’une scène musicale translocale au Sénégal | PhD Thesis (Theses) | IRIS | Link | ||
| 2019 | Franco, Ivan de Almeida Soares | A framework for embedded digital musical instruments | PhD Thesis (Theses) | McGill University | Link | ||
| 2019 | Tirumala Bukkapatnam, Aditya | A pre-characterized toolkit for vibrotactile feedback | PhD Thesis (Theses) | McGill University | Link | ||
| 2019 | Carvajal, Mario A | Augkit: an Augmented Drum Set System Designed for Live Performance | PhD Thesis (Theses) | Florida International University | Link | ||
| 2019 | Purvis, Jack Voldemars | CJing: Combining Live Coding and VJing for Live Visual Performance | PhD Thesis (Theses) | Victoria University of Wellington | Link | ||
| 2019 | Silva, Alisson Rodrigo Martins Rocha da | COMPOSITION STRATEGIES FROM THE INTERACTION BETWEEN TEMPORALITIES OF THE COMPOSER, THE PERFORMER AND THE COMPUTER | PhD Thesis (Theses) | Link | |||
| 2019 | Arandas, Luís Henrique Pinto | Computer Music and Digital Media Art Through a Web-Based Collaborative Interface | PhD Thesis (Theses) | University of Porto | Link | ||
| 2019 | Thordarson, Hilmar | ConDiS – Conducting Digital System Extended role of the conductor in mixed music performance | PhD Thesis (Theses) | Link | |||
| 2019 | Scurto, Hugo | Designing With Machine Learning for Interactive Music Dispositifs | PhD Thesis (Theses) | Sorbonne Université | Link | ||
| 2019 | Sheffield, Eric | Designing and Composing for Interdependent Collaborative Performance with Physics-Based Virtual Instruments | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2019 | Costa, Jeronimo | Direct manipulation for musical interfaces based on visual software: design and evaluation | PhD Thesis (Theses) | McGill University | Link | ||
| 2019 | Frid, Emma | Diverse Sounds : Enabling Inclusive Sonic Interaction | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2019 | Landry, Steven | INTERACTIVE SONIFICATION STRATEGIES FOR THE MOTION AND EMOTION OF DANCE PERFORMANCES | PhD Thesis (Theses) | Michigan Technological University | Link | ||
| 2019 | Longden, William Edward | Inclusive participatory design of bespoke music instruments and auxiliary access equipment, as emancipatory arts interventions advocating for equality and wellbeing | PhD Thesis (Theses) | London Metropolitan University | Link | ||
| 2019 | Fernandes, João Eduardo Dias | L’improvisation musicale électroacoustique : enjeux et problématiques du développement des technologies numériques | PhD Thesis (Theses) | Université Paris 8 | Link | ||
| 2019 | Chavez, Luis Nieva | Maintenance strategies and design recommendations on input devices for musical expression | PhD Thesis (Theses) | McGill University | Link | ||
| 2019 | Holmes, Daniel Stuart | Mobile Music Development Tools for Creative Coders | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2019 | Johnson, David W. | MusE-XR: musical experiences in extended reality to enhance learning and performance | PhD Thesis (Theses) | University of Victoria | Link | ||
| 2019 | Elmlund, Fredrik | Music, computer games and player performance : How music affects player performance | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2019 | Mejía, David Guijarro | Penetrable Audiovisual, inspirado en la interactividad que propone la obra de Jesús Rafael Soto en cuanto a experiencia artística del espectador, adaptado a una instalación de video itinerante | PhD Thesis (Theses) | Link | |||
| 2019 | Santos, Augusto Dias Pereira dos | Using Motion Sensor and Machine Learning to Support the Assessment of Rhythmic Skills in Social Partner Dance: Bridging Teacher, Student and Machine Contexts | PhD Thesis (Theses) | Link | |||
| 2019 | Talianni, Aikaterini | Walking-with-sounds : creative agency, artistic collaboration and the sonic production of acoustic city spaces | PhD Thesis (Theses) | Link | |||
| 2019 | Høffding, Simon | A phenomenology of musical absorption | Book (Zotero) | Springer | |||
| 2019 | González Sánchez, Victor and Dahl, Sofia and Hatfield, Johannes Lunde and Godøy, Rolf Inge | Characterizing Movement Fluency in Musical Performance: Toward a Generic Measure for Technology Enhanced Learning | Article (Zotero) | Frontiers in Psychology | 84 | Link | |
| 2019 | Weibezahn, Marc-Andre | Eins, Zwei - An Interactive Space For Rhythm And Movement | Master's Thesis (Zotero) | Link | |||
| 2019 | Carlson, Emily and Burger, Birgitta and Toiviainen, Petri | Empathy, Entrainment, and Perceived Interaction in Complex Dyadic Dance Movement | Article (Zotero) | Music Perception: An Interdisciplinary Journal | 390–405 | Link | |
| 2019 | Donahue, Chris | Enabling New Musical Interactions with Machine Learning | Book (Zotero) | University of California, San Diego | |||
| 2019 | Polfreman, Richard and Oliver, Benjamin and Halford, Daniel and Metcalf, Cheryl | Force & Motion: Conducting to the Click | Conference Proceedings (Zotero) | Proceedings of the 6th International Conference on Movement and Computing | 1–4 | Link | |
| 2019 | Kontogeorgakopoulos, Alexandros and Kotsifa, Olivia | Game|lan:Co-designing and co-creating an Orchestra of Digital Musical Instruments within the Fab Lab Network | Article (Zotero) | Stanford University | 5 | ||
| 2019 | Neuhoff, John G. | Is Sonification Doomed to Fail? | Conference Proceedings (Zotero) | Proceedings of the 25th International Conference on Auditory Display (ICAD 2019) | 327–330 | Link | |
| 2019 | Sioros, George and Câmara, Guilherme Schmidt and Danielsen, Anne | MAPPING TIMING STRATEGIES IN DRUM PERFORMANCE | Article (Zotero) | 8 | |||
| 2019 | Lan, Qichao and Jensenius, Alexander Refsum | QuaverSeries: A Live Coding Environment for Music Performance Using Web Technologies | Conference Proceedings (Zotero) | Proceedings of the Web Audio Conference | |||
| 2019 | Turchet, Luca and West, Travis and Wanderley, Marcelo M | Smart Mandolin and Musical Haptic Gilet: effects of vibro-tactile stimuli during live music performance | Conference Proceedings (Zotero) | Proceedings of Audio Mostly | 8 | ||
| 2019 | Petersen, E. and Guillemain, P. and Kergomard, J. and Colinot, T. | The effect of the cutoff frequency on the sound production of a clarinet-like instrument | Article (Zotero) | The Journal of the Acoustical Society of America | 3784–3794 | Link | |
| 2020 | Frauenberger, Christopher | Entanglement HCI The Next Wave? | Article (Background) | ACM Transactions on Computer-Human Interaction | 1–27 | Link | |
| 2020 | Lepri, Giacomo and McPherson, Andrew and Bowers, John | Useless, not Worthless: Absurd Making as Critical Practice | Conference Proceedings (Background) | Proceedings of the 2020 ACM Designing Interactive Systems Conference | 1887–1899 | Link | |
| 2020 | Berthaut, Florent | 3D interaction techniques for musical expression | Article (Cited) | Journal of New Music Research | 60–72 | Link | |
| 2020 | Hayes, Lauren and Marquez-Borbon, Adnan | Addressing NIME’s Prevailing Sociotechnical, Political, and Epistemological Exigencies | Article (Cited) | Computer Music Journal | 24–38 | Link | |
| 2020 | Ko, Chantelle and Oehlberg, Lora | Construction and Performance Applications of an Augmented Violin: TRAVIS II | Article (Cited) | Computer Music Journal | 55–68 | Link | |
| 2020 | Masu, Raul and Correia, Nuno N. and Jurgens, Stephan and Feitsch, Jochen and Romão, Teresa | Designing interactive sonic artefacts for dance performance: an ecological approach | Conference Proceedings (Cited) | Proceedings of the 15th International Audio Mostly Conference | 122–129 | Link | |
| 2020 | Tahıroğlu, Koray and Magnusson, Thor and Parkinson, Adam and Garrelfs, Iris and Tanaka, Atau | Digital Musical Instruments as Probes: How computation changes the mode-of-being of musical instruments | Article (Cited) | Organised Sound | 64–74 | Link | |
| 2020 | Atherton, Jack and Wang, Ge | Doing vs. Being: A philosophy of design for artful VR | Article (Cited) | Journal of New Music Research | 35–59 | Link | |
| 2020 | Hinojosa, Laddy Patricia Cadavid | Electronic_Khipu_: Thinking in Experimental Sound from an Ancestral Andean Interface | Article (Cited) | Computer Music Journal | 39–54 | Link | |
| 2020 | Emerson, Gina and Egermann, Hauke | Exploring the motivations for building new digital musical instruments | Article (Cited) | Musicae Scientiae | 313–329 | Link | |
| 2020 | Rì, Francesco and Masu, Raul and Graziani, Mauro and Roncador, Marco | From the Body with the Body: Performing with a Genome-Based Musical Instrument | Article (Cited) | EAI Endorsed Transactions on Creative Technologies | 163993 | Link | |
| 2020 | Davanzo, Nicola and Avanzini, Federico | Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives | Article (Cited) | IEEE Access | 163975–163995 | Link | |
| 2020 | Capra, Olivier and Berthaut, Florent and Grisoni, Laurent | Have a SEAT on Stage: Restoring Trust with Spectator Experience Augmentation Techniques | Conference Proceedings (Cited) | Proceedings of the 2020 ACM Designing Interactive Systems Conference | 695–707 | Link | |
| 2020 | McPherson, Andrew and Tahıroğlu, Koray | Idiomatic Patterns and Aesthetic Influence in Computer Music Languages | Article (Cited) | Organised Sound | 53–63 | Link | |
| 2020 | Ilsar, Alon and Kenning, Gail | Inclusive improvisation through sound and movement mapping: from DMI to ADMI | Conference Proceedings (Cited) | Proceedings of the 22nd International ACM SIGACCESS Conference on Computers and Accessibility | 1–8 | Link | |
| 2020 | Landry, Steven and Jeon, Myounghoon | Interactive sonification strategies for the motion and emotion of dance performances | Article (Cited) | Journal on Multimodal User Interfaces | 167–186 | Link | |
| 2020 | Palumbo, Michael and Zonta, Alexander and Wakefield, Graham | Modular reality: Analogues of patching in immersive space | Article (Cited) | Journal of New Music Research | 8–23 | Link | |
| 2020 | Leonard, James and Villeneuve, Jérôme and Kontogeorgakopoulos, Alexandros | Multisensory instrumental dynamics as an emergent paradigm for digital musical creation: A retrospective and prospective of haptic-audio creation with physical models | Article (Cited) | Journal on Multimodal User Interfaces | 235–253 | Link | |
| 2020 | Calegario, Filipe and Tragtenberg, João and Wang, Johnty and Franco, Ivan and Meneses, Eduardo and Wanderley, Marcelo M. | Open Source DMIs: Towards a Replication Certification for Online Shared Projects of Digital Musical Instruments | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 84–97 | Link | |
| 2020 | Moro, Giulio and McPherson, Andrew P. | Performer Experience on a Continuous Keyboard Instrument | Article (Cited) | Computer Music Journal | 69–91 | Link | |
| 2020 | Giomi, Andrea | Somatic Sonification in Dance Performances. From the Artistic to the Perceptual and Back | Conference Proceedings (Cited) | Proceedings of the 7th International Conference on Movement and Computing | 1–8 | Link | |
| 2020 | Martin, Charles Patrick and Glette, Kyrre and Nygaard, Tønnes Frostad and Torresen, Jim | Understanding Musical Predictions With an Embodied Interface for Musical Machine Learning | Article (Cited) | Frontiers in Artificial Intelligence | Link | ||
| 2020 | Brown, Dom and Nash, Chris and Mitchell, Thomas J. | Was that me?: exploring the effects of error in gestural digital musical instruments | Conference Proceedings (Cited) | Proceedings of the 15th International Audio Mostly Conference | 168–174 | Link | |
| 2020 | Louie, Ryan and Coenen, Andy and Huang, Cheng Zhi and Terry, Michael and Cai, Carrie J. | Novice-AI Music Co-Creation via AI-Steering Tools for Deep Generative Models | Conference Proceedings (Cited) | Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems | 1–13 | Link | |
| 2020 | Tillman, Mitchell and Dahl, Luke and Knowlton, Christopher B. and Zaferiou, Antonia | Real-Time Optical Motion Capture Balance Sonification System | Conference Proceedings (Related) | Proceedings of the 7th International Conference on Movement and Computing | 1–4 | Link | |
| 2020 | Correya, Albin and Bogdanov, Dmitry and Joglar-Ongay, Luis and Serra, Xavier | Essentia.js: A JavaScript Library for Music and Audio Analysis on the Web | Conference Proceedings (Related) | ISMIR | Link | ||
| 2020 | Kruger, A. B. and Jacobs, J. P. | Playing technique classification for bowed string instruments from raw audio | Article (Related) | Journal of New Music Research | 320–333 | Link | |
| 2020 | Weinberg, Gil and Bretan, Mason and Hoffman, Guy and Driscoll, Scott | Robotic Musicianship: Embodied Artificial Creativity and Mechatronic Musical Expression | Book (Related) | Springer International Publishing | Link | ||
| 2020 | Collins, Nicolas | Handmade Electronic Music: The Art of Hardware Hacking | Book (Related) | Routledge | Link | ||
| 2020 | Dwinal, Catherine | Interactive Visual Ideas for Musical Classroom Activities: Tips for Music Teachers | Book (Related) | Oxford University Press | Link | ||
| 2020 | Sinclair, Jean-Luc | Principles of Game Audio and Sound Design: Sound Design and Audio Implementation for Interactive and Immersive Media | Book (Related) | Focal Press | Link | ||
| 2020 | Cullen, Charlie | Learn Audio Electronics with Arduino: Practical Audio Circuits with Arduino Control | Book (Related) | Focal Press | Link | ||
| 2020 | Thiede, Jacob | "Digital Tap Dance": Tap Dance as Medium for Composition | PhD Thesis (Theses) | Link | |||
| 2020 | Michaud, Alyssa | After the music box: A history of automation in real-time musical performance | PhD Thesis (Theses) | McGill University | Link | ||
| 2020 | Marasco, Anthony T. | Bendit_I/O: A System for Extending Mediated and Networked Performance Techniques to Circuit-Bent Devices | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2020 | Kirkbride, Ryan | Collaborative interfaces for ensemble live coding performance | PhD Thesis (Theses) | University of Leeds, The University of Sheffield, University of York | Link | ||
| 2020 | Öke, Ethem Hürsu | Designing for new generation electronic musical instruments: Strategies to improve interaction, user experience and live performance | PhD Thesis (Theses) | Link | |||
| 2020 | Neto, Alexei [UNESP] Lisounenko | Digital composition: the use of digital tools as an instrument of musical composition | PhD Thesis (Theses) | Link | |||
| 2020 | Viator, Landon | Finding Music in Chaos: Designing and Composing with Virtual Instruments Inspired by Chaotic Equations | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2020 | Bouteiller, Madeleine Le | Instruments numériques et performances musicales : enjeux ontologiques et esthétiques | PhD Thesis (Theses) | Link | |||
| 2020 | Sénécal, Simon | Learning and understanding partner dance through motion analysis in a virtual environment | PhD Thesis (Theses) | University of Geneva | Link | ||
| 2020 | Bloomberg, Benjamin | Making musical magic live : inventing modern production technology for human-centric music performance | PhD Thesis (Theses) | Link | |||
| 2020 | Roche, Fanny | Music sound synthesis using machine learning : Towards a perceptually relevant control space | PhD Thesis (Theses) | Université Grenoble Alpes | Link | ||
| 2020 | Martins, André Lopes | Máquinas híbridas de performance: novas formas de instrumenticidade em práticas musicais experimentais | PhD Thesis (Theses) | Link | |||
| 2020 | Scipio, Agostino Di | Qu’est-ce qui est « vivant » dans la performance live electronics ? : une perspective écosystémique des pratiques de création sonore et musicale | PhD Thesis (Theses) | Université Paris 8 | Link | ||
| 2020 | Goudard, Vincent | Représentation et contrôle dans le design interactif des instruments de musique numériques | PhD Thesis (Theses) | Sorbonne Université | Link | ||
| 2020 | Svenns, Thelma | SENSITIV : Designing for Interactive Dance and the Experience of Control | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2020 | Ko, Chantelle | The GLOBE: Evaluating Sensors for Interactive Computer Music Performance | PhD Thesis (Theses) | Link | |||
| 2020 | Roman, Samuel Damien | The design and evaluation of the Gyroshuffle - A real-time quantised rhythmic instrument | PhD Thesis (Theses) | Link | |||
| 2020 | Pigg, Ella | Video Jockeys: New Media in Performance Art | PhD Thesis (Theses) | The Ohio State University | Link | ||
| 2020 | Goto, Suguru | Virtual instruments, automated instruments, An artistic approach to robotics | PhD Thesis (Theses) | Paris 8 | Link | ||
| 2020 | Garber, Leandro and Ciccola, Tomás and Amusategui, Juan | AudioStellar, an open source corpus-based musical instrument for latent sound structure discovery and sonic experimentation | Book (Zotero) | ||||
| 2020 | Erdem, Çağrı and Lan, Qichao and Jensenius, Alexander Refsum | Exploring relationships between effort, motion, and sound in new musical instruments | Article (Zotero) | Human Technology: An Interdisciplinary Journal on Humans in ICT Environments | 310–347 | Link | |
| 2020 | Frid, Emma and Lindetorp, Hans | HAPTIC MUSIC - EXPLORING WHOLE-BODY VIBRATIONS AND TACTILE SOUND FOR A MULTISENSORY MUSIC INSTALLATION | Article (Zotero) | 8 | |||
| 2020 | Bishop, Laura and Jensenius, Alexander Refsum | Reliability of two IR Motion Capture Systems in a Music Performance Setting | Conference Proceedings (Zotero) | Proceedings of the Sound and Music Computing Conference | 47–53 | Link | |
| 2020 | Joshi, Swapna and Stavrianakis, Kostas and Das, Sanchari | Substituting Restorative Benefits of Being Outdoors through Interactive Augmented Spatial Soundscapes | Conference Proceedings (Zotero) | Proceedings of the 22nd International ACM SIGACCESS Conference on Computers and Accessibility | 1–4 | Link | |
| 2020 | Wang, Song and Wanderley, Marcelo M. and Scavone, Gary | The Study of Mapping Strategies Between the Excitators of the Single-Reed Woodwind and the Bowed String | Book Section/Chapter (Zotero) | Proceedings of the 7th Conference on Sound and Music Technology (CSMT) | 107–119 | Link | |
| 2020 | Erdem, Cagri and Lan, Qichao and Fuhrer, Julian and Martin, Charles and Tørresen, Jim and Jensenius, Alexander Refsum | Towards Playing in the ‘Air’: Modeling Motion–Sound Energy Relationships in Electric Guitar Performance Using Deep Neural Networks | Conference Proceedings (Zotero) | Proceedings of the Sound and Music Computing Conference | 177–183 | Link | |
| 2021 | Homewood, Sarah and Hedemyr, Marika and Fagerberg Ranten, Maja and Kozel, Susan | Tracing Conceptions of the Body in HCI: From User to More-Than-Human | Conference Proceedings (Background) | Proceedings of the 2021 CHI Conference on Human Factors in Computing Systems | 1–12 | Link | |
| 2021 | Morreale, Fabio | Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation | Article (Background) | Transactions of the International Society for Music Information Retrieval | 105–113 | Link | |
| 2021 | Stapleton, Paul and Davis, Tom | Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance | Article (Cited) | Organised Sound | 52–64 | Link | |
| 2021 | Caramiaux, Baptiste and Donnarumma, Marco | Artificial Intelligence in Music and Performance: A Subjective Art-Research Inquiry | Book Section/Chapter (Cited) | Handbook of Artificial Intelligence for Music | 75–95 | Link | |
| 2021 | Drymonitis, Alexandros and Chatzopoulou, Nicoleta | Data Mining / Live Scoring – A Live Acoustic Algorithmic Composition Based on Twitter | Conference Proceedings (Cited) | Proceedings of the 26th International Conference on Auditory Display (ICAD 2021) | 192–196 | Link | |
| 2021 | Lepri, Giacomo and McPherson, Andrew | Embrace the Weirdness: Negotiating Values Inscribed into Music Technology | Article (Cited) | Computer Music Journal | 39–57 | Link | |
| 2021 | Tahiroğlu, Koray | Ever-shifting roles in building, composing and performing with digital musical instruments | Article (Cited) | Journal of New Music Research | 155–164 | Link | |
| 2021 | Schlienger, Dominik and Khashchanskiy, Victor | Immersive Spatial Interactivity in Sonic Arts: The Acoustic Localization Positioning System | Article (Cited) | Computer Music Journal | 24–47 | Link | |
| 2021 | Visi, Federico Ghelli and Tanaka, Atau | Interactive Machine Learning of Musical Gesture | Book Section/Chapter (Cited) | Handbook of Artificial Intelligence for Music | 771–798 | Link | |
| 2021 | Kemper, Steven | Locating Creativity in Differing Approaches to Musical Robotics | Article (Cited) | Frontiers in Robotics and AI | Link | ||
| 2021 | Turchet, Luca and Hamilton, Rob and Camci, Anil | Music in Extended Realities | Article (Cited) | IEEE Access | 15810–15832 | Link | |
| 2021 | Presti, Giorgio and Adriano, Daniele and Avanzini, Federico and Baratè, Adriano and Ludovico, Luca Andrea | PhonHarp: A Hybrid Digital-Physical Musical Instrument for Mobile Phones Exploiting the Vocal Tract | Conference Proceedings (Cited) | Audio Mostly 2021 | 276–279 | Link | |
| 2021 | Melbye, Adam Pultz | Resistance, Mastery, Agency: Improvising with the feedback-actuated augmented bass | Article (Cited) | Organised Sound | 19–30 | Link | |
| 2021 | Masu, Raul and Correia, Nuno N. and Romão, Teresa | Technology-Mediated Musical Connections: The Ecology of a Screen-Score Performance | Conference Proceedings (Cited) | Audio Mostly 2021 | 109–116 | Link | |
| 2021 | Waters, Simon | The entanglements which make instruments musical: Rediscovering sociality | Article (Cited) | Journal of New Music Research | 133–146 | Link | |
| 2021 | Magnusson, Thor | The migration of musical instruments: On the socio-technological conditions of musical evolution | Article (Cited) | Journal of New Music Research | 175–183 | Link | |
| 2021 | Turchet, Luca and West, Travis and Wanderley, Marcelo M. | Touching the audience: musical haptic wearables for augmented and participatory live music performances | Article (Cited) | Personal and Ubiquitous Computing | 749–769 | Link | |
| 2021 | Avila, Juan Pablo Martinez and Tragtenberg, João and Calegario, Filipe and Ramos, Juan and Lerner, Martin Matus and Corintha, Isabela and Jaimovich, Javier and Dannemann, Teodoro and Cadavid, Patricia and Alarcón, Ximena and Marquez-Borbon, Adnan and Solis, Hugo and Ortiz, Miguel | Towards a Latin American NIME Research Community | Conference Proceedings (Cited) | Anais do XVIII Simpósio Brasileiro de Computação Musical (SBCM 2021) | 298–301 | Link | |
| 2021 | Tremblay, Pierre Alexandre and Roma, Gerard and Green, Owen | Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit | Article (Cited) | Computer Music Journal | 9–23 | Link | |
| 2021 | Weinel, Jonathan | Synaesthetic Audio-Visual Sound Toys in Virtual Reality | Conference Proceedings (Related) | Audio Mostly 2021 | 135–138 | Link | |
| 2021 | Cambourian, Paul and Gal, Oscar and Pate, Arthur and Benacchio, Simon and Vasseur, Jérôme | Understanding the vibrotactile feedback of the electric guitar: Methodology for a physical and perceptual study | Conference Proceedings (Related) | Audio Mostly 2021 | 268–271 | Link | |
| 2021 | Roth, Josef and Ehlers, Jan and Getschmann, Christopher and Echtler, Florian | TempoWatch: a Wearable Music Control Interface for Dance Instructors | Conference Proceedings (Related) | Proceedings of the Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction | 1–6 | Link | |
| 2021 | Temprano, Adan L. Benito and McPherson, Andrew | A TMR Angle Sensor for Gesture Acquisition and Disambiguation on the Electric Guitar | Conference Proceedings (Related) | Audio Mostly 2021 | 256–263 | Link | |
| 2021 | Men, Liang and Zhao, Danqi | Designing Privacy for Collaborative Music Making in Virtual Reality | Conference Proceedings (Related) | Audio Mostly 2021 | 93–100 | Link | |
| 2021 | Caetano, Marcelo | Morphing Musical Instrument Sounds with the Sinusoidal Model in the Sound Morphing Toolbox | Conference Proceedings (Related) | Lecture Notes in Computer Science Perception, Representations, Image, Sound, Music | Link | ||
| 2021 | Sánchez-Jara, Javier Merchán | El texto musical en la esfera digital: Características, funcionalidades y aplicación como recurso formativo en instituciones de educación musical | Book (Related) | Ediciones Universidad de Salamanca | Link | ||
| 2021 | Hermes, Kirsten | Performing Electronic Music Live | Book (Related) | Focal Press | Link | ||
| 2021 | Brett, Thomas | The Creative Electronic Music Producer | Book (Related) | Focal Press | Link | ||
| 2021 | Herbst, Jan-Peter and Menze, Jonas | Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music | Book (Related) | University of Huddersfield Press | Link | ||
| 2021 | Pirkle, Will C. | Designing Software Synthesizer Plugins in C++: With Audio DSP | Book (Related) | Focal Press | Link | ||
| 2021 | Coler, Henrik von | A system for expressive spectro-spatial sound synthesis | PhD Thesis (Theses) | DepositOnce | Link | ||
| 2021 | Sullivan, John | Built for performance: Designing digital musical instruments for professional use | PhD Thesis (Theses) | McGill University | Link | ||
| 2021 | Alemi, Omid | Expressive movement generation with machine learning | PhD Thesis (Theses) | Simon Fraser University | Link | ||
| 2021 | Kirkegaard, Mathias | Integrating 1-DoF force feedback interactions in self-contained DMIs | PhD Thesis (Theses) | McGill University | Link | ||
| 2021 | Clara, Sébastien | L’instrument de musique à l’ère du numérique : théorie, facture d’une panoplie et création musicale. | PhD Thesis (Theses) | Link | |||
| 2021 | Bredholt, Mathias | Live-looping of distributed gesture-to-sound mappings | PhD Thesis (Theses) | McGill University | Link | ||
| 2021 | Blessing, Matthew | Living Room Orchestra: Designing Embedded Furniture as a Family of Electronic Musical Instruments | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2021 | Horrell, Rachel | Music and the Brain: Composing with the Electroencephalogram | PhD Thesis (Theses) | University of Plymouth | Link | ||
| 2021 | Cameli, Francesco | Omni and Alga: new DSLs for audio programming and live coding | PhD Thesis (Theses) | University of Huddersfield | Link | ||
| 2021 | Reboursière, Loïc | Organology, genealogy and practice of the hexaphonic guitar : from individual string processing to instrumental gestural control | PhD Thesis (Theses) | theses.fr (ABES) | Link | ||
| 2021 | Bourachot, Antoine | Perception sonore des objets pour un contrôle intuitif de la synthèse : vers un langage des sons | PhD Thesis (Theses) | Aix-Marseille Université | Link | ||
| 2021 | Tarrès, Ariadna Alsina | Pratiques, techniques et enjeux de l’écriture du temps dans la musique mixte | PhD Thesis (Theses) | Université Paris 8 | Link | ||
| 2021 | Lugo-Elías, César | Reassembling the Dance Floor: Exploring Interactions at After-Parties in Spaces of Consumption of Electronic Music in the City of Oporto in the years 2016-2018 | PhD Thesis (Theses) | University of Porto | Link | ||
| 2021 | Nilchiani, Azadeh | Sound installations in urban spaces | PhD Thesis (Theses) | Université Gustave Eiffel | Link | ||
| 2021 | Placencia, Juan Pablo Yepez | The Design and Construction of an Expressive Mechatronic Chordophone | PhD Thesis (Theses) | Victoria University of Wellington | Link | ||
| 2021 | Gregorio, Jeff and Kim, Youngmoo E. | Timbre space learning for augmentation of musical audio synthesizer interfaces | PhD Thesis (Theses) | Link | |||
| 2021 | Ferreira, Marcio Albano Hermelino | Triaume : evelopment of an augmented musical instrument using capacitive sensing | PhD Thesis (Theses) | Link | |||
| 2021 | Rau, Simeon | Visualization for human-AI collaborative music composition | PhD Thesis (Theses) | Universität Stuttgart | Link | ||
| 2021 | Aly, Luís and Silva, Hugo and Bernardes, Gilberto and Penha, Rui | Appropriating Biosensors as Embodied Control Structures in Interactive Music Systems | Article (Zotero) | Human Technology | 45–80 | Link | |
| 2021 | Bown, Oliver | Beyond the Creative Species: Making Machines That Make Art and Music | Book (Zotero) | MIT Press | |||
| 2021 | Wu, Jiayue | Chapter 8: An Outlook on Future Digital Musical Instruments In book , Routledge Press, 2021 | Book Section/Chapter (Zotero) | ||||
| 2021 | Mice, Lia and McPherson, Andrew P. | Embodied Cognition in Performers of Large Acoustic Instruments as a Method of Designing New Large Digital Musical Instruments | Book Section/Chapter (Zotero) | Perception, Representations, Image, Sound, Music | 577–590 | Link | |
| 2021 | Wallace, Benedikte and Martin, Charles P. and Tørresen, Jim and Nymoen, Kristian | Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation | Conference Proceedings (Zotero) | Creativity and Cognition | 1–9 | Link | |
| 2021 | Tronchin, Lamberto | Musical Instruments: Acoustics and Vibration | Book (Zotero) | MDPI - Multidisciplinary Digital Publishing Institute | |||
| 2021 | Dell’Anna, Alessandro and Leman, Marc and Berti, Annamaria | Musical interaction reveals music as embodied language | Article (Zotero) | Frontiers in Neuroscience | 667838 | Link | |
| 2021 | Laczkó, Bálint and Jensenius, Alexander Refsum | Reflections on the Development of the Musical Gestures Toolbox for Python | Conference Proceedings (Zotero) | Proceedings of the Nordic Sound and Music Computing Conference | Link | ||
| 2021 | Mainsbridge, Mary | Soma-Based Nonphysical Instrument Design in Electronic Music Performance | Article (Zotero) | Leonardo | 393–397 | Link | |
| 2021 | Sullivan, John and Guastavino, Catherine and Wanderley, Marcelo M. | Surveying digital musical instrument use in active practice | Article (Zotero) | Journal of New Music Research | 469–486 | Link | |
| 2021 | Vionnet, Claire | The Birth of Gesture. ‘I’m not dancing alone’ | Article (Zotero) | Body, Space & Technology | 83–96 | Link | |
| 2021 | Tullberg, Markus and universitet, Lunds | Wind and Wood: Affordances of Musical Instruments: The Example of the Simple-System Flute | Book (Zotero) | Link | |||
| 2022 | Braun, Virginia and Clarke, Victoria | Thematic Analysis: A Practical Guide | Article (Background) | QMiP Bulletin | 46–50 | Link | |
| 2022 | Deja, Jordan Aiko and Mayer, Sven and Čopič Pucihar, Klen and Kljun, Matjaž | A Survey of Augmented Piano Prototypes: Has Augmentation Improved Learning Experiences? | Article (Cited) | Proceedings of the ACM on Human-Computer Interaction | 226–253 | Link | |
| 2022 | Atassi, Lilac | Allocentric and Egocentric Controllers: Similarities and Differences | Article (Cited) | Leonardo | 394–398 | Link | |
| 2022 | Schacher, Jan | Capture and express, question and understand: Gloves in gestural electronic music performance | Article (Cited) | Wearable Technologies | Link | ||
| 2022 | Assayag, Gérard and Bonnasse-Gahot, Laurent and Borg, Joakim | Cocreative Interaction: Somax2 and the REACH Project | Article (Cited) | Computer Music Journal | 7–25 | Link | |
| 2022 | Cavdir, Doga and Wang, Ge | Designing felt experiences with movement-based, wearable musical instruments: From inclusive practices toward participatory design | Article (Cited) | Wearable Technologies | Link | ||
| 2022 | Pelinski, Teresa and Shepardson, Victor and Symons, Steve and Caspe, Franco Santiago and Benito Temprano, Adan L and Armitage, Jack and Kiefer, Chris and Fiebrink, Rebecca and Magnusson, Thor and McPherson, Andrew | Embedded AI for NIME: Challenges and Opportunities | Conference Proceedings (Cited) | NIME 2022 | Link | ||
| 2022 | Sullivan, John and Wanderley, Marcelo M. and Guastavino, Catherine | From Fiction to Function: Imagining New Instruments through Design Workshops | Article (Cited) | Computer Music Journal | 26–47 | Link | |
| 2022 | Ilsar, Alon and Kenning, Gail and Trolland, Sam and Frame, Ciaran | Inclusive Improvisation: Exploring the Line between Listening and Playing Music | Article (Cited) | ACM Transactions on Accessible Computing | 1–21 | Link | |
| 2022 | Koutsomichalis, Marinos | Instruments that are more than instruments (and other stories) | Article (Cited) | Ricercare | 76–106 | Link | |
| 2022 | Nordmoen, Charlotte and McPherson, Andrew P. | Making space for material entanglements: A diffractive analysis of woodwork and the practice of making an interactive system | Conference Proceedings (Cited) | Designing Interactive Systems Conference | 415–423 | Link | |
| 2022 | Zheng, Jianing and Bryan-Kinns, Nick and McPherson, Andrew P. | Material Matters: Exploring Materiality in Digital Musical Instruments Design | Conference Proceedings (Cited) | Designing Interactive Systems Conference | 976–986 | Link | |
| 2022 | Jensenius, Alexander Refsum | Sound Actions: Conceptualizing Musical Instruments | Book (Cited) | The MIT Press | Link | ||
| 2022 | Renney, Nathan and Gaster, Benedict and Mitchell, Tom and Renney, Harri | Studying How Digital Luthiers Choose Their Tools | Conference Proceedings (Cited) | CHI Conference on Human Factors in Computing Systems | 1–18 | Link | |
| 2022 | Mice, Lia and McPherson, Andrew P. | Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design | Conference Proceedings (Cited) | CHI Conference on Human Factors in Computing Systems | 1–15 | Link | |
| 2022 | Tovar Henao, Felipe | light.void : An Autographic Case Study on Approaches, Constraints, and Affordances with a Light-dependent Musical Interface. | Article (Cited) | Ricercare | 107–122 | Link | |
| 2022 | Reed, Courtney N. and Skach, Sophie and Strohmeier, Paul and McPherson, Andrew P. | Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances | Conference Proceedings (Cited) | Augmented Humans 2022 | 170–183 | Link | |
| 2022 | Lawson, Shawn | Live Coding Deep Neural Nets | Conference Proceedings (Related) | International Conference on Live Coding | Link | ||
| 2022 | Blackwell, Alan F. and Cocker, Emma and Cox, Geoff and McLean, Alex and Magnusson, Thor | Live Coding: A User’s Manual | Book (Related) | The MIT Press | Link | ||
| 2022 | Onderka, Jan and Onderka, Jan | Analog Modular Music Synthesizer with Digital Control | PhD Thesis (Theses) | Czech Technical University in Prague | Link | ||
| 2022 | Wang, Johnty Yizhong | Analysis of Wireless Interface Latency and Usability for Digital Musical Instruments | PhD Thesis (Theses) | McGill University | Link | ||
| 2022 | Cambourian, Paul | Characterization and perception of vibrotactile feedback : the case of the electric guitar | PhD Thesis (Theses) | Université de Lille (2022-....) | Link | ||
| 2022 | González, Héctor | Composing with Interactive Computer Music Systems | PhD Thesis (Theses) | Link | |||
| 2022 | Cavaillès, Colas | Control of the acoustic radiation of the trombone using a loudspeaker array | PhD Thesis (Theses) | Laboratoire d’Acoustique de l’Université du Mans | Link | ||
| 2022 | Meneses, Eduardo | Iterative design in DMIs and AMIs: expanding and embedding a high-level gesture vocabulary for T-Stick and GuitarAMI | PhD Thesis (Theses) | McGill University | Link | ||
| 2022 | Paz, Iván | On-the-fly synthesizer programming with rule learning | PhD Thesis (Theses) | Link | |||
| 2022 | Lachmair, Martin and Fischer, Martin H. and Gerjets, Peter | Action-control mappings of interfaces in virtual reality: A study of embodied interaction | Article (Zotero) | Frontiers in Virtual Reality | Link | ||
| 2022 | Erdem, Cagri | Controlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance | PhD Thesis (Zotero) | University of Oslo | Link | ||
| 2022 | Tomás Calderón, Enrique and Gorbach, Thomas and Tellioglu, Hilda and Kaltenbrunner, Martin and Wien, TU and Wien, TU and Tomás Calderón, Enrique and Gorbach, Thomas and Tellioglu, Hilda and Kaltenbrunner, Martin | Embodied Gestures | Book (Zotero) | TU Wien Academic Press | Link | ||
| 2022 | Tsang, Sze | Exploring aspects of place through sound mapping | Article (Zotero) | ||||
| 2022 | Jensenius, Alexander Refsum and Erdem, Cagri | Gestures in ensemble performance | Book Section/Chapter (Zotero) | Together in Music: Coordination, Expression, Participation | Link | ||
| 2022 | Baalman, Marije | Just a Question of Mapping: Ins and outs of composing with realtime data | Book (Zotero) | V2_ | Link | ||
| 2022 | Remache-Vinueza, Byron and Trujillo-León, Andrés and Clim, Maria-Alena and Sarmiento-Ortiz, Fabián and Topon-Visarrea, Liliana and Jensenius, Alexander Refsum and Vidal-Verdú, Fernando | Mapping Monophonic MIDI Tracks to Vibrotactile Stimuli Using Tactile Illusions | Conference Proceedings (Zotero) | Haptic and Audio Interaction Design | 115–124 | Link | |
| 2022 | Cavdir, Doga and Dahl, Sofia | Performers’ use of space and body in movement interaction with a movement-based digital musical instrument | Conference Proceedings (Zotero) | Proceedings of the 8th international conference on movement and computing | Link | ||
| 2022 | Szorkovszky, Alex and Veenstra, Frank and Glette, Kyrre | Rapid rhythmic entrainment in bio-inspired central pattern generators | Conference Proceedings (Zotero) | 2022 International Joint Conference on Neural Networks (IJCNN) | 1–7 | Link | |
| 2022 | Brandtsegg, Øyvind | Towards a pitch map for vibrotactile feedback instruments | Article (Zotero) | Echo | Link | ||
| 2022 | Cameron, Daniel J. and Dotov, Dobromir and Flaten, Erica and Bosnyak, Daniel and Hove, Michael J. and Trainor, Laurel J. | Undetectable very-low frequency sound increases dancing at a live concert | Article (Zotero) | Current Biology | R1222–R1223 | Link | |
| 2023 | Copet, Jade and Kreuk, Felix and Gat, Itai and Remez, Tal and Kant, David and Synnaeve, Gabriel and Adi, Yossi and Defossez, Alexandre | Simple and Controllable Music Generation | Conference Proceedings (Background) | Advances in Neural Information Processing Systems 36 | 47704–47720 | Link | |
| 2023 | González-Inostroza, Marie and Cádiz, Rodrigo F. | A Fuzzy Gestural AI Approach for Expressive Interactivity in Multitouch Digital Musical Instruments Based on Laban Descriptors | Article (Cited) | Computer Music Journal | 22–43 | Link | |
| 2023 | Förster, Andreas | Accessible Digital Musical Instruments in Special Educational Needs Schools – Design Considerations Based on 16 Qualitative Interviews with Music Teachers | Article (Cited) | International Journal of Human–Computer Interaction | 863–873 | Link | |
| 2023 | Tanaka, Atau and Visi, Federico and Donato, Balandino Di and Klang, Martin and Zbyszyński, Michael | An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound | Article (Cited) | Computer Music Journal | 64–84 | Link | |
| 2023 | Frisson, Christian and Wanderley, Marcelo M. | Challenges and Opportunities of Force Feedback in Music | Article (Cited) | Arts | 147 | Link | |
| 2023 | Ferreira, Marcio Albano H. and Tavares, Tiago F. | Continuous Parameter Control Using an On/Off Sensor in the Augmented Handheld Triangle | Book Section/Chapter (Cited) | Lecture Notes in Computer Science | 76–93 | Link | |
| 2023 | McMillan, Andrew and Morreale, Fabio | Designing accessible musical instruments by addressing musician-instrument relationships | Article (Cited) | Frontiers in Computer Science | Link | ||
| 2023 | Lionetti, Davide and Pappas, Antonios and Comanducci, Luca and Bernardini, Alberto and Zanoni, Massimiliano and Sarti, Augusto and Yee-King, Matthew and D’Inverno, Mark | HandMonizer: a case study for personalized digital musical instrument design | Conference Proceedings (Cited) | 2023 4th International Symposium on the Internet of Sounds | 1–8 | Link | |
| 2023 | Boem, Alberto and Turchet, Luca | Musical Metaverse Playgrounds: exploring the design of shared virtual sonic experiences on web browsers | Conference Proceedings (Cited) | 2023 4th International Symposium on the Internet of Sounds | 1–9 | Link | |
| 2023 | Mudd, Tom | Playing with Feedback: Unpredictability, Immediacy, and Entangled Agency in the No-input Mixing Desk | Conference Proceedings (Cited) | Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems | 1–11 | Link | |
| 2023 | Alonso Trillo, Roberto and Nelson, Peter A. C. and Michailidis, Tychonas | Rethinking Instrumental Interface Design: The MetaBow | Article (Cited) | Computer Music Journal | 5–20 | Link | |
| 2023 | Arterbury, Timothy and Poor, G. Michael and Arguelles Terron, Ana Paula | Rhythmic Accuracy of 3D Spatial Interaction for Digital Music | Conference Proceedings (Cited) | Proceedings of the 18th International Audio Mostly Conference | 169–176 | Link | |
| 2023 | Sramek, Zefan and Sato, Arissa J. and Zhou, Zhongyi and Hosio, Simo and Yatani, Koji | SoundTraveller: Exploring Abstraction and Entanglement in Timbre Creation Interfaces for Synthesizers | Conference Proceedings (Cited) | Proceedings of the 2023 ACM Designing Interactive Systems Conference | 95–114 | Link | |
| 2023 | Ward, Asha | The development of a Modular Accessible Musical Instrument Technology Toolkit using action research | Article (Cited) | Frontiers in Computer Science | Link | ||
| 2023 | Masu, Raul and Dal Rì, Francesco Ardan | Visual Representations to Stimulate New Musicking Strategies in Live Coding | Article (Cited) | Organised Sound | 218–230 | Link | |
| 2023 | Zheng, Jianing and Mcpherson, Andrew and Bryan-Kinns, Nick | When Materials Meet Sound: Discovering the Meaning of Deformable Materials in Musical Interaction | Conference Proceedings (Cited) | Proceedings of the 2023 ACM Designing Interactive Systems Conference | 312–325 | Link | |
| 2023 | Turchet, Luca | Musical Metaverse: vision, opportunities, and challenges | Article (Cited) | Personal and Ubiquitous Computing | 1811–1827 | Link | |
| 2023 | Wu, Zhen and Gao, Ze and Braud, Tristan | Unlogical instrument: Material-driven gesture-controlled sound installation | Conference Proceedings (Related) | Designing Interactive Systems Conference | 86–89 | Link | |
| 2023 | Berger, Jonathan and Farzaneh, Nima and Murakami, Eito and Valentin, Luna | Exploring the past with virtual acoustics and virtual reality | Conference Proceedings (Related) | 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA) | 1–8 | Link | |
| 2023 | Yamaguchi, Yasumasa and Kawada, Taku and Nagahama, Toru and Horita, Tatsuya | The Demonstration of MVP Support System as an AR Realtime Pitch Feedback System | Conference Proceedings (Related) | The 16th International Symposium on Computer Music Multidisciplinary Research | Link | ||
| 2023 | Barnard, Matthew and Martin, Adam and Slater, Mark | Nightports at Hull Minster: Physical, Hybrid and Virtualized Live Loudspeaker Array Spatialization of Electronic Music Performance | Conference Proceedings (Related) | 2023 Immersive and 3D Audio: from Architecture to Automotive (I3DA) | 1–7 | Link | |
| 2023 | Canfer, Tim | Music Technology in Live Performance: Tools, Techniques, and Interaction | Book (Related) | Focal Press | Link | ||
| 2023 | Geronazzo, Michele and Serafin, Stefania | Sonic Interactions in Virtual Environments | Book (Related) | Springer International Publishing | Link | ||
| 2023 | Payling, Dave | Electronic Visual Music: The Elements of Audiovisual Creativity | Book (Related) | Focal Press | Link | ||
| 2023 | O’Connor, Neil | Dark Waves: The Synthesizer and the Dystopian Sound of Britain (1977-80) | Book (Related) | Rowman & Littlefield Publishers | Link | ||
| 2023 | Schmidt, Ulrik | A Philosophy of Ambient Sound: Materiality, Technology, Art and the Sonic Environment | Book (Related) | Springer Nature Singapore | Link | ||
| 2023 | Melbye, Adam Pultz | A Continually Receding Horizon: Making, performing, and improvising with semi-autonomous double bass feedback instruments | PhD Thesis (Theses) | Link | |||
| 2023 | Fouilleul, Martin | A Temporal Programming Environment for Live Shows and Art Installations | PhD Thesis (Theses) | Sciences et Technologies de la Musique et du Son | Link | ||
| 2023 | Bardin, Matthew | Cyberinet: Integrated Semi-Modular Sensors for the Computer-Augmented Clarinet | PhD Thesis (Theses) | Louisiana State University | Link | ||
| 2023 | Boettcher, Brady | Developing Maturity in DMIs and Mapping Tools | PhD Thesis (Theses) | McGill University | Link | ||
| 2023 | Zeitoun, Yohan | Esthétique du geste : histoire d’une tentative pour un traité des objets de la danse | PhD Thesis (Theses) | Université Paris 1 Panthéon-Sorbonne | Link | ||
| 2023 | Renney, Harri | Evaluating the graphics processing unit for digital audio synthesis and the development of HyperModels | PhD Thesis (Theses) | University of the West of England | Link | ||
| 2023 | Lane-Smith, Jonathan | Haptic interfaces for musical notation and expression | PhD Thesis (Theses) | McGill University | Link | ||
| 2023 | Berthaut, Florent | Interactions Révélées : Expression et Exploration en Réalité Mixte et Virtuelle | PhD Thesis (Theses) | Institut de Recherche sur les Composants logiciels et matériels pour l’Information et la Communication Avancée | Link | ||
| 2023 | Gober, Erik | KeyMachine : intuitive interface for music | PhD Thesis (Theses) | FH JOANNEUM ePUB | Link | ||
| 2023 | Reimer, Phillip | Longitudinal Evaluation of User Experience with Digital Musical Instruments: Development and Demonstration of a New Method | PhD Thesis (Theses) | McGill University | Link | ||
| 2023 | Santana, Marcos Vinícius | Networked digital technologies in musical per-formances: potential of collaborative composition in digital media | PhD Thesis (Theses) | Link | |||
| 2023 | Rivory, Joshua J. | Returning to reality: a portfolio and reflective exegesis exploring the creation of interactive musical compositions within physical and virtual immersive environments | PhD Thesis (Theses) | The University of Queensland | Link | ||
| 2023 | Guiotto Nai Fovino, Lucrezia and Grassi, Massimo and Zanella, Anita and Di Mascolo, Luca and Ginolfi, Michele | Edukoi: developing an interactive sonification tool for astronomy between entertainment and education | Article (Zotero) | arXiv e-prints | arXiv–2309 | Link | |
| 2023 | Haugen, Mari Romarheim and Câmara, Guilherme Schmidt and Nymoen, Kristian and Danielsen, Anne | Instructed timing and body posture in guitar and bass playing in groove performance | Article (Zotero) | Musicae Scientiae | 10298649231182039 | Link | |
| 2023 | Beadling, Andrew and Vickers, Paul | Listener perception of spatialised audio for embodied interaction in sonification | Conference Proceedings (Zotero) | Proceedings of the 28th | Link | ||
| 2023 | Almeida, André and Li, Weicong and Schubert, Emery and Smith, John and Wolfe, Joe | Recording and analysing physical control variables used in clarinet playing: A musical instrument performance capture and analysis toolbox (MIPCAT) | Article (Zotero) | Frontiers in Signal Processing | Link | ||
| 2023 | Reinsch, Dennis and Hermann, Thomas | Sonecules: A Python Sonification Architecture | Conference Proceedings (Zotero) | Proceedings of the 28th International Conference on Auditory Display (ICAD2023) | 62–69 | Link | |
| 2024 | Reed, Courtney N. and Benito, Adan L. and Caspe, Franco and McPherson, Andrew P. | Shifting Ambiguity, Collapsing Indeterminacy: Designing with Data as Baradian Apparatus | Article (Background) | ACM Transactions on Computer-Human Interaction | 1–41 | Link | |
| 2024 | Golvet, Aliénor and Matuszewski, Benjamin and Bevilacqua, Frederic | Designing a distributed musical instrument for collective improvised interaction | Conference Proceedings (Cited) | Audio Mostly 2024 - Explorations in Sonic Cultures | 405–420 | Link | |
| 2024 | Nabi, Sarah and Esling, Philippe and Peeters, Geoffroy and Bevilacqua, Frédéric | Embodied exploration of deep latent spaces in interactive dance-music performance | Conference Proceedings (Cited) | Proceedings of the 9th International Conference on Movement and Computing | 1–9 | Link | |
| 2024 | Bernreiter, Björn and Katharina, Gross-Vogt and Weger, Marian | Evaluating Dextoria - A modular, embedded system to control electric guitar effects via sound-producing gestures | Conference Proceedings (Cited) | Audio Mostly 2024 - Explorations in Sonic Cultures | 421–428 | Link | |
| 2024 | Ó Néill, Eoghan and Ortiz, Miguel | From Prototype to Performance Practice: Reflections on Iterative Instrument Design | Conference Proceedings (Cited) | Audio Mostly 2024 - Explorations in Sonic Cultures | 439–444 | Link | |
| 2024 | Sparrow, Lucy A. and Galwey, Caiti and Loveridge, Ben and Glasser, Solange and Osborne, Margaret S. and Kelly, Ryan M. | Heart and Soul: The Ethics of Biometric Capture in Immersive Artistic Performance | Conference Proceedings (Cited) | Proceedings of the CHI Conference on Human Factors in Computing Systems | 1–23 | Link | |
| 2024 | Xambó, Anna and Roma, Gerard | Human–machine agencies in live coding for music performance | Article (Cited) | Journal of New Music Research | 33–46 | Link | |
| 2024 | Kuzmin, Iurii and Ma, Zhengyang and Masu, Raul | Locality and Digital Musical Instruments Design: A User Study | Conference Proceedings (Cited) | Audio Mostly 2024 - Explorations in Sonic Cultures | 468–478 | Link | |
| 2024 | Peachey, Matthew S and Malloch, Joseph | Maplet: Integrating Distributed Data Signal Mappings for Performative Interactions Within the Eurorack Modular Synthesizer Ecosystem | Conference Proceedings (Cited) | Audio Mostly 2024 - Explorations in Sonic Cultures | 341–347 | Link | |
| 2024 | McPherson, Andrew and Morrison, Landon and Davison, Matthew and Wanderley, Marcelo M. | On mapping as a technoscientific practice in digital musical instruments | Article (Cited) | Journal of New Music Research | 110–125 | Link | |
| 2024 | Masu, Raul and Merendino, Nicolò and Rodã, Antonio and Turchet, Luca | Sustainable Internet of Musical Things: Strategies to Account for Environmental and Social Sustainability in Network-Based Interactive Music Systems | Article (Cited) | IEEE Access | 62818–62833 | Link | |
| 2024 | Robson, Nicole and McPherson, Andrew and Bryan-Kinns, Nick | Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation | Conference Proceedings (Cited) | Proceedings of the CHI Conference on Human Factors in Computing Systems | 1–14 | Link | |
| 2024 | Reimer, P. J. Charles and Gupta, Atishi and Guastavino, Catherine and Wanderley, Marcelo M. | User experience with digital musical instruments: a transferable method for longitudinal evaluation | Article (Cited) | Journal of New Music Research | 344–368 | Link | |
| 2024 | Pelinski, Teresa and McPherson, Andrew and Fiebrink, Rebecca | Ways of knowing, ways of writing: technical practice research in new musical instrument design | Article (Cited) | Journal of New Music Research | 79–92 | Link | |
| 2024 | Morrison, Landon and McPherson, Andrew | Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions | Conference Proceedings (Cited) | Proceedings of the CHI Conference on Human Factors in Computing Systems | 1–17 | Link | |
| 2024 | Fayet, Matéo and Schwarz, Diemo and Tiffon, Vincent | VIVO: Video Analysis for Corpus-based Audio–Visual Synthesis | Conference Proceedings (Related) | Journées d’Informatique Musicale | Link | ||
| 2024 | Xu, Ruilin and Tran, Vu An and Nayar, Shree K. and Krishnan, Gurunandan | DanceCraft: A Music-Reactive Real-time Dance Improv System | Conference Proceedings (Related) | Proceedings of the 9th International Conference on Movement and Computing | 1–10 | Link | |
| 2024 | Zhao, Qinqin and Tong, Yanting and Zhang, Yi and Chen, Ziqin | Design of an interactive installation for Chu music and dance based on image recognition | Conference Proceedings (Related) | Third International Conference on Intelligent Mechanical and Human-Computer Interaction Technology (IHCIT 2024) | 61 | Link | |
| 2024 | Manesh, Daniel and Jr., Douglas Bowman and Lee, Sang Won | SHARP: Exploring Version Control Systems in Live Coding Music | Conference Proceedings (Related) | Creativity and Cognition | 426–437 | Link | |
| 2024 | Koozin, Timothy | Embodied Expression in Popular Music: A Theory of Musical Gesture and Agency | Book (Related) | Oxford University Press | Link | ||
| 2024 | Redhead, Tracy | Interactive Technologies and Music Making: Transmutable Music | Book (Related) | Focal Press | Link | ||
| 2024 | Harrison, Lucy Ann | Interactive Sound and Music: Beyond Pressing Play | Book (Related) | Focal Press | Link | ||
| 2024 | Edstrom, Brent | Sound & Music Projects for Eurorack and Beyond: Explorations in Teensy Microcontroller Technology | Book (Related) | Oxford University Press | Link | ||
| 2024 | Rosati, Tommaso and Hsu, Timothy | Play with Sound: Manual for Electronic Musicians and Other Sound Explorers | Book (Related) | Focal Press | Link | ||
| 2024 | Casanelles, Sergi | The Hyperorchestra: Screen Music and Virtual Musical Ensembles | Book (Related) | Springer Nature Switzerland | Link | ||
| 2024 | Drymonitis, Alexandros | Digital Electronics for Musicians: Build Intuitive Electronics and Electroacoustic Music Interfaces | Book (Related) | Apress | Link | ||
| 2024 | Yaşarlar, Okan | "Few and Far Between": Digital Musical Instrument Design based on Machine Vision and Neural Deep Learning Algorithms | PhD Thesis (Theses) | Université de Toulouse | Link | ||
| 2024 | Hurban, Hedy | A Performative Framework for Exploring Traditional Whirling Dervish Movement and Flamenco Dance through Augmented Digital Media and Wearable Technology | PhD Thesis (Theses) | University of Plymouth | Link | ||
| 2024 | Topley, Samantha | Craft-Focused Electronic Musical Instrument Building: Exploring DIY Textiles and Hybrid Craft Techniques in Sound Arts Practice | PhD Thesis (Theses) | De Montfort University | Link | ||
| 2024 | Paredes, Victor | Exploration in Movement-Sound Interactive Systems | PhD Thesis (Theses) | Sorbonne Université | Link | ||
| 2024 | Orozco, Diego I Quiroz | Exploratory Research on Input Devices and Gestural Control for Immersive Audio Mixing Tasks | PhD Thesis (Theses) | McGill University | Link | ||
| 2024 | Helppolainen, Ville | HapSynth: Utilizing force feedback on digital musical instruments | PhD Thesis (Theses) | Tampere University | Link | ||
| 2024 | Brown, Aimee | Movement to Music: Notating Baroque Dance for Musicians | PhD Thesis (Theses) | The University of Sydney | Link | ||
| 2024 | Lima, Rodolfo das Neves Barbosa de | Music and technology: digital resources as auxiliary tools for personal performance and the dynamics of chamber rehearsals - autoethnographic report. | PhD Thesis (Theses) | Link | |||
| 2024 | Rotunni, Kevin | NoteBlockLib: A Library for Physics- and Animation-Driven Virtual MIDI Instruments for Use in Video Games | PhD Thesis (Theses) | Link | |||
| 2024 | Carpentier, Thibaut | Orchestrating a software ecosystem for the creation, manipulation, and distribution of spatial audio | PhD Thesis (Theses) | Sorbonne Université | Link | ||
| 2024 | Preece, Patricia | Oscillations: Exploring a Performance Ecosystem Through a Sonic Cyberfeminisms Lens | PhD Thesis (Theses) | CQUniversity | Link | ||
| 2024 | Khazaei, Mahya | Real-time gesture-based sound control system | PhD Thesis (Theses) | University of Victoria | Link | ||
| 2024 | Niyonsenga, Albert | Reliability Centered Approaches for Digital Musical Interface Design | PhD Thesis (Theses) | McGill University | Link | ||
| 2024 | Gianniodis, Dimitri | Sculpting one’s place in the feast. Techniques of the body and intentions in musical and dance practices on Chios island (Greece) | PhD Thesis (Theses) | Paris 10 | Link | ||
| 2024 | Schneider, Verena | The art of voltage control : Moog Mavis as an exemplar in modular synthesis techniques | PhD Thesis (Theses) | FH JOANNEUM ePUB | Link | ||
| 2024 | Ebenreuter, Natalie | Transference of dance knowledge through interface design | PhD Thesis (Theses) | Swinburne | Link | ||
| 2024 | Moura, Nádia and Fonseca, Pedro and Vilas-Boas, João Paulo and Serra, Sofia | Increased body movement equals better performance? Not always! Musical style determines motion degree perceived as optimal in music performance | Article (Zotero) | Psychological Research | 1314–1330 | Link | |
| 2024 | Godøy, Rolf Inge | Motion shapes for sound shaping | Article (Zotero) | Frontiers in Psychology | Link | ||
| 2024 | Tahiroğlu, Koray | Musical intra-actions with digital musical instruments | Article (Zotero) | Journal of New Music Research | 126–138 | Link | |
| 2024 | Laczkó, Bálint and Jensenius, Alexander Refsum | SYNTH MAPS: MAPPING THE NON-PROPORTIONAL RELATIONSHIPS BETWEEN SYNTHESIZER PARAMETERS AND SYNTHESIZED SOUND | Article (Zotero) | ||||
| 2024 | Jensenius, Alexander Refsum | Sonic Design: Explorations Between Art and Science | Book (Zotero) | Springer Nature Switzerland | Link | ||
| 2024 | Karbasi, Seyed Mojtaba | ZRob: Exploring Rhythmic Patterns and Emergent Behaviour in Robotic Drumming | PhD Thesis (Zotero) | Universitetet i Oslo | |||
| 2025 | Lucas, Pedro and Fasciani, Stefano and Szorkovszky, Alex and Glette, Kyrre | An Interactive Self-Assembly Swarm Music System in Extended Reality | Conference Proceedings (Cited) | Proceedings of the 20th International Audio Mostly Conference | 255–269 | Link | |
| 2025 | Arslan, Cagan and Berthaut, Florent | Examining the Design Process for 3D Interactions in Performing Arts: A Spatial Augmented Reality Cyber-Opera Case Study | Article (Cited) | IEEE Transactions on Visualization and Computer Graphics | 2406–2415 | Link | |
| 2025 | Zheng, Shuoyang Jasper and Xambó Sedó, Anna and Bryan-Kinns, Nick | Exploring gestural affordances in audio latent space navigation | Article (Cited) | Frontiers in Computer Science | Link | ||
| 2025 | Hunter, Trevor and Klein, Eve and Viller, Stephen | From Installation to Instrument: A Qualitative Inquiry into Gesture, Expression, and Composition with Soundscape | Conference Proceedings (Cited) | Proceedings of the 20th International Audio Mostly Conference | 326–336 | Link | |
| 2025 | Deja, Jordan Aiko and Štor, Sandi and Pucihar, Ilonka and Weerasinghe, Maheshya and Balbin, Rafael Marco and Čopič Pucihar, Klen and Kljun, Matjaž | ImproVisAR: designing augmented reality piano roll for teaching improvisation | Article (Cited) | Virtual Reality | Link | ||
| 2025 | Zappi, Victor and Tatar, Kıvanç | Neural audio instruments: epistemological and phenomenological perspectives on musical embodiment of deep learning | Article (Cited) | Frontiers in Computer Science | Link | ||
| 2025 | Wang, Yichen and Xi, Mingze and Adcock, Matt and Patrick Martin, Charles | Seeing the Sound: Supporting Musical Collaboration with Augmented Reality | Conference Proceedings (Cited) | Proceedings of the 2025 Conference on Creativity and Cognition | 99–112 | Link | |
| 2025 | Cavdir, Doga and Simone, Dillion and de Bastion, Myles and Trail, Shawn and Hergert, Nate | Sonic Agency: A Group Autoethnography of Technology-mediated Performance Practice by Deaf and Hard of Hearing Musicians | Conference Proceedings (Cited) | Proceedings of the 27th International ACM SIGACCESS Conference on Computers and Accessibility | 1–15 | Link | |
| 2025 | Khallaghi, Trisha and Bennett, Pete and Tanaka, Atau | SquishySonics: A Deformable Interface for the Physical Control of Real-time AI Sound Generation Tools | Conference Proceedings (Cited) | Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems | 1–5 | Link | |
| 2025 | Black, August and Biggs, Betsey and Friz, Anna and Goldfarb, Maximilian and Courtemanche, Peter and Curci, Florencia and Mantinian, Virginia and Garver, Jimmy and Economy, Jeff and Ríos Zunino, Rodrigo and Joseph-Hunter, Galen | The Conduction Series: Live Collaborative Transmission Art across Borders | Conference Proceedings (Cited) | Proceedings of the 20th International Audio Mostly Conference | 190–198 | Link | |
| 2025 | Zaccagnino, Rocco and Costagliola, Gennaro and De Prisco, Roberto and De Rosa, Mattia and Fuccella, Vittorio and Malandrino, Delfina and Salerno, Daniele | Towards accessible Digital Interfaces for music creativity | Conference Proceedings (Cited) | Proceedings of the 16th Biannual Conference of the Italian SIGCHI Chapter | 1–10 | Link | |
| 2025 | Fléty, Emmanuel and Bevilacqua, Frédéric | Wireless Inertial Measurement Units in Performing Arts | Article (Cited) | Sensors | 6188 | Link | |
| 2025 | Rossi, Marta and Michalakos, Christos | Athanasius Kircher’s Sonic Playground - An Acoustic Virtual Reality Installation | Conference Proceedings (Related) | 2025 Immersive and 3D Audio: from Architecture to Automotive (I3DA) | 1–8 | Link | |
| 2025 | Jähnichen, Gisa | Changing Musical Instruments and AI; Musical Instruments in Public Life | Book (Related) | Logos Verlag Berlin | Link | ||
| 2025 | Miranda, Eduardo Reck | Advances in Quantum Computer Music | Book (Related) | WORLD SCIENTIFIC | Link | ||
| 2025 | Anderson, Christopher D. | Sound Design for the Visual Storyteller: Creating Sound for Visual Media | Book (Related) | Focal Press | Link | ||
| 2025 | Thurlow, Drew | Machine Music: How AI is Transforming Music’s Next Act | Book (Related) | Focal Press | Link | ||
| 2025 | McMillan, Andrew Strachan | Accessibility in Music-Making | PhD Thesis (Theses) | University of Auckland | Link | ||
| 2025 | Daigle, Martin | Augmented drum kit: Technological expansion of musical performance | PhD Thesis (Theses) | McGill University | Link | ||
| 2025 | Fléty, Emmanuel | Contributions of Electronics to Gesture-Based Interaction : Application to Live Performances and the Design of Digital Musical Instruments | PhD Thesis (Theses) | Centre d’études et de recherche en informatique et communications | Link | ||
| 2025 | Chau, Clover | Dance Videography Grammar: A Shape Grammar for the Description, Analysis and Generation of Dance Performance Videos | PhD Thesis (Theses) | Carnegie Mellon University | Link | ||
| 2025 | Jullin, Jean-Philippe | Exploration interactive d’espaces latents pour la performance audiovisuelle : une démarche artistique informée par l’apprentissage machine | PhD Thesis (Theses) | Université de Montréal | Link | ||
| 2025 | Magalhães, Gabriel Warken | Implementation of an overdrive pedal with gestural control for electric guitar applications | PhD Thesis (Theses) | Federal University of Technology – Paraná | Link | ||
| 2025 | Uro, Pierrick | Interaction, Espace, et Coprésence en Réalité Mixte Colocalisée | PhD Thesis (Theses) | Centre National de la Recherche Scientifique | Link | ||
| 2025 | West, Travis | Making Digital Musical Instruments | PhD Thesis (Theses) | McGill University | Link | ||
| 2025 | Henry, Max | Novel interfaces for audio manipulation | PhD Thesis (Theses) | McGill University | Link | ||
| 2025 | Ardila, Nicolas Carvajal | Prototype Experience of a Modular Synthesizer in Unreal Engine 5: Interactive Sound Exploration in VR | PhD Thesis (Theses) | Pontificia Universidad Javeriana | Link | ||
| 2025 | Leitman, Sasha | Resonant Object Interface: An Acoustic Input Device for Nuanced, Embodied Interaction with Music Software | PhD Thesis (Theses) | Link | |||
| 2025 | Branch, Boyd Mathoni | Tele-immersion for the training and performance of live theatre | PhD Thesis (Theses) | University of Kent | Link | ||
| 2025 | Young, Alex | The Slide Piano: Exploring the creative application of electric slide guitar techniques to the strings of an acoustic piano through hybridised musical instrument design approaches | PhD Thesis (Theses) | University of Wollongong | Link | ||
| 2025 | O’Toole, Patrick | The colour of sound: enhancing pitch-colour cross-modal associations in virtual reality | PhD Thesis (Theses) | University College Cork, Ireland | Link | ||
| 2025 | Mercier, Maxence | The space as parameter of writing through the devices of sound spatialization | PhD Thesis (Theses) | Centre Transdisciplinaire d’Épistémologie de la Littérature et des Arts vivants | Link | ||
| 2025 | Gomez, Juan Pulido | β [beta], a series of gestural pieces for performer plus live electronics, based on motion capture and mobile phones. | PhD Thesis (Theses) | Pontificia Universidad Javeriana | Link | ||
| 2025 | Czepiel, Anna M. and Fink, Lauren K. and Scharinger, Mathias and Seibert, Christoph and Wald-Fuhrmann, Melanie and Kotz, Sonja A. | Audio-visual concert performances synchronize audience’s heart rates | Article (Zotero) | Annals of the New York Academy of Sciences | 117–132 | Link | |
| 2025 | Iversen, Kristian Tverli and Hebert, David G. | Laptop computer as instrument in music performance lessons: issues and opportunities | Article (Zotero) | British Journal of Music Education | 155–168 | Link | |
| 2025 | O’Flaherty, Tug F. and Elmokadem, Mahmoud B. and Xu, Xinyue and Manjunatha, K. N. and Roma, Gerard and Xenakis, Georgios and Xambo Sedo, A. | Sonification Mappings for Sensing Tree Stress: A DIY Approach | Conference Proceedings (Zotero) | Web Audio Conference (WAC) | Link | ||
| 2025 | Upham, Finn and Rosas, Fernando E. | When and How the Audience Moves | Article (Zotero) | Music & Science | 20592043251398280 | Link | |
| 2026 | Kim, Yewon and Brade, Stephen and Wang, Alexander and Zhou, David and Kim, Haven and Wang, Bill and Lee, Sung-Ju and Flores Garcia, Hugo F and Huang, Anna and Donahue, Chris | A Design Space for Live Music Agents | Conference Proceedings (Cited) | Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems | 1–36 | Link | |
| 2026 | Davison, Matthew and McPherson, Andrew | Design Explorations of Instruments and Interactions with Bidirectional Haptic Couplings | Conference Proceedings (Cited) | Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems | 1–15 | Link | |
| 2026 | McPherson, Andrew P. | Notes aren’t real: An anti-framework for entangled instrument design | Article (Cited) | Organised Sound | 1–10 | Link | |
| 2026 | Hu, Botao Amber and Tao, Yilan Elan and Lin, Rem RunGu and Chai, Mingze and Huang, Yuemin and Patibanda, Rakesh | Nudging the Somas: Exploring How Live-Configurable Mixed Reality Objects Shape Open-Ended Intercorporeal Movements | Conference Proceedings (Cited) | Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems | 1–32 | Link | |
| 2026 | Wu, Yuan-Shao and Chang, Ya-Chieh and Hsu, Chun-Cheng | SlimeUI: Exploring Non-Newtonian Fluid as a Deformable Interface for Digital Musical Expression | Conference Proceedings (Cited) | Companion Publication of the 2026 ACM Designing Interactive Systems Conference | 595–598 | Link | |
| 2026 | Xu, Tianyu and Kim, Sieun and Zheng, Qianhui and Xu, Ruoyu and Ravi, Tejasvi and Kulkarni, Anuva and Passarella-Ward, Katrina and Zhu, Junyi and Kowdle, Adarsh | MoXaRt: Audio-Visual Object-Guided Sound Interaction for XR | Conference Proceedings (Related) | Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems | 1–16 | Link | |
| 2026 | Grebel, Louise and Alaoui, Sarah Fdili and Matuszewski, Benjamin and Ghomi, Emilien and Bevilacqua, Frederic | Designing Interactive Movement Sonification For Hip-Hop Dance | Conference Proceedings (Related) | Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems | 1–17 | Link | |
| 2026 | Ahn, SooYeon and Baek, In-Chang and Kim, KyungJoong and Truong, Khai N. and Hong, Jin-Hyuk | µCap: Instrumental Music Captions for Deaf and Hard-of-Hearing Individuals | Conference Proceedings (Related) | Proceedings of the 2026 CHI Conference on Human Factors in Computing Systems | 1–26 | Link | |
| 2026 | Forment, Raphaël Maurice and Dubois, Tanguy and Jezequel, Loïg | Sova: A Libre / Open Source Polyglot and Collaborative Live Coding Environment for Pedagogy and Research on Live Coding | Conference Proceedings (Related) | Journées d’Informatique Musicale | Link | ||
| 2026 | Ciotti, Federica and Hartono, Patrick | Linea Viva: A Single-Line Live Score for Embodied Drawing-and-Sound Performance | Conference Proceedings (Related) | Proceedings of the 2026 Conference on Creativity and Cognition | 1708–1712 | Link | |
| 2026 | Stover, Chris and Michaelsen, Garrett | Making Music Together: Analytical Perspectives on Musical Interaction | Book (Related) | Oxford University Press | Link | ||
| 2026 | Skjerseth, Amy | Preprogrammed: How Electronic Presets Changed Music and Media | Book (Related) | University of California Press | Link | ||
| 2026 | Snoman, Rick | Sound Design and Synthesis for Electronic and Modern Music: Beyond the Drop | Book (Related) | Focal Press | Link | ||
| 2026 | Turowski, Paul and Hutchinson, Simon and Fukuda, Takuto | Gameful Compositions in Interactive Computer Music | Book (Related) | Springer Nature Switzerland | Link | ||
| 2026 | Burzynska, Jo | The Sensory Terroir of Crossmodal Art: Connecting the Senses through Wine and Sound | Book (Related) | Routledge | Link | ||
| 2026 | Çamcı, Anıl and Corey, Jason | Virtual Reality Audio: A Guide to Immersive Sound in Virtual Experiences | Book (Related) | Focal Press | Link | ||
| 2026 | Mills, Damian | Accessible virtual reality musical instruments: facilitating inclusion and accessibility in design | PhD Thesis (Theses) | Link | |||
| 2026 | Hunter, Trevor | An ecological perspective to the interface design of new digital musical instruments: a case study of the development and design of Soundscape | PhD Thesis (Theses) | Link | |||
| 2026 | Ronen, Oren | Analyzing Vibrotactile Feedback Strategies Across Diverse Digital Musical Instruments | PhD Thesis (Theses) | Link | |||
| 2026 | Arbiza, Ricardo | Beyond Brass Performance: Exploring the Integration of Non-Intrusive Human-Computer Interfaces in Trombone | PhD Thesis (Theses) | New York University Florence | Link | ||
| 2026 | Wang, Yichen | Beyond Mapping: Exploring Spatial Musical Interface Design with Augmented Reality | PhD Thesis (Theses) | Link | |||
| 2026 | Fiorini, Marco | Co-creative instruments for improvised musical interaction | PhD Thesis (Theses) | Sorbonne Université | Link | ||
| 2026 | Manesh, Daniel | Designing Interactive Systems to Facilitate Exploration and Participation in Live Coding | PhD Thesis (Theses) | Virginia Tech | Link | ||
| 2026 | Hummel, Jonas Frederick | Dialogic coding: a performance practice for co-creative computer improvisation | PhD Thesis (Theses) | Manchester Metropolitan University | Link | ||
| 2026 | D’Croz, Pablo Andrés Monroy | EEG-Driven Brain–Computer Musical Interfaces for Emotion Self-Induction | PhD Thesis (Theses) | Consorci de Serveis Universitaris de Catalunya | Link | ||
| 2026 | Štrba, Tomáš | Experimental software musical instrument for the Android operating system with an unusual graphical interface | PhD Thesis (Theses) | Brno University of Technology | Link | ||
| 2026 | Privitera, Alessandro Giuseppe | Exploring Human-Technology Interactions in Audio Mixed Realities | PhD Thesis (Theses) | University of Udine | Link | ||
| 2026 | (24207218), Matthew Madigan | Exploring Wassily Kandinsky’s Colour-Sound Associations Through An Interactive Music Installation | PhD Thesis (Theses) | Link | |||
| 2026 | Morales, Maria Paula Castiblanco | Freira: The instrument garments | PhD Thesis (Theses) | Repositorio Institucional Universidad El Bosque | Link | ||
| 2026 | (24154380), Ciara June Baui | How does music composed by a musician compare to music composed by a dancer using motion capture, in terms of expressing a prompt? | PhD Thesis (Theses) | Link | |||
| 2026 | Lavastre, Benjamin | Instrumental Interaction V pour 3 Karlax, ensemble et électronique | PhD Thesis (Theses) | McGill University | Link | ||
| 2026 | Turza, Šimon | Modification of an existing Fatar TP9S musical keyboard to sense key position with linear Hall sensors | PhD Thesis (Theses) | Brno University of Technology | Link | ||
| 2026 | Passa, Thomas | Self-oscillating musical instruments : basins of attraction and transient dynamics | PhD Thesis (Theses) | theses.fr (ABES) | Link | ||
| 2026 | Florio, Paola | The Joint Didactic Action to build the art of dance : Study of the Rite of Spring of Pina Bausch | PhD Thesis (Theses) | Université de Brest (2025-....) | Link | ||
| 2026 | Richthoff, Lukas | Warping sound with gesturing : sensor-based tracking for expressive control of guitar effects in live performance | PhD Thesis (Theses) | KTH Royal Institute of Technology | Link | ||
| 2026 | Serdar, Bilge and Tidemann, Aleksander and Jensenius, Alexander Refsum | Performative Togetherness in networked music–dance performance | Article (Zotero) | International Journal of Performance Arts and Digital Media | 1–22 | Link |